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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8CF57 it is the complementary color #4730A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8CF57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8CF57 shade: #BDCF52, #CEE165, #DFF378, #F0FF8B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8CF57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8CF57 shade: #B8CF57, #A7BD44, #96AB31, #85991E and #74870B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8CF57 shade: #B9D058, #D0C758, #D0A658, #D08658 and #D06558

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8CF57 shade: #B9D058, #99D058, #78D058, #58D058 and #58D078

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8CF57 shade matches the following richer shades: #B9D058, #C4E147 and #CEF335

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8CF57 shade: #B9D058, #AEBF69, #A4AD7B, #999C8C and #8E8B9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8CF57 shade: #D0A658, #D0C658, #BAD058, #9AD058 and #7AD058

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8CF57 shade: #8FA62F, #ABC738, #B9D058, #C6D978 and #D4E298

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8CF57 shade: #B8CF57, #58D086 and #B658D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8CF57 shade: #B8CF57, #58BAD0 and #D058BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8CF57 shade: #B8CF57, #58D086, #6E58D0 and #D058A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8CF57 shade: #B8CF57, #58D0AA, #6E58D0 and #D0587E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 58 / 19

HEX #B8CF57

RGB 184 207 87

HSL 71.5, 0.56%, 0.58%

LAB 79.33, -24.7, 55.79

 

Complementary color

CMYK 58 / 71 / 0 / 34

HEX #4730A8

RGB 71 48 168

HSL 251.5, 0.56%, 0.42%

LAB 30.11, 42.85, -60.93

 

CMYK 9 / 0 / 60 / 19

HEX #BDCF52

RGB 189 207 82

HSL 68.64, 0.57%, 0.57%

LAB 79.64, -23.08, 58.41

 

CMYK 8 / 0 / 55 / 12

HEX #CEE165

RGB 206 225 101

HSL 69.19, 0.67%, 0.64%

LAB 85.96, -23.52, 57.49

 

CMYK 8 / 0 / 51 / 5

HEX #DFF378

RGB 223 243 120

HSL 69.76, 0.84%, 0.71%

LAB 92.2, -23.89, 56.46

 

CMYK 6 / 0 / 45 / 0

HEX #F0FF8B

RGB 240 255 139

HSL 67.76, 1%, 0.77%

LAB 96.78, -21.33, 53.47

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 11 / 0 / 58 / 19

HEX #B8CF57

RGB 184 207 87

HSL 71.5, 0.56%, 0.58%

LAB 79.33, -24.7, 55.79

 

CMYK 12 / 0 / 64 / 26

HEX #A7BD44

RGB 167 189 68

HSL 70.91, 0.48%, 0.5%

LAB 72.91, -24.25, 56.6

 

CMYK 12 / 0 / 71 / 33

HEX #96AB31

RGB 150 171 49

HSL 70.33, 0.55%, 0.43%

LAB 66.39, -23.65, 57.04

 

CMYK 13 / 0 / 80 / 40

HEX #85991E

RGB 133 153 30

HSL 69.76, 0.67%, 0.36%

LAB 59.76, -22.87, 56.77

 

CMYK 14 / 0 / 92 / 47

HEX #74870B

RGB 116 135 11

HSL 69.19, 0.85%, 0.29%

LAB 53.02, -21.85, 55.15

 

CMYK 11 / 0 / 58 / 18

HEX #B9D058

RGB 185 208 88

HSL 71.5, 0.56%, 0.58%

LAB 79.69, -24.71, 55.76

 

CMYK 0 / 4 / 58 / 18

HEX #D0C758

RGB 208 199 88

HSL 55.5, 0.56%, 0.58%

LAB 79.02, -10.85, 55.5

 

CMYK 0 / 20 / 58 / 18

HEX #D0A658

RGB 208 166 88

HSL 39, 0.56%, 0.58%

LAB 70.45, 6.43, 45.66

 

CMYK 0 / 36 / 58 / 18

HEX #D08658

RGB 208 134 88

HSL 23, 0.56%, 0.58%

LAB 62.65, 23.77, 36.28

 

CMYK 0 / 51 / 58 / 18

HEX #D06558

RGB 208 101 88

HSL 6.5, 0.56%, 0.58%

LAB 55.5, 41.17, 27.28

 

CMYK 11 / 0 / 58 / 18

HEX #B9D058

RGB 185 208 88

HSL 71.5, 0.56%, 0.58%

LAB 79.69, -24.71, 55.76

 

CMYK 26 / 0 / 58 / 18

HEX #99D058

RGB 153 208 88

HSL 87.5, 0.56%, 0.58%

LAB 77.63, -37.01, 52.88

 

CMYK 42 / 0 / 58 / 18

HEX #78D058

RGB 120 208 88

HSL 104, 0.56%, 0.58%

LAB 75.95, -48.28, 50.51

 

CMYK 58 / 0 / 58 / 18

HEX #58D058

RGB 88 208 88

HSL 120, 0.56%, 0.58%

LAB 74.76, -57.15, 48.82

 

CMYK 58 / 0 / 42 / 18

HEX #58D078

RGB 88 208 120

HSL 136, 0.56%, 0.58%

LAB 75.17, -52.64, 33.81

 

CMYK 11 / 0 / 58 / 18

HEX #B9D058

RGB 185 208 88

HSL 71.5, 0.56%, 0.58%

LAB 79.69, -24.71, 55.76

 

CMYK 13 / 0 / 68 / 12

HEX #C4E147

RGB 196 225 71

HSL 71.3, 0.72%, 0.58%

LAB 85.02, -29.58, 68.56

 

CMYK 15 / 0 / 78 / 5

HEX #CEF335

RGB 206 243 53

HSL 71.68, 0.89%, 0.58%

LAB 90.54, -34.78, 79.81

 

CMYK 11 / 0 / 58 / 18

HEX #B9D058

RGB 185 208 88

HSL 71.5, 0.56%, 0.58%

LAB 79.69, -24.71, 55.76

 

CMYK 9 / 0 / 45 / 25

HEX #AEBF69

RGB 174 191 105

HSL 71.86, 0.4%, 0.58%

LAB 74.37, -19.13, 41.26

 

CMYK 5 / 0 / 29 / 32

HEX #A4AD7B

RGB 164 173 123

HSL 70.8, 0.23%, 0.58%

LAB 68.9, -11.62, 24.7

 

CMYK 2 / 0 / 10 / 39

HEX #999C8C

RGB 153 156 140

HSL 71.25, 0.07%, 0.58%

LAB 63.71, -4.05, 8

 

CMYK 10 / 11 / 0 / 38

HEX #8E8B9D

RGB 142 139 157

HSL 250, 0.08%, 0.58%

LAB 58.65, 4.77, -9.14

 

CMYK 0 / 20 / 58 / 18

HEX #D0A658

RGB 208 166 88

HSL 39, 0.56%, 0.58%

LAB 70.45, 6.43, 45.66

 

CMYK 0 / 5 / 58 / 18

HEX #D0C658

RGB 208 198 88

HSL 55, 0.56%, 0.58%

LAB 78.75, -10.34, 55.2

 

CMYK 11 / 0 / 58 / 18

HEX #BAD058

RGB 186 208 88

HSL 71, 0.56%, 0.58%

LAB 79.76, -24.31, 55.86

 

CMYK 26 / 0 / 58 / 18

HEX #9AD058

RGB 154 208 88

HSL 87, 0.56%, 0.58%

LAB 77.69, -36.65, 52.96

 

CMYK 41 / 0 / 58 / 18

HEX #7AD058

RGB 122 208 88

HSL 103, 0.56%, 0.58%

LAB 76.04, -47.65, 50.64

 

CMYK 14 / 0 / 72 / 35

HEX #8FA62F

RGB 143 166 47

HSL 71.6, 0.56%, 0.42%

LAB 64.42, -24.24, 55.67

 

CMYK 14 / 0 / 72 / 22

HEX #ABC738

RGB 171 199 56

HSL 71.75, 0.56%, 0.5%

LAB 75.94, -28.17, 64.38

 

CMYK 11 / 0 / 58 / 18

HEX #B9D058

RGB 185 208 88

HSL 71.5, 0.56%, 0.58%

LAB 79.69, -24.71, 55.76

 

CMYK 9 / 0 / 45 / 15

HEX #C6D978

RGB 198 217 120

HSL 71.75, 0.56%, 0.66%

LAB 83.44, -21, 45.46

 

CMYK 6 / 0 / 33 / 11

HEX #D4E298

RGB 212 226 152

HSL 71.35, 0.56%, 0.74%

LAB 87.32, -16.38, 34.68

 

CMYK 11 / 0 / 58 / 19

HEX #B8CF57

RGB 184 207 87

HSL 71.5, 0.56%, 0.58%

LAB 79.33, -24.7, 55.79

 

CMYK 58 / 0 / 36 / 18

HEX #58D086

RGB 88 208 134

HSL 143, 0.56%, 0.58%

LAB 75.39, -50.2, 26.91

 

CMYK 13 / 58 / 0 / 18

HEX #B658D0

RGB 182 88 208

HSL 287, 0.56%, 0.58%

LAB 53.47, 56.08, -46.01

 

CMYK 11 / 0 / 58 / 19

HEX #B8CF57

RGB 184 207 87

HSL 71.5, 0.56%, 0.58%

LAB 79.33, -24.7, 55.79

 

CMYK 58 / 11 / 0 / 18

HEX #58BAD0

RGB 88 186 208

HSL 191, 0.56%, 0.58%

LAB 70.7, -22.38, -19.78

 

CMYK 0 / 58 / 11 / 18

HEX #D058BA

RGB 208 88 186

HSL 311, 0.56%, 0.58%

LAB 56.02, 59.08, -29.14

 

CMYK 11 / 0 / 58 / 19

HEX #B8CF57

RGB 184 207 87

HSL 71.5, 0.56%, 0.58%

LAB 79.33, -24.7, 55.79

 

CMYK 58 / 0 / 36 / 18

HEX #58D086

RGB 88 208 134

HSL 143, 0.56%, 0.58%

LAB 75.39, -50.2, 26.91

 

CMYK 47 / 58 / 0 / 18

HEX #6E58D0

RGB 110 88 208

HSL 251, 0.56%, 0.58%

LAB 45.43, 38.96, -59.34

 

CMYK 0 / 58 / 22 / 18

HEX #D058A2

RGB 208 88 162

HSL 323, 0.56%, 0.58%

LAB 55.07, 55.51, -16.68

 

CMYK 11 / 0 / 58 / 19

HEX #B8CF57

RGB 184 207 87

HSL 71.5, 0.56%, 0.58%

LAB 79.33, -24.7, 55.79

 

CMYK 58 / 0 / 18 / 18

HEX #58D0AA

RGB 88 208 170

HSL 161, 0.56%, 0.58%

LAB 76.12, -42.72, 8.86

 

CMYK 47 / 58 / 0 / 18

HEX #6E58D0

RGB 110 88 208

HSL 251, 0.56%, 0.58%

LAB 45.43, 38.96, -59.34

 

CMYK 0 / 58 / 39 / 18

HEX #D0587E

RGB 208 88 126

HSL 341, 0.56%, 0.58%

LAB 53.92, 51.01, 2.81

 

Description

Color code: HEX #B8CF57 | qconv.com Color code: HEX #B8CF57 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 207 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 207 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 58 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 58% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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