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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8CE54 it is the complementary color #4731AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8CE54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8CE54 shade: #BDCE4F, #CEE062, #DFF275, #F0FF88 and #FFFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8CE54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8CE54 shade: #B8CE54, #A7BC41, #96AA2E, #85981B and #748608

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8CE54 shade: #B8CE55, #CEC355, #CEA255, #CE8255 and #CE6155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8CE54 shade: #B8CE55, #97CE55, #77CE55, #56CE55 and #55CE74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8CE54 shade matches the following richer shades: #B8CE55, #C3DF43 and #CFF132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8CE54 shade: #B8CE55, #ADBC67, #A1AA79, #96988A and #8B879C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8CE54 shade: #CEA155, #CEC255, #BACE55, #99CE55 and #79CE55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8CE54 shade: #8DA12F, #A9C138, #B8CE55, #C5D775 and #D3E095

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8CE54 shade: #B8CE54, #55CE81 and #B255CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8CE54 shade: #B8CE54, #55BACE and #CE55BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8CE54 shade: #B8CE54, #55CE81, #6955CE and #CE55A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8CE54 shade: #B8CE54, #55CEA5, #6955CE and #CE557D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 59 / 19

HEX #B8CE54

RGB 184 206 84

HSL 70.82, 0.55%, 0.57%

LAB 79.03, -24.46, 56.76

 

Complementary color

CMYK 58 / 71 / 0 / 33

HEX #4731AB

RGB 71 49 171

HSL 250.82, 0.55%, 0.43%

LAB 30.58, 43.22, -61.96

 

CMYK 8 / 0 / 62 / 19

HEX #BDCE4F

RGB 189 206 79

HSL 68.03, 0.56%, 0.56%

LAB 79.34, -22.8, 59.35

 

CMYK 8 / 0 / 56 / 12

HEX #CEE062

RGB 206 224 98

HSL 68.57, 0.67%, 0.63%

LAB 85.66, -23.28, 58.48

 

CMYK 8 / 0 / 52 / 5

HEX #DFF275

RGB 223 242 117

HSL 69.12, 0.83%, 0.7%

LAB 91.9, -23.67, 57.48

 

CMYK 6 / 0 / 47 / 0

HEX #F0FF88

RGB 240 255 136

HSL 67.56, 1%, 0.77%

LAB 96.75, -21.62, 54.82

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 11 / 0 / 59 / 19

HEX #B8CE54

RGB 184 206 84

HSL 70.82, 0.55%, 0.57%

LAB 79.03, -24.46, 56.76

 

CMYK 11 / 0 / 65 / 26

HEX #A7BC41

RGB 167 188 65

HSL 70.24, 0.49%, 0.5%

LAB 72.6, -23.96, 57.51

 

CMYK 12 / 0 / 73 / 33

HEX #96AA2E

RGB 150 170 46

HSL 69.68, 0.57%, 0.42%

LAB 66.08, -23.32, 57.83

 

CMYK 13 / 0 / 82 / 40

HEX #85981B

RGB 133 152 27

HSL 69.12, 0.7%, 0.35%

LAB 59.45, -22.49, 57.36

 

CMYK 13 / 0 / 94 / 47

HEX #748608

RGB 116 134 8

HSL 68.57, 0.89%, 0.28%

LAB 52.71, -21.4, 55.42

 

CMYK 11 / 0 / 59 / 19

HEX #B8CE55

RGB 184 206 85

HSL 70.91, 0.55%, 0.57%

LAB 79.03, -24.38, 56.34

 

CMYK 0 / 5 / 59 / 19

HEX #CEC355

RGB 206 195 85

HSL 54.55, 0.55%, 0.57%

LAB 77.76, -9.86, 55.4

 

CMYK 0 / 21 / 59 / 19

HEX #CEA255

RGB 206 162 85

HSL 38.18, 0.55%, 0.57%

LAB 69.2, 7.51, 45.63

 

CMYK 0 / 37 / 59 / 19

HEX #CE8255

RGB 206 130 85

HSL 22.31, 0.55%, 0.57%

LAB 61.43, 24.88, 36.33

 

CMYK 0 / 53 / 59 / 19

HEX #CE6155

RGB 206 97 85

HSL 5.95, 0.55%, 0.57%

LAB 54.37, 42.2, 27.48

 

CMYK 11 / 0 / 59 / 19

HEX #B8CE55

RGB 184 206 85

HSL 70.91, 0.55%, 0.57%

LAB 79.03, -24.38, 56.34

 

CMYK 27 / 0 / 59 / 19

HEX #97CE55

RGB 151 206 85

HSL 87.27, 0.55%, 0.57%

LAB 76.91, -37.12, 53.37

 

CMYK 42 / 0 / 59 / 19

HEX #77CE55

RGB 119 206 85

HSL 103.14, 0.55%, 0.57%

LAB 75.28, -48.09, 51.08

 

CMYK 58 / 0 / 59 / 19

HEX #56CE55

RGB 86 206 85

HSL 119.5, 0.55%, 0.57%

LAB 74.05, -57.24, 49.34

 

CMYK 59 / 0 / 44 / 19

HEX #55CE74

RGB 85 206 116

HSL 135.37, 0.55%, 0.57%

LAB 74.4, -53.18, 34.83

 

CMYK 11 / 0 / 59 / 19

HEX #B8CE55

RGB 184 206 85

HSL 70.91, 0.55%, 0.57%

LAB 79.03, -24.38, 56.34

 

CMYK 13 / 0 / 70 / 13

HEX #C3DF43

RGB 195 223 67

HSL 70.77, 0.71%, 0.57%

LAB 84.37, -29.26, 69.34

 

CMYK 14 / 0 / 79 / 5

HEX #CFF132

RGB 207 241 50

HSL 70.68, 0.87%, 0.57%

LAB 90.05, -33.58, 80.19

 

CMYK 11 / 0 / 59 / 19

HEX #B8CE55

RGB 184 206 85

HSL 70.91, 0.55%, 0.57%

LAB 79.03, -24.38, 56.34

 

CMYK 8 / 0 / 45 / 26

HEX #ADBC67

RGB 173 188 103

HSL 70.59, 0.39%, 0.57%

LAB 73.44, -18.24, 41.09

 

CMYK 5 / 0 / 29 / 33

HEX #A1AA79

RGB 161 170 121

HSL 71.02, 0.22%, 0.57%

LAB 67.8, -11.5, 24.26

 

CMYK 1 / 0 / 9 / 40

HEX #96988A

RGB 150 152 138

HSL 68.57, 0.06%, 0.57%

LAB 62.32, -3.33, 7.11

 

CMYK 11 / 13 / 0 / 39

HEX #8B879C

RGB 139 135 156

HSL 251.43, 0.1%, 0.57%

LAB 57.29, 5.8, -10.63

 

CMYK 0 / 22 / 59 / 19

HEX #CEA155

RGB 206 161 85

HSL 37.69, 0.55%, 0.57%

LAB 68.94, 8.05, 45.33

 

CMYK 0 / 6 / 59 / 19

HEX #CEC255

RGB 206 194 85

HSL 54.05, 0.55%, 0.57%

LAB 77.5, -9.35, 55.1

 

CMYK 10 / 0 / 59 / 19

HEX #BACE55

RGB 186 206 85

HSL 69.92, 0.55%, 0.57%

LAB 79.18, -23.58, 56.53

 

CMYK 26 / 0 / 59 / 19

HEX #99CE55

RGB 153 206 85

HSL 86.28, 0.55%, 0.57%

LAB 77.02, -36.38, 53.53

 

CMYK 41 / 0 / 59 / 19

HEX #79CE55

RGB 121 206 85

HSL 102.15, 0.55%, 0.57%

LAB 75.37, -47.45, 51.2

 

CMYK 12 / 0 / 71 / 37

HEX #8DA12F

RGB 141 161 47

HSL 70.53, 0.55%, 0.41%

LAB 62.81, -22.6, 54.02

 

CMYK 12 / 0 / 71 / 24

HEX #A9C138

RGB 169 193 56

HSL 70.51, 0.55%, 0.49%

LAB 74.1, -26.11, 62.53

 

CMYK 11 / 0 / 59 / 19

HEX #B8CE55

RGB 184 206 85

HSL 70.91, 0.55%, 0.57%

LAB 79.03, -24.38, 56.34

 

CMYK 8 / 0 / 46 / 16

HEX #C5D775

RGB 197 215 117

HSL 71.02, 0.55%, 0.65%

LAB 82.78, -20.72, 46.1

 

CMYK 6 / 0 / 33 / 12

HEX #D3E095

RGB 211 224 149

HSL 70.4, 0.55%, 0.73%

LAB 86.67, -16.14, 35.33

 

CMYK 11 / 0 / 59 / 19

HEX #B8CE54

RGB 184 206 84

HSL 70.82, 0.55%, 0.57%

LAB 79.03, -24.46, 56.76

 

CMYK 59 / 0 / 37 / 19

HEX #55CE81

RGB 85 206 129

HSL 141.82, 0.55%, 0.57%

LAB 74.61, -50.96, 28.44

 

CMYK 14 / 59 / 0 / 19

HEX #B255CE

RGB 178 85 206

HSL 286.12, 0.55%, 0.57%

LAB 52.31, 56.1, -46.75

 

CMYK 11 / 0 / 59 / 19

HEX #B8CE54

RGB 184 206 84

HSL 70.82, 0.55%, 0.57%

LAB 79.03, -24.46, 56.76

 

CMYK 59 / 10 / 0 / 19

HEX #55BACE

RGB 85 186 206

HSL 189.92, 0.55%, 0.57%

LAB 70.53, -23.52, -18.95

 

CMYK 0 / 59 / 10 / 19

HEX #CE55BA

RGB 206 85 186

HSL 309.92, 0.55%, 0.57%

LAB 55.24, 59.86, -30.38

 

CMYK 11 / 0 / 59 / 19

HEX #B8CE54

RGB 184 206 84

HSL 70.82, 0.55%, 0.57%

LAB 79.03, -24.46, 56.76

 

CMYK 59 / 0 / 37 / 19

HEX #55CE81

RGB 85 206 129

HSL 141.82, 0.55%, 0.57%

LAB 74.61, -50.96, 28.44

 

CMYK 49 / 59 / 0 / 19

HEX #6955CE

RGB 105 85 206

HSL 249.92, 0.55%, 0.57%

LAB 44.17, 39.1, -60.25

 

CMYK 0 / 59 / 22 / 19

HEX #CE55A1

RGB 206 85 161

HSL 322.31, 0.55%, 0.57%

LAB 54.23, 56.13, -17.4

 

CMYK 11 / 0 / 59 / 19

HEX #B8CE54

RGB 184 206 84

HSL 70.82, 0.55%, 0.57%

LAB 79.03, -24.46, 56.76

 

CMYK 59 / 0 / 20 / 19

HEX #55CEA5

RGB 85 206 165

HSL 159.67, 0.55%, 0.57%

LAB 75.32, -43.6, 10.38

 

CMYK 49 / 59 / 0 / 19

HEX #6955CE

RGB 105 85 206

HSL 249.92, 0.55%, 0.57%

LAB 44.17, 39.1, -60.25

 

CMYK 0 / 59 / 39 / 19

HEX #CE557D

RGB 206 85 125

HSL 340.17, 0.55%, 0.57%

LAB 53.06, 51.63, 2.12

 

Description

Color code: HEX #B8CE54 | qconv.com Color code: HEX #B8CE54 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 206 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 206 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 59 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 59% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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