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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8CC5E it is the complementary color #4733A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8CC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8CC5E shade: #BDCC59, #CEDE6C, #DFF07F, #F0FF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8CC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8CC5E shade: #B8CC5E, #A7BA4B, #96A838, #859625 and #748412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8CC5E shade: #B7CC5C, #CCC25C, #CCA45C, #CC865C and #CC685C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8CC5E shade: #B7CC5C, #99CC5C, #7BCC5C, #5DCC5C and #5CCC79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8CC5E shade matches the following richer shades: #B7CC5C, #C2DD4B and #CDEE3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8CC5E shade: #B7CC5C, #ACBA6E, #A1A97F, #969890 and #8B86A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8CC5E shade: #CCA35C, #CCC05C, #B9CC5C, #9BCC5C and #7ECC5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8CC5E shade: #8EA233, #A9C13D, #B7CC5C, #C5D57C and #D3DF9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8CC5E shade: #B8CC5E, #5CCC85 and #B25CCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8CC5E shade: #B8CC5E, #5CB9CC and #CC5CB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8CC5E shade: #B8CC5E, #5CCC85, #6F5CCC and #CC5CA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8CC5E shade: #B8CC5E, #5CCCA6, #6F5CCC and #CC5C81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 54 / 20

HEX #B8CC5E

RGB 184 204 94

HSL 70.91, 0.52%, 0.58%

LAB 78.57, -22.66, 51.76

 

Complementary color

CMYK 56 / 68 / 0 / 37

HEX #4733A1

RGB 71 51 161

HSL 250.91, 0.52%, 0.42%

LAB 30.11, 38.98, -56.71

 

CMYK 7 / 0 / 56 / 20

HEX #BDCC59

RGB 189 204 89

HSL 67.83, 0.53%, 0.57%

LAB 78.88, -21.07, 54.49

 

CMYK 7 / 0 / 51 / 13

HEX #CEDE6C

RGB 206 222 108

HSL 68.42, 0.63%, 0.65%

LAB 85.22, -21.48, 53.46

 

CMYK 7 / 0 / 47 / 6

HEX #DFF07F

RGB 223 240 127

HSL 69.03, 0.79%, 0.72%

LAB 91.48, -21.8, 52.36

 

CMYK 6 / 0 / 43 / 0

HEX #F0FF92

RGB 240 255 146

HSL 68.26, 1%, 0.79%

LAB 96.87, -20.63, 50.27

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 10 / 0 / 54 / 20

HEX #B8CC5E

RGB 184 204 94

HSL 70.91, 0.52%, 0.58%

LAB 78.57, -22.66, 51.76

 

CMYK 10 / 0 / 60 / 27

HEX #A7BA4B

RGB 167 186 75

HSL 70.27, 0.45%, 0.51%

LAB 72.12, -22.26, 52.73

 

CMYK 11 / 0 / 67 / 34

HEX #96A838

RGB 150 168 56

HSL 69.64, 0.5%, 0.44%

LAB 65.57, -21.73, 53.47

 

CMYK 11 / 0 / 75 / 41

HEX #859625

RGB 133 150 37

HSL 69.03, 0.6%, 0.37%

LAB 58.91, -21.04, 53.71

 

CMYK 12 / 0 / 86 / 48

HEX #748412

RGB 116 132 18

HSL 68.42, 0.76%, 0.29%

LAB 52.13, -20.12, 52.9

 

CMYK 10 / 0 / 55 / 20

HEX #B7CC5C

RGB 183 204 92

HSL 71.25, 0.52%, 0.58%

LAB 78.48, -23.23, 52.55

 

CMYK 0 / 5 / 55 / 20

HEX #CCC25C

RGB 204 194 92

HSL 54.64, 0.52%, 0.58%

LAB 77.4, -9.65, 51.74

 

CMYK 0 / 20 / 55 / 20

HEX #CCA45C

RGB 204 164 92

HSL 38.57, 0.52%, 0.58%

LAB 69.58, 6.14, 42.54

 

CMYK 0 / 34 / 55 / 20

HEX #CC865C

RGB 204 134 92

HSL 22.5, 0.52%, 0.58%

LAB 62.22, 22.45, 33.49

 

CMYK 0 / 49 / 55 / 20

HEX #CC685C

RGB 204 104 92

HSL 6.43, 0.52%, 0.58%

LAB 55.59, 38.45, 24.99

 

CMYK 10 / 0 / 55 / 20

HEX #B7CC5C

RGB 183 204 92

HSL 71.25, 0.52%, 0.58%

LAB 78.48, -23.23, 52.55

 

CMYK 25 / 0 / 55 / 20

HEX #99CC5C

RGB 153 204 92

HSL 87.32, 0.52%, 0.58%

LAB 76.52, -34.81, 49.77

 

CMYK 40 / 0 / 55 / 20

HEX #7BCC5C

RGB 123 204 92

HSL 103.39, 0.52%, 0.58%

LAB 74.93, -45.23, 47.52

 

CMYK 54 / 0 / 55 / 20

HEX #5DCC5C

RGB 93 204 92

HSL 119.46, 0.52%, 0.58%

LAB 73.73, -53.92, 45.8

 

CMYK 55 / 0 / 41 / 20

HEX #5CCC79

RGB 92 204 121

HSL 135.54, 0.52%, 0.58%

LAB 74.09, -49.94, 31.92

 

CMYK 10 / 0 / 55 / 20

HEX #B7CC5C

RGB 183 204 92

HSL 71.25, 0.52%, 0.58%

LAB 78.48, -23.23, 52.55

 

CMYK 12 / 0 / 66 / 13

HEX #C2DD4B

RGB 194 221 75

HSL 71.1, 0.68%, 0.58%

LAB 83.8, -28.25, 65.78

 

CMYK 14 / 0 / 76 / 7

HEX #CDEE3A

RGB 205 238 58

HSL 71, 0.84%, 0.58%

LAB 89.13, -32.69, 77.07

 

CMYK 10 / 0 / 55 / 20

HEX #B7CC5C

RGB 183 204 92

HSL 71.25, 0.52%, 0.58%

LAB 78.48, -23.23, 52.55

 

CMYK 8 / 0 / 41 / 27

HEX #ACBA6E

RGB 172 186 110

HSL 71.05, 0.36%, 0.58%

LAB 72.9, -16.85, 36.87

 

CMYK 5 / 0 / 25 / 34

HEX #A1A97F

RGB 161 169 127

HSL 71.43, 0.2%, 0.58%

LAB 67.64, -10.1, 20.78

 

CMYK 1 / 0 / 5 / 40

HEX #969890

RGB 150 152 144

HSL 75, 0.04%, 0.58%

LAB 62.47, -2.24, 3.95

 

CMYK 14 / 17 / 0 / 36

HEX #8B86A2

RGB 139 134 162

HSL 250.71, 0.13%, 0.58%

LAB 57.22, 7.7, -14.18

 

CMYK 0 / 20 / 55 / 20

HEX #CCA35C

RGB 204 163 92

HSL 38.04, 0.52%, 0.58%

LAB 69.33, 6.68, 42.24

 

CMYK 0 / 6 / 55 / 20

HEX #CCC05C

RGB 204 192 92

HSL 53.57, 0.52%, 0.58%

LAB 76.87, -8.62, 51.12

 

CMYK 9 / 0 / 55 / 20

HEX #B9CC5C

RGB 185 204 92

HSL 70.18, 0.52%, 0.58%

LAB 78.62, -22.43, 52.75

 

CMYK 24 / 0 / 55 / 20

HEX #9BCC5C

RGB 155 204 92

HSL 86.25, 0.52%, 0.58%

LAB 76.63, -34.07, 49.94

 

CMYK 38 / 0 / 55 / 20

HEX #7ECC5C

RGB 126 204 92

HSL 101.79, 0.52%, 0.58%

LAB 75.07, -44.25, 47.72

 

CMYK 12 / 0 / 69 / 36

HEX #8EA233

RGB 142 162 51

HSL 70.81, 0.52%, 0.42%

LAB 63.2, -22.43, 52.87

 

CMYK 12 / 0 / 68 / 24

HEX #A9C13D

RGB 169 193 61

HSL 70.91, 0.52%, 0.5%

LAB 74.13, -25.83, 60.71

 

CMYK 10 / 0 / 55 / 20

HEX #B7CC5C

RGB 183 204 92

HSL 71.25, 0.52%, 0.58%

LAB 78.48, -23.23, 52.55

 

CMYK 8 / 0 / 42 / 16

HEX #C5D57C

RGB 197 213 124

HSL 70.79, 0.51%, 0.66%

LAB 82.33, -18.99, 42.1

 

CMYK 5 / 0 / 30 / 13

HEX #D3DF9B

RGB 211 223 155

HSL 70.59, 0.52%, 0.74%

LAB 86.5, -14.88, 32.06

 

CMYK 10 / 0 / 54 / 20

HEX #B8CC5E

RGB 184 204 94

HSL 70.91, 0.52%, 0.58%

LAB 78.57, -22.66, 51.76

 

CMYK 55 / 0 / 35 / 20

HEX #5CCC85

RGB 92 204 133

HSL 141.96, 0.52%, 0.58%

LAB 74.29, -47.84, 25.97

 

CMYK 13 / 55 / 0 / 20

HEX #B25CCC

RGB 178 92 204

HSL 286.07, 0.52%, 0.58%

LAB 53.47, 52.29, -43.76

 

CMYK 10 / 0 / 54 / 20

HEX #B8CC5E

RGB 184 204 94

HSL 70.91, 0.52%, 0.58%

LAB 78.57, -22.66, 51.76

 

CMYK 55 / 9 / 0 / 20

HEX #5CB9CC

RGB 92 185 204

HSL 190.18, 0.52%, 0.58%

LAB 70.41, -22.23, -18.01

 

CMYK 0 / 55 / 9 / 20

HEX #CC5CB9

RGB 204 92 185

HSL 310.18, 0.52%, 0.58%

LAB 56.08, 55.97, -28.52

 

CMYK 10 / 0 / 54 / 20

HEX #B8CC5E

RGB 184 204 94

HSL 70.91, 0.52%, 0.58%

LAB 78.57, -22.66, 51.76

 

CMYK 55 / 0 / 35 / 20

HEX #5CCC85

RGB 92 204 133

HSL 141.96, 0.52%, 0.58%

LAB 74.29, -47.84, 25.97

 

CMYK 46 / 55 / 0 / 20

HEX #6F5CCC

RGB 111 92 204

HSL 250.18, 0.52%, 0.58%

LAB 46.17, 35.65, -55.84

 

CMYK 0 / 55 / 20 / 20

HEX #CC5CA3

RGB 204 92 163

HSL 321.96, 0.52%, 0.58%

LAB 55.21, 52.59, -17.1

 

CMYK 10 / 0 / 54 / 20

HEX #B8CC5E

RGB 184 204 94

HSL 70.91, 0.52%, 0.58%

LAB 78.57, -22.66, 51.76

 

CMYK 55 / 0 / 19 / 20

HEX #5CCCA6

RGB 92 204 166

HSL 159.64, 0.52%, 0.58%

LAB 74.96, -41.04, 9.36

 

CMYK 46 / 55 / 0 / 20

HEX #6F5CCC

RGB 111 92 204

HSL 250.18, 0.52%, 0.58%

LAB 46.17, 35.65, -55.84

 

CMYK 0 / 55 / 37 / 20

HEX #CC5C81

RGB 204 92 129

HSL 340.18, 0.52%, 0.58%

LAB 54.11, 48.13, 1.24

 

Description

Color code: HEX #B8CC5E | qconv.com Color code: HEX #B8CC5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 204 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 204 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 54 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 54% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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