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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8C4C0 it is the complementary color #473B3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8C4C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8C4C0 shade: #BDC4BB, #CED6CE, #DFE8E1 and #F0FAF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8C4C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8C4C0 shade: #B8C4C0, #A7B2AD, #96A09A, #858E87 and #747C74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8C4C0 shade: #B9C4C1, #B9C4BE, #B9C4BA, #BBC4B9 and #BEC4B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8C4C0 shade: #B9C4C1, #B9C4C4, #B9C2C4, #B9BFC4 and #B9BCC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8C4C0 shade matches the following richer shades: #B9C4C1, #AFCFC4, #A4D9C8, #9AE3CB and #90EECE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8C4C0 shade: #B9C4C1, #C3BABD, #CEB0BA, #D8A6B6 and #E29BB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8C4C0 shade: #B9C4BB, #B9C4BE, #B9C4C1, #B9C4C4 and #B9C2C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8C4C0 shade: #8C9F99, #A3B2AD, #B9C4C1, #CFD7D5 and #E6EAE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8C4C0 shade: #B8C4C0, #B9BBC4 and #C4BCB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8C4C0 shade: #B8C4C0, #C1B9C4 and #C4C1B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8C4C0 shade: #B8C4C0, #B9BBC4, #C4B9BD and #C4C3B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8C4C0 shade: #B8C4C0, #BBB9C4, #C4B9BD and #C3C4B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 2 / 23

HEX #B8C4C0

RGB 184 196 192

HSL 160, 0.09%, 0.75%

LAB 78.16, -4.86, 0.58

 

Complementary color

CMYK 0 / 17 / 11 / 72

HEX #473B3F

RGB 71 59 63

HSL 340, 0.09%, 0.25%

LAB 26.23, 6.05, -0.52

 

CMYK 4 / 0 / 5 / 23

HEX #BDC4BB

RGB 189 196 187

HSL 106.67, 0.07%, 0.75%

LAB 78.4, -4.07, 3.67

 

CMYK 4 / 0 / 4 / 16

HEX #CED6CE

RGB 206 214 206

HSL 120, 0.09%, 0.82%

LAB 84.83, -4.17, 3

 

CMYK 4 / 0 / 3 / 9

HEX #DFE8E1

RGB 223 232 225

HSL 133.33, 0.16%, 0.89%

LAB 91.16, -4.26, 2.35

 

CMYK 4 / 0 / 2 / 2

HEX #F0FAF4

RGB 240 250 244

HSL 144, 0.5%, 0.96%

LAB 97.4, -4.35, 1.72

 

CMYK 6 / 0 / 2 / 23

HEX #B8C4C0

RGB 184 196 192

HSL 160, 0.09%, 0.75%

LAB 78.16, -4.86, 0.58

 

CMYK 6 / 0 / 3 / 30

HEX #A7B2AD

RGB 167 178 173

HSL 152.73, 0.07%, 0.68%

LAB 71.6, -4.8, 1.22

 

CMYK 6 / 0 / 4 / 37

HEX #96A09A

RGB 150 160 154

HSL 144, 0.05%, 0.61%

LAB 64.93, -4.73, 1.89

 

CMYK 6 / 0 / 5 / 44

HEX #858E87

RGB 133 142 135

HSL 133.33, 0.04%, 0.54%

LAB 58.11, -4.67, 2.59

 

CMYK 6 / 0 / 6 / 51

HEX #747C74

RGB 116 124 116

HSL 120, 0.03%, 0.47%

LAB 51.14, -4.61, 3.33

 

CMYK 6 / 0 / 2 / 23

HEX #B9C4C1

RGB 185 196 193

HSL 163.64, 0.09%, 0.75%

LAB 78.25, -4.33, 0.19

 

CMYK 6 / 0 / 3 / 23

HEX #B9C4BE

RGB 185 196 190

HSL 147.27, 0.09%, 0.75%

LAB 78.18, -4.9, 1.7

 

CMYK 6 / 0 / 5 / 23

HEX #B9C4BA

RGB 185 196 186

HSL 125.45, 0.09%, 0.75%

LAB 78.07, -5.64, 3.7

 

CMYK 5 / 0 / 6 / 23

HEX #BBC4B9

RGB 187 196 185

HSL 109.09, 0.09%, 0.75%

LAB 78.2, -5.13, 4.44

 

CMYK 3 / 0 / 6 / 23

HEX #BEC4B9

RGB 190 196 185

HSL 92.73, 0.09%, 0.75%

LAB 78.42, -4.08, 4.79

 

CMYK 6 / 0 / 2 / 23

HEX #B9C4C1

RGB 185 196 193

HSL 163.64, 0.09%, 0.75%

LAB 78.25, -4.33, 0.19

 

CMYK 6 / 0 / 0 / 23

HEX #B9C4C4

RGB 185 196 196

HSL 180, 0.09%, 0.75%

LAB 78.33, -3.76, -1.31

 

CMYK 6 / 1 / 0 / 23

HEX #B9C2C4

RGB 185 194 196

HSL 190.91, 0.09%, 0.75%

LAB 77.81, -2.7, -2.08

 

CMYK 6 / 3 / 0 / 23

HEX #B9BFC4

RGB 185 191 196

HSL 207.27, 0.09%, 0.75%

LAB 77.02, -1.11, -3.24

 

CMYK 6 / 4 / 0 / 23

HEX #B9BCC4

RGB 185 188 196

HSL 223.64, 0.09%, 0.75%

LAB 76.23, 0.49, -4.4

 

CMYK 6 / 0 / 2 / 23

HEX #B9C4C1

RGB 185 196 193

HSL 163.64, 0.09%, 0.75%

LAB 78.25, -4.33, 0.19

 

CMYK 15 / 0 / 5 / 19

HEX #AFCFC4

RGB 175 207 196

HSL 159.38, 0.25%, 0.75%

LAB 80.59, -12.81, 1.89

 

CMYK 24 / 0 / 8 / 15

HEX #A4D9C8

RGB 164 217 200

HSL 160.75, 0.41%, 0.75%

LAB 82.75, -20.54, 2.82

 

CMYK 32 / 0 / 11 / 11

HEX #9AE3CB

RGB 154 227 203

HSL 160.27, 0.57%, 0.75%

LAB 85.06, -27.77, 4.51

 

CMYK 39 / 0 / 13 / 7

HEX #90EECE

RGB 144 238 206

HSL 159.57, 0.73%, 0.75%

LAB 87.74, -35.07, 6.75

 

CMYK 6 / 0 / 2 / 23

HEX #B9C4C1

RGB 185 196 193

HSL 163.64, 0.09%, 0.75%

LAB 78.25, -4.33, 0.19

 

CMYK 0 / 5 / 3 / 24

HEX #C3BABD

RGB 195 186 189

HSL 340, 0.07%, 0.75%

LAB 76.31, 3.71, -0.39

 

CMYK 0 / 15 / 10 / 19

HEX #CEB0BA

RGB 206 176 186

HSL 340, 0.23%, 0.75%

LAB 74.65, 12.48, -1.08

 

CMYK 0 / 23 / 16 / 15

HEX #D8A6B6

RGB 216 166 182

HSL 340.8, 0.39%, 0.75%

LAB 73.06, 20.84, -1.1

 

CMYK 0 / 31 / 21 / 11

HEX #E29BB3

RGB 226 155 179

HSL 339.72, 0.55%, 0.75%

LAB 71.46, 29.89, -1.65

 

CMYK 6 / 0 / 5 / 23

HEX #B9C4BB

RGB 185 196 187

HSL 130.91, 0.09%, 0.75%

LAB 78.1, -5.46, 3.2

 

CMYK 6 / 0 / 3 / 23

HEX #B9C4BE

RGB 185 196 190

HSL 147.27, 0.09%, 0.75%

LAB 78.18, -4.9, 1.7

 

CMYK 6 / 0 / 2 / 23

HEX #B9C4C1

RGB 185 196 193

HSL 163.64, 0.09%, 0.75%

LAB 78.25, -4.33, 0.19

 

CMYK 6 / 0 / 0 / 23

HEX #B9C4C4

RGB 185 196 196

HSL 180, 0.09%, 0.75%

LAB 78.33, -3.76, -1.31

 

CMYK 6 / 1 / 0 / 23

HEX #B9C2C4

RGB 185 194 196

HSL 190.91, 0.09%, 0.75%

LAB 77.81, -2.7, -2.08

 

CMYK 12 / 0 / 4 / 38

HEX #8C9F99

RGB 140 159 153

HSL 161.05, 0.09%, 0.59%

LAB 63.89, -7.91, 0.85

 

CMYK 8 / 0 / 3 / 30

HEX #A3B2AD

RGB 163 178 173

HSL 160, 0.09%, 0.67%

LAB 71.31, -6.18, 0.76

 

CMYK 6 / 0 / 2 / 23

HEX #B9C4C1

RGB 185 196 193

HSL 163.64, 0.09%, 0.75%

LAB 78.25, -4.33, 0.19

 

CMYK 4 / 0 / 1 / 16

HEX #CFD7D5

RGB 207 215 213

HSL 165, 0.09%, 0.83%

LAB 85.34, -3.07, 0.03

 

CMYK 2 / 0 / 0 / 8

HEX #E6EAE9

RGB 230 234 233

HSL 165, 0.09%, 0.91%

LAB 92.38, -1.51, 0.01

 

CMYK 6 / 0 / 2 / 23

HEX #B8C4C0

RGB 184 196 192

HSL 160, 0.09%, 0.75%

LAB 78.16, -4.86, 0.58

 

CMYK 6 / 5 / 0 / 23

HEX #B9BBC4

RGB 185 187 196

HSL 229.09, 0.09%, 0.75%

LAB 75.97, 1.03, -4.78

 

CMYK 0 / 4 / 6 / 23

HEX #C4BCB9

RGB 196 188 185

HSL 16.36, 0.09%, 0.75%

LAB 76.8, 2.28, 2.51

 

CMYK 6 / 0 / 2 / 23

HEX #B8C4C0

RGB 184 196 192

HSL 160, 0.09%, 0.75%

LAB 78.16, -4.86, 0.58

 

CMYK 2 / 6 / 0 / 23

HEX #C1B9C4

RGB 193 185 196

HSL 283.64, 0.09%, 0.75%

LAB 76.08, 4.84, -4.55

 

CMYK 0 / 2 / 6 / 23

HEX #C4C1B9

RGB 196 193 185

HSL 43.64, 0.09%, 0.75%

LAB 78.1, -0.38, 4.38

HEX #C4C1B9

CMYK 6 / 0 / 2 / 23

HEX #B8C4C0

RGB 184 196 192

HSL 160, 0.09%, 0.75%

LAB 78.16, -4.86, 0.58

 

CMYK 6 / 5 / 0 / 23

HEX #B9BBC4

RGB 185 187 196

HSL 229.09, 0.09%, 0.75%

LAB 75.97, 1.03, -4.78

 

CMYK 0 / 6 / 4 / 23

HEX #C4B9BD

RGB 196 185 189

HSL 338.18, 0.09%, 0.75%

LAB 76.14, 4.6, -0.64

 

CMYK 0 / 1 / 6 / 23

HEX #C4C3B9

RGB 196 195 185

HSL 54.55, 0.09%, 0.75%

LAB 78.62, -1.44, 5.13

 

CMYK 6 / 0 / 2 / 23

HEX #B8C4C0

RGB 184 196 192

HSL 160, 0.09%, 0.75%

LAB 78.16, -4.86, 0.58

 

CMYK 5 / 6 / 0 / 23

HEX #BBB9C4

RGB 187 185 196

HSL 250.91, 0.09%, 0.75%

LAB 75.61, 2.78, -5.31

 

CMYK 0 / 6 / 4 / 23

HEX #C4B9BD

RGB 196 185 189

HSL 338.18, 0.09%, 0.75%

LAB 76.14, 4.6, -0.64

 

CMYK 1 / 0 / 6 / 23

HEX #C3C4B9

RGB 195 196 185

HSL 65.45, 0.09%, 0.75%

LAB 78.8, -2.32, 5.39

 

Description

Color code: HEX #B8C4C0 | qconv.com Color code: HEX #B8C4C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 196 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 196 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 2 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 2% 23% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

48% - Francisco Obregon - ...
Link: http://www.teatrapo.cl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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