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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8C4B5 it is the complementary color #473B4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8C4B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8C4B5 shade: #BDC4B0, #CED6C3, #DFE8D6, #F0FAE9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8C4B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8C4B5 shade: #B8C4B5, #A7B2A2, #96A08F, #858E7C and #747C69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8C4B5 shade: #B8C4B5, #BCC4B5, #C0C4B5, #C4C4B5 and #C4C0B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8C4B5 shade: #B8C4B5, #B5C4B6, #B5C4BA, #B5C4BE and #B5C4C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8C4B5 shade matches the following richer shades: #B8C4B5, #B2CFAB, #ABD9A0, #A5E495 and #9FEF8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8C4B5 shade: #B8C4B5, #BFB9C0, #C5AFCB, #CCA4D6 and #D299E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8C4B5 shade: #C0C4B5, #BCC4B5, #B8C4B5, #B5C4B6 and #B5C4BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8C4B5 shade: #8C9F88, #A2B29F, #B8C4B5, #CED6CC and #E4E9E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8C4B5 shade: #B8C4B5, #B5C4C4 and #C4B5BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8C4B5 shade: #B8C4B5, #B5B8C4 and #C4B5B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8C4B5 shade: #B8C4B5, #B5C4C4, #C1B5C4 and #C4B5B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8C4B5 shade: #B8C4B5, #B5C0C4, #C1B5C4 and #C4BAB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 8 / 23

HEX #B8C4B5

RGB 184 196 181

HSL 108, 0.11%, 0.74%

LAB 77.88, -6.9, 6.11

 

Complementary color

CMYK 4 / 20 / 0 / 71

HEX #473B4A

RGB 71 59 74

HSL 288, 0.11%, 0.26%

LAB 26.63, 8.47, -7.2

 

CMYK 4 / 0 / 10 / 23

HEX #BDC4B0

RGB 189 196 176

HSL 81, 0.14%, 0.73%

LAB 78.13, -6.01, 9.21

 

CMYK 4 / 0 / 9 / 16

HEX #CED6C3

RGB 206 214 195

HSL 85.26, 0.19%, 0.8%

LAB 84.56, -6.1, 8.44

 

CMYK 4 / 0 / 8 / 9

HEX #DFE8D6

RGB 223 232 214

HSL 90, 0.28%, 0.87%

LAB 90.9, -6.18, 7.71

 

CMYK 4 / 0 / 7 / 2

HEX #F0FAE9

RGB 240 250 233

HSL 95.29, 0.63%, 0.95%

LAB 97.14, -6.27, 7

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 6 / 0 / 8 / 23

HEX #B8C4B5

RGB 184 196 181

HSL 108, 0.11%, 0.74%

LAB 77.88, -6.9, 6.11

 

CMYK 6 / 0 / 9 / 30

HEX #A7B2A2

RGB 167 178 162

HSL 101.25, 0.09%, 0.67%

LAB 71.33, -6.85, 6.85

 

CMYK 6 / 0 / 11 / 37

HEX #96A08F

RGB 150 160 143

HSL 95.29, 0.08%, 0.59%

LAB 64.65, -6.8, 7.64

 

CMYK 6 / 0 / 13 / 44

HEX #858E7C

RGB 133 142 124

HSL 90, 0.07%, 0.52%

LAB 57.84, -6.75, 8.48

 

CMYK 6 / 0 / 15 / 51

HEX #747C69

RGB 116 124 105

HSL 85.26, 0.08%, 0.45%

LAB 50.86, -6.7, 9.37

 

CMYK 6 / 0 / 8 / 23

HEX #B8C4B5

RGB 184 196 181

HSL 108, 0.11%, 0.74%

LAB 77.88, -6.9, 6.11

 

CMYK 4 / 0 / 8 / 23

HEX #BCC4B5

RGB 188 196 181

HSL 92, 0.11%, 0.74%

LAB 78.17, -5.5, 6.57

 

CMYK 2 / 0 / 8 / 23

HEX #C0C4B5

RGB 192 196 181

HSL 76, 0.11%, 0.74%

LAB 78.47, -4.08, 7.04

 

CMYK 0 / 0 / 8 / 23

HEX #C4C4B5

RGB 196 196 181

HSL 60, 0.11%, 0.74%

LAB 78.78, -2.66, 7.52

 

CMYK 0 / 2 / 8 / 23

HEX #C4C0B5

RGB 196 192 181

HSL 44, 0.11%, 0.74%

LAB 77.74, -0.54, 6.03

 

CMYK 6 / 0 / 8 / 23

HEX #B8C4B5

RGB 184 196 181

HSL 108, 0.11%, 0.74%

LAB 77.88, -6.9, 6.11

 

CMYK 8 / 0 / 7 / 23

HEX #B5C4B6

RGB 181 196 182

HSL 124, 0.11%, 0.74%

LAB 77.69, -7.76, 5.26

 

CMYK 8 / 0 / 5 / 23

HEX #B5C4BA

RGB 181 196 186

HSL 140, 0.11%, 0.74%

LAB 77.79, -7.02, 3.25

 

CMYK 8 / 0 / 3 / 23

HEX #B5C4BE

RGB 181 196 190

HSL 156, 0.11%, 0.74%

LAB 77.89, -6.27, 1.24

 

CMYK 8 / 0 / 1 / 23

HEX #B5C4C2

RGB 181 196 194

HSL 172, 0.11%, 0.74%

LAB 77.99, -5.5, -0.77

 

CMYK 6 / 0 / 8 / 23

HEX #B8C4B5

RGB 184 196 181

HSL 108, 0.11%, 0.74%

LAB 77.88, -6.9, 6.11

 

CMYK 14 / 0 / 17 / 19

HEX #B2CFAB

RGB 178 207 171

HSL 108.33, 0.27%, 0.74%

LAB 80.2, -16.4, 14.7

 

CMYK 21 / 0 / 26 / 15

HEX #ABD9A0

RGB 171 217 160

HSL 108.42, 0.43%, 0.74%

LAB 82.28, -25.59, 23.32

 

CMYK 28 / 0 / 35 / 11

HEX #A5E495

RGB 165 228 149

HSL 107.85, 0.59%, 0.74%

LAB 84.82, -34.51, 32.35

 

CMYK 33 / 0 / 42 / 6

HEX #9FEF8A

RGB 159 239 138

HSL 107.52, 0.76%, 0.74%

LAB 87.46, -42.97, 41.22

 

CMYK 6 / 0 / 8 / 23

HEX #B8C4B5

RGB 184 196 181

HSL 108, 0.11%, 0.74%

LAB 77.88, -6.9, 6.11

 

CMYK 1 / 4 / 0 / 25

HEX #BFB9C0

RGB 191 185 192

HSL 291.43, 0.05%, 0.74%

LAB 75.81, 3.4, -2.79

 

CMYK 3 / 14 / 0 / 20

HEX #C5AFCB

RGB 197 175 203

HSL 287.14, 0.21%, 0.74%

LAB 74.09, 12.97, -11.29

 

CMYK 5 / 23 / 0 / 16

HEX #CCA4D6

RGB 204 164 214

HSL 288, 0.38%, 0.74%

LAB 72.39, 23.48, -19.81

 

CMYK 6 / 32 / 0 / 12

HEX #D299E0

RGB 210 153 224

HSL 288.17, 0.53%, 0.74%

LAB 70.78, 33.38, -27.71

 

CMYK 2 / 0 / 8 / 23

HEX #C0C4B5

RGB 192 196 181

HSL 76, 0.11%, 0.74%

LAB 78.47, -4.08, 7.04

 

CMYK 4 / 0 / 8 / 23

HEX #BCC4B5

RGB 188 196 181

HSL 92, 0.11%, 0.74%

LAB 78.17, -5.5, 6.57

 

CMYK 6 / 0 / 8 / 23

HEX #B8C4B5

RGB 184 196 181

HSL 108, 0.11%, 0.74%

LAB 77.88, -6.9, 6.11

 

CMYK 8 / 0 / 7 / 23

HEX #B5C4B6

RGB 181 196 182

HSL 124, 0.11%, 0.74%

LAB 77.69, -7.76, 5.26

 

CMYK 8 / 0 / 5 / 23

HEX #B5C4BA

RGB 181 196 186

HSL 140, 0.11%, 0.74%

LAB 77.79, -7.02, 3.25

 

CMYK 12 / 0 / 14 / 38

HEX #8C9F88

RGB 140 159 136

HSL 109.57, 0.11%, 0.58%

LAB 63.47, -11.2, 9.77

 

CMYK 9 / 0 / 11 / 30

HEX #A2B29F

RGB 162 178 159

HSL 110.53, 0.11%, 0.66%

LAB 70.89, -9.18, 7.82

 

CMYK 6 / 0 / 8 / 23

HEX #B8C4B5

RGB 184 196 181

HSL 108, 0.11%, 0.74%

LAB 77.88, -6.9, 6.11

 

CMYK 4 / 0 / 5 / 16

HEX #CED6CC

RGB 206 214 204

HSL 108, 0.11%, 0.82%

LAB 84.78, -4.52, 3.98

 

CMYK 2 / 0 / 3 / 9

HEX #E4E9E3

RGB 228 233 227

HSL 110, 0.12%, 0.9%

LAB 91.83, -2.74, 2.32

 

CMYK 6 / 0 / 8 / 23

HEX #B8C4B5

RGB 184 196 181

HSL 108, 0.11%, 0.74%

LAB 77.88, -6.9, 6.11

 

CMYK 8 / 0 / 0 / 23

HEX #B5C4C4

RGB 181 196 196

HSL 180, 0.11%, 0.74%

LAB 78.05, -5.11, -1.77

 

CMYK 0 / 8 / 3 / 23

HEX #C4B5BE

RGB 196 181 190

HSL 324, 0.11%, 0.74%

LAB 75.14, 6.93, -2.64

 

CMYK 6 / 0 / 8 / 23

HEX #B8C4B5

RGB 184 196 181

HSL 108, 0.11%, 0.74%

LAB 77.88, -6.9, 6.11

 

CMYK 8 / 6 / 0 / 23

HEX #B5B8C4

RGB 181 184 196

HSL 228, 0.11%, 0.74%

LAB 74.88, 1.29, -6.43

 

CMYK 0 / 8 / 6 / 23

HEX #C4B5B8

RGB 196 181 184

HSL 348, 0.11%, 0.74%

LAB 74.98, 5.86, 0.4

 

CMYK 6 / 0 / 8 / 23

HEX #B8C4B5

RGB 184 196 181

HSL 108, 0.11%, 0.74%

LAB 77.88, -6.9, 6.11

 

CMYK 8 / 0 / 0 / 23

HEX #B5C4C4

RGB 181 196 196

HSL 180, 0.11%, 0.74%

LAB 78.05, -5.11, -1.77

 

CMYK 2 / 8 / 0 / 23

HEX #C1B5C4

RGB 193 181 196

HSL 288, 0.11%, 0.74%

LAB 75.06, 7, -6.06

 

CMYK 0 / 8 / 8 / 23

HEX #C4B5B5

RGB 196 181 181

HSL 0, 0.11%, 0.74%

LAB 74.9, 5.33, 1.92

 

CMYK 6 / 0 / 8 / 23

HEX #B8C4B5

RGB 184 196 181

HSL 108, 0.11%, 0.74%

LAB 77.88, -6.9, 6.11

 

CMYK 8 / 2 / 0 / 23

HEX #B5C0C4

RGB 181 192 196

HSL 196, 0.11%, 0.74%

LAB 76.99, -2.99, -3.32

 

CMYK 2 / 8 / 0 / 23

HEX #C1B5C4

RGB 193 181 196

HSL 288, 0.11%, 0.74%

LAB 75.06, 7, -6.06

 

CMYK 0 / 5 / 8 / 23

HEX #C4BAB5

RGB 196 186 181

HSL 20, 0.11%, 0.74%

LAB 76.19, 2.65, 3.78

 

Description

Color code: HEX #B8C4B5 | qconv.com Color code: HEX #B8C4B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 196 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 196 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 8 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 8% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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