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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8C2DB it is the complementary color #473D24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8C2DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8C2DB shade: #BDC2D6, #CED4E9, #DFE6FC, #F0F8FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8C2DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8C2DB shade: #B8C2DB, #A7B0C8, #969EB5, #858CA2 and #747A8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8C2DB shade: #B8C2DB, #B8B8DB, #C1B8DB, #CAB8DB and #D4B8DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8C2DB shade: #B8C2DB and #B8B8DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8C2DB shade matches the following richer shades: #B8C2DB, #AFBEE4, #A6BAEC, #9EB7F5 and #95B3FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8C2DB shade: #B8C2DB, #C0C6D2, #C9C9CA, #D2CDC1 and #DAD1B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8C2DB shade: #B8D5DB, #B8CCDB, #B8C2DB, #B8B9DB and #C0B8DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8C2DB shade: #8193BF, #9CAACD, #B8C2DB, #D3D9E9 and #EFF1F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8C2DB shade: #B8C2DB, #D8B8DB and #D1DBB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8C2DB shade: #B8C2DB, #DBB8C2 and #C2DBB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8C2DB shade: #B8C2DB, #D8B8DB, #DBD1B8 and #BBDBB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8C2DB shade: #B8C2DB, #DBB8D4, #DBD1B8 and #B8DBBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 11 / 0 / 14

HEX #B8C2DB

RGB 184 194 219

HSL 222.86, 0.33%, 0.79%

LAB 78.4, 1.65, -13.63

 

Complementary color

CMYK 0 / 14 / 49 / 72

HEX #473D24

RGB 71 61 36

HSL 42.86, 0.33%, 0.21%

LAB 26.17, 0.25, 16.99

 

CMYK 12 / 9 / 0 / 16

HEX #BDC2D6

RGB 189 194 214

HSL 228, 0.23%, 0.79%

LAB 78.61, 2.22, -10.58

 

CMYK 12 / 9 / 0 / 9

HEX #CED4E9

RGB 206 212 233

HSL 226.67, 0.38%, 0.86%

LAB 85.04, 2.04, -11.01

 

CMYK 12 / 9 / 0 / 1

HEX #DFE6FC

RGB 223 230 252

HSL 225.52, 0.83%, 0.93%

LAB 91.37, 1.87, -11.45

 

CMYK 6 / 3 / 0 / 0

HEX #F0F8FF

RGB 240 248 255

HSL 208, 1%, 0.97%

LAB 97.18, -1.34, -4.27

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 16 / 11 / 0 / 14

HEX #B8C2DB

RGB 184 194 219

HSL 222.86, 0.33%, 0.79%

LAB 78.4, 1.65, -13.63

 

CMYK 17 / 12 / 0 / 22

HEX #A7B0C8

RGB 167 176 200

HSL 223.64, 0.23%, 0.72%

LAB 71.85, 1.83, -13.25

 

CMYK 17 / 13 / 0 / 29

HEX #969EB5

RGB 150 158 181

HSL 224.52, 0.17%, 0.65%

LAB 65.18, 2.02, -12.87

 

CMYK 18 / 14 / 0 / 36

HEX #858CA2

RGB 133 140 162

HSL 225.52, 0.13%, 0.58%

LAB 58.37, 2.23, -12.49

 

CMYK 19 / 15 / 0 / 44

HEX #747A8F

RGB 116 122 143

HSL 226.67, 0.11%, 0.51%

LAB 51.4, 2.45, -12.13

 

CMYK 16 / 11 / 0 / 14

HEX #B8C2DB

RGB 184 194 219

HSL 222.86, 0.33%, 0.79%

LAB 78.4, 1.65, -13.63

 

CMYK 16 / 16 / 0 / 14

HEX #B8B8DB

RGB 184 184 219

HSL 240, 0.33%, 0.79%

LAB 75.81, 7.05, -17.52

 

CMYK 12 / 16 / 0 / 14

HEX #C1B8DB

RGB 193 184 219

HSL 255.43, 0.33%, 0.79%

LAB 76.52, 9.95, -16.39

 

CMYK 8 / 16 / 0 / 14

HEX #CAB8DB

RGB 202 184 219

HSL 270.86, 0.33%, 0.79%

LAB 77.25, 12.89, -15.21

 

CMYK 3 / 16 / 0 / 14

HEX #D4B8DB

RGB 212 184 219

HSL 288, 0.33%, 0.79%

LAB 78.11, 16.21, -13.84

 

CMYK 16 / 11 / 0 / 14

HEX #B8C2DB

RGB 184 194 219

HSL 222.86, 0.33%, 0.79%

LAB 78.4, 1.65, -13.63

 

CMYK 16 / 16 / 0 / 14

HEX #B8B8DB

RGB 184 184 219

HSL 240, 0.33%, 0.79%

LAB 75.81, 7.05, -17.52

 

CMYK 16 / 11 / 0 / 14

HEX #B8C2DB

RGB 184 194 219

HSL 222.86, 0.33%, 0.79%

LAB 78.4, 1.65, -13.63

 

CMYK 23 / 17 / 0 / 11

HEX #AFBEE4

RGB 175 190 228

HSL 223.02, 0.5%, 0.79%

LAB 77.01, 3, -20.65

 

CMYK 30 / 21 / 0 / 7

HEX #A6BAEC

RGB 166 186 236

HSL 222.86, 0.65%, 0.79%

LAB 75.63, 4.41, -27.13

 

CMYK 36 / 25 / 0 / 4

HEX #9EB7F5

RGB 158 183 245

HSL 222.76, 0.81%, 0.79%

LAB 74.65, 6.08, -33.52

 

CMYK 41 / 30 / 0 / 0

HEX #95B3FE

RGB 149 179 254

HSL 222.86, 0.98%, 0.79%

LAB 73.41, 8.34, -40.36

 

CMYK 16 / 11 / 0 / 14

HEX #B8C2DB

RGB 184 194 219

HSL 222.86, 0.33%, 0.79%

LAB 78.4, 1.65, -13.63

 

CMYK 9 / 6 / 0 / 18

HEX #C0C6D2

RGB 192 198 210

HSL 220, 0.17%, 0.79%

LAB 79.75, 0.27, -6.7

 

CMYK 0 / 0 / 0 / 21

HEX #C9C9CA

RGB 201 201 202

HSL 240, 0.01%, 0.79%

LAB 80.99, 0.19, -0.51

 

CMYK 0 / 2 / 8 / 18

HEX #D2CDC1

RGB 210 205 193

HSL 42.35, 0.16%, 0.79%

LAB 82.49, -0.36, 6.57

 

CMYK 0 / 4 / 16 / 15

HEX #DAD1B8

RGB 218 209 184

HSL 44.12, 0.31%, 0.79%

LAB 83.95, -1.03, 13.52

 

CMYK 16 / 3 / 0 / 14

HEX #B8D5DB

RGB 184 213 219

HSL 190.29, 0.33%, 0.79%

LAB 83.39, -8.36, -6.2

 

CMYK 16 / 7 / 0 / 14

HEX #B8CCDB

RGB 184 204 219

HSL 205.71, 0.33%, 0.79%

LAB 81.01, -3.66, -9.73

 

CMYK 16 / 11 / 0 / 14

HEX #B8C2DB

RGB 184 194 219

HSL 222.86, 0.33%, 0.79%

LAB 78.4, 1.65, -13.63

 

CMYK 16 / 16 / 0 / 14

HEX #B8B9DB

RGB 184 185 219

HSL 238.29, 0.33%, 0.79%

LAB 76.07, 6.51, -17.13

 

CMYK 12 / 16 / 0 / 14

HEX #C0B8DB

RGB 192 184 219

HSL 253.71, 0.33%, 0.79%

LAB 76.44, 9.62, -16.52

 

CMYK 32 / 23 / 0 / 25

HEX #8193BF

RGB 129 147 191

HSL 222.58, 0.33%, 0.63%

LAB 61.04, 4.11, -24.91

 

CMYK 24 / 17 / 0 / 20

HEX #9CAACD

RGB 156 170 205

HSL 222.86, 0.33%, 0.71%

LAB 69.63, 2.78, -19.43

 

CMYK 16 / 11 / 0 / 14

HEX #B8C2DB

RGB 184 194 219

HSL 222.86, 0.33%, 0.79%

LAB 78.4, 1.65, -13.63

 

CMYK 9 / 7 / 0 / 9

HEX #D3D9E9

RGB 211 217 233

HSL 223.64, 0.33%, 0.87%

LAB 86.68, 1.03, -8.54

 

CMYK 3 / 2 / 0 / 3

HEX #EFF1F7

RGB 239 241 247

HSL 225, 0.33%, 0.95%

LAB 95.15, 0.42, -3.13

 

CMYK 16 / 11 / 0 / 14

HEX #B8C2DB

RGB 184 194 219

HSL 222.86, 0.33%, 0.79%

LAB 78.4, 1.65, -13.63

 

CMYK 1 / 16 / 0 / 14

HEX #D8B8DB

RGB 216 184 219

HSL 294.86, 0.33%, 0.79%

LAB 78.46, 17.55, -13.27

 

CMYK 5 / 0 / 16 / 14

HEX #D1DBB8

RGB 209 219 184

HSL 77.14, 0.33%, 0.79%

LAB 85.85, -9.41, 16.09

 

CMYK 16 / 11 / 0 / 14

HEX #B8C2DB

RGB 184 194 219

HSL 222.86, 0.33%, 0.79%

LAB 78.4, 1.65, -13.63

 

CMYK 0 / 16 / 11 / 14

HEX #DBB8C2

RGB 219 184 194

HSL 342.86, 0.33%, 0.79%

LAB 78.01, 14.16, -0.37

 

CMYK 11 / 0 / 16 / 14

HEX #C2DBB8

RGB 194 219 184

HSL 102.86, 0.33%, 0.79%

LAB 84.79, -14.69, 14.45

 

CMYK 16 / 11 / 0 / 14

HEX #B8C2DB

RGB 184 194 219

HSL 222.86, 0.33%, 0.79%

LAB 78.4, 1.65, -13.63

 

CMYK 1 / 16 / 0 / 14

HEX #D8B8DB

RGB 216 184 219

HSL 294.86, 0.33%, 0.79%

LAB 78.46, 17.55, -13.27

 

CMYK 0 / 5 / 16 / 14

HEX #DBD1B8

RGB 219 209 184

HSL 42.86, 0.33%, 0.79%

LAB 84.03, -0.66, 13.64

 

CMYK 15 / 0 / 16 / 14

HEX #BBDBB8

RGB 187 219 184

HSL 114.86, 0.33%, 0.79%

LAB 84.32, -17.1, 13.73

 

CMYK 16 / 11 / 0 / 14

HEX #B8C2DB

RGB 184 194 219

HSL 222.86, 0.33%, 0.79%

LAB 78.4, 1.65, -13.63

 

CMYK 0 / 16 / 3 / 14

HEX #DBB8D4

RGB 219 184 212

HSL 312, 0.33%, 0.79%

LAB 78.52, 17.28, -9.37

 

CMYK 0 / 5 / 16 / 14

HEX #DBD1B8

RGB 219 209 184

HSL 42.86, 0.33%, 0.79%

LAB 84.03, -0.66, 13.64

 

CMYK 16 / 0 / 13 / 14

HEX #B8DBBF

RGB 184 219 191

HSL 132, 0.33%, 0.79%

LAB 84.28, -16.87, 9.95

 

Description

Color code: HEX #B8C2DB | qconv.com Color code: HEX #B8C2DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 194 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 194 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 11 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 11% 0% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

33% - Lomond Group
Link: http://www.lomondgroup.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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