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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8C0D3 it is the complementary color #473F2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8C0D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8C0D3 shade: #BDC0CE, #CED2E1, #DFE4F4, #F0F6FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8C0D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8C0D3 shade: #B8C0D3, #A7AEC0, #969CAD, #858A9A and #747887

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8C0D3 shade: #B7BFD2, #B7B8D2, #BDB7D2, #C5B7D2 and #CCB7D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8C0D3 shade: #B7BFD2, #B7B8D2 and #B7B7D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8C0D3 shade matches the following richer shades: #B7BFD2, #ADBBDB, #A4B7E5, #9AB3EE and #91AFF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8C0D3 shade: #B7BFD2, #C0C3C8, #CAC7BF, #D3CAB5 and #DDCEAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8C0D3 shade: #B7CDD2, #B7C6D2, #B7BFD2, #B7B8D2 and #BDB7D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8C0D3 shade: #8492B2, #9DA8C2, #B7BFD2, #D0D5E2 and #EAECF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8C0D3 shade: #B8C0D3, #CFB7D2 and #CAD2B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8C0D3 shade: #B8C0D3, #D2B7BF and #BFD2B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8C0D3 shade: #B8C0D3, #CFB7D2, #D2CAB7 and #BAD2B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8C0D3 shade: #B8C0D3, #D2B7CC, #D2CAB7 and #B7D2BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 9 / 0 / 17

HEX #B8C0D3

RGB 184 192 211

HSL 222.22, 0.23%, 0.77%

LAB 77.63, 1.04, -10.45

 

Complementary color

CMYK 0 / 11 / 38 / 72

HEX #473F2C

RGB 71 63 44

HSL 42.22, 0.23%, 0.23%

LAB 26.95, 0.07, 12.93

 

CMYK 8 / 7 / 0 / 19

HEX #BDC0CE

RGB 189 192 206

HSL 229.41, 0.15%, 0.77%

LAB 77.86, 1.67, -7.37

 

CMYK 8 / 7 / 0 / 12

HEX #CED2E1

RGB 206 210 225

HSL 227.37, 0.24%, 0.85%

LAB 84.3, 1.5, -7.86

 

CMYK 9 / 7 / 0 / 4

HEX #DFE4F4

RGB 223 228 244

HSL 225.71, 0.49%, 0.92%

LAB 90.65, 1.34, -8.35

 

CMYK 6 / 4 / 0 / 0

HEX #F0F6FF

RGB 240 246 255

HSL 216, 1%, 0.97%

LAB 96.68, -0.33, -5.01

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 13 / 9 / 0 / 17

HEX #B8C0D3

RGB 184 192 211

HSL 222.22, 0.23%, 0.77%

LAB 77.63, 1.04, -10.45

 

CMYK 13 / 9 / 0 / 25

HEX #A7AEC0

RGB 167 174 192

HSL 223.2, 0.17%, 0.7%

LAB 71.07, 1.2, -10.01

 

CMYK 13 / 10 / 0 / 32

HEX #969CAD

RGB 150 156 173

HSL 224.35, 0.12%, 0.63%

LAB 64.39, 1.38, -9.57

 

CMYK 14 / 10 / 0 / 40

HEX #858A9A

RGB 133 138 154

HSL 225.71, 0.09%, 0.56%

LAB 57.56, 1.56, -9.13

 

CMYK 14 / 11 / 0 / 47

HEX #747887

RGB 116 120 135

HSL 227.37, 0.08%, 0.49%

LAB 50.56, 1.76, -8.68

 

CMYK 13 / 9 / 0 / 18

HEX #B7BFD2

RGB 183 191 210

HSL 222.22, 0.23%, 0.77%

LAB 77.27, 1.04, -10.46

 

CMYK 13 / 12 / 0 / 18

HEX #B7B8D2

RGB 183 184 210

HSL 237.78, 0.23%, 0.77%

LAB 75.45, 4.81, -13.18

 

CMYK 10 / 13 / 0 / 18

HEX #BDB7D2

RGB 189 183 210

HSL 253.33, 0.23%, 0.77%

LAB 75.66, 7.33, -12.82

 

CMYK 6 / 13 / 0 / 18

HEX #C5B7D2

RGB 197 183 210

HSL 271.11, 0.23%, 0.77%

LAB 76.31, 9.99, -11.79

 

CMYK 3 / 13 / 0 / 18

HEX #CCB7D2

RGB 204 183 210

HSL 286.67, 0.23%, 0.77%

LAB 76.9, 12.34, -10.85

 

CMYK 13 / 9 / 0 / 18

HEX #B7BFD2

RGB 183 191 210

HSL 222.22, 0.23%, 0.77%

LAB 77.27, 1.04, -10.46

 

CMYK 13 / 12 / 0 / 18

HEX #B7B8D2

RGB 183 184 210

HSL 237.78, 0.23%, 0.77%

LAB 75.45, 4.81, -13.18

 

CMYK 13 / 13 / 0 / 18

HEX #B7B7D2

RGB 183 183 210

HSL 240, 0.23%, 0.77%

LAB 75.19, 5.36, -13.57

 

CMYK 13 / 9 / 0 / 18

HEX #B7BFD2

RGB 183 191 210

HSL 222.22, 0.23%, 0.77%

LAB 77.27, 1.04, -10.46

 

CMYK 21 / 15 / 0 / 14

HEX #ADBBDB

RGB 173 187 219

HSL 221.74, 0.39%, 0.77%

LAB 75.79, 1.96, -17.64

 

CMYK 28 / 20 / 0 / 10

HEX #A4B7E5

RGB 164 183 229

HSL 222.46, 0.56%, 0.77%

LAB 74.46, 3.76, -25.14

 

CMYK 35 / 25 / 0 / 7

HEX #9AB3EE

RGB 154 179 238

HSL 222.14, 0.71%, 0.77%

LAB 73.08, 5.39, -32.19

 

CMYK 42 / 29 / 0 / 3

HEX #91AFF8

RGB 145 175 248

HSL 222.52, 0.88%, 0.77%

LAB 71.86, 7.92, -39.54

 

CMYK 13 / 9 / 0 / 18

HEX #B7BFD2

RGB 183 191 210

HSL 222.22, 0.23%, 0.77%

LAB 77.27, 1.04, -10.46

 

CMYK 4 / 3 / 0 / 22

HEX #C0C3C8

RGB 192 195 200

HSL 217.5, 0.07%, 0.77%

LAB 78.7, -0.09, -2.87

 

CMYK 0 / 1 / 5 / 21

HEX #CAC7BF

RGB 202 199 191

HSL 43.64, 0.09%, 0.77%

LAB 80.27, -0.38, 4.36

 

CMYK 0 / 4 / 14 / 17

HEX #D3CAB5

RGB 211 202 181

HSL 42, 0.25%, 0.77%

LAB 81.53, -0.39, 11.6

 

CMYK 0 / 7 / 22 / 13

HEX #DDCEAC

RGB 221 206 172

HSL 41.63, 0.42%, 0.77%

LAB 83.18, -0.15, 18.81

 

CMYK 13 / 2 / 0 / 18

HEX #B7CDD2

RGB 183 205 210

HSL 191.11, 0.23%, 0.77%

LAB 80.95, -6.37, -5

 

CMYK 13 / 6 / 0 / 18

HEX #B7C6D2

RGB 183 198 210

HSL 206.67, 0.23%, 0.77%

LAB 79.1, -2.69, -7.74

 

CMYK 13 / 9 / 0 / 18

HEX #B7BFD2

RGB 183 191 210

HSL 222.22, 0.23%, 0.77%

LAB 77.27, 1.04, -10.46

 

CMYK 13 / 12 / 0 / 18

HEX #B7B8D2

RGB 183 184 210

HSL 237.78, 0.23%, 0.77%

LAB 75.45, 4.81, -13.18

 

CMYK 10 / 13 / 0 / 18

HEX #BDB7D2

RGB 189 183 210

HSL 253.33, 0.23%, 0.77%

LAB 75.66, 7.33, -12.82

 

CMYK 26 / 18 / 0 / 30

HEX #8492B2

RGB 132 146 178

HSL 221.74, 0.23%, 0.61%

LAB 60.5, 2.3, -18.39

 

CMYK 19 / 13 / 0 / 24

HEX #9DA8C2

RGB 157 168 194

HSL 222.16, 0.23%, 0.69%

LAB 68.8, 1.67, -14.6

 

CMYK 13 / 9 / 0 / 18

HEX #B7BFD2

RGB 183 191 210

HSL 222.22, 0.23%, 0.77%

LAB 77.27, 1.04, -10.46

 

CMYK 8 / 6 / 0 / 11

HEX #D0D5E2

RGB 208 213 226

HSL 223.33, 0.24%, 0.85%

LAB 85.25, 0.78, -6.98

 

CMYK 3 / 2 / 0 / 5

HEX #EAECF2

RGB 234 236 242

HSL 225, 0.24%, 0.93%

LAB 93.4, 0.42, -3.14

 

CMYK 13 / 9 / 0 / 17

HEX #B8C0D3

RGB 184 192 211

HSL 222.22, 0.23%, 0.77%

LAB 77.63, 1.04, -10.45

 

CMYK 1 / 13 / 0 / 18

HEX #CFB7D2

RGB 207 183 210

HSL 293.33, 0.23%, 0.77%

LAB 77.15, 13.36, -10.44

 

CMYK 4 / 0 / 13 / 18

HEX #CAD2B7

RGB 202 210 183

HSL 77.78, 0.23%, 0.77%

LAB 82.95, -7.46, 12.46

 

CMYK 13 / 9 / 0 / 17

HEX #B8C0D3

RGB 184 192 211

HSL 222.22, 0.23%, 0.77%

LAB 77.63, 1.04, -10.45

 

CMYK 0 / 13 / 9 / 18

HEX #D2B7BF

RGB 210 183 191

HSL 342.22, 0.23%, 0.77%

LAB 76.88, 10.99, -0.49

 

CMYK 9 / 0 / 13 / 18

HEX #BFD2B7

RGB 191 210 183

HSL 102.22, 0.23%, 0.77%

LAB 82.16, -11.34, 11.22

 

CMYK 13 / 9 / 0 / 17

HEX #B8C0D3

RGB 184 192 211

HSL 222.22, 0.23%, 0.77%

LAB 77.63, 1.04, -10.45

 

CMYK 1 / 13 / 0 / 18

HEX #CFB7D2

RGB 207 183 210

HSL 293.33, 0.23%, 0.77%

LAB 77.15, 13.36, -10.44

 

CMYK 0 / 4 / 13 / 18

HEX #D2CAB7

RGB 210 202 183

HSL 42.22, 0.23%, 0.77%

LAB 81.49, -0.44, 10.47

 

CMYK 11 / 0 / 13 / 18

HEX #BAD2B7

RGB 186 210 183

HSL 113.33, 0.23%, 0.77%

LAB 81.81, -13.07, 10.68

 

CMYK 13 / 9 / 0 / 17

HEX #B8C0D3

RGB 184 192 211

HSL 222.22, 0.23%, 0.77%

LAB 77.63, 1.04, -10.45

 

CMYK 0 / 13 / 3 / 18

HEX #D2B7CC

RGB 210 183 204

HSL 313.33, 0.23%, 0.77%

LAB 77.24, 13.28, -7.02

 

CMYK 0 / 4 / 13 / 18

HEX #D2CAB7

RGB 210 202 183

HSL 42.22, 0.23%, 0.77%

LAB 81.49, -0.44, 10.47

 

CMYK 13 / 0 / 10 / 18

HEX #B7D2BC

RGB 183 210 188

HSL 131.11, 0.23%, 0.77%

LAB 81.72, -13.2, 7.87

 

Description

Color code: HEX #B8C0D3 | qconv.com Color code: HEX #B8C0D3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 192 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 192 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 9 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 9% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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