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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8AAD4 it is the complementary color #47552B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8AAD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8AAD4 shade: #BDAACF, #CEBCE2, #DFCEF5, #F0E0FF and #FFF2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8AAD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8AAD4 shade: #B8AAD4, #A798C1, #9686AE, #85749B and #746288

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8AAD4 shade: #B8AAD4, #C4AAD4, #CFAAD4, #D4AACE and #D4AAC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8AAD4 shade: #B8AAD4, #ADAAD4 and #AAAAD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8AAD4 shade matches the following richer shades: #B8AAD4, #B5A0DF, #B196E9, #AE8BF3 and #AA81FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8AAD4 shade: #B8AAD4, #BCB5CA, #BFBFC0, #C3C9B5 and #C6D3AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8AAD4 shade: #AAB3D4, #ADAAD4, #B8AAD4, #C3AAD4 and #CFAAD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8AAD4 shade: #8A73B9, #A18FC6, #B8AAD4, #CFC6E2 and #E6E1F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8AAD4 shade: #B8AAD4, #D4AABE and #ADD4AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8AAD4 shade: #B8AAD4, #D4B8AA and #AAD4B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8AAD4 shade: #B8AAD4, #D4AABE, #C6D4AA and #AAD4C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8AAD4 shade: #B8AAD4, #D4AAB1, #C6D4AA and #AAD4CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 20 / 0 / 17

HEX #B8AAD4

RGB 184 170 212

HSL 260, 0.33%, 0.75%

LAB 72.02, 13.23, -19.44

 

Complementary color

CMYK 16 / 0 / 49 / 67

HEX #47552B

RGB 71 85 43

HSL 80, 0.33%, 0.25%

LAB 34.01, -13.37, 22.62

 

CMYK 9 / 18 / 0 / 19

HEX #BDAACF

RGB 189 170 207

HSL 270.81, 0.28%, 0.74%

LAB 72.28, 13.82, -16.27

 

CMYK 9 / 17 / 0 / 11

HEX #CEBCE2

RGB 206 188 226

HSL 268.42, 0.4%, 0.81%

LAB 78.8, 13.44, -16.63

 

CMYK 9 / 16 / 0 / 4

HEX #DFCEF5

RGB 223 206 245

HSL 266.15, 0.66%, 0.88%

LAB 85.21, 13.08, -16.99

 

CMYK 6 / 12 / 0 / 0

HEX #F0E0FF

RGB 240 224 255

HSL 270.97, 1%, 0.94%

LAB 91.26, 11.02, -13.05

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 13 / 20 / 0 / 17

HEX #B8AAD4

RGB 184 170 212

HSL 260, 0.33%, 0.75%

LAB 72.02, 13.23, -19.44

 

CMYK 13 / 21 / 0 / 24

HEX #A798C1

RGB 167 152 193

HSL 261.95, 0.25%, 0.68%

LAB 65.37, 13.64, -19.15

 

CMYK 14 / 23 / 0 / 32

HEX #9686AE

RGB 150 134 174

HSL 264, 0.2%, 0.6%

LAB 58.59, 14.09, -18.87

 

CMYK 14 / 25 / 0 / 39

HEX #85749B

RGB 133 116 155

HSL 266.15, 0.16%, 0.53%

LAB 51.66, 14.59, -18.62

 

CMYK 15 / 28 / 0 / 47

HEX #746288

RGB 116 98 136

HSL 268.42, 0.16%, 0.46%

LAB 44.56, 15.14, -18.38

 

CMYK 13 / 20 / 0 / 17

HEX #B8AAD4

RGB 184 170 212

HSL 260, 0.33%, 0.75%

LAB 72.02, 13.23, -19.44

 

CMYK 8 / 20 / 0 / 17

HEX #C4AAD4

RGB 196 170 212

HSL 277.14, 0.33%, 0.75%

LAB 73.05, 17.15, -17.79

 

CMYK 2 / 20 / 0 / 17

HEX #CFAAD4

RGB 207 170 212

HSL 292.86, 0.33%, 0.75%

LAB 74.04, 20.8, -16.19

 

CMYK 0 / 20 / 3 / 17

HEX #D4AACE

RGB 212 170 206

HSL 308.57, 0.33%, 0.75%

LAB 74.32, 21.37, -12.44

 

CMYK 0 / 20 / 8 / 17

HEX #D4AAC3

RGB 212 170 195

HSL 324.29, 0.33%, 0.75%

LAB 73.99, 19.41, -6.91

 

CMYK 13 / 20 / 0 / 17

HEX #B8AAD4

RGB 184 170 212

HSL 260, 0.33%, 0.75%

LAB 72.02, 13.23, -19.44

 

CMYK 18 / 20 / 0 / 17

HEX #ADAAD4

RGB 173 170 212

HSL 244.29, 0.33%, 0.75%

LAB 71.14, 9.7, -20.87

 

CMYK 20 / 20 / 0 / 17

HEX #AAAAD4

RGB 170 170 212

HSL 240, 0.33%, 0.75%

LAB 70.9, 8.76, -21.24

 

CMYK 13 / 20 / 0 / 17

HEX #B8AAD4

RGB 184 170 212

HSL 260, 0.33%, 0.75%

LAB 72.02, 13.23, -19.44

 

CMYK 19 / 28 / 0 / 13

HEX #B5A0DF

RGB 181 160 223

HSL 260, 0.5%, 0.75%

LAB 69.68, 20.24, -29.08

 

CMYK 24 / 36 / 0 / 9

HEX #B196E9

RGB 177 150 233

HSL 259.52, 0.65%, 0.75%

LAB 67.31, 26.95, -38.28

 

CMYK 28 / 43 / 0 / 5

HEX #AE8BF3

RGB 174 139 243

HSL 260.19, 0.81%, 0.75%

LAB 64.91, 34.68, -47.56

 

CMYK 33 / 49 / 0 / 0

HEX #AA81FE

RGB 170 129 254

HSL 259.68, 0.98%, 0.75%

LAB 62.85, 41.94, -56.9

 

CMYK 13 / 20 / 0 / 17

HEX #B8AAD4

RGB 184 170 212

HSL 260, 0.33%, 0.75%

LAB 72.02, 13.23, -19.44

 

CMYK 7 / 10 / 0 / 21

HEX #BCB5CA

RGB 188 181 202

HSL 260, 0.17%, 0.75%

LAB 74.83, 6.46, -9.72

 

CMYK 1 / 1 / 0 / 25

HEX #BFBFC0

RGB 191 191 192

HSL 240, 0.01%, 0.75%

LAB 77.37, 0.19, -0.51

 

CMYK 3 / 0 / 10 / 21

HEX #C3C9B5

RGB 195 201 181

HSL 78, 0.16%, 0.75%

LAB 80.02, -5.63, 9.28

 

CMYK 6 / 0 / 19 / 17

HEX #C6D3AB

RGB 198 211 171

HSL 79.5, 0.31%, 0.75%

LAB 82.67, -11.34, 18.36

 

CMYK 20 / 16 / 0 / 17

HEX #AAB3D4

RGB 170 179 212

HSL 227.14, 0.33%, 0.75%

LAB 73.25, 3.81, -17.69

 

CMYK 18 / 20 / 0 / 17

HEX #ADAAD4

RGB 173 170 212

HSL 244.29, 0.33%, 0.75%

LAB 71.14, 9.7, -20.87

 

CMYK 13 / 20 / 0 / 17

HEX #B8AAD4

RGB 184 170 212

HSL 260, 0.33%, 0.75%

LAB 72.02, 13.23, -19.44

 

CMYK 8 / 20 / 0 / 17

HEX #C3AAD4

RGB 195 170 212

HSL 275.71, 0.33%, 0.75%

LAB 72.96, 16.82, -17.93

 

CMYK 2 / 20 / 0 / 17

HEX #CFAAD4

RGB 207 170 212

HSL 292.86, 0.33%, 0.75%

LAB 74.04, 20.8, -16.19

 

CMYK 25 / 38 / 0 / 27

HEX #8A73B9

RGB 138 115 185

HSL 259.71, 0.33%, 0.59%

LAB 53.13, 23.94, -33.7

 

CMYK 19 / 28 / 0 / 22

HEX #A18FC6

RGB 161 143 198

HSL 259.64, 0.33%, 0.67%

LAB 62.76, 17.92, -26

 

CMYK 13 / 20 / 0 / 17

HEX #B8AAD4

RGB 184 170 212

HSL 260, 0.33%, 0.75%

LAB 72.02, 13.23, -19.44

 

CMYK 8 / 12 / 0 / 11

HEX #CFC6E2

RGB 207 198 226

HSL 259.29, 0.33%, 0.83%

LAB 81.37, 8.39, -12.76

 

CMYK 4 / 6 / 0 / 6

HEX #E6E1F0

RGB 230 225 240

HSL 260, 0.33%, 0.91%

LAB 90.31, 4.41, -6.7

 

CMYK 13 / 20 / 0 / 17

HEX #B8AAD4

RGB 184 170 212

HSL 260, 0.33%, 0.75%

LAB 72.02, 13.23, -19.44

 

CMYK 0 / 20 / 10 / 17

HEX #D4AABE

RGB 212 170 190

HSL 331.43, 0.33%, 0.75%

LAB 73.85, 18.56, -4.38

 

CMYK 18 / 0 / 20 / 17

HEX #ADD4AA

RGB 173 212 170

HSL 115.71, 0.33%, 0.75%

LAB 81.22, -20.8, 16.62

 

CMYK 13 / 20 / 0 / 17

HEX #B8AAD4

RGB 184 170 212

HSL 260, 0.33%, 0.75%

LAB 72.02, 13.23, -19.44

 

CMYK 0 / 13 / 20 / 17

HEX #D4B8AA

RGB 212 184 170

HSL 20, 0.33%, 0.75%

LAB 76.79, 7.8, 10.79

 

CMYK 20 / 0 / 13 / 17

HEX #AAD4B8

RGB 170 212 184

HSL 140, 0.33%, 0.75%

LAB 81.34, -19.28, 9.34

 

CMYK 13 / 20 / 0 / 17

HEX #B8AAD4

RGB 184 170 212

HSL 260, 0.33%, 0.75%

LAB 72.02, 13.23, -19.44

 

CMYK 0 / 20 / 10 / 17

HEX #D4AABE

RGB 212 170 190

HSL 331.43, 0.33%, 0.75%

LAB 73.85, 18.56, -4.38

 

CMYK 7 / 0 / 20 / 17

HEX #C6D4AA

RGB 198 212 170

HSL 80, 0.33%, 0.75%

LAB 82.91, -12, 19.23

 

CMYK 20 / 0 / 9 / 17

HEX #AAD4C1

RGB 170 212 193

HSL 152.86, 0.33%, 0.75%

LAB 81.56, -17.56, 4.86

 

CMYK 13 / 20 / 0 / 17

HEX #B8AAD4

RGB 184 170 212

HSL 260, 0.33%, 0.75%

LAB 72.02, 13.23, -19.44

 

CMYK 0 / 20 / 17 / 17

HEX #D4AAB1

RGB 212 170 177

HSL 350, 0.33%, 0.75%

LAB 73.49, 16.42, 2.24

 

CMYK 7 / 0 / 20 / 17

HEX #C6D4AA

RGB 198 212 170

HSL 80, 0.33%, 0.75%

LAB 82.91, -12, 19.23

 

CMYK 20 / 0 / 3 / 17

HEX #AAD4CD

RGB 170 212 205

HSL 170, 0.33%, 0.75%

LAB 81.86, -15.14, -1.09

 

Description

Color code: HEX #B8AAD4 | qconv.com Color code: HEX #B8AAD4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 170 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 170 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 20 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 20% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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