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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B89FA5 it is the complementary color #47605A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B89FA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B89FA5 shade: #BD9FA0, #CEB1B3, #DFC3C6, #F0D5D9 and #FFE7EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B89FA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B89FA5 shade: #B89FA5, #A78D92, #967B7F, #85696C and #745759

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B89FA5 shade: #B79EA4 and #B79E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B89FA5 shade: #B79EA4, #B79EAB, #B79EB2, #B69EB7 and #AF9EB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B89FA5 shade matches the following richer shades: #B79EA4, #C5919D, #D38396, #E0758F and #EE6888

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B89FA5 shade: #B79EA4, #AAACAB, #9CB9B2, #8FC7BA and #81D5C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B89FA5 shade: #B79EB2, #B79EAB, #B79EA5, #B79F9E and #B7A59E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B89FA5 shade: #946F78, #A6878E, #B79EA4, #C9B6BB and #DBCED1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B89FA5 shade: #B89FA5, #B7B69E and #9EAFB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B89FA5 shade: #B89FA5, #A5B79E and #9EA5B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B89FA5 shade: #B89FA5, #B7B69E, #9EB7B1 and #9E9FB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B89FA5 shade: #B89FA5, #B1B79E, #9EB7B1 and #A59EB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 10 / 28

HEX #B89FA5

RGB 184 159 165

HSL 345.6, 0.15%, 0.67%

LAB 67.8, 10.2, 0.27

 

Complementary color

CMYK 26 / 0 / 6 / 62

HEX #47605A

RGB 71 96 90

HSL 165.6, 0.15%, 0.33%

LAB 38.63, -10.76, 0.38

 

CMYK 0 / 16 / 15 / 26

HEX #BD9FA0

RGB 189 159 160

HSL 358, 0.19%, 0.68%

LAB 68.13, 11.2, 3.6

 

CMYK 0 / 14 / 13 / 19

HEX #CEB1B3

RGB 206 177 179

HSL 355.86, 0.23%, 0.75%

LAB 74.71, 10.77, 2.84

 

CMYK 0 / 13 / 11 / 13

HEX #DFC3C6

RGB 223 195 198

HSL 353.57, 0.3%, 0.82%

LAB 81.18, 10.38, 2.13

 

CMYK 0 / 11 / 10 / 6

HEX #F0D5D9

RGB 240 213 217

HSL 351.11, 0.47%, 0.89%

LAB 87.54, 10.01, 1.45

 

CMYK 0 / 9 / 7 / 0

HEX #FFE7EC

RGB 255 231 236

HSL 347.5, 1%, 0.95%

LAB 93.65, 9, 0.54

 

CMYK 0 / 14 / 10 / 28

HEX #B89FA5

RGB 184 159 165

HSL 345.6, 0.15%, 0.67%

LAB 67.8, 10.2, 0.27

 

CMYK 0 / 16 / 13 / 35

HEX #A78D92

RGB 167 141 146

HSL 348.46, 0.13%, 0.6%

LAB 61.08, 10.63, 0.98

 

CMYK 0 / 18 / 15 / 41

HEX #967B7F

RGB 150 123 127

HSL 351.11, 0.11%, 0.54%

LAB 54.22, 11.11, 1.75

 

CMYK 0 / 21 / 19 / 48

HEX #85696C

RGB 133 105 108

HSL 353.57, 0.12%, 0.47%

LAB 47.2, 11.66, 2.57

 

CMYK 0 / 25 / 23 / 55

HEX #745759

RGB 116 87 89

HSL 355.86, 0.14%, 0.4%

LAB 40, 12.31, 3.49

 

CMYK 0 / 14 / 10 / 28

HEX #B79EA4

RGB 183 158 164

HSL 345.6, 0.15%, 0.67%

LAB 67.43, 10.21, 0.27

 

CMYK 0 / 14 / 14 / 28

HEX #B79E9E

RGB 183 158 158

HSL 0, 0.15%, 0.67%

LAB 67.27, 9.19, 3.39

 

CMYK 0 / 14 / 10 / 28

HEX #B79EA4

RGB 183 158 164

HSL 345.6, 0.15%, 0.67%

LAB 67.43, 10.21, 0.27

 

CMYK 0 / 14 / 7 / 28

HEX #B79EAB

RGB 183 158 171

HSL 328.8, 0.15%, 0.67%

LAB 67.62, 11.44, -3.35

 

CMYK 0 / 14 / 3 / 28

HEX #B79EB2

RGB 183 158 178

HSL 312, 0.15%, 0.67%

LAB 67.83, 12.73, -6.95

 

CMYK 1 / 14 / 0 / 28

HEX #B69EB7

RGB 182 158 183

HSL 297.6, 0.15%, 0.67%

LAB 67.89, 13.32, -9.66

 

CMYK 4 / 14 / 0 / 28

HEX #AF9EB7

RGB 175 158 183

HSL 280.8, 0.15%, 0.67%

LAB 67.27, 10.89, -10.65

 

CMYK 0 / 14 / 10 / 28

HEX #B79EA4

RGB 183 158 164

HSL 345.6, 0.15%, 0.67%

LAB 67.43, 10.21, 0.27

 

CMYK 0 / 26 / 20 / 23

HEX #C5919D

RGB 197 145 157

HSL 346.15, 0.31%, 0.67%

LAB 65.4, 21.43, 1.41

 

CMYK 0 / 38 / 29 / 17

HEX #D38396

RGB 211 131 150

HSL 345.75, 0.48%, 0.67%

LAB 63.58, 33.2, 2.92

 

CMYK 0 / 48 / 36 / 12

HEX #E0758F

RGB 224 117 143

HSL 345.42, 0.63%, 0.67%

LAB 62.13, 44.26, 5.05

 

CMYK 0 / 56 / 43 / 7

HEX #EE6888

RGB 238 104 136

HSL 345.67, 0.8%, 0.67%

LAB 61.53, 54.52, 8.48

 

CMYK 0 / 14 / 10 / 28

HEX #B79EA4

RGB 183 158 164

HSL 345.6, 0.15%, 0.67%

LAB 67.43, 10.21, 0.27

 

CMYK 1 / 0 / 1 / 33

HEX #AAACAB

RGB 170 172 171

HSL 150, 0.01%, 0.67%

LAB 70.17, -0.89, 0.26

 

CMYK 16 / 0 / 4 / 27

HEX #9CB9B2

RGB 156 185 178

HSL 165.52, 0.17%, 0.67%

LAB 72.88, -11.25, 0.25

 

CMYK 28 / 0 / 7 / 22

HEX #8FC7BA

RGB 143 199 186

HSL 166.07, 0.33%, 0.67%

LAB 76.21, -20.86, 0.67

 

CMYK 39 / 0 / 9 / 16

HEX #81D5C1

RGB 129 213 193

HSL 165.71, 0.5%, 0.67%

LAB 79.67, -30.13, 1.86

 

CMYK 0 / 14 / 3 / 28

HEX #B79EB2

RGB 183 158 178

HSL 312, 0.15%, 0.67%

LAB 67.83, 12.73, -6.95

 

CMYK 0 / 14 / 7 / 28

HEX #B79EAB

RGB 183 158 171

HSL 328.8, 0.15%, 0.67%

LAB 67.62, 11.44, -3.35

 

CMYK 0 / 14 / 10 / 28

HEX #B79EA5

RGB 183 158 165

HSL 343.2, 0.15%, 0.67%

LAB 67.45, 10.38, -0.25

 

CMYK 0 / 13 / 14 / 28

HEX #B79F9E

RGB 183 159 158

HSL 2.4, 0.15%, 0.67%

LAB 67.53, 8.64, 3.76

 

CMYK 0 / 10 / 14 / 28

HEX #B7A59E

RGB 183 165 158

HSL 16.8, 0.15%, 0.67%

LAB 69.07, 5.34, 5.99

 

CMYK 0 / 25 / 19 / 42

HEX #946F78

RGB 148 111 120

HSL 345.41, 0.15%, 0.51%

LAB 50.71, 16.09, 0.73

 

CMYK 0 / 19 / 14 / 35

HEX #A6878E

RGB 166 135 142

HSL 346.45, 0.15%, 0.59%

LAB 59.33, 12.95, 0.71

 

CMYK 0 / 14 / 10 / 28

HEX #B79EA4

RGB 183 158 164

HSL 345.6, 0.15%, 0.67%

LAB 67.43, 10.21, 0.27

 

CMYK 0 / 9 / 7 / 21

HEX #C9B6BB

RGB 201 182 187

HSL 344.21, 0.15%, 0.75%

LAB 75.74, 7.63, -0.08

 

CMYK 0 / 6 / 5 / 14

HEX #DBCED1

RGB 219 206 209

HSL 346.15, 0.15%, 0.83%

LAB 83.86, 5.02, 0.12

 

CMYK 0 / 14 / 10 / 28

HEX #B89FA5

RGB 184 159 165

HSL 345.6, 0.15%, 0.67%

LAB 67.8, 10.2, 0.27

 

CMYK 0 / 1 / 14 / 28

HEX #B7B69E

RGB 183 182 158

HSL 57.6, 0.15%, 0.67%

LAB 73.54, -3.82, 12.36

 

CMYK 14 / 4 / 0 / 28

HEX #9EAFB7

RGB 158 175 183

HSL 199.2, 0.15%, 0.67%

LAB 70.42, -4.23, -6.1

 

CMYK 0 / 14 / 10 / 28

HEX #B89FA5

RGB 184 159 165

HSL 345.6, 0.15%, 0.67%

LAB 67.8, 10.2, 0.27

 

CMYK 10 / 0 / 14 / 28

HEX #A5B79E

RGB 165 183 158

HSL 103.2, 0.15%, 0.67%

LAB 72.45, -10.92, 10.63

 

CMYK 14 / 10 / 0 / 28

HEX #9EA5B7

RGB 158 165 183

HSL 223.2, 0.15%, 0.67%

LAB 67.72, 1.23, -10.11

 

CMYK 0 / 14 / 10 / 28

HEX #B89FA5

RGB 184 159 165

HSL 345.6, 0.15%, 0.67%

LAB 67.8, 10.2, 0.27

 

CMYK 0 / 1 / 14 / 28

HEX #B7B69E

RGB 183 182 158

HSL 57.6, 0.15%, 0.67%

LAB 73.54, -3.82, 12.36

 

CMYK 14 / 0 / 3 / 28

HEX #9EB7B1

RGB 158 183 177

HSL 165.6, 0.15%, 0.67%

LAB 72.44, -9.74, 0.16

 

CMYK 14 / 13 / 0 / 28

HEX #9E9FB7

RGB 158 159 183

HSL 237.6, 0.15%, 0.67%

LAB 66.12, 4.56, -12.5

 

CMYK 0 / 14 / 10 / 28

HEX #B89FA5

RGB 184 159 165

HSL 345.6, 0.15%, 0.67%

LAB 67.8, 10.2, 0.27

 

CMYK 3 / 0 / 14 / 28

HEX #B1B79E

RGB 177 183 158

HSL 74.4, 0.15%, 0.67%

LAB 73.34, -6.57, 12.01

 

CMYK 14 / 0 / 3 / 28

HEX #9EB7B1

RGB 158 183 177

HSL 165.6, 0.15%, 0.67%

LAB 72.44, -9.74, 0.16

 

CMYK 10 / 14 / 0 / 28

HEX #A59EB7

RGB 165 158 183

HSL 256.8, 0.15%, 0.67%

LAB 66.42, 7.47, -12

 

Description

Color code: HEX #B89FA5 | qconv.com Color code: HEX #B89FA5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 159 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 159 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 10 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 10% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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