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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B89C02 it is the complementary color #4763FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B89C02. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B89C02 shade: #BD9C00, #CEAE10, #DFC023, #F0D236 and #FFE449

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B89C02. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B89C02 shade: #B89C02, #A78A00, #967800, #856600 and #745400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B89C02 shade: #B69A02, #B66A02, #B63902, #B60902 and #B60202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B89C02 shade: #B69A02, #A1B602, #70B602, #40B602 and #0FB602

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B89C02 shade matches the following richer shades: #B69A02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B89C02 shade: #B69A02, #A79011, #988620, #897B2E and #7A713D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B89C02 shade: #B63802, #B66802, #B69802, #A4B602 and #74B602

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B89C02 shade: #645501, #8D7701, #B69A02, #DFBD02 and #FDD80E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B89C02 shade: #B89C02, #02B608 and #5002B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B89C02 shade: #B89C02, #02B698 and #9802B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B89C02 shade: #B89C02, #02B608, #0220B6 and #B602B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B89C02 shade: #B89C02, #02B63E, #0220B6 and #B6027A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 99 / 28

HEX #B89C02

RGB 184 156 2

HSL 50.77, 0.98%, 0.36%

LAB 64.94, -2.26, 68.19

 

Complementary color

CMYK 72 / 61 / 0 / 1

HEX #4763FD

RGB 71 99 253

HSL 230.77, 0.98%, 0.64%

LAB 48.7, 40.56, -79.53

 

CMYK 0 / 17 / 100 / 26

HEX #BD9C00

RGB 189 156 0

HSL 49.52, 1%, 0.37%

LAB 65.43, -0.03, 69.05

 

CMYK 0 / 16 / 92 / 19

HEX #CEAE10

RGB 206 174 16

HSL 49.89, 0.86%, 0.44%

LAB 71.85, -1.83, 72.39

 

CMYK 0 / 14 / 84 / 13

HEX #DFC023

RGB 223 192 35

HSL 50.11, 0.75%, 0.51%

LAB 78.17, -3.42, 74.28

 

CMYK 0 / 13 / 78 / 6

HEX #F0D236

RGB 240 210 54

HSL 50.32, 0.86%, 0.58%

LAB 84.42, -4.79, 74.99

 

CMYK 0 / 11 / 71 / 0

HEX #FFE449

RGB 255 228 73

HSL 51.1, 1%, 0.64%

LAB 90.43, -6.8, 74.73

 

CMYK 0 / 15 / 99 / 28

HEX #B89C02

RGB 184 156 2

HSL 50.77, 0.98%, 0.36%

LAB 64.94, -2.26, 68.19

 

CMYK 0 / 17 / 100 / 35

HEX #A78A00

RGB 167 138 0

HSL 49.58, 1%, 0.33%

LAB 58.41, -0.26, 63.07

 

CMYK 0 / 20 / 100 / 41

HEX #967800

RGB 150 120 0

HSL 48, 1%, 0.29%

LAB 51.74, 1.86, 57.57

 

CMYK 0 / 23 / 100 / 48

HEX #856600

RGB 133 102 0

HSL 46.02, 1%, 0.26%

LAB 44.93, 4.08, 51.96

 

CMYK 0 / 28 / 100 / 55

HEX #745400

RGB 116 84 0

HSL 43.45, 1%, 0.23%

LAB 37.94, 6.45, 46.21

 

CMYK 0 / 15 / 99 / 29

HEX #B69A02

RGB 182 154 2

HSL 50.67, 0.98%, 0.36%

LAB 64.21, -2.09, 67.58

 

CMYK 0 / 42 / 99 / 29

HEX #B66A02

RGB 182 106 2

HSL 34.67, 0.98%, 0.36%

LAB 52.13, 24.37, 59.29

 

CMYK 0 / 69 / 99 / 29

HEX #B63902

RGB 182 57 2

HSL 18.33, 0.98%, 0.36%

LAB 42.58, 48.66, 53.61

 

CMYK 0 / 95 / 99 / 29

HEX #B60902

RGB 182 9 2

HSL 2.33, 0.98%, 0.36%

LAB 38.1, 61.2, 51.49

 

CMYK 0 / 99 / 99 / 29

HEX #B60202

RGB 182 2 2

HSL 0, 0.98%, 0.36%

LAB 37.83, 61.98, 51.38

 

CMYK 0 / 15 / 99 / 29

HEX #B69A02

RGB 182 154 2

HSL 50.67, 0.98%, 0.36%

LAB 64.21, -2.09, 67.58

 

CMYK 12 / 0 / 99 / 29

HEX #A1B602

RGB 161 182 2

HSL 67, 0.98%, 0.36%

LAB 70.2, -25.78, 71.18

 

CMYK 38 / 0 / 99 / 29

HEX #70B602

RGB 112 182 2

HSL 83.33, 0.98%, 0.36%

LAB 67.21, -45.18, 67.58

 

CMYK 65 / 0 / 99 / 29

HEX #40B602

RGB 64 182 2

HSL 99.33, 0.98%, 0.36%

LAB 65.4, -59.25, 65.38

 

CMYK 92 / 0 / 99 / 29

HEX #0FB602

RGB 15 182 2

HSL 115.67, 0.98%, 0.36%

LAB 64.61, -66.11, 64.42

 

CMYK 0 / 15 / 99 / 29

HEX #B69A02

RGB 182 154 2

HSL 50.67, 0.98%, 0.36%

LAB 64.21, -2.09, 67.58

 

CMYK 0 / 15 / 99 / 29

HEX #B69A02

RGB 182 154 2

HSL 50.67, 0.98%, 0.36%

LAB 64.21, -2.09, 67.58

 

CMYK 0 / 14 / 90 / 35

HEX #A79011

RGB 167 144 17

HSL 50.8, 0.82%, 0.36%

LAB 60.07, -3.27, 61.49

 

CMYK 0 / 12 / 79 / 40

HEX #988620

RGB 152 134 32

HSL 51, 0.65%, 0.36%

LAB 55.92, -4.23, 53.24

 

CMYK 0 / 10 / 66 / 46

HEX #897B2E

RGB 137 123 46

HSL 50.77, 0.5%, 0.36%

LAB 51.48, -4.28, 42.67

 

CMYK 0 / 7 / 50 / 52

HEX #7A713D

RGB 122 113 61

HSL 51.15, 0.33%, 0.36%

LAB 47.35, -4.21, 29.95

 

CMYK 0 / 69 / 99 / 29

HEX #B63802

RGB 182 56 2

HSL 18, 0.98%, 0.36%

LAB 42.43, 49.07, 53.53

 

CMYK 0 / 43 / 99 / 29

HEX #B66802

RGB 182 104 2

HSL 34, 0.98%, 0.36%

LAB 51.67, 25.47, 59

 

CMYK 0 / 16 / 99 / 29

HEX #B69802

RGB 182 152 2

HSL 50, 0.98%, 0.36%

LAB 63.68, -1.01, 67.2

 

CMYK 10 / 0 / 99 / 29

HEX #A4B602

RGB 164 182 2

HSL 66, 0.98%, 0.36%

LAB 70.42, -24.5, 71.44

 

CMYK 36 / 0 / 99 / 29

HEX #74B602

RGB 116 182 2

HSL 82, 0.98%, 0.36%

LAB 67.41, -43.74, 67.82

 

CMYK 0 / 15 / 99 / 61

HEX #645501

RGB 100 85 1

HSL 50.91, 0.98%, 0.2%

LAB 36.38, -2.11, 43.94

 

CMYK 0 / 16 / 99 / 45

HEX #8D7701

RGB 141 119 1

HSL 50.57, 0.99%, 0.28%

LAB 50.52, -1.81, 56.07

 

CMYK 0 / 15 / 99 / 29

HEX #B69A02

RGB 182 154 2

HSL 50.67, 0.98%, 0.36%

LAB 64.21, -2.09, 67.58

 

CMYK 0 / 15 / 99 / 13

HEX #DFBD02

RGB 223 189 2

HSL 50.77, 0.98%, 0.44%

LAB 77.33, -2.36, 78.76

 

CMYK 0 / 15 / 94 / 1

HEX #FDD80E

RGB 253 216 14

HSL 50.71, 0.98%, 0.52%

LAB 87.01, -3.17, 85.89

 

CMYK 0 / 15 / 99 / 28

HEX #B89C02

RGB 184 156 2

HSL 50.77, 0.98%, 0.36%

LAB 64.94, -2.26, 68.19

 

CMYK 99 / 0 / 96 / 29

HEX #02B608

RGB 2 182 8

HSL 122, 0.98%, 0.36%

LAB 64.55, -66.62, 63.6

 

CMYK 56 / 99 / 0 / 29

HEX #5002B6

RGB 80 2 182

HSL 266, 0.98%, 0.36%

LAB 27.09, 63.5, -74.26

 

CMYK 0 / 15 / 99 / 28

HEX #B89C02

RGB 184 156 2

HSL 50.77, 0.98%, 0.36%

LAB 64.94, -2.26, 68.19

 

CMYK 99 / 0 / 16 / 29

HEX #02B698

RGB 2 182 152

HSL 170, 0.98%, 0.36%

LAB 66.32, -45.88, 4.37

 

CMYK 16 / 99 / 0 / 29

HEX #9802B6

RGB 152 2 182

HSL 290, 0.98%, 0.36%

LAB 38.01, 71.42, -55.93

 

CMYK 0 / 15 / 99 / 28

HEX #B89C02

RGB 184 156 2

HSL 50.77, 0.98%, 0.36%

LAB 64.94, -2.26, 68.19

 

CMYK 99 / 0 / 96 / 29

HEX #02B608

RGB 2 182 8

HSL 122, 0.98%, 0.36%

LAB 64.55, -66.62, 63.6

 

CMYK 99 / 82 / 0 / 29

HEX #0220B6

RGB 2 32 182

HSL 230, 0.98%, 0.36%

LAB 25.02, 50.94, -77.84

 

CMYK 0 / 99 / 3 / 29

HEX #B602B0

RGB 182 2 176

HSL 302, 0.98%, 0.36%

LAB 42.95, 75.2, -44.16

 

CMYK 0 / 15 / 99 / 28

HEX #B89C02

RGB 184 156 2

HSL 50.77, 0.98%, 0.36%

LAB 64.94, -2.26, 68.19

 

CMYK 99 / 0 / 66 / 29

HEX #02B63E

RGB 2 182 62

HSL 140, 0.98%, 0.36%

LAB 64.82, -63.24, 48.64

 

CMYK 99 / 82 / 0 / 29

HEX #0220B6

RGB 2 32 182

HSL 230, 0.98%, 0.36%

LAB 25.02, 50.94, -77.84

 

CMYK 0 / 99 / 33 / 29

HEX #B6027A

RGB 182 2 122

HSL 320, 0.98%, 0.36%

LAB 40.24, 68.39, -15.6

 

Description

Color code: HEX #B89C02 | qconv.com Color code: HEX #B89C02 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 156 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 156 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 99 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 99% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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