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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B89C00 it is the complementary color #4763FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B89C00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B89C00 shade: #BD9C00, #CEAE0E, #DFC021, #F0D234 and #FFE447

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B89C00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B89C00 shade: #B89C00, #A78A00, #967800, #856600 and #745400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B89C00 shade: #B89C00, #B86A00, #B83900, #B80700 and #B80000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B89C00 shade: #B89C00, #A2B800, #71B800, #3FB800 and #0DB800

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B89C00 shade matches the following richer shades: #B89C00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B89C00 shade: #B89C00, #A9910F, #9A871E, #8B7D2D and #7C723B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B89C00 shade: #B83700, #B86800, #B89900, #A5B800 and #74B800

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B89C00 shade: #655600, #8E7900, #B89C00, #E1BF00 and #FFDA0B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B89C00 shade: #B89C00, #00B806 and #5000B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B89C00 shade: #B89C00, #00B899 and #9900B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B89C00 shade: #B89C00, #00B806, #001FB8 and #B800B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B89C00 shade: #B89C00, #00B83D, #001FB8 and #B8007A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 100 / 28

HEX #B89C00

RGB 184 156 0

HSL 50.87, 1%, 0.36%

LAB 64.94, -2.28, 68.47

 

Complementary color

CMYK 72 / 61 / 0 / 0

HEX #4763FF

RGB 71 99 255

HSL 230.87, 1%, 0.64%

LAB 48.86, 41.25, -80.38

 

CMYK 0 / 17 / 100 / 26

HEX #BD9C00

RGB 189 156 0

HSL 49.52, 1%, 0.37%

LAB 65.43, -0.03, 69.05

 

CMYK 0 / 16 / 93 / 19

HEX #CEAE0E

RGB 206 174 14

HSL 50, 0.87%, 0.43%

LAB 71.84, -1.86, 72.68

 

CMYK 0 / 14 / 85 / 13

HEX #DFC021

RGB 223 192 33

HSL 50.21, 0.75%, 0.5%

LAB 78.17, -3.47, 74.75

 

CMYK 0 / 13 / 78 / 6

HEX #F0D234

RGB 240 210 52

HSL 50.43, 0.86%, 0.57%

LAB 84.41, -4.86, 75.6

 

CMYK 0 / 11 / 72 / 0

HEX #FFE447

RGB 255 228 71

HSL 51.2, 1%, 0.64%

LAB 90.41, -6.89, 75.43

 

CMYK 0 / 15 / 100 / 28

HEX #B89C00

RGB 184 156 0

HSL 50.87, 1%, 0.36%

LAB 64.94, -2.28, 68.47

 

CMYK 0 / 17 / 100 / 35

HEX #A78A00

RGB 167 138 0

HSL 49.58, 1%, 0.33%

LAB 58.41, -0.26, 63.07

 

CMYK 0 / 20 / 100 / 41

HEX #967800

RGB 150 120 0

HSL 48, 1%, 0.29%

LAB 51.74, 1.86, 57.57

 

CMYK 0 / 23 / 100 / 48

HEX #856600

RGB 133 102 0

HSL 46.02, 1%, 0.26%

LAB 44.93, 4.08, 51.96

 

CMYK 0 / 28 / 100 / 55

HEX #745400

RGB 116 84 0

HSL 43.45, 1%, 0.23%

LAB 37.94, 6.45, 46.21

 

CMYK 0 / 15 / 100 / 28

HEX #B89C00

RGB 184 156 0

HSL 50.87, 1%, 0.36%

LAB 64.94, -2.28, 68.47

 

CMYK 0 / 42 / 100 / 28

HEX #B86A00

RGB 184 106 0

HSL 34.57, 1%, 0.36%

LAB 52.4, 25.21, 60.02

 

CMYK 0 / 69 / 100 / 28

HEX #B83900

RGB 184 57 0

HSL 18.59, 1%, 0.36%

LAB 42.94, 49.33, 54.62

 

CMYK 0 / 96 / 100 / 28

HEX #B80700

RGB 184 7 0

HSL 2.28, 1%, 0.36%

LAB 38.45, 61.92, 52.7

 

CMYK 0 / 100 / 100 / 28

HEX #B80000

RGB 184 0 0

HSL 0, 1%, 0.36%

LAB 38.18, 62.69, 52.6

 

CMYK 0 / 15 / 100 / 28

HEX #B89C00

RGB 184 156 0

HSL 50.87, 1%, 0.36%

LAB 64.94, -2.28, 68.47

 

CMYK 12 / 0 / 100 / 28

HEX #A2B800

RGB 162 184 0

HSL 67.17, 1%, 0.36%

LAB 70.84, -26.35, 71.93

 

CMYK 39 / 0 / 100 / 28

HEX #71B800

RGB 113 184 0

HSL 83.15, 1%, 0.36%

LAB 67.87, -45.68, 68.35

 

CMYK 66 / 0 / 100 / 28

HEX #3FB800

RGB 63 184 0

HSL 99.46, 1%, 0.36%

LAB 66.01, -60.17, 66.1

 

CMYK 93 / 0 / 100 / 28

HEX #0DB800

RGB 13 184 0

HSL 115.76, 1%, 0.36%

LAB 65.25, -66.83, 65.18

 

CMYK 0 / 15 / 100 / 28

HEX #B89C00

RGB 184 156 0

HSL 50.87, 1%, 0.36%

LAB 64.94, -2.28, 68.47

 

CMYK 0 / 15 / 100 / 28

HEX #B89C00

RGB 184 156 0

HSL 50.87, 1%, 0.36%

LAB 64.94, -2.28, 68.47

 

CMYK 0 / 14 / 91 / 34

HEX #A9910F

RGB 169 145 15

HSL 50.65, 0.84%, 0.36%

LAB 60.53, -2.94, 62.32

 

CMYK 0 / 12 / 81 / 40

HEX #9A871E

RGB 154 135 30

HSL 50.81, 0.67%, 0.36%

LAB 56.38, -3.94, 54.41

 

CMYK 0 / 10 / 68 / 45

HEX #8B7D2D

RGB 139 125 45

HSL 51.06, 0.51%, 0.36%

LAB 52.23, -4.55, 43.98

 

CMYK 0 / 8 / 52 / 51

HEX #7C723B

RGB 124 114 59

HSL 50.77, 0.36%, 0.36%

LAB 47.8, -4.08, 31.62

 

CMYK 0 / 70 / 100 / 28

HEX #B83700

RGB 184 55 0

HSL 17.93, 1%, 0.36%

LAB 42.65, 50.12, 54.48

 

CMYK 0 / 43 / 100 / 28

HEX #B86800

RGB 184 104 0

HSL 33.91, 1%, 0.36%

LAB 51.94, 26.3, 59.73

 

CMYK 0 / 17 / 100 / 28

HEX #B89900

RGB 184 153 0

HSL 49.89, 1%, 0.36%

LAB 64.14, -0.67, 67.9

 

CMYK 10 / 0 / 100 / 28

HEX #A5B800

RGB 165 184 0

HSL 66.2, 1%, 0.36%

LAB 71.06, -25.07, 72.19

 

CMYK 37 / 0 / 100 / 28

HEX #74B800

RGB 116 184 0

HSL 82.17, 1%, 0.36%

LAB 68.02, -44.61, 68.53

 

CMYK 0 / 15 / 100 / 60

HEX #655600

RGB 101 86 0

HSL 51.09, 1%, 0.2%

LAB 36.78, -2.23, 44.6

 

CMYK 0 / 15 / 100 / 44

HEX #8E7900

RGB 142 121 0

HSL 51.13, 1%, 0.28%

LAB 51.18, -2.48, 56.79

 

CMYK 0 / 15 / 100 / 28

HEX #B89C00

RGB 184 156 0

HSL 50.87, 1%, 0.36%

LAB 64.94, -2.28, 68.47

 

CMYK 0 / 15 / 100 / 12

HEX #E1BF00

RGB 225 191 0

HSL 50.93, 1%, 0.44%

LAB 78.03, -2.55, 79.55

 

CMYK 0 / 15 / 96 / 0

HEX #FFDA0B

RGB 255 218 11

HSL 50.9, 1%, 0.52%

LAB 87.69, -3.36, 86.76

 

CMYK 0 / 15 / 100 / 28

HEX #B89C00

RGB 184 156 0

HSL 50.87, 1%, 0.36%

LAB 64.94, -2.28, 68.47

 

CMYK 100 / 0 / 97 / 28

HEX #00B806

RGB 0 184 6

HSL 121.96, 1%, 0.36%

LAB 65.2, -67.31, 64.37

 

CMYK 57 / 100 / 0 / 28

HEX #5000B8

RGB 80 0 184

HSL 266.09, 1%, 0.36%

LAB 27.2, 64.33, -75.27

 

CMYK 0 / 15 / 100 / 28

HEX #B89C00

RGB 184 156 0

HSL 50.87, 1%, 0.36%

LAB 64.94, -2.28, 68.47

 

CMYK 100 / 0 / 17 / 28

HEX #00B899

RGB 0 184 153

HSL 169.89, 1%, 0.36%

LAB 66.96, -46.51, 4.75

 

CMYK 17 / 100 / 0 / 28

HEX #9900B8

RGB 153 0 184

HSL 289.89, 1%, 0.36%

LAB 38.26, 72.14, -56.71

 

CMYK 0 / 15 / 100 / 28

HEX #B89C00

RGB 184 156 0

HSL 50.87, 1%, 0.36%

LAB 64.94, -2.28, 68.47

 

CMYK 100 / 0 / 97 / 28

HEX #00B806

RGB 0 184 6

HSL 121.96, 1%, 0.36%

LAB 65.2, -67.31, 64.37

 

CMYK 100 / 83 / 0 / 28

HEX #001FB8

RGB 0 31 184

HSL 229.89, 1%, 0.36%

LAB 25.08, 52.03, -78.94

 

CMYK 0 / 100 / 4 / 28

HEX #B800B1

RGB 184 0 177

HSL 302.28, 1%, 0.36%

LAB 43.31, 75.88, -44.15

 

CMYK 0 / 15 / 100 / 28

HEX #B89C00

RGB 184 156 0

HSL 50.87, 1%, 0.36%

LAB 64.94, -2.28, 68.47

 

CMYK 100 / 0 / 67 / 28

HEX #00B83D

RGB 0 184 61

HSL 139.89, 1%, 0.36%

LAB 65.45, -64.04, 49.75

 

CMYK 100 / 83 / 0 / 28

HEX #001FB8

RGB 0 31 184

HSL 229.89, 1%, 0.36%

LAB 25.08, 52.03, -78.94

 

CMYK 0 / 100 / 34 / 28

HEX #B8007A

RGB 184 0 122

HSL 320.22, 1%, 0.36%

LAB 40.57, 69.02, -15.06

 

Description

Color code: HEX #B89C00 | qconv.com Color code: HEX #B89C00 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 156 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 156 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 100 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 100% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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