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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8828E it is the complementary color #477D71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8828E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8828E shade: #BD8289, #CE949C, #DFA6AF, #F0B8C2 and #FFCAD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8828E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8828E shade: #B8828E, #A7707B, #965E68, #854C55 and #743A42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8828E shade: #B9838F and #B98383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8828E shade: #B9838F, #B9839E, #B983AC, #B883B9 and #A983B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8828E shade matches the following richer shades: #B9838F, #C97386, #D9647E, #E85475 and #F8446C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8828E shade: #B9838F, #AA9398, #9AA2A0, #8AB2A9 and #7BC2B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8828E shade: #B983AD, #B9839E, #B98390, #B98583 and #B99383

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8828E shade: #965463, #AA6977, #B9838F, #C89DA7 and #D7B8BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8828E shade: #B8828E, #B9B783 and #83A5B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8828E shade: #B8828E, #90B983 and #8390B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8828E shade: #B8828E, #B9B783, #83B9AD and #8385B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8828E shade: #B8828E, #ABB983, #83B9AD and #9183B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 23 / 28

HEX #B8828E

RGB 184 130 142

HSL 346.67, 0.28%, 0.62%

LAB 59.99, 22.58, 1.89

 

Complementary color

CMYK 43 / 0 / 10 / 51

HEX #477D71

RGB 71 125 113

HSL 166.67, 0.28%, 0.38%

LAB 48.51, -21.02, 0.93

 

CMYK 0 / 31 / 28 / 26

HEX #BD8289

RGB 189 130 137

HSL 352.88, 0.31%, 0.63%

LAB 60.42, 23.74, 5.46

 

CMYK 0 / 28 / 24 / 19

HEX #CE949C

RGB 206 148 156

HSL 351.72, 0.37%, 0.69%

LAB 67.05, 22.99, 4.49

 

CMYK 0 / 26 / 22 / 13

HEX #DFA6AF

RGB 223 166 175

HSL 350.53, 0.47%, 0.76%

LAB 73.58, 22.3, 3.61

 

CMYK 0 / 23 / 19 / 6

HEX #F0B8C2

RGB 240 184 194

HSL 349.29, 0.65%, 0.83%

LAB 80.01, 21.68, 2.79

 

CMYK 0 / 21 / 16 / 0

HEX #FFCAD5

RGB 255 202 213

HSL 347.55, 1%, 0.9%

LAB 86.16, 20.4, 1.72

 

CMYK 0 / 29 / 23 / 28

HEX #B8828E

RGB 184 130 142

HSL 346.67, 0.28%, 0.62%

LAB 59.99, 22.58, 1.89

 

CMYK 0 / 33 / 26 / 35

HEX #A7707B

RGB 167 112 123

HSL 348, 0.24%, 0.55%

LAB 53.2, 23.36, 2.85

 

CMYK 0 / 37 / 31 / 41

HEX #965E68

RGB 150 94 104

HSL 349.29, 0.23%, 0.48%

LAB 46.3, 24.24, 3.93

 

CMYK 0 / 43 / 36 / 48

HEX #854C55

RGB 133 76 85

HSL 350.53, 0.27%, 0.41%

LAB 39.26, 25.22, 5.2

 

CMYK 0 / 50 / 43 / 55

HEX #743A42

RGB 116 58 66

HSL 351.72, 0.33%, 0.34%

LAB 32.11, 26.29, 6.75

 

CMYK 0 / 29 / 23 / 27

HEX #B9838F

RGB 185 131 143

HSL 346.67, 0.28%, 0.62%

LAB 60.36, 22.55, 1.88

 

CMYK 0 / 29 / 29 / 27

HEX #B98383

RGB 185 131 131

HSL 0, 0.28%, 0.62%

LAB 60.06, 20.81, 8.31

 

CMYK 0 / 29 / 23 / 27

HEX #B9838F

RGB 185 131 143

HSL 346.67, 0.28%, 0.62%

LAB 60.36, 22.55, 1.88

 

CMYK 0 / 29 / 15 / 27

HEX #B9839E

RGB 185 131 158

HSL 330, 0.28%, 0.62%

LAB 60.8, 24.95, -6.07

 

CMYK 0 / 29 / 7 / 27

HEX #B983AC

RGB 185 131 172

HSL 314.44, 0.28%, 0.62%

LAB 61.24, 27.38, -13.39

 

CMYK 1 / 29 / 0 / 27

HEX #B883B9

RGB 184 131 185

HSL 298.89, 0.28%, 0.62%

LAB 61.59, 29.46, -20.26

 

CMYK 9 / 29 / 0 / 27

HEX #A983B9

RGB 169 131 185

HSL 282.22, 0.28%, 0.62%

LAB 60.04, 24.49, -22.76

 

CMYK 0 / 29 / 23 / 27

HEX #B9838F

RGB 185 131 143

HSL 346.67, 0.28%, 0.62%

LAB 60.36, 22.55, 1.88

 

CMYK 0 / 43 / 33 / 21

HEX #C97386

RGB 201 115 134

HSL 346.74, 0.44%, 0.62%

LAB 58.41, 35.99, 4.49

 

CMYK 0 / 54 / 42 / 15

HEX #D9647E

RGB 217 100 126

HSL 346.67, 0.61%, 0.62%

LAB 57.44, 48.34, 8.04

 

CMYK 0 / 64 / 50 / 9

HEX #E85475

RGB 232 84 117

HSL 346.62, 0.76%, 0.62%

LAB 56.86, 59.57, 12.85

 

CMYK 0 / 73 / 56 / 3

HEX #F8446C

RGB 248 68 108

HSL 346.67, 0.93%, 0.62%

LAB 57.24, 69.57, 19.11

 

CMYK 0 / 29 / 23 / 27

HEX #B9838F

RGB 185 131 143

HSL 346.67, 0.28%, 0.62%

LAB 60.36, 22.55, 1.88

 

CMYK 0 / 14 / 11 / 33

HEX #AA9398

RGB 170 147 152

HSL 346.96, 0.12%, 0.62%

LAB 63.08, 9.42, 0.52

 

CMYK 5 / 0 / 1 / 36

HEX #9AA2A0

RGB 154 162 160

HSL 165, 0.04%, 0.62%

LAB 65.94, -3.23, 0.04

 

CMYK 22 / 0 / 5 / 30

HEX #8AB2A9

RGB 138 178 169

HSL 166.5, 0.21%, 0.62%

LAB 69.55, -15.33, 0.18

 

CMYK 37 / 0 / 8 / 24

HEX #7BC2B2

RGB 123 194 178

HSL 166.48, 0.37%, 0.62%

LAB 73.55, -25.93, 1

 

CMYK 0 / 29 / 6 / 27

HEX #B983AD

RGB 185 131 173

HSL 313.33, 0.28%, 0.62%

LAB 61.28, 27.56, -13.91

 

CMYK 0 / 29 / 15 / 27

HEX #B9839E

RGB 185 131 158

HSL 330, 0.28%, 0.62%

LAB 60.8, 24.95, -6.07

 

CMYK 0 / 29 / 22 / 27

HEX #B98390

RGB 185 131 144

HSL 345.56, 0.28%, 0.62%

LAB 60.39, 22.71, 1.35

 

CMYK 0 / 28 / 29 / 27

HEX #B98583

RGB 185 133 131

HSL 2.22, 0.28%, 0.62%

LAB 60.54, 19.69, 9

 

CMYK 0 / 21 / 29 / 27

HEX #B99383

RGB 185 147 131

HSL 17.78, 0.28%, 0.62%

LAB 64.02, 11.91, 13.9

 

CMYK 0 / 44 / 34 / 41

HEX #965463

RGB 150 84 99

HSL 346.36, 0.28%, 0.46%

LAB 43.84, 29.22, 3.43

 

CMYK 0 / 38 / 30 / 33

HEX #AA6977

RGB 170 105 119

HSL 347.08, 0.28%, 0.54%

LAB 51.82, 27.87, 3.25

 

CMYK 0 / 29 / 23 / 27

HEX #B9838F

RGB 185 131 143

HSL 346.67, 0.28%, 0.62%

LAB 60.36, 22.55, 1.88

 

CMYK 0 / 22 / 17 / 22

HEX #C89DA7

RGB 200 157 167

HSL 346.05, 0.28%, 0.7%

LAB 68.88, 17.52, 0.92

 

CMYK 0 / 14 / 11 / 16

HEX #D7B8BF

RGB 215 184 191

HSL 346.45, 0.28%, 0.78%

LAB 77.57, 12.23, 0.57

 

CMYK 0 / 29 / 23 / 28

HEX #B8828E

RGB 184 130 142

HSL 346.67, 0.28%, 0.62%

LAB 59.99, 22.58, 1.89

 

CMYK 0 / 1 / 29 / 27

HEX #B9B783

RGB 185 183 131

HSL 57.78, 0.28%, 0.62%

LAB 73.43, -7.56, 26.77

 

CMYK 29 / 11 / 0 / 27

HEX #83A5B9

RGB 131 165 185

HSL 202.22, 0.28%, 0.62%

LAB 65.93, -6.88, -14.09

 

CMYK 0 / 29 / 23 / 28

HEX #B8828E

RGB 184 130 142

HSL 346.67, 0.28%, 0.62%

LAB 59.99, 22.58, 1.89

 

CMYK 22 / 0 / 29 / 27

HEX #90B983

RGB 144 185 131

HSL 105.56, 0.28%, 0.62%

LAB 71.05, -24, 23.07

 

CMYK 29 / 22 / 0 / 27

HEX #8390B9

RGB 131 144 185

HSL 225.56, 0.28%, 0.62%

LAB 60.14, 4.88, -22.9

 

CMYK 0 / 29 / 23 / 28

HEX #B8828E

RGB 184 130 142

HSL 346.67, 0.28%, 0.62%

LAB 59.99, 22.58, 1.89

 

CMYK 0 / 1 / 29 / 27

HEX #B9B783

RGB 185 183 131

HSL 57.78, 0.28%, 0.62%

LAB 73.43, -7.56, 26.77

 

CMYK 29 / 0 / 6 / 27

HEX #83B9AD

RGB 131 185 173

HSL 166.67, 0.28%, 0.62%

LAB 71.24, -20.23, 0.41

 

CMYK 29 / 28 / 0 / 27

HEX #8385B9

RGB 131 133 185

HSL 237.78, 0.28%, 0.62%

LAB 57.18, 11.25, -27.46

 

CMYK 0 / 29 / 23 / 28

HEX #B8828E

RGB 184 130 142

HSL 346.67, 0.28%, 0.62%

LAB 59.99, 22.58, 1.89

 

CMYK 8 / 0 / 29 / 27

HEX #ABB983

RGB 171 185 131

HSL 75.56, 0.28%, 0.62%

LAB 72.89, -14.02, 25.86

 

CMYK 29 / 0 / 6 / 27

HEX #83B9AD

RGB 131 185 173

HSL 166.67, 0.28%, 0.62%

LAB 71.24, -20.23, 0.41

 

CMYK 22 / 29 / 0 / 27

HEX #9183B9

RGB 145 131 185

HSL 255.56, 0.28%, 0.62%

LAB 57.8, 16.74, -26.4

 

Description

Color code: HEX #B8828E | qconv.com Color code: HEX #B8828E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 130 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 130 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 23 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 23% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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