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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B87DF5 it is the complementary color #47820A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B87DF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B87DF5 shade: #BD7DF0, #CE8FFF, #DFA1FF, #F0B3FF and #FFC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B87DF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B87DF5 shade: #B87DF5, #A76BE2, #9659CF, #8547BC and #7435A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B87DF5 shade: #B97FF5, #D97FF5, #F57FF2, #F57FD2 and #F57FB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B87DF5 shade: #B97FF5, #997FF5 and #7F7FF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B87DF5 shade matches the following richer shades: #B97FF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B87DF5 shade: #B97FF5, #B98AEA, #BA95DF, #BAA0D4 and #BAABC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B87DF5 shade: #7F85F5, #997FF5, #B87FF5, #D87FF5 and #F57FF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B87DF5 shade: #8F32F0, #A459F2, #B97FF5, #CEA5F8 and #E3CCFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B87DF5 shade: #B87DF5, #F57FA4 and #7FF589

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B87DF5 shade: #B87DF5, #F5B87F and #7FF5B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B87DF5 shade: #B87DF5, #F57FA4, #BCF57F and #7FF5D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B87DF5 shade: #B87DF5, #F57F81, #BCF57F and #7FF5F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 49 / 0 / 4

HEX #B87DF5

RGB 184 125 245

HSL 269.5, 0.86%, 0.73%

LAB 62.89, 45.54, -51.8

 

Complementary color

CMYK 45 / 0 / 92 / 49

HEX #47820A

RGB 71 130 10

HSL 89.5, 0.86%, 0.27%

LAB 48.67, -37.8, 50.62

 

CMYK 21 / 48 / 0 / 6

HEX #BD7DF0

RGB 189 125 240

HSL 273.39, 0.79%, 0.72%

LAB 63.16, 45.73, -48.57

 

CMYK 19 / 44 / 0 / 0

HEX #CE8FFF

RGB 206 143 255

HSL 273.75, 1%, 0.78%

LAB 69.46, 44.02, -46.75

 

CMYK 13 / 37 / 0 / 0

HEX #DFA1FF

RGB 223 161 255

HSL 279.57, 1%, 0.82%

LAB 75.08, 39.26, -37.85

 

CMYK 6 / 30 / 0 / 0

HEX #F0B3FF

RGB 240 179 255

HSL 288.16, 1%, 0.85%

LAB 80.73, 34.82, -28.98

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 25 / 49 / 0 / 4

HEX #B87DF5

RGB 184 125 245

HSL 269.5, 0.86%, 0.73%

LAB 62.89, 45.54, -51.8

 

CMYK 26 / 53 / 0 / 11

HEX #A76BE2

RGB 167 107 226

HSL 270.25, 0.67%, 0.65%

LAB 56.31, 46.44, -51.79

 

CMYK 28 / 57 / 0 / 19

HEX #9659CF

RGB 150 89 207

HSL 271.02, 0.55%, 0.58%

LAB 49.66, 47.34, -51.75

 

CMYK 29 / 62 / 0 / 26

HEX #8547BC

RGB 133 71 188

HSL 271.79, 0.47%, 0.51%

LAB 42.95, 48.19, -51.63

 

CMYK 31 / 69 / 0 / 34

HEX #7435A9

RGB 116 53 169

HSL 272.59, 0.52%, 0.44%

LAB 36.22, 48.88, -51.36

 

CMYK 24 / 48 / 0 / 4

HEX #B97FF5

RGB 185 127 245

HSL 269.49, 0.86%, 0.73%

LAB 63.41, 44.72, -50.96

 

CMYK 11 / 48 / 0 / 4

HEX #D97FF5

RGB 217 127 245

HSL 285.76, 0.86%, 0.73%

LAB 66.92, 53.33, -45.19

 

CMYK 0 / 48 / 1 / 4

HEX #F57FF2

RGB 245 127 242

HSL 301.53, 0.86%, 0.73%

LAB 70.18, 60.48, -38.2

 

CMYK 0 / 48 / 14 / 4

HEX #F57FD2

RGB 245 127 210

HSL 317.8, 0.86%, 0.73%

LAB 68.93, 55.28, -22.45

 

CMYK 0 / 48 / 27 / 4

HEX #F57FB2

RGB 245 127 178

HSL 334.07, 0.86%, 0.73%

LAB 67.88, 50.73, -6.11

 

CMYK 24 / 48 / 0 / 4

HEX #B97FF5

RGB 185 127 245

HSL 269.49, 0.86%, 0.73%

LAB 63.41, 44.72, -50.96

 

CMYK 38 / 48 / 0 / 4

HEX #997FF5

RGB 153 127 245

HSL 253.22, 0.86%, 0.73%

LAB 60.38, 36.55, -55.97

 

CMYK 48 / 48 / 0 / 4

HEX #7F7FF5

RGB 127 127 245

HSL 240, 0.86%, 0.73%

LAB 58.31, 30.51, -59.4

 

CMYK 24 / 48 / 0 / 4

HEX #B97FF5

RGB 185 127 245

HSL 269.49, 0.86%, 0.73%

LAB 63.41, 44.72, -50.96

 

CMYK 24 / 48 / 0 / 4

HEX #B97FF5

RGB 185 127 245

HSL 269.49, 0.86%, 0.73%

LAB 63.41, 44.72, -50.96

 

CMYK 21 / 41 / 0 / 8

HEX #B98AEA

RGB 185 138 234

HSL 269.38, 0.7%, 0.73%

LAB 65.3, 36.19, -41.91

 

CMYK 17 / 33 / 0 / 13

HEX #BA95DF

RGB 186 149 223

HSL 270, 0.54%, 0.73%

LAB 67.47, 27.92, -32.45

 

CMYK 12 / 25 / 0 / 17

HEX #BAA0D4

RGB 186 160 212

HSL 270, 0.38%, 0.73%

LAB 69.71, 19.42, -22.95

 

CMYK 7 / 15 / 0 / 21

HEX #BAABC9

RGB 186 171 201

HSL 270, 0.22%, 0.73%

LAB 72.08, 11.05, -13.29

 

CMYK 48 / 46 / 0 / 4

HEX #7F85F5

RGB 127 133 245

HSL 236.95, 0.86%, 0.73%

LAB 59.78, 26.98, -57.04

 

CMYK 38 / 48 / 0 / 4

HEX #997FF5

RGB 153 127 245

HSL 253.22, 0.86%, 0.73%

LAB 60.38, 36.55, -55.97

 

CMYK 25 / 48 / 0 / 4

HEX #B87FF5

RGB 184 127 245

HSL 268.98, 0.86%, 0.73%

LAB 63.31, 44.46, -51.12

 

CMYK 12 / 48 / 0 / 4

HEX #D87FF5

RGB 216 127 245

HSL 285.25, 0.86%, 0.73%

LAB 66.8, 53.05, -45.38

 

CMYK 0 / 48 / 1 / 4

HEX #F57FF3

RGB 245 127 243

HSL 301.02, 0.86%, 0.73%

LAB 70.22, 60.65, -38.68

 

CMYK 40 / 79 / 0 / 6

HEX #8F32F0

RGB 143 50 240

HSL 269.37, 0.86%, 0.57%

LAB 44.82, 71.32, -78.38

 

CMYK 32 / 63 / 0 / 5

HEX #A459F2

RGB 164 89 242

HSL 269.41, 0.85%, 0.65%

LAB 53.44, 58.78, -65.37

 

CMYK 24 / 48 / 0 / 4

HEX #B97FF5

RGB 185 127 245

HSL 269.49, 0.86%, 0.73%

LAB 63.41, 44.72, -50.96

 

CMYK 17 / 33 / 0 / 3

HEX #CEA5F8

RGB 206 165 248

HSL 269.64, 0.86%, 0.81%

LAB 74.07, 30.57, -35.75

 

CMYK 10 / 19 / 0 / 2

HEX #E3CCFB

RGB 227 204 251

HSL 269.36, 0.85%, 0.89%

LAB 85.24, 16.61, -20.09

 

CMYK 25 / 49 / 0 / 4

HEX #B87DF5

RGB 184 125 245

HSL 269.5, 0.86%, 0.73%

LAB 62.89, 45.54, -51.8

 

CMYK 0 / 48 / 33 / 4

HEX #F57FA4

RGB 245 127 164

HSL 341.19, 0.86%, 0.73%

LAB 67.48, 48.97, 1.2

 

CMYK 48 / 0 / 44 / 4

HEX #7FF589

RGB 127 245 137

HSL 125.08, 0.86%, 0.73%

LAB 87.79, -55.02, 41.85

 

CMYK 25 / 49 / 0 / 4

HEX #B87DF5

RGB 184 125 245

HSL 269.5, 0.86%, 0.73%

LAB 62.89, 45.54, -51.8

 

CMYK 0 / 25 / 48 / 4

HEX #F5B87F

RGB 245 184 127

HSL 28.98, 0.86%, 0.73%

LAB 79.17, 15.4, 37.44

 

CMYK 48 / 0 / 25 / 4

HEX #7FF5B8

RGB 127 245 184

HSL 148.98, 0.86%, 0.73%

LAB 88.58, -47, 19.26

 

CMYK 25 / 49 / 0 / 4

HEX #B87DF5

RGB 184 125 245

HSL 269.5, 0.86%, 0.73%

LAB 62.89, 45.54, -51.8

 

CMYK 0 / 48 / 33 / 4

HEX #F57FA4

RGB 245 127 164

HSL 341.19, 0.86%, 0.73%

LAB 67.48, 48.97, 1.2

 

CMYK 23 / 0 / 48 / 4

HEX #BCF57F

RGB 188 245 127

HSL 88.98, 0.86%, 0.73%

LAB 90.56, -37.13, 50.72

 

CMYK 48 / 0 / 15 / 4

HEX #7FF5D0

RGB 127 245 208

HSL 161.19, 0.86%, 0.73%

LAB 89.1, -42.01, 7.57

 

CMYK 25 / 49 / 0 / 4

HEX #B87DF5

RGB 184 125 245

HSL 269.5, 0.86%, 0.73%

LAB 62.89, 45.54, -51.8

 

CMYK 0 / 48 / 47 / 4

HEX #F57F81

RGB 245 127 129

HSL 358.98, 0.86%, 0.73%

LAB 66.65, 45.22, 19.78

 

CMYK 23 / 0 / 48 / 4

HEX #BCF57F

RGB 188 245 127

HSL 88.98, 0.86%, 0.73%

LAB 90.56, -37.13, 50.72

 

CMYK 48 / 0 / 1 / 4

HEX #7FF5F3

RGB 127 245 243

HSL 178.98, 0.86%, 0.73%

LAB 89.99, -33.79, -9.35

 

Description

Color code: HEX #B87DF5 | qconv.com Color code: HEX #B87DF5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 125 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 125 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 49 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 49% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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