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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B87B21 it is the complementary color #4784DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B87B21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B87B21 shade: #BD7B1C, #CE8D2F, #DF9F42, #F0B155 and #FFC368

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B87B21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B87B21 shade: #B87B21, #A7690E, #965700, #854500 and #743300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B87B21 shade: #BA7C21, #BA5321, #BA2A21 and #BA2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B87B21 shade: #BA7C21, #BAA621, #A6BA21, #7CBA21 and #53BA21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B87B21 shade matches the following richer shades: #BA7C21 and #CC800F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B87B21 shade: #BA7C21, #A97933, #977644, #857256 and #736F68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B87B21 shade: #BA2921, #BA5221, #BA7A21, #BAA321 and #A8BA21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B87B21 shade: #744E15, #97651B, #BA7C21, #DA932B and #E0A54E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B87B21 shade: #B87B21, #42BA21 and #3D21BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B87B21 shade: #B87B21, #21BA7A and #7A21BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B87B21 shade: #B87B21, #42BA21, #2161BA and #9921BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B87B21 shade: #B87B21, #21BA2E, #2161BA and #BA21AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 82 / 28

HEX #B87B21

RGB 184 123 33

HSL 35.76, 0.7%, 0.43%

LAB 56.55, 16.47, 54.77

 

Complementary color

CMYK 68 / 41 / 0 / 13

HEX #4784DE

RGB 71 132 222

HSL 215.76, 0.7%, 0.57%

LAB 55.19, 9.32, -51.74

 

CMYK 0 / 35 / 85 / 26

HEX #BD7B1C

RGB 189 123 28

HSL 35.4, 0.74%, 0.43%

LAB 57.14, 18.53, 57.23

 

CMYK 0 / 32 / 77 / 19

HEX #CE8D2F

RGB 206 141 47

HSL 35.47, 0.63%, 0.5%

LAB 63.65, 16.72, 56.95

 

CMYK 0 / 29 / 70 / 13

HEX #DF9F42

RGB 223 159 66

HSL 35.54, 0.71%, 0.57%

LAB 70.09, 15.16, 56.04

 

CMYK 0 / 26 / 65 / 6

HEX #F0B155

RGB 240 177 85

HSL 35.61, 0.84%, 0.64%

LAB 76.45, 13.81, 54.84

 

CMYK 0 / 24 / 59 / 0

HEX #FFC368

RGB 255 195 104

HSL 36.16, 1%, 0.7%

LAB 82.53, 11.82, 53.26

 

CMYK 0 / 33 / 82 / 28

HEX #B87B21

RGB 184 123 33

HSL 35.76, 0.7%, 0.43%

LAB 56.55, 16.47, 54.77

 

CMYK 0 / 37 / 92 / 35

HEX #A7690E

RGB 167 105 14

HSL 35.69, 0.85%, 0.35%

LAB 49.92, 18.46, 54.29

 

CMYK 0 / 42 / 100 / 41

HEX #965700

RGB 150 87 0

HSL 34.8, 1%, 0.29%

LAB 43.21, 20.77, 51.86

 

CMYK 0 / 48 / 100 / 48

HEX #854500

RGB 133 69 0

HSL 31.13, 1%, 0.26%

LAB 36.45, 23.37, 46.39

 

CMYK 0 / 56 / 100 / 55

HEX #743300

RGB 116 51 0

HSL 26.38, 1%, 0.23%

LAB 29.62, 25.98, 40.59

 

CMYK 0 / 33 / 82 / 27

HEX #BA7C21

RGB 186 124 33

HSL 35.69, 0.7%, 0.43%

LAB 57.04, 16.8, 55.3

 

CMYK 0 / 55 / 82 / 27

HEX #BA5321

RGB 186 83 33

HSL 19.61, 0.7%, 0.43%

LAB 47.92, 38.8, 47.09

 

CMYK 0 / 77 / 82 / 27

HEX #BA2A21

RGB 186 42 33

HSL 3.53, 0.7%, 0.43%

LAB 41.54, 55.94, 41.11

 

CMYK 0 / 82 / 82 / 27

HEX #BA2121

RGB 186 33 33

HSL 0, 0.7%, 0.43%

LAB 40.63, 58.49, 40.24

 

CMYK 0 / 33 / 82 / 27

HEX #BA7C21

RGB 186 124 33

HSL 35.69, 0.7%, 0.43%

LAB 57.04, 16.8, 55.3

 

CMYK 0 / 11 / 82 / 27

HEX #BAA621

RGB 186 166 33

HSL 52.16, 0.7%, 0.43%

LAB 67.89, -6.1, 64.75

 

CMYK 11 / 0 / 82 / 27

HEX #A6BA21

RGB 166 186 33

HSL 67.84, 0.7%, 0.43%

LAB 71.78, -24.97, 67.46

 

CMYK 33 / 0 / 82 / 27

HEX #7CBA21

RGB 124 186 33

HSL 84.31, 0.7%, 0.43%

LAB 69.12, -41.72, 64.1

 

CMYK 55 / 0 / 82 / 27

HEX #53BA21

RGB 83 186 33

HSL 100.39, 0.7%, 0.43%

LAB 67.33, -54.99, 61.81

 

CMYK 0 / 33 / 82 / 27

HEX #BA7C21

RGB 186 124 33

HSL 35.69, 0.7%, 0.43%

LAB 57.04, 16.8, 55.3

 

CMYK 0 / 37 / 93 / 20

HEX #CC800F

RGB 204 128 15

HSL 35.87, 0.86%, 0.43%

LAB 60.17, 22.07, 63.79

 

CMYK 0 / 33 / 82 / 27

HEX #BA7C21

RGB 186 124 33

HSL 35.69, 0.7%, 0.43%

LAB 57.04, 16.8, 55.3

 

CMYK 0 / 28 / 70 / 34

HEX #A97933

RGB 169 121 51

HSL 35.59, 0.54%, 0.43%

LAB 54.4, 11.71, 44.46

 

CMYK 0 / 22 / 55 / 41

HEX #977644

RGB 151 118 68

HSL 36.14, 0.38%, 0.43%

LAB 51.78, 6.62, 32.24

 

CMYK 0 / 14 / 35 / 48

HEX #857256

RGB 133 114 86

HSL 35.74, 0.21%, 0.43%

LAB 49.12, 3.04, 18.28

 

CMYK 0 / 3 / 10 / 55

HEX #736F68

RGB 115 111 104

HSL 38.18, 0.05%, 0.43%

LAB 46.99, 0.2, 4.44

 

CMYK 0 / 78 / 82 / 27

HEX #BA2921

RGB 186 41 33

HSL 3.14, 0.7%, 0.43%

LAB 41.43, 56.24, 41

 

CMYK 0 / 56 / 82 / 27

HEX #BA5221

RGB 186 82 33

HSL 19.22, 0.7%, 0.43%

LAB 47.73, 39.3, 46.91

 

CMYK 0 / 34 / 82 / 27

HEX #BA7A21

RGB 186 122 33

HSL 34.9, 0.7%, 0.43%

LAB 56.55, 17.91, 54.87

 

CMYK 0 / 12 / 82 / 27

HEX #BAA321

RGB 186 163 33

HSL 50.98, 0.7%, 0.43%

LAB 67.08, -4.51, 64.06

 

CMYK 10 / 0 / 82 / 27

HEX #A8BA21

RGB 168 186 33

HSL 67.06, 0.7%, 0.43%

LAB 71.93, -24.13, 67.64

 

CMYK 0 / 33 / 82 / 55

HEX #744E15

RGB 116 78 21

HSL 36, 0.69%, 0.27%

LAB 36.4, 10.68, 37.94

 

CMYK 0 / 33 / 82 / 41

HEX #97651B

RGB 151 101 27

HSL 35.81, 0.7%, 0.35%

LAB 46.93, 13.82, 46.84

 

CMYK 0 / 33 / 82 / 27

HEX #BA7C21

RGB 186 124 33

HSL 35.69, 0.7%, 0.43%

LAB 57.04, 16.8, 55.3

 

CMYK 0 / 33 / 80 / 15

HEX #DA932B

RGB 218 147 43

HSL 35.66, 0.7%, 0.51%

LAB 66.48, 18.5, 61.6

 

CMYK 0 / 26 / 65 / 12

HEX #E0A54E

RGB 224 165 78

HSL 35.75, 0.7%, 0.59%

LAB 71.76, 13.05, 52.42

 

CMYK 0 / 33 / 82 / 28

HEX #B87B21

RGB 184 123 33

HSL 35.76, 0.7%, 0.43%

LAB 56.55, 16.47, 54.77

 

CMYK 65 / 0 / 82 / 27

HEX #42BA21

RGB 66 186 33

HSL 107.06, 0.7%, 0.43%

LAB 66.81, -59.16, 61.15

 

CMYK 67 / 82 / 0 / 27

HEX #3D21BA

RGB 61 33 186

HSL 250.98, 0.7%, 0.43%

LAB 28.45, 54.51, -74.46

 

CMYK 0 / 33 / 82 / 28

HEX #B87B21

RGB 184 123 33

HSL 35.76, 0.7%, 0.43%

LAB 56.55, 16.47, 54.77

 

CMYK 82 / 0 / 34 / 27

HEX #21BA7A

RGB 33 186 122

HSL 154.9, 0.7%, 0.43%

LAB 67.16, -52.87, 21.93

 

CMYK 34 / 82 / 0 / 27

HEX #7A21BA

RGB 122 33 186

HSL 274.9, 0.7%, 0.43%

LAB 35.54, 61.93, -62.54

 

CMYK 0 / 33 / 82 / 28

HEX #B87B21

RGB 184 123 33

HSL 35.76, 0.7%, 0.43%

LAB 56.55, 16.47, 54.77

 

CMYK 65 / 0 / 82 / 27

HEX #42BA21

RGB 66 186 33

HSL 107.06, 0.7%, 0.43%

LAB 66.81, -59.16, 61.15

 

CMYK 82 / 48 / 0 / 27

HEX #2161BA

RGB 33 97 186

HSL 214.9, 0.7%, 0.43%

LAB 41.87, 13.12, -52.57

 

CMYK 18 / 82 / 0 / 27

HEX #9921BA

RGB 153 33 186

HSL 287.06, 0.7%, 0.43%

LAB 40.25, 67.03, -54.66

 

CMYK 0 / 33 / 82 / 28

HEX #B87B21

RGB 184 123 33

HSL 35.76, 0.7%, 0.43%

LAB 56.55, 16.47, 54.77

 

CMYK 82 / 0 / 75 / 27

HEX #21BA2E

RGB 33 186 46

HSL 125.1, 0.7%, 0.43%

LAB 66.24, -63.8, 56.39

 

CMYK 82 / 48 / 0 / 27

HEX #2161BA

RGB 33 97 186

HSL 214.9, 0.7%, 0.43%

LAB 41.87, 13.12, -52.57

 

CMYK 0 / 82 / 6 / 27

HEX #BA21AE

RGB 186 33 174

HSL 304.71, 0.7%, 0.43%

LAB 45.06, 71.22, -39.57

 

Description

Color code: HEX #B87B21 | qconv.com Color code: HEX #B87B21 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 123 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 123 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 82 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 82% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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