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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B871C8 it is the complementary color #478E37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B871C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B871C8 shade: #BD71C3, #CE83D6, #DF95E9, #F0A7FC and #FFB9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B871C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B871C8 shade: #B871C8, #A75FB5, #964DA2, #853B8F and #74297C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B871C8 shade: #B770C7, #C770C0, #C770A8, #C77091 and #C77079

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B871C8 shade: #B770C7, #A070C7, #8870C7 and #7070C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B871C8 shade matches the following richer shades: #B770C7, #C160D7, #CC50E7 and #D640F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B871C8 shade: #B770C7, #AD80B7, #A390A7, #99A097 and #8FB087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B871C8 shade: #8770C7, #9E70C7, #B670C7, #C770C1 and #C770AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B871C8 shade: #9240A5, #A852BC, #B770C7, #C68DD3 and #D5ABDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B871C8 shade: #B871C8, #C77070 and #70C793

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B871C8 shade: #B871C8, #C7B670 and #70C7B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B871C8 shade: #B871C8, #C77070, #81C770 and #70C7C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B871C8 shade: #B871C8, #C78A70, #81C770 and #70ADC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 44 / 0 / 22

HEX #B871C8

RGB 184 113 200

HSL 288.97, 0.44%, 0.61%

LAB 58.2, 42.27, -34

 

Complementary color

CMYK 50 / 0 / 61 / 44

HEX #478E37

RGB 71 142 55

HSL 108.97, 0.44%, 0.39%

LAB 52.91, -39.66, 38.77

 

CMYK 3 / 42 / 0 / 24

HEX #BD71C3

RGB 189 113 195

HSL 295.61, 0.41%, 0.6%

LAB 58.57, 42.79, -30.53

 

CMYK 4 / 39 / 0 / 16

HEX #CE83D6

RGB 206 131 214

HSL 294.22, 0.5%, 0.68%

LAB 65.13, 42.04, -30.92

 

CMYK 4 / 36 / 0 / 9

HEX #DF95E9

RGB 223 149 233

HSL 292.86, 0.66%, 0.75%

LAB 71.6, 41.3, -31.27

 

CMYK 5 / 34 / 0 / 1

HEX #F0A7FC

RGB 240 167 252

HSL 291.53, 0.93%, 0.82%

LAB 77.99, 40.59, -31.59

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 8 / 44 / 0 / 22

HEX #B871C8

RGB 184 113 200

HSL 288.97, 0.44%, 0.61%

LAB 58.2, 42.27, -34

 

CMYK 8 / 48 / 0 / 29

HEX #A75FB5

RGB 167 95 181

HSL 290.23, 0.37%, 0.54%

LAB 51.54, 43.04, -33.66

 

CMYK 7 / 52 / 0 / 36

HEX #964DA2

RGB 150 77 162

HSL 291.53, 0.36%, 0.47%

LAB 44.8, 43.77, -33.23

 

CMYK 7 / 59 / 0 / 44

HEX #853B8F

RGB 133 59 143

HSL 292.86, 0.42%, 0.4%

LAB 38.02, 44.36, -32.64

 

CMYK 6 / 67 / 0 / 51

HEX #74297C

RGB 116 41 124

HSL 294.22, 0.5%, 0.32%

LAB 31.24, 44.63, -31.78

 

CMYK 8 / 44 / 0 / 22

HEX #B770C7

RGB 183 112 199

HSL 288.97, 0.44%, 0.61%

LAB 57.83, 42.31, -34.02

 

CMYK 0 / 44 / 4 / 22

HEX #C770C0

RGB 199 112 192

HSL 304.83, 0.44%, 0.61%

LAB 59.47, 45.82, -27.34

 

CMYK 0 / 44 / 16 / 22

HEX #C770A8

RGB 199 112 168

HSL 321.38, 0.44%, 0.61%

LAB 58.56, 41.76, -14.98

 

CMYK 0 / 44 / 27 / 22

HEX #C77091

RGB 199 112 145

HSL 337.24, 0.44%, 0.61%

LAB 57.82, 38.32, -2.78

 

CMYK 0 / 44 / 39 / 22

HEX #C77079

RGB 199 112 121

HSL 353.79, 0.44%, 0.61%

LAB 57.18, 35.26, 10.25

 

CMYK 8 / 44 / 0 / 22

HEX #B770C7

RGB 183 112 199

HSL 288.97, 0.44%, 0.61%

LAB 57.83, 42.31, -34.02

 

CMYK 20 / 44 / 0 / 22

HEX #A070C7

RGB 160 112 199

HSL 273.1, 0.44%, 0.61%

LAB 55.26, 35.52, -38.22

 

CMYK 32 / 44 / 0 / 22

HEX #8870C7

RGB 136 112 199

HSL 256.55, 0.44%, 0.61%

LAB 52.89, 28.7, -42.12

 

CMYK 44 / 44 / 0 / 22

HEX #7070C7

RGB 112 112 199

HSL 240, 0.44%, 0.61%

LAB 50.87, 22.37, -45.45

 

CMYK 8 / 44 / 0 / 22

HEX #B770C7

RGB 183 112 199

HSL 288.97, 0.44%, 0.61%

LAB 57.83, 42.31, -34.02

 

CMYK 10 / 55 / 0 / 16

HEX #C160D7

RGB 193 96 215

HSL 288.91, 0.6%, 0.61%

LAB 56.69, 56.43, -44.79

 

CMYK 12 / 65 / 0 / 9

HEX #CC50E7

RGB 204 80 231

HSL 289.27, 0.76%, 0.61%

LAB 56.43, 69.22, -54.13

 

CMYK 14 / 74 / 0 / 3

HEX #D640F8

RGB 214 64 248

HSL 288.91, 0.93%, 0.61%

LAB 56.82, 80.12, -62.93

 

CMYK 8 / 44 / 0 / 22

HEX #B770C7

RGB 183 112 199

HSL 288.97, 0.44%, 0.61%

LAB 57.83, 42.31, -34.02

 

CMYK 5 / 30 / 0 / 28

HEX #AD80B7

RGB 173 128 183

HSL 289.09, 0.28%, 0.61%

LAB 59.65, 27.09, -22.19

 

CMYK 2 / 14 / 0 / 35

HEX #A390A7

RGB 163 144 167

HSL 289.57, 0.12%, 0.61%

LAB 62.1, 11.38, -9.48

 

CMYK 4 / 0 / 6 / 37

HEX #99A097

RGB 153 160 151

HSL 106.67, 0.05%, 0.61%

LAB 65.08, -4.23, 3.81

 

CMYK 19 / 0 / 23 / 31

HEX #8FB087

RGB 143 176 135

HSL 108.29, 0.21%, 0.61%

LAB 68.49, -19.17, 17.39

 

CMYK 32 / 44 / 0 / 22

HEX #8770C7

RGB 135 112 199

HSL 255.86, 0.44%, 0.61%

LAB 52.8, 28.42, -42.27

 

CMYK 21 / 44 / 0 / 22

HEX #9E70C7

RGB 158 112 199

HSL 271.72, 0.44%, 0.61%

LAB 55.05, 34.94, -38.57

 

CMYK 9 / 44 / 0 / 22

HEX #B670C7

RGB 182 112 199

HSL 288.28, 0.44%, 0.61%

LAB 57.71, 42.01, -34.22

 

CMYK 0 / 44 / 3 / 22

HEX #C770C1

RGB 199 112 193

HSL 304.14, 0.44%, 0.61%

LAB 59.51, 45.99, -27.85

 

CMYK 0 / 44 / 15 / 22

HEX #C770AA

RGB 199 112 170

HSL 320, 0.44%, 0.61%

LAB 58.63, 42.08, -16.03

 

CMYK 12 / 61 / 0 / 35

HEX #9240A5

RGB 146 64 165

HSL 288.71, 0.44%, 0.45%

LAB 41.99, 49.79, -39.49

 

CMYK 11 / 56 / 0 / 26

HEX #A852BC

RGB 168 82 188

HSL 288.68, 0.44%, 0.53%

LAB 49.48, 51.39, -40.94

 

CMYK 8 / 44 / 0 / 22

HEX #B770C7

RGB 183 112 199

HSL 288.97, 0.44%, 0.61%

LAB 57.83, 42.31, -34.02

 

CMYK 6 / 33 / 0 / 17

HEX #C68DD3

RGB 198 141 211

HSL 288.86, 0.44%, 0.69%

LAB 66.34, 33.56, -27.46

 

CMYK 4 / 23 / 0 / 13

HEX #D5ABDE

RGB 213 171 222

HSL 289.41, 0.44%, 0.77%

LAB 75.17, 24.17, -19.89

 

CMYK 8 / 44 / 0 / 22

HEX #B871C8

RGB 184 113 200

HSL 288.97, 0.44%, 0.61%

LAB 58.2, 42.27, -34

 

CMYK 0 / 44 / 44 / 22

HEX #C77070

RGB 199 112 112

HSL 0, 0.44%, 0.61%

LAB 56.98, 34.26, 15.18

 

CMYK 44 / 0 / 26 / 22

HEX #70C793

RGB 112 199 147

HSL 144.14, 0.44%, 0.61%

LAB 73.8, -37.9, 18.02

 

CMYK 8 / 44 / 0 / 22

HEX #B871C8

RGB 184 113 200

HSL 288.97, 0.44%, 0.61%

LAB 58.2, 42.27, -34

 

CMYK 0 / 9 / 44 / 22

HEX #C7B670

RGB 199 182 112

HSL 48.28, 0.44%, 0.61%

LAB 74.04, -3.66, 37.74

 

CMYK 44 / 0 / 9 / 22

HEX #70C7B6

RGB 112 199 182

HSL 168.28, 0.44%, 0.61%

LAB 74.62, -30.34, 0.32

 

CMYK 8 / 44 / 0 / 22

HEX #B871C8

RGB 184 113 200

HSL 288.97, 0.44%, 0.61%

LAB 58.2, 42.27, -34

 

CMYK 0 / 44 / 44 / 22

HEX #C77070

RGB 199 112 112

HSL 0, 0.44%, 0.61%

LAB 56.98, 34.26, 15.18

 

CMYK 35 / 0 / 44 / 22

HEX #81C770

RGB 129 199 112

HSL 108.28, 0.44%, 0.61%

LAB 73.99, -38.59, 36.68

 

CMYK 44 / 0 / 0 / 22

HEX #70C7C7

RGB 112 199 199

HSL 180, 0.44%, 0.61%

LAB 75.09, -26.17, -8.19

 

CMYK 8 / 44 / 0 / 22

HEX #B871C8

RGB 184 113 200

HSL 288.97, 0.44%, 0.61%

LAB 58.2, 42.27, -34

 

CMYK 0 / 31 / 44 / 22

HEX #C78A70

RGB 199 138 112

HSL 17.93, 0.44%, 0.61%

LAB 62.92, 20.14, 23.27

 

CMYK 35 / 0 / 44 / 22

HEX #81C770

RGB 129 199 112

HSL 108.28, 0.44%, 0.61%

LAB 73.99, -38.59, 36.68

 

CMYK 44 / 13 / 0 / 22

HEX #70ADC7

RGB 112 173 199

HSL 197.93, 0.44%, 0.61%

LAB 67.62, -12.82, -19.42

 

Description

Color code: HEX #B871C8 | qconv.com Color code: HEX #B871C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 113 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 113 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 44 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 44% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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