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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8593E it is the complementary color #47A6C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8593E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B8593E shade: #BD5939, #CE6B4C, #DF7D5F, #F08F72 and #FFA185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8593E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B8593E shade: #B8593E, #A7472B, #963518, #852305 and #741100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B8593E shade: #B8583D and #B83D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B8593E shade: #B8583D, #B8793D, #B89A3D, #B4B83D and #93B83D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B8593E shade matches the following richer shades: #B8583D, #CB4D29, #DF4216 and #F33702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B8593E shade: #B8583D, #A46351, #906E65, #7C7979 and #68848C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B8593E shade: #B83D64, #B83D43, #B8583D, #B8783D and #B8993D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B8593E shade: #7A3B29, #994933, #B8583D, #C77057 and #D18A76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B8593E shade: #B8593E, #85B83D and #3D54B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B8593E shade: #B8593E, #3DB858 and #583DB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B8593E shade: #B8593E, #85B83D, #3D9DB8 and #703DB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B8593E shade: #B8593E, #60B83D, #3D9DB8 and #953DB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 66 / 28

HEX #B8593E

RGB 184 89 62

HSL 13.28, 0.5%, 0.48%

LAB 49.11, 36.3, 33.32

 

Complementary color

CMYK 63 / 14 / 0 / 24

HEX #47A6C1

RGB 71 166 193

HSL 193.28, 0.5%, 0.52%

LAB 63.72, -19.64, -22.17

 

CMYK 0 / 53 / 70 / 26

HEX #BD5939

RGB 189 89 57

HSL 14.55, 0.54%, 0.48%

LAB 49.81, 37.97, 37.09

 

CMYK 0 / 48 / 63 / 19

HEX #CE6B4C

RGB 206 107 76

HSL 14.31, 0.57%, 0.55%

LAB 56.25, 36.48, 34.89

 

CMYK 0 / 44 / 57 / 13

HEX #DF7D5F

RGB 223 125 95

HSL 14.06, 0.67%, 0.62%

LAB 62.66, 35.11, 32.91

 

CMYK 0 / 40 / 53 / 6

HEX #F08F72

RGB 240 143 114

HSL 13.81, 0.81%, 0.69%

LAB 69.03, 33.85, 31.14

 

CMYK 0 / 37 / 48 / 0

HEX #FFA185

RGB 255 161 133

HSL 13.77, 1%, 0.76%

LAB 75.1, 31.94, 29.18

 

CMYK 0 / 52 / 66 / 28

HEX #B8593E

RGB 184 89 62

HSL 13.28, 0.5%, 0.48%

LAB 49.11, 36.3, 33.32

 

CMYK 0 / 57 / 74 / 35

HEX #A7472B

RGB 167 71 43

HSL 13.55, 0.59%, 0.41%

LAB 42.61, 37.81, 35.73

 

CMYK 0 / 65 / 84 / 41

HEX #963518

RGB 150 53 24

HSL 13.81, 0.72%, 0.34%

LAB 36.17, 39.29, 38.24

 

CMYK 0 / 74 / 96 / 48

HEX #852305

RGB 133 35 5

HSL 14.06, 0.93%, 0.27%

LAB 29.91, 40.5, 40.17

 

CMYK 0 / 85 / 100 / 55

HEX #741100

RGB 116 17 0

HSL 8.79, 1%, 0.23%

LAB 24.04, 40.92, 35.68

 

CMYK 0 / 52 / 67 / 28

HEX #B8583D

RGB 184 88 61

HSL 13.17, 0.5%, 0.48%

LAB 48.89, 36.76, 33.62

 

CMYK 0 / 67 / 67 / 28

HEX #B83D3D

RGB 184 61 61

HSL 0, 0.5%, 0.48%

LAB 44.04, 49.5, 27.76

 

CMYK 0 / 52 / 67 / 28

HEX #B8583D

RGB 184 88 61

HSL 13.17, 0.5%, 0.48%

LAB 48.89, 36.76, 33.62

 

CMYK 0 / 34 / 67 / 28

HEX #B8793D

RGB 184 121 61

HSL 29.27, 0.5%, 0.48%

LAB 56.29, 18.89, 42.15

 

CMYK 0 / 16 / 67 / 28

HEX #B89A3D

RGB 184 154 61

HSL 45.37, 0.5%, 0.48%

LAB 64.67, 0.7, 51.29

 

CMYK 2 / 0 / 67 / 28

HEX #B4B83D

RGB 180 184 61

HSL 61.95, 0.5%, 0.48%

LAB 72.44, -16.78, 59.25

 

CMYK 20 / 0 / 67 / 28

HEX #93B83D

RGB 147 184 61

HSL 78.05, 0.5%, 0.48%

LAB 70.05, -30.42, 56.03

 

CMYK 0 / 52 / 67 / 28

HEX #B8583D

RGB 184 88 61

HSL 13.17, 0.5%, 0.48%

LAB 48.89, 36.76, 33.62

 

CMYK 0 / 62 / 80 / 20

HEX #CB4D29

RGB 203 77 41

HSL 13.33, 0.66%, 0.48%

LAB 49.69, 48.26, 45.99

 

CMYK 0 / 70 / 90 / 13

HEX #DF4216

RGB 223 66 22

HSL 13.13, 0.82%, 0.48%

LAB 51.43, 59.08, 56.97

 

CMYK 0 / 77 / 99 / 5

HEX #F33702

RGB 243 55 2

HSL 13.2, 0.98%, 0.48%

LAB 53.81, 68.55, 65.53

 

CMYK 0 / 52 / 67 / 28

HEX #B8583D

RGB 184 88 61

HSL 13.17, 0.5%, 0.48%

LAB 48.89, 36.76, 33.62

 

CMYK 0 / 40 / 51 / 36

HEX #A46351

RGB 164 99 81

HSL 13.01, 0.34%, 0.48%

LAB 48.77, 24.31, 21.37

 

CMYK 0 / 24 / 30 / 44

HEX #906E65

RGB 144 110 101

HSL 12.56, 0.18%, 0.48%

LAB 49.52, 12.11, 10.21

 

CMYK 0 / 2 / 2 / 51

HEX #7C7979

RGB 124 121 121

HSL 0, 0.01%, 0.48%

LAB 51.08, 1.14, 0.4

 

CMYK 26 / 6 / 0 / 45

HEX #68848C

RGB 104 132 140

HSL 193.33, 0.15%, 0.48%

LAB 53.32, -8.01, -7.58

 

CMYK 0 / 67 / 46 / 28

HEX #B83D64

RGB 184 61 100

HSL 340.98, 0.5%, 0.48%

LAB 44.87, 52.5, 4.99

 

CMYK 0 / 67 / 64 / 28

HEX #B83D43

RGB 184 61 67

HSL 357.07, 0.5%, 0.48%

LAB 44.14, 49.86, 24.27

 

CMYK 0 / 52 / 67 / 28

HEX #B8583D

RGB 184 88 61

HSL 13.17, 0.5%, 0.48%

LAB 48.89, 36.76, 33.62

 

CMYK 0 / 35 / 67 / 28

HEX #B8783D

RGB 184 120 61

HSL 28.78, 0.5%, 0.48%

LAB 56.05, 19.45, 41.88

 

CMYK 0 / 17 / 67 / 28

HEX #B8993D

RGB 184 153 61

HSL 44.88, 0.5%, 0.48%

LAB 64.41, 1.24, 51.01

 

CMYK 0 / 52 / 66 / 52

HEX #7A3B29

RGB 122 59 41

HSL 13.33, 0.5%, 0.32%

LAB 32.76, 25.81, 23.63

 

CMYK 0 / 52 / 67 / 40

HEX #994933

RGB 153 73 51

HSL 12.94, 0.5%, 0.4%

LAB 40.86, 31.67, 28.6

 

CMYK 0 / 52 / 67 / 28

HEX #B8583D

RGB 184 88 61

HSL 13.17, 0.5%, 0.48%

LAB 48.89, 36.76, 33.62

 

CMYK 0 / 44 / 56 / 22

HEX #C77057

RGB 199 112 87

HSL 13.39, 0.5%, 0.56%

LAB 56.5, 31.9, 28.87

 

CMYK 0 / 34 / 44 / 18

HEX #D18A76

RGB 209 138 118

HSL 13.19, 0.5%, 0.64%

LAB 64.19, 24.78, 21.84

 

CMYK 0 / 52 / 66 / 28

HEX #B8593E

RGB 184 89 62

HSL 13.28, 0.5%, 0.48%

LAB 49.11, 36.3, 33.32

 

CMYK 28 / 0 / 67 / 28

HEX #85B83D

RGB 133 184 61

HSL 84.88, 0.5%, 0.48%

LAB 69.19, -35.86, 54.86

 

CMYK 67 / 54 / 0 / 28

HEX #3D54B8

RGB 61 84 184

HSL 228.78, 0.5%, 0.48%

LAB 39.23, 24.39, -55.61

 

CMYK 0 / 52 / 66 / 28

HEX #B8593E

RGB 184 89 62

HSL 13.28, 0.5%, 0.48%

LAB 49.11, 36.3, 33.32

 

CMYK 67 / 0 / 52 / 28

HEX #3DB858

RGB 61 184 88

HSL 133.17, 0.5%, 0.48%

LAB 66.5, -54.18, 38.77

 

CMYK 52 / 67 / 0 / 28

HEX #583DB8

RGB 88 61 184

HSL 253.17, 0.5%, 0.48%

LAB 35.74, 43.2, -61.2

 

CMYK 0 / 52 / 66 / 28

HEX #B8593E

RGB 184 89 62

HSL 13.28, 0.5%, 0.48%

LAB 49.11, 36.3, 33.32

 

CMYK 28 / 0 / 67 / 28

HEX #85B83D

RGB 133 184 61

HSL 84.88, 0.5%, 0.48%

LAB 69.19, -35.86, 54.86

 

CMYK 67 / 15 / 0 / 28

HEX #3D9DB8

RGB 61 157 184

HSL 193.17, 0.5%, 0.48%

LAB 60.4, -19.39, -22.24

 

CMYK 39 / 67 / 0 / 28

HEX #703DB8

RGB 112 61 184

HSL 264.88, 0.5%, 0.48%

LAB 38.27, 47.78, -56.96

 

CMYK 0 / 52 / 66 / 28

HEX #B8593E

RGB 184 89 62

HSL 13.28, 0.5%, 0.48%

LAB 49.11, 36.3, 33.32

 

CMYK 48 / 0 / 67 / 28

HEX #60B83D

RGB 96 184 61

HSL 102.93, 0.5%, 0.48%

LAB 67.36, -48.59, 52.37

 

CMYK 67 / 15 / 0 / 28

HEX #3D9DB8

RGB 61 157 184

HSL 193.17, 0.5%, 0.48%

LAB 60.4, -19.39, -22.24

 

CMYK 19 / 67 / 0 / 28

HEX #953DB8

RGB 149 61 184

HSL 282.93, 0.5%, 0.48%

LAB 43.04, 55.78, -49.02

 

Description

Color code: HEX #B8593E | qconv.com Color code: HEX #B8593E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 89 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 89 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 66 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 66% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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