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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B844D9 it is the complementary color #47BB26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B844D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B844D9 shade: #BD44D4, #CE56E7, #DF68FA, #F07AFF and #FF8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B844D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B844D9 shade: #B844D9, #A732C6, #9620B3, #850EA0 and #74008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B844D9 shade: #B845D9, #D945D2, #D945AA, #D94582 and #D9455A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B844D9 shade: #B845D9, #9045D9, #6845D9 and #4545D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B844D9 shade matches the following richer shades: #B845D9, #C233EB and #CC20FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B844D9 shade: #B845D9, #AE57C7, #A469B5, #9A7BA2 and #908D90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B844D9 shade: #6745D9, #8F45D9, #B645D9, #D945D4 and #D945AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B844D9 shade: #8B23A9, #A72ACB, #B845D9, #C567E0 and #D289E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B844D9 shade: #B844D9, #D9454A and #45D97B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B844D9 shade: #B844D9, #D9B645 and #45D9B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B844D9 shade: #B844D9, #D9454A, #67D945 and #45D9D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B844D9 shade: #B844D9, #D96C45, #67D945 and #45B1D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 69 / 0 / 15

HEX #B844D9

RGB 184 68 217

HSL 286.71, 0.66%, 0.56%

LAB 51.08, 67.06, -54.94

 

Complementary color

CMYK 62 / 0 / 80 / 27

HEX #47BB26

RGB 71 187 38

HSL 106.71, 0.66%, 0.44%

LAB 67.29, -58.1, 60.24

 

CMYK 11 / 68 / 0 / 17

HEX #BD44D4

RGB 189 68 212

HSL 290.42, 0.63%, 0.55%

LAB 51.5, 67.2, -51.37

 

CMYK 11 / 63 / 0 / 9

HEX #CE56E7

RGB 206 86 231

HSL 289.66, 0.75%, 0.62%

LAB 57.6, 67.19, -52.24

 

CMYK 11 / 58 / 0 / 2

HEX #DF68FA

RGB 223 104 250

HSL 288.9, 0.94%, 0.69%

LAB 63.75, 66.87, -52.9

 

CMYK 6 / 52 / 0 / 0

HEX #F07AFF

RGB 240 122 255

HSL 293.23, 1%, 0.74%

LAB 69.23, 63.79, -46.84

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 15 / 69 / 0 / 15

HEX #B844D9

RGB 184 68 217

HSL 286.71, 0.66%, 0.56%

LAB 51.08, 67.06, -54.94

 

CMYK 16 / 75 / 0 / 22

HEX #A732C6

RGB 167 50 198

HSL 287.43, 0.6%, 0.49%

LAB 45.04, 66.65, -53.84

 

CMYK 16 / 82 / 0 / 30

HEX #9620B3

RGB 150 32 179

HSL 288.16, 0.7%, 0.41%

LAB 39.19, 65.47, -52.26

 

CMYK 17 / 91 / 0 / 37

HEX #850EA0

RGB 133 14 160

HSL 288.9, 0.84%, 0.34%

LAB 33.64, 63.09, -49.98

 

CMYK 18 / 100 / 0 / 45

HEX #74008D

RGB 116 0 141

HSL 289.36, 1%, 0.28%

LAB 28.48, 59.2, -46.85

 

CMYK 15 / 68 / 0 / 15

HEX #B845D9

RGB 184 69 217

HSL 286.62, 0.66%, 0.56%

LAB 51.22, 66.66, -54.72

 

CMYK 0 / 68 / 3 / 15

HEX #D945D2

RGB 217 69 210

HSL 302.84, 0.66%, 0.56%

LAB 55.75, 72.72, -43.23

 

CMYK 0 / 68 / 22 / 15

HEX #D945AA

RGB 217 69 170

HSL 319.05, 0.66%, 0.56%

LAB 53.93, 66.91, -22.97

 

CMYK 0 / 68 / 40 / 15

HEX #D94582

RGB 217 69 130

HSL 335.27, 0.66%, 0.56%

LAB 52.53, 62.21, -1.41

 

CMYK 0 / 68 / 59 / 15

HEX #D9455A

RGB 217 69 90

HSL 351.49, 0.66%, 0.56%

LAB 51.55, 58.8, 21.2

 

CMYK 15 / 68 / 0 / 15

HEX #B845D9

RGB 184 69 217

HSL 286.62, 0.66%, 0.56%

LAB 51.22, 66.66, -54.72

 

CMYK 34 / 68 / 0 / 15

HEX #9045D9

RGB 144 69 217

HSL 270.41, 0.66%, 0.56%

LAB 45.9, 58.4, -63.56

 

CMYK 52 / 68 / 0 / 15

HEX #6845D9

RGB 104 69 217

HSL 254.19, 0.66%, 0.56%

LAB 41.55, 51.13, -70.83

 

CMYK 68 / 68 / 0 / 15

HEX #4545D9

RGB 69 69 217

HSL 240, 0.66%, 0.56%

LAB 38.78, 46.18, -75.48

 

CMYK 15 / 68 / 0 / 15

HEX #B845D9

RGB 184 69 217

HSL 286.62, 0.66%, 0.56%

LAB 51.22, 66.66, -54.72

 

CMYK 17 / 78 / 0 / 8

HEX #C233EB

RGB 194 51 235

HSL 286.63, 0.82%, 0.56%

LAB 51.65, 78.12, -64.13

 

CMYK 19 / 87 / 0 / 1

HEX #CC20FD

RGB 204 32 253

HSL 286.7, 0.98%, 0.56%

LAB 52.91, 87.26, -72.1

 

CMYK 15 / 68 / 0 / 15

HEX #B845D9

RGB 184 69 217

HSL 286.62, 0.66%, 0.56%

LAB 51.22, 66.66, -54.72

 

CMYK 13 / 56 / 0 / 22

HEX #AE57C7

RGB 174 87 199

HSL 286.61, 0.5%, 0.56%

LAB 51.77, 52.71, -43.63

 

CMYK 9 / 42 / 0 / 29

HEX #A469B5

RGB 164 105 181

HSL 286.58, 0.34%, 0.56%

LAB 53.31, 36.7, -30.92

 

CMYK 5 / 24 / 0 / 36

HEX #9A7BA2

RGB 154 123 162

HSL 287.69, 0.17%, 0.56%

LAB 55.73, 19.22, -16.3

 

CMYK 0 / 2 / 0 / 44

HEX #908D90

RGB 144 141 144

HSL 300, 0.01%, 0.56%

LAB 58.97, 1.69, -1.21

 

CMYK 53 / 68 / 0 / 15

HEX #6745D9

RGB 103 69 217

HSL 253.78, 0.66%, 0.56%

LAB 41.45, 50.97, -70.99

 

CMYK 34 / 68 / 0 / 15

HEX #8F45D9

RGB 143 69 217

HSL 270, 0.66%, 0.56%

LAB 45.78, 58.21, -63.76

 

CMYK 16 / 68 / 0 / 15

HEX #B645D9

RGB 182 69 217

HSL 285.81, 0.66%, 0.56%

LAB 50.93, 66.24, -55.19

 

CMYK 0 / 68 / 2 / 15

HEX #D945D4

RGB 217 69 212

HSL 302.03, 0.66%, 0.56%

LAB 55.85, 73.03, -44.2

 

CMYK 0 / 68 / 21 / 15

HEX #D945AC

RGB 217 69 172

HSL 318.24, 0.66%, 0.56%

LAB 54.01, 67.18, -24.02

 

CMYK 18 / 79 / 0 / 34

HEX #8B23A9

RGB 139 35 169

HSL 286.57, 0.66%, 0.4%

LAB 37.03, 60.71, -49.88

 

CMYK 18 / 79 / 0 / 20

HEX #A72ACB

RGB 167 42 203

HSL 286.58, 0.66%, 0.48%

LAB 44.49, 70.12, -57.63

 

CMYK 15 / 68 / 0 / 15

HEX #B845D9

RGB 184 69 217

HSL 286.62, 0.66%, 0.56%

LAB 51.22, 66.66, -54.72

 

CMYK 12 / 54 / 0 / 12

HEX #C567E0

RGB 197 103 224

HSL 286.61, 0.66%, 0.64%

LAB 58.93, 55.83, -46.29

 

CMYK 9 / 41 / 0 / 9

HEX #D289E7

RGB 210 137 231

HSL 286.6, 0.66%, 0.72%

LAB 67.55, 43.37, -36.56

 

CMYK 15 / 69 / 0 / 15

HEX #B844D9

RGB 184 68 217

HSL 286.71, 0.66%, 0.56%

LAB 51.08, 67.06, -54.94

 

CMYK 0 / 68 / 66 / 15

HEX #D9454A

RGB 217 69 74

HSL 357.97, 0.66%, 0.56%

LAB 51.27, 57.8, 30.31

 

CMYK 68 / 0 / 43 / 15

HEX #45D97B

RGB 69 217 123

HSL 141.89, 0.66%, 0.56%

LAB 77.47, -59.31, 35.18

 

CMYK 15 / 69 / 0 / 15

HEX #B844D9

RGB 184 68 217

HSL 286.71, 0.66%, 0.56%

LAB 51.08, 67.06, -54.94

 

CMYK 0 / 16 / 68 / 15

HEX #D9B645

RGB 217 182 69

HSL 45.81, 0.66%, 0.56%

LAB 75.23, 0.54, 59.9

 

CMYK 68 / 0 / 16 / 15

HEX #45D9B6

RGB 69 217 182

HSL 165.81, 0.66%, 0.56%

LAB 78.62, -47.04, 5.96

 

CMYK 15 / 69 / 0 / 15

HEX #B844D9

RGB 184 68 217

HSL 286.71, 0.66%, 0.56%

LAB 51.08, 67.06, -54.94

 

CMYK 0 / 68 / 66 / 15

HEX #D9454A

RGB 217 69 74

HSL 357.97, 0.66%, 0.56%

LAB 51.27, 57.8, 30.31

 

CMYK 53 / 0 / 68 / 15

HEX #67D945

RGB 103 217 69

HSL 106.22, 0.66%, 0.56%

LAB 77.84, -58.54, 60.39

 

CMYK 68 / 0 / 2 / 15

HEX #45D9D4

RGB 69 217 212

HSL 177.97, 0.66%, 0.56%

LAB 79.41, -39.23, -8.9

 

CMYK 15 / 69 / 0 / 15

HEX #B844D9

RGB 184 68 217

HSL 286.71, 0.66%, 0.56%

LAB 51.08, 67.06, -54.94

 

CMYK 0 / 50 / 68 / 15

HEX #D96C45

RGB 217 108 69

HSL 15.81, 0.66%, 0.56%

LAB 57.95, 39.82, 41.08

 

CMYK 53 / 0 / 68 / 15

HEX #67D945

RGB 103 217 69

HSL 106.22, 0.66%, 0.56%

LAB 77.84, -58.54, 60.39

 

CMYK 68 / 18 / 0 / 15

HEX #45B1D9

RGB 69 177 217

HSL 196.22, 0.66%, 0.56%

LAB 67.81, -18.2, -29.18

 

Description

Color code: HEX #B844D9 | qconv.com Color code: HEX #B844D9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 68 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 68 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 69 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 69% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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