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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B841EC it is the complementary color #47BE13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B841EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B841EC shade: #BD41E7, #CE53FA, #DF65FF, #F077FF and #FF89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B841EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B841EC shade: #B841EC, #A72FD9, #961DC6, #850BB3 and #7400A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B841EC shade: #B841EC, #E641EC, #EC41C4, #EC4196 and #EC4167

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B841EC shade: #B841EC, #8A41EC, #5C41EC and #4141EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B841EC shade matches the following richer shades: #B841EC and #BF30FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B841EC shade: #B841EC, #B152DB, #AB63CA, #A473B9 and #9E84A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B841EC shade: #5A41EC, #8841EC, #B641EC, #E441EC and #EC41C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B841EC shade: #9014C7, #AA1BE8, #B841EC, #C666F0 and #D48CF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B841EC shade: #B841EC, #EC4155 and #41EC71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B841EC shade: #B841EC, #ECB641 and #41ECB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B841EC shade: #B841EC, #EC4155, #77EC41 and #41ECD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B841EC shade: #B841EC, #EC6041, #77EC41 and #41CDEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 72 / 0 / 7

HEX #B841EC

RGB 184 65 236

HSL 281.75, 0.82%, 0.59%

LAB 51.87, 71.88, -64.42

 

Complementary color

CMYK 63 / 0 / 90 / 25

HEX #47BE13

RGB 71 190 19

HSL 101.75, 0.82%, 0.41%

LAB 68.18, -59.94, 65.48

 

CMYK 18 / 72 / 0 / 9

HEX #BD41E7

RGB 189 65 231

HSL 284.82, 0.78%, 0.58%

LAB 52.25, 71.88, -60.95

 

CMYK 18 / 67 / 0 / 2

HEX #CE53FA

RGB 206 83 250

HSL 284.19, 0.94%, 0.65%

LAB 58.24, 72.02, -61.83

 

CMYK 13 / 60 / 0 / 0

HEX #DF65FF

RGB 223 101 255

HSL 287.53, 1%, 0.7%

LAB 63.52, 69.13, -56.01

 

CMYK 6 / 53 / 0 / 0

HEX #F077FF

RGB 240 119 255

HSL 293.38, 1%, 0.73%

LAB 68.71, 65.18, -47.66

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 22 / 72 / 0 / 7

HEX #B841EC

RGB 184 65 236

HSL 281.75, 0.82%, 0.59%

LAB 51.87, 71.88, -64.42

 

CMYK 23 / 78 / 0 / 15

HEX #A72FD9

RGB 167 47 217

HSL 282.35, 0.69%, 0.52%

LAB 45.99, 71.26, -63.27

 

CMYK 24 / 85 / 0 / 22

HEX #961DC6

RGB 150 29 198

HSL 282.96, 0.74%, 0.45%

LAB 40.31, 69.8, -61.62

 

CMYK 26 / 94 / 0 / 30

HEX #850BB3

RGB 133 11 179

HSL 283.57, 0.88%, 0.37%

LAB 34.96, 67.08, -59.25

 

CMYK 28 / 100 / 0 / 37

HEX #7400A0

RGB 116 0 160

HSL 283.5, 1%, 0.31%

LAB 30.04, 62.75, -55.98

 

CMYK 22 / 72 / 0 / 7

HEX #B841EC

RGB 184 65 236

HSL 281.75, 0.82%, 0.59%

LAB 51.87, 71.88, -64.42

 

CMYK 3 / 72 / 0 / 7

HEX #E641EC

RGB 230 65 236

HSL 297.89, 0.82%, 0.59%

LAB 58.66, 80.92, -53.16

 

CMYK 0 / 72 / 17 / 7

HEX #EC41C4

RGB 236 65 196

HSL 314.04, 0.82%, 0.59%

LAB 57.65, 76.35, -32.02

 

CMYK 0 / 72 / 36 / 7

HEX #EC4196

RGB 236 65 150

HSL 330.18, 0.82%, 0.59%

LAB 55.9, 70.88, -7.94

 

CMYK 0 / 72 / 56 / 7

HEX #EC4167

RGB 236 65 103

HSL 346.67, 0.82%, 0.59%

LAB 54.65, 66.8, 18.19

 

CMYK 22 / 72 / 0 / 7

HEX #B841EC

RGB 184 65 236

HSL 281.75, 0.82%, 0.59%

LAB 51.87, 71.88, -64.42

 

CMYK 42 / 72 / 0 / 7

HEX #8A41EC

RGB 138 65 236

HSL 265.61, 0.82%, 0.59%

LAB 45.96, 63.67, -74.28

 

CMYK 61 / 72 / 0 / 7

HEX #5C41EC

RGB 92 65 236

HSL 249.47, 0.82%, 0.59%

LAB 41.39, 57, -81.94

 

CMYK 72 / 72 / 0 / 7

HEX #4141EC

RGB 65 65 236

HSL 240, 0.82%, 0.59%

LAB 39.51, 54.15, -85.1

 

CMYK 22 / 72 / 0 / 7

HEX #B841EC

RGB 184 65 236

HSL 281.75, 0.82%, 0.59%

LAB 51.87, 71.88, -64.42

 

CMYK 25 / 81 / 0 / 1

HEX #BF30FD

RGB 191 48 253

HSL 281.85, 0.98%, 0.59%

LAB 52.15, 81.77, -73.41

 

CMYK 22 / 72 / 0 / 7

HEX #B841EC

RGB 184 65 236

HSL 281.75, 0.82%, 0.59%

LAB 51.87, 71.88, -64.42

 

CMYK 19 / 63 / 0 / 14

HEX #B152DB

RGB 177 82 219

HSL 281.61, 0.66%, 0.59%

LAB 52.39, 59.91, -54.02

 

CMYK 15 / 51 / 0 / 21

HEX #AB63CA

RGB 171 99 202

HSL 281.94, 0.49%, 0.59%

LAB 53.86, 46.4, -42.05

 

CMYK 11 / 38 / 0 / 27

HEX #A473B9

RGB 164 115 185

HSL 282, 0.33%, 0.59%

LAB 55.74, 31.94, -29.44

 

CMYK 7 / 22 / 0 / 34

HEX #9E84A9

RGB 158 132 169

HSL 282.16, 0.18%, 0.59%

LAB 58.64, 16.87, -15.88

 

CMYK 62 / 72 / 0 / 7

HEX #5A41EC

RGB 90 65 236

HSL 248.77, 0.82%, 0.59%

LAB 41.23, 56.76, -82.21

 

CMYK 42 / 72 / 0 / 7

HEX #8841EC

RGB 136 65 236

HSL 264.91, 0.82%, 0.59%

LAB 45.73, 63.35, -74.66

 

CMYK 23 / 72 / 0 / 7

HEX #B641EC

RGB 182 65 236

HSL 281.05, 0.82%, 0.59%

LAB 51.59, 71.5, -64.88

 

CMYK 3 / 72 / 0 / 7

HEX #E441EC

RGB 228 65 236

HSL 297.19, 0.82%, 0.59%

LAB 58.35, 80.52, -53.67

 

CMYK 0 / 72 / 16 / 7

HEX #EC41C7

RGB 236 65 199

HSL 312.98, 0.82%, 0.59%

LAB 57.79, 76.76, -33.53

 

CMYK 28 / 90 / 0 / 22

HEX #9014C7

RGB 144 20 199

HSL 281.56, 0.82%, 0.43%

LAB 38.82, 70.99, -64.68

 

CMYK 27 / 88 / 0 / 9

HEX #AA1BE8

RGB 170 27 232

HSL 281.85, 0.82%, 0.51%

LAB 45.85, 79.56, -72.02

 

CMYK 22 / 72 / 0 / 7

HEX #B841EC

RGB 184 65 236

HSL 281.75, 0.82%, 0.59%

LAB 51.87, 71.88, -64.42

 

CMYK 18 / 58 / 0 / 6

HEX #C666F0

RGB 198 102 240

HSL 281.74, 0.82%, 0.67%

LAB 59.71, 59.78, -53.98

 

CMYK 13 / 43 / 0 / 4

HEX #D48CF4

RGB 212 140 244

HSL 281.54, 0.83%, 0.75%

LAB 68.96, 44.98, -41.49

 

CMYK 22 / 72 / 0 / 7

HEX #B841EC

RGB 184 65 236

HSL 281.75, 0.82%, 0.59%

LAB 51.87, 71.88, -64.42

 

CMYK 0 / 72 / 64 / 7

HEX #EC4155

RGB 236 65 85

HSL 352.98, 0.82%, 0.59%

LAB 54.31, 65.67, 28.41

 

CMYK 72 / 0 / 52 / 7

HEX #41EC71

RGB 65 236 113

HSL 136.84, 0.82%, 0.59%

LAB 83.08, -68.14, 47.07

 

CMYK 22 / 72 / 0 / 7

HEX #B841EC

RGB 184 65 236

HSL 281.75, 0.82%, 0.59%

LAB 51.87, 71.88, -64.42

 

CMYK 0 / 23 / 72 / 7

HEX #ECB641

RGB 236 182 65

HSL 41.05, 0.82%, 0.59%

LAB 77.08, 8.43, 64.02

 

CMYK 72 / 0 / 23 / 7

HEX #41ECB6

RGB 65 236 182

HSL 161.05, 0.82%, 0.59%

LAB 84.22, -55.37, 13.94

 

CMYK 22 / 72 / 0 / 7

HEX #B841EC

RGB 184 65 236

HSL 281.75, 0.82%, 0.59%

LAB 51.87, 71.88, -64.42

 

CMYK 0 / 72 / 64 / 7

HEX #EC4155

RGB 236 65 85

HSL 352.98, 0.82%, 0.59%

LAB 54.31, 65.67, 28.41

 

CMYK 50 / 0 / 72 / 7

HEX #77EC41

RGB 119 236 65

HSL 101.05, 0.82%, 0.59%

LAB 84.12, -61.41, 68.46

 

CMYK 72 / 0 / 8 / 7

HEX #41ECD8

RGB 65 236 216

HSL 172.98, 0.82%, 0.59%

LAB 85.03, -47.04, -2.72

 

CMYK 22 / 72 / 0 / 7

HEX #B841EC

RGB 184 65 236

HSL 281.75, 0.82%, 0.59%

LAB 51.87, 71.88, -64.42

 

CMYK 0 / 59 / 72 / 7

HEX #EC6041

RGB 236 96 65

HSL 10.88, 0.82%, 0.59%

LAB 58.58, 52.36, 44.69

 

CMYK 50 / 0 / 72 / 7

HEX #77EC41

RGB 119 236 65

HSL 101.05, 0.82%, 0.59%

LAB 84.12, -61.41, 68.46

 

CMYK 72 / 13 / 0 / 7

HEX #41CDEC

RGB 65 205 236

HSL 190.88, 0.82%, 0.59%

LAB 76.58, -27.04, -26.04

 

Description

Color code: HEX #B841EC | qconv.com Color code: HEX #B841EC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 65 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 65 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 72 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 72% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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