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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B841CC it is the complementary color #47BE33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B841CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B841CC shade: #BD41C7, #CE53DA, #DF65ED, #F077FF and #FF89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B841CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B841CC shade: #B841CC, #A72FB9, #961DA6, #850B93 and #740080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B841CC shade: #B942CD, #CD42BB, #CD4296, #CD4270 and #CD424B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B841CC shade: #B942CD, #9342CD, #6E42CD, #4842CD and #4242CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B841CC shade matches the following richer shades: #B942CD, #C62EE0 and #D41BF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B841CC shade: #B942CD, #AB55B9, #9D68A6, #8F7C92 and #818F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B841CC shade: #6E42CD, #9342CD, #B842CD, #CD42BC and #CD4297

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B841CC shade: #852794, #A230B5, #B942CD, #C562D5 and #D183DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B841CC shade: #B841CC, #CD4942 and #42CD80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B841CC shade: #B841CC, #CDB842 and #42CDB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B841CC shade: #B841CC, #CD4942, #56CD42 and #42C6CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B841CC shade: #B841CC, #CD7242, #56CD42 and #429CCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 68 / 0 / 20

HEX #B841CC

RGB 184 65 204

HSL 291.37, 0.58%, 0.53%

LAB 49.89, 65.81, -49.39

 

Complementary color

CMYK 63 / 0 / 73 / 25

HEX #47BE33

RGB 71 190 51

HSL 111.37, 0.58%, 0.47%

LAB 68.32, -58.27, 56.96

 

CMYK 5 / 67 / 0 / 22

HEX #BD41C7

RGB 189 65 199

HSL 295.52, 0.54%, 0.52%

LAB 50.36, 66.04, -45.73

 

CMYK 6 / 62 / 0 / 15

HEX #CE53DA

RGB 206 83 218

HSL 294.67, 0.65%, 0.59%

LAB 56.46, 66.1, -46.75

 

CMYK 6 / 57 / 0 / 7

HEX #DF65ED

RGB 223 101 237

HSL 293.82, 0.79%, 0.66%

LAB 62.6, 65.83, -47.53

 

CMYK 6 / 53 / 0 / 0

HEX #F077FF

RGB 240 119 255

HSL 293.38, 1%, 0.73%

LAB 68.71, 65.18, -47.66

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 10 / 68 / 0 / 20

HEX #B841CC

RGB 184 65 204

HSL 291.37, 0.58%, 0.53%

LAB 49.89, 65.81, -49.39

 

CMYK 10 / 75 / 0 / 27

HEX #A72FB9

RGB 167 47 185

HSL 292.17, 0.59%, 0.45%

LAB 43.87, 65.28, -48.13

 

CMYK 10 / 83 / 0 / 35

HEX #961DA6

RGB 150 29 166

HSL 292.99, 0.7%, 0.38%

LAB 38.05, 63.93, -46.35

 

CMYK 10 / 93 / 0 / 42

HEX #850B93

RGB 133 11 147

HSL 293.82, 0.86%, 0.31%

LAB 32.55, 61.28, -43.81

 

CMYK 9 / 100 / 0 / 50

HEX #740080

RGB 116 0 128

HSL 294.38, 1%, 0.25%

LAB 27.49, 56.91, -40.3

 

CMYK 10 / 68 / 0 / 20

HEX #B942CD

RGB 185 66 205

HSL 291.37, 0.58%, 0.53%

LAB 50.24, 65.83, -49.41

 

CMYK 0 / 68 / 9 / 20

HEX #CD42BB

RGB 205 66 187

HSL 307.77, 0.58%, 0.53%

LAB 52.36, 67.44, -35.47

 

CMYK 0 / 68 / 27 / 20

HEX #CD4296

RGB 205 66 150

HSL 323.74, 0.58%, 0.53%

LAB 50.78, 62.27, -16.18

 

CMYK 0 / 68 / 45 / 20

HEX #CD4270

RGB 205 66 112

HSL 340.14, 0.58%, 0.53%

LAB 49.55, 58.07, 4.84

 

CMYK 0 / 68 / 63 / 20

HEX #CD424B

RGB 205 66 75

HSL 356.12, 0.58%, 0.53%

LAB 48.74, 55.2, 26.09

 

CMYK 10 / 68 / 0 / 20

HEX #B942CD

RGB 185 66 205

HSL 291.37, 0.58%, 0.53%

LAB 50.24, 65.83, -49.41

 

CMYK 28 / 68 / 0 / 20

HEX #9342CD

RGB 147 66 205

HSL 274.96, 0.58%, 0.53%

LAB 44.95, 57.64, -58.18

 

CMYK 46 / 68 / 0 / 20

HEX #6E42CD

RGB 110 66 205

HSL 258.99, 0.58%, 0.53%

LAB 40.6, 50.4, -65.44

 

CMYK 65 / 68 / 0 / 20

HEX #4842CD

RGB 72 66 205

HSL 242.59, 0.58%, 0.53%

LAB 37.27, 44.4, -71.03

 

CMYK 68 / 68 / 0 / 20

HEX #4242CD

RGB 66 66 205

HSL 240, 0.58%, 0.53%

LAB 36.86, 43.64, -71.71

 

CMYK 10 / 68 / 0 / 20

HEX #B942CD

RGB 185 66 205

HSL 291.37, 0.58%, 0.53%

LAB 50.24, 65.83, -49.41

 

CMYK 12 / 79 / 0 / 12

HEX #C62EE0

RGB 198 46 224

HSL 291.24, 0.74%, 0.53%

LAB 51.08, 78.28, -58.79

 

CMYK 13 / 89 / 0 / 5

HEX #D41BF3

RGB 212 27 243

HSL 291.39, 0.9%, 0.53%

LAB 53.22, 87.59, -65.95

 

CMYK 10 / 68 / 0 / 20

HEX #B942CD

RGB 185 66 205

HSL 291.37, 0.58%, 0.53%

LAB 50.24, 65.83, -49.41

 

CMYK 8 / 54 / 0 / 27

HEX #AB55B9

RGB 171 85 185

HSL 291.6, 0.42%, 0.53%

LAB 50.28, 50.12, -37.91

 

CMYK 5 / 37 / 0 / 35

HEX #9D68A6

RGB 157 104 166

HSL 291.29, 0.26%, 0.53%

LAB 51.64, 31.95, -24.87

 

CMYK 2 / 15 / 0 / 43

HEX #8F7C92

RGB 143 124 146

HSL 291.82, 0.09%, 0.53%

LAB 54.38, 11.47, -9.17

 

CMYK 10 / 0 / 11 / 44

HEX #818F7F

RGB 129 143 127

HSL 112.5, 0.07%, 0.53%

LAB 57.89, -8.24, 6.8

 

CMYK 46 / 68 / 0 / 20

HEX #6E42CD

RGB 110 66 205

HSL 258.99, 0.58%, 0.53%

LAB 40.6, 50.4, -65.44

 

CMYK 28 / 68 / 0 / 20

HEX #9342CD

RGB 147 66 205

HSL 274.96, 0.58%, 0.53%

LAB 44.95, 57.64, -58.18

 

CMYK 10 / 68 / 0 / 20

HEX #B842CD

RGB 184 66 205

HSL 290.94, 0.58%, 0.53%

LAB 50.09, 65.6, -49.66

 

CMYK 0 / 68 / 8 / 20

HEX #CD42BC

RGB 205 66 188

HSL 307.34, 0.58%, 0.53%

LAB 52.4, 67.59, -35.98

 

CMYK 0 / 68 / 26 / 20

HEX #CD4297

RGB 205 66 151

HSL 323.31, 0.58%, 0.53%

LAB 50.82, 62.39, -16.72

 

CMYK 10 / 74 / 0 / 42

HEX #852794

RGB 133 39 148

HSL 291.74, 0.58%, 0.37%

LAB 35.15, 54.1, -40.25

 

CMYK 10 / 73 / 0 / 29

HEX #A230B5

RGB 162 48 181

HSL 291.43, 0.58%, 0.45%

LAB 42.96, 63.19, -47.29

 

CMYK 10 / 68 / 0 / 20

HEX #B942CD

RGB 185 66 205

HSL 291.37, 0.58%, 0.53%

LAB 50.24, 65.83, -49.41

 

CMYK 8 / 54 / 0 / 16

HEX #C562D5

RGB 197 98 213

HSL 291.65, 0.58%, 0.61%

LAB 57.47, 56.13, -42.4

 

CMYK 6 / 41 / 0 / 13

HEX #D183DE

RGB 209 131 222

HSL 291.43, 0.58%, 0.69%

LAB 65.8, 44.48, -34.31

 

CMYK 10 / 68 / 0 / 20

HEX #B841CC

RGB 184 65 204

HSL 291.37, 0.58%, 0.53%

LAB 49.89, 65.81, -49.39

 

CMYK 0 / 64 / 68 / 20

HEX #CD4942

RGB 205 73 66

HSL 3.02, 0.58%, 0.53%

LAB 49.66, 51.8, 32.52

 

CMYK 68 / 0 / 38 / 20

HEX #42CD80

RGB 66 205 128

HSL 146.76, 0.58%, 0.53%

LAB 73.79, -54.44, 27.78

 

CMYK 10 / 68 / 0 / 20

HEX #B841CC

RGB 184 65 204

HSL 291.37, 0.58%, 0.53%

LAB 49.89, 65.81, -49.39

 

CMYK 0 / 10 / 68 / 20

HEX #CDB842

RGB 205 184 66

HSL 50.94, 0.58%, 0.53%

LAB 74.61, -5.81, 60.14

 

CMYK 68 / 0 / 10 / 20

HEX #42CDB8

RGB 66 205 184

HSL 170.94, 0.58%, 0.53%

LAB 75, -41.79, -0.37

 

CMYK 10 / 68 / 0 / 20

HEX #B841CC

RGB 184 65 204

HSL 291.37, 0.58%, 0.53%

LAB 49.89, 65.81, -49.39

 

CMYK 0 / 64 / 68 / 20

HEX #CD4942

RGB 205 73 66

HSL 3.02, 0.58%, 0.53%

LAB 49.66, 51.8, 32.52

 

CMYK 58 / 0 / 68 / 20

HEX #56CD42

RGB 86 205 66

HSL 111.37, 0.58%, 0.53%

LAB 73.57, -58.8, 56.88

 

CMYK 68 / 3 / 0 / 20

HEX #42C6CD

RGB 66 198 205

HSL 183.02, 0.58%, 0.53%

LAB 73.52, -32.8, -13.95

 

CMYK 10 / 68 / 0 / 20

HEX #B841CC

RGB 184 65 204

HSL 291.37, 0.58%, 0.53%

LAB 49.89, 65.81, -49.39

 

CMYK 0 / 44 / 68 / 20

HEX #CD7242

RGB 205 114 66

HSL 20.72, 0.58%, 0.53%

LAB 57.47, 31.8, 41.66

 

CMYK 58 / 0 / 68 / 20

HEX #56CD42

RGB 86 205 66

HSL 111.37, 0.58%, 0.53%

LAB 73.57, -58.8, 56.88

 

CMYK 68 / 24 / 0 / 20

HEX #429CCD

RGB 66 156 205

HSL 201.15, 0.58%, 0.53%

LAB 61.08, -11.24, -32.95

 

Description

Color code: HEX #B841CC | qconv.com Color code: HEX #B841CC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 65 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 65 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 68 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 68% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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