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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B83C5E it is the complementary color #47C3A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B83C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B83C5E shade: #BD3C59, #CE4E6C, #DF607F, #F07292 and #FF84A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B83C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B83C5E shade: #B83C5E, #A72A4B, #961838, #850625 and #740012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B83C5E shade: #B93C5E, #B93C3D and #B93C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B83C5E shade: #B93C5E, #B93C80, #B93CA2, #AE3CB9 and #8D3CB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B83C5E shade matches the following richer shades: #B93C5E, #CD2855, #E0144C and #F40143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B83C5E shade: #B93C5E, #A55067, #916470, #7D7779 and #6A8B82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B83C5E shade: #B93CA2, #B93C81, #B93C5F, #B93C3E and #B95B3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B83C5E shade: #7B283E, #9A324E, #B93C5E, #C85675 and #D2758F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B83C5E shade: #B83C5E, #B9AE3C and #3C91B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B83C5E shade: #B83C5E, #5FB93C and #3C5FB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B83C5E shade: #B83C5E, #B9AE3C, #3CB995 and #3C46B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B83C5E shade: #B83C5E, #9EB93C, #3CB995 and #573CB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 49 / 28

HEX #B83C5E

RGB 184 60 94

HSL 343.55, 0.51%, 0.48%

LAB 44.56, 52.35, 8.25

 

Complementary color

CMYK 64 / 0 / 17 / 24

HEX #47C3A1

RGB 71 195 161

HSL 163.55, 0.51%, 0.52%

LAB 71.52, -42.38, 7.05

 

CMYK 0 / 68 / 53 / 26

HEX #BD3C59

RGB 189 60 89

HSL 346.51, 0.52%, 0.49%

LAB 45.32, 53.49, 12.53

 

CMYK 0 / 62 / 48 / 19

HEX #CE4E6C

RGB 206 78 108

HSL 345.94, 0.57%, 0.56%

LAB 51.44, 53.04, 9.97

 

CMYK 0 / 57 / 43 / 13

HEX #DF607F

RGB 223 96 127

HSL 345.35, 0.66%, 0.63%

LAB 57.64, 52.35, 7.87

 

CMYK 0 / 53 / 39 / 6

HEX #F07292

RGB 240 114 146

HSL 344.76, 0.81%, 0.69%

LAB 63.86, 51.54, 6.11

 

CMYK 0 / 48 / 35 / 0

HEX #FF84A5

RGB 255 132 165

HSL 343.9, 1%, 0.76%

LAB 69.81, 50, 4.18

 

CMYK 0 / 67 / 49 / 28

HEX #B83C5E

RGB 184 60 94

HSL 343.55, 0.51%, 0.48%

LAB 44.56, 52.35, 8.25

 

CMYK 0 / 75 / 55 / 35

HEX #A72A4B

RGB 167 42 75

HSL 344.16, 0.6%, 0.41%

LAB 38.51, 52.34, 11.25

 

CMYK 0 / 84 / 63 / 41

HEX #961838

RGB 150 24 56

HSL 344.76, 0.72%, 0.34%

LAB 32.75, 51.5, 15.13

 

CMYK 0 / 95 / 72 / 48

HEX #850625

RGB 133 6 37

HSL 345.35, 0.91%, 0.27%

LAB 27.44, 49.38, 20.15

 

CMYK 0 / 100 / 84 / 55

HEX #740012

RGB 116 0 18

HSL 350.69, 1%, 0.23%

LAB 22.85, 45.19, 26.35

 

CMYK 0 / 68 / 49 / 27

HEX #B93C5E

RGB 185 60 94

HSL 343.68, 0.51%, 0.48%

LAB 44.74, 52.66, 8.53

 

CMYK 0 / 68 / 67 / 27

HEX #B93C3D

RGB 185 60 61

HSL 359.52, 0.51%, 0.48%

LAB 44.06, 50.25, 27.83

 

CMYK 0 / 68 / 68 / 27

HEX #B93C3C

RGB 185 60 60

HSL 0, 0.51%, 0.48%

LAB 44.05, 50.19, 28.41

 

CMYK 0 / 68 / 49 / 27

HEX #B93C5E

RGB 185 60 94

HSL 343.68, 0.51%, 0.48%

LAB 44.74, 52.66, 8.53

 

CMYK 0 / 68 / 31 / 27

HEX #B93C80

RGB 185 60 128

HSL 327.36, 0.51%, 0.48%

LAB 45.78, 56.28, -10.83

 

CMYK 0 / 68 / 12 / 27

HEX #B93CA2

RGB 185 60 162

HSL 311.04, 0.51%, 0.48%

LAB 47.18, 60.95, -29.14

 

CMYK 6 / 68 / 0 / 27

HEX #AE3CB9

RGB 174 60 185

HSL 294.72, 0.51%, 0.48%

LAB 46.62, 62.09, -43.68

 

CMYK 24 / 68 / 0 / 27

HEX #8D3CB9

RGB 141 60 185

HSL 278.88, 0.51%, 0.48%

LAB 41.84, 54.66, -51.6

 

CMYK 0 / 68 / 49 / 27

HEX #B93C5E

RGB 185 60 94

HSL 343.68, 0.51%, 0.48%

LAB 44.74, 52.66, 8.53

 

CMYK 0 / 80 / 59 / 20

HEX #CD2855

RGB 205 40 85

HSL 343.64, 0.67%, 0.48%

LAB 45.84, 64.44, 16.19

 

CMYK 0 / 91 / 66 / 12

HEX #E0144C

RGB 224 20 76

HSL 343.53, 0.84%, 0.48%

LAB 48.1, 72.63, 25.4

 

CMYK 0 / 100 / 73 / 4

HEX #F40143

RGB 244 1 67

HSL 343.7, 0.99%, 0.48%

LAB 51.45, 78.68, 35.85

 

CMYK 0 / 68 / 49 / 27

HEX #B93C5E

RGB 185 60 94

HSL 343.68, 0.51%, 0.48%

LAB 44.74, 52.66, 8.53

 

CMYK 0 / 52 / 38 / 35

HEX #A55067

RGB 165 80 103

HSL 343.76, 0.35%, 0.48%

LAB 45.24, 37.5, 3.28

 

CMYK 0 / 31 / 23 / 43

HEX #916470

RGB 145 100 112

HSL 344, 0.18%, 0.48%

LAB 47.37, 20.02, 0.59

 

CMYK 0 / 5 / 3 / 51

HEX #7D7779

RGB 125 119 121

HSL 340, 0.02%, 0.48%

LAB 50.61, 2.68, -0.28

 

CMYK 24 / 0 / 6 / 45

HEX #6A8B82

RGB 106 139 130

HSL 163.64, 0.13%, 0.48%

LAB 55.22, -13.57, 1.02

 

CMYK 0 / 68 / 12 / 27

HEX #B93CA2

RGB 185 60 162

HSL 311.04, 0.51%, 0.48%

LAB 47.18, 60.95, -29.14

 

CMYK 0 / 68 / 30 / 27

HEX #B93C81

RGB 185 60 129

HSL 326.88, 0.51%, 0.48%

LAB 45.81, 56.41, -11.39

 

CMYK 0 / 68 / 49 / 27

HEX #B93C5F

RGB 185 60 95

HSL 343.2, 0.51%, 0.48%

LAB 44.76, 52.75, 7.94

 

CMYK 0 / 68 / 66 / 27

HEX #B93C3E

RGB 185 60 62

HSL 359.04, 0.51%, 0.48%

LAB 44.08, 50.3, 27.25

 

CMYK 0 / 51 / 68 / 27

HEX #B95B3C

RGB 185 91 60

HSL 14.88, 0.51%, 0.48%

LAB 49.64, 35.54, 35.1

 

CMYK 0 / 67 / 50 / 52

HEX #7B283E

RGB 123 40 62

HSL 344.1, 0.51%, 0.32%

LAB 29.6, 37.86, 6

 

CMYK 0 / 68 / 49 / 40

HEX #9A324E

RGB 154 50 78

HSL 343.85, 0.51%, 0.4%

LAB 37.3, 45.42, 7.28

 

CMYK 0 / 68 / 49 / 27

HEX #B93C5E

RGB 185 60 94

HSL 343.68, 0.51%, 0.48%

LAB 44.74, 52.66, 8.53

 

CMYK 0 / 57 / 42 / 22

HEX #C85675

RGB 200 86 117

HSL 343.68, 0.51%, 0.56%

LAB 52.08, 48.32, 5.37

 

CMYK 0 / 44 / 32 / 18

HEX #D2758F

RGB 210 117 143

HSL 343.23, 0.51%, 0.64%

LAB 60.26, 39.33, 2.1

 

CMYK 0 / 67 / 49 / 28

HEX #B83C5E

RGB 184 60 94

HSL 343.55, 0.51%, 0.48%

LAB 44.56, 52.35, 8.25

 

CMYK 0 / 6 / 68 / 27

HEX #B9AE3C

RGB 185 174 60

HSL 54.72, 0.51%, 0.48%

LAB 70.11, -9.56, 57.41

 

CMYK 68 / 22 / 0 / 27

HEX #3C91B9

RGB 60 145 185

HSL 199.2, 0.51%, 0.48%

LAB 56.8, -12.73, -28.35

 

CMYK 0 / 67 / 49 / 28

HEX #B83C5E

RGB 184 60 94

HSL 343.55, 0.51%, 0.48%

LAB 44.56, 52.35, 8.25

 

CMYK 49 / 0 / 68 / 27

HEX #5FB93C

RGB 95 185 60

HSL 103.2, 0.51%, 0.48%

LAB 67.62, -49.37, 53.04

 

CMYK 68 / 49 / 0 / 27

HEX #3C5FB9

RGB 60 95 185

HSL 223.2, 0.51%, 0.48%

LAB 42.23, 17.48, -51.36

 

CMYK 0 / 67 / 49 / 28

HEX #B83C5E

RGB 184 60 94

HSL 343.55, 0.51%, 0.48%

LAB 44.56, 52.35, 8.25

 

CMYK 0 / 6 / 68 / 27

HEX #B9AE3C

RGB 185 174 60

HSL 54.72, 0.51%, 0.48%

LAB 70.11, -9.56, 57.41

 

CMYK 68 / 0 / 19 / 27

HEX #3CB995

RGB 60 185 149

HSL 162.72, 0.51%, 0.48%

LAB 67.89, -42.81, 8.38

 

CMYK 68 / 62 / 0 / 27

HEX #3C46B9

RGB 60 70 185

HSL 235.2, 0.51%, 0.48%

LAB 35.68, 33.59, -61.97

 

CMYK 0 / 67 / 49 / 28

HEX #B83C5E

RGB 184 60 94

HSL 343.55, 0.51%, 0.48%

LAB 44.56, 52.35, 8.25

 

CMYK 15 / 0 / 68 / 27

HEX #9EB93C

RGB 158 185 60

HSL 72.96, 0.51%, 0.48%

LAB 71.07, -26.52, 57.72

 

CMYK 68 / 0 / 19 / 27

HEX #3CB995

RGB 60 185 149

HSL 162.72, 0.51%, 0.48%

LAB 67.89, -42.81, 8.38

 

CMYK 53 / 68 / 0 / 27

HEX #573CB9

RGB 87 60 185

HSL 252.96, 0.51%, 0.48%

LAB 35.52, 43.88, -62.15

 

Description

Color code: HEX #B83C5E | qconv.com Color code: HEX #B83C5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 60 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 60 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 49 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 49% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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