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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B82C21 it is the complementary color #47D3DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B82C21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B82C21 shade: #BD2C1C, #CE3E2F, #DF5042, #F06255 and #FF7468

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B82C21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B82C21 shade: #B82C21, #A71A0E, #960800, #850000 and #740000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B82C21 shade: #BA2C21 and #BA2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B82C21 shade: #BA2C21, #BA5521, #BA7F21, #BAA821 and #A3BA21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B82C21 shade matches the following richer shades: #BA2C21 and #CC1D0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B82C21 shade: #BA2C21, #A93B33, #974A44, #855A56 and #736968

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B82C21 shade: #BA2169, #BA2140, #BA2B21, #BA5421 and #BA7D21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B82C21 shade: #741B15, #97241B, #BA2C21, #DA382B and #E0594E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B82C21 shade: #B82C21, #91BA21 and #2154BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B82C21 shade: #B82C21, #21BA2B and #2B21BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B82C21 shade: #B82C21, #91BA21, #21B0BA and #4A21BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B82C21 shade: #B82C21, #63BA21, #21B0BA and #7821BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 82 / 28

HEX #B82C21

RGB 184 44 33

HSL 4.37, 0.7%, 0.43%

LAB 41.38, 54.68, 40.81

 

Complementary color

CMYK 68 / 5 / 0 / 13

HEX #47D3DE

RGB 71 211 222

HSL 184.37, 0.7%, 0.57%

LAB 77.99, -33.36, -16.37

 

CMYK 0 / 77 / 85 / 26

HEX #BD2C1C

RGB 189 44 28

HSL 5.96, 0.74%, 0.43%

LAB 42.31, 56.09, 44.57

 

CMYK 0 / 70 / 77 / 19

HEX #CE3E2F

RGB 206 62 47

HSL 5.66, 0.63%, 0.5%

LAB 47.97, 55.72, 41.32

 

CMYK 0 / 64 / 70 / 13

HEX #DF5042

RGB 223 80 66

HSL 5.35, 0.71%, 0.57%

LAB 53.83, 54.91, 38.21

 

CMYK 0 / 59 / 65 / 6

HEX #F06255

RGB 240 98 85

HSL 5.03, 0.84%, 0.64%

LAB 59.81, 53.88, 35.43

 

CMYK 0 / 55 / 59 / 0

HEX #FF7468

RGB 255 116 104

HSL 4.77, 1%, 0.7%

LAB 65.55, 52.06, 32.56

 

CMYK 0 / 76 / 82 / 28

HEX #B82C21

RGB 184 44 33

HSL 4.37, 0.7%, 0.43%

LAB 41.38, 54.68, 40.81

 

CMYK 0 / 84 / 92 / 35

HEX #A71A0E

RGB 167 26 14

HSL 4.71, 0.85%, 0.35%

LAB 35.96, 54.32, 44.03

 

CMYK 0 / 95 / 100 / 41

HEX #960800

RGB 150 8 0

HSL 3.2, 1%, 0.29%

LAB 31.01, 52.73, 44.64

 

CMYK 0 / 100 / 100 / 48

HEX #850000

RGB 133 0 0

HSL 0, 1%, 0.26%

LAB 26.7, 49.4, 39.55

 

CMYK 0 / 100 / 100 / 55

HEX #740000

RGB 116 0 0

HSL 0, 1%, 0.23%

LAB 22.7, 44.78, 34.31

 

CMYK 0 / 76 / 82 / 27

HEX #BA2C21

RGB 186 44 33

HSL 4.31, 0.7%, 0.43%

LAB 41.77, 55.3, 41.32

 

CMYK 0 / 82 / 82 / 27

HEX #BA2121

RGB 186 33 33

HSL 0, 0.7%, 0.43%

LAB 40.63, 58.49, 40.24

 

CMYK 0 / 76 / 82 / 27

HEX #BA2C21

RGB 186 44 33

HSL 4.31, 0.7%, 0.43%

LAB 41.77, 55.3, 41.32

 

CMYK 0 / 54 / 82 / 27

HEX #BA5521

RGB 186 85 33

HSL 20.39, 0.7%, 0.43%

LAB 48.32, 37.8, 47.45

 

CMYK 0 / 32 / 82 / 27

HEX #BA7F21

RGB 186 127 33

HSL 36.86, 0.7%, 0.43%

LAB 57.78, 15.13, 55.95

 

CMYK 0 / 10 / 82 / 27

HEX #BAA821

RGB 186 168 33

HSL 52.94, 0.7%, 0.43%

LAB 68.43, -7.15, 65.21

 

CMYK 12 / 0 / 82 / 27

HEX #A3BA21

RGB 163 186 33

HSL 69.02, 0.7%, 0.43%

LAB 71.56, -26.23, 67.19

 

CMYK 0 / 76 / 82 / 27

HEX #BA2C21

RGB 186 44 33

HSL 4.31, 0.7%, 0.43%

LAB 41.77, 55.3, 41.32

 

CMYK 0 / 86 / 93 / 20

HEX #CC1D0F

RGB 204 29 15

HSL 4.44, 0.86%, 0.43%

LAB 43.87, 64.1, 52.6

 

CMYK 0 / 76 / 82 / 27

HEX #BA2C21

RGB 186 44 33

HSL 4.31, 0.7%, 0.43%

LAB 41.77, 55.3, 41.32

 

CMYK 0 / 65 / 70 / 34

HEX #A93B33

RGB 169 59 51

HSL 4.07, 0.54%, 0.43%

LAB 40.9, 44.63, 29.3

 

CMYK 0 / 51 / 55 / 41

HEX #974A44

RGB 151 74 68

HSL 4.34, 0.38%, 0.43%

LAB 41.05, 31.64, 18.59

 

CMYK 0 / 32 / 35 / 48

HEX #855A56

RGB 133 90 86

HSL 5.11, 0.21%, 0.43%

LAB 42.72, 17.15, 9.48

 

CMYK 0 / 9 / 10 / 55

HEX #736968

RGB 115 105 104

HSL 5.45, 0.05%, 0.43%

LAB 45.29, 3.74, 1.98

 

CMYK 0 / 82 / 44 / 27

HEX #BA2169

RGB 186 33 105

HSL 331.76, 0.7%, 0.43%

LAB 42.07, 62.81, -2.14

 

CMYK 0 / 82 / 66 / 27

HEX #BA2140

RGB 186 33 64

HSL 347.84, 0.7%, 0.43%

LAB 41.05, 59.77, 22.25

 

CMYK 0 / 77 / 82 / 27

HEX #BA2B21

RGB 186 43 33

HSL 3.92, 0.7%, 0.43%

LAB 41.65, 55.62, 41.21

 

CMYK 0 / 55 / 82 / 27

HEX #BA5421

RGB 186 84 33

HSL 20, 0.7%, 0.43%

LAB 48.12, 38.3, 47.27

 

CMYK 0 / 33 / 82 / 27

HEX #BA7D21

RGB 186 125 33

HSL 36.08, 0.7%, 0.43%

LAB 57.29, 16.24, 55.52

 

CMYK 0 / 77 / 82 / 55

HEX #741B15

RGB 116 27 21

HSL 3.79, 0.69%, 0.27%

LAB 25.42, 38.11, 27.14

 

CMYK 0 / 76 / 82 / 41

HEX #97241B

RGB 151 36 27

HSL 4.35, 0.7%, 0.35%

LAB 33.82, 46.74, 34.48

 

CMYK 0 / 76 / 82 / 27

HEX #BA2C21

RGB 186 44 33

HSL 4.31, 0.7%, 0.43%

LAB 41.77, 55.3, 41.32

 

CMYK 0 / 74 / 80 / 15

HEX #DA382B

RGB 218 56 43

HSL 4.46, 0.7%, 0.51%

LAB 49.38, 61.47, 45.58

 

CMYK 0 / 60 / 65 / 12

HEX #E0594E

RGB 224 89 78

HSL 4.52, 0.7%, 0.59%

LAB 55.63, 51.98, 33.65

 

CMYK 0 / 76 / 82 / 28

HEX #B82C21

RGB 184 44 33

HSL 4.37, 0.7%, 0.43%

LAB 41.38, 54.68, 40.81

 

CMYK 22 / 0 / 82 / 27

HEX #91BA21

RGB 145 186 33

HSL 76.08, 0.7%, 0.43%

LAB 70.35, -33.62, 65.65

 

CMYK 82 / 55 / 0 / 27

HEX #2154BA

RGB 33 84 186

HSL 220, 0.7%, 0.43%

LAB 38.22, 21.67, -58.48

 

CMYK 0 / 76 / 82 / 28

HEX #B82C21

RGB 184 44 33

HSL 4.37, 0.7%, 0.43%

LAB 41.38, 54.68, 40.81

 

CMYK 82 / 0 / 77 / 27

HEX #21BA2B

RGB 33 186 43

HSL 123.92, 0.7%, 0.43%

LAB 66.23, -64.02, 57.38

 

CMYK 77 / 82 / 0 / 27

HEX #2B21BA

RGB 43 33 186

HSL 243.92, 0.7%, 0.43%

LAB 27.15, 53.19, -76.65

 

CMYK 0 / 76 / 82 / 28

HEX #B82C21

RGB 184 44 33

HSL 4.37, 0.7%, 0.43%

LAB 41.38, 54.68, 40.81

 

CMYK 22 / 0 / 82 / 27

HEX #91BA21

RGB 145 186 33

HSL 76.08, 0.7%, 0.43%

LAB 70.35, -33.62, 65.65

 

CMYK 82 / 5 / 0 / 27

HEX #21B0BA

RGB 33 176 186

HSL 183.92, 0.7%, 0.43%

LAB 65.69, -31.67, -15.37

 

CMYK 60 / 82 / 0 / 27

HEX #4A21BA

RGB 74 33 186

HSL 256.08, 0.7%, 0.43%

LAB 29.64, 55.73, -72.45

 

CMYK 0 / 76 / 82 / 28

HEX #B82C21

RGB 184 44 33

HSL 4.37, 0.7%, 0.43%

LAB 41.38, 54.68, 40.81

 

CMYK 47 / 0 / 82 / 27

HEX #63BA21

RGB 99 186 33

HSL 94.12, 0.7%, 0.43%

LAB 67.93, -50.29, 62.58

 

CMYK 82 / 5 / 0 / 27

HEX #21B0BA

RGB 33 176 186

HSL 183.92, 0.7%, 0.43%

LAB 65.69, -31.67, -15.37

 

CMYK 35 / 82 / 0 / 27

HEX #7821BA

RGB 120 33 186

HSL 274.12, 0.7%, 0.43%

LAB 35.25, 61.63, -63.01

 

Description

Color code: HEX #B82C21 | qconv.com Color code: HEX #B82C21 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 44 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 44 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 82 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 82% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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