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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B813CC it is the complementary color #47EC33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B813CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B813CC shade: #BD13C7, #CE25DA, #DF37ED, #F049FF and #FF5BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B813CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B813CC shade: #B813CC, #A701B9, #9600A6, #850093 and #740080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B813CC shade: #B913CD, #CD13AF, #CD137D, #CD134B and #CD1319

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B813CC shade: #B913CD, #8713CD, #5513CD, #2313CD and #1313CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B813CC shade matches the following richer shades: #B913CD and #C701DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B813CC shade: #B913CD, #AB25BB, #9D37A9, #8E4A97 and #805C85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B813CC shade: #5413CD, #8613CD, #B813CD, #CD13B1 and #CD1380

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B813CC shade: #750C82, #9710A8, #B913CD, #D41FEA and #DC45EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B813CC shade: #B813CC, #CD2313 and #13CD6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B813CC shade: #B813CC, #CDB813 and #13CDB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B813CC shade: #B813CC, #CD2313, #29CD13 and #13BECD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B813CC shade: #B813CC, #CD5A13, #29CD13 and #1386CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 91 / 0 / 20

HEX #B813CC

RGB 184 19 204

HSL 293.51, 0.83%, 0.44%

LAB 45.66, 78.04, -56.19

 

Complementary color

CMYK 70 / 0 / 78 / 7

HEX #47EC33

RGB 71 236 51

HSL 113.51, 0.83%, 0.56%

LAB 82.68, -73.26, 70.99

 

CMYK 5 / 90 / 0 / 22

HEX #BD13C7

RGB 189 19 199

HSL 296.67, 0.83%, 0.43%

LAB 46.19, 78.06, -52.39

 

CMYK 6 / 83 / 0 / 15

HEX #CE25DA

RGB 206 37 218

HSL 296.02, 0.71%, 0.5%

LAB 51.28, 80.84, -55.01

 

CMYK 6 / 77 / 0 / 7

HEX #DF37ED

RGB 223 55 237

HSL 295.38, 0.83%, 0.57%

LAB 56.62, 82.61, -57.03

 

CMYK 6 / 71 / 0 / 0

HEX #F049FF

RGB 240 73 255

HSL 295.05, 1%, 0.64%

LAB 62.09, 83.48, -58.15

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 10 / 91 / 0 / 20

HEX #B813CC

RGB 184 19 204

HSL 293.51, 0.83%, 0.44%

LAB 45.66, 78.04, -56.19

 

CMYK 10 / 99 / 0 / 27

HEX #A701B9

RGB 167 1 185

HSL 294.13, 0.99%, 0.36%

LAB 40.8, 74.26, -53.07

 

CMYK 10 / 100 / 0 / 35

HEX #9600A6

RGB 150 0 166

HSL 294.22, 1%, 0.33%

LAB 36.44, 68.68, -48.95

 

CMYK 10 / 100 / 0 / 42

HEX #850093

RGB 133 0 147

HSL 294.29, 1%, 0.29%

LAB 32.02, 62.86, -44.67

 

CMYK 9 / 100 / 0 / 50

HEX #740080

RGB 116 0 128

HSL 294.38, 1%, 0.25%

LAB 27.49, 56.91, -40.3

 

CMYK 10 / 91 / 0 / 20

HEX #B913CD

RGB 185 19 205

HSL 293.55, 0.83%, 0.44%

LAB 45.89, 78.36, -56.38

 

CMYK 0 / 91 / 15 / 20

HEX #CD13AF

RGB 205 19 175

HSL 309.68, 0.83%, 0.44%

LAB 47.68, 77.48, -35.81

 

CMYK 0 / 91 / 39 / 20

HEX #CD137D

RGB 205 19 125

HSL 325.81, 0.83%, 0.44%

LAB 45.53, 71.81, -9

 

CMYK 0 / 91 / 63 / 20

HEX #CD134B

RGB 205 19 75

HSL 341.94, 0.83%, 0.44%

LAB 44.17, 68.05, 20.16

 

CMYK 0 / 91 / 88 / 20

HEX #CD1319

RGB 205 19 25

HSL 358.06, 0.83%, 0.44%

LAB 43.53, 66.25, 48.33

 

CMYK 10 / 91 / 0 / 20

HEX #B913CD

RGB 185 19 205

HSL 293.55, 0.83%, 0.44%

LAB 45.89, 78.36, -56.38

 

CMYK 34 / 91 / 0 / 20

HEX #8713CD

RGB 135 19 205

HSL 277.42, 0.83%, 0.44%

LAB 37.89, 71.17, -69.75

 

CMYK 59 / 91 / 0 / 20

HEX #5513CD

RGB 85 19 205

HSL 261.29, 0.83%, 0.44%

LAB 31.36, 66.06, -80.73

 

CMYK 83 / 91 / 0 / 20

HEX #2313CD

RGB 35 19 205

HSL 245.16, 0.83%, 0.44%

LAB 27.38, 63.46, -87.46

 

CMYK 91 / 91 / 0 / 20

HEX #1313CD

RGB 19 19 205

HSL 240, 0.83%, 0.44%

LAB 26.77, 63.1, -88.5

 

CMYK 10 / 91 / 0 / 20

HEX #B913CD

RGB 185 19 205

HSL 293.55, 0.83%, 0.44%

LAB 45.89, 78.36, -56.38

 

CMYK 11 / 100 / 0 / 13

HEX #C701DF

RGB 199 1 223

HSL 293.51, 0.99%, 0.44%

LAB 48.87, 85.07, -61.78

 

CMYK 10 / 91 / 0 / 20

HEX #B913CD

RGB 185 19 205

HSL 293.55, 0.83%, 0.44%

LAB 45.89, 78.36, -56.38

 

CMYK 9 / 80 / 0 / 27

HEX #AB25BB

RGB 171 37 187

HSL 293.6, 0.67%, 0.44%

LAB 43.61, 69.41, -49.7

 

CMYK 7 / 67 / 0 / 34

HEX #9D37A9

RGB 157 55 169

HSL 293.68, 0.51%, 0.44%

LAB 42.41, 57.24, -41.11

 

CMYK 6 / 51 / 0 / 41

HEX #8E4A97

RGB 142 74 151

HSL 292.99, 0.34%, 0.44%

LAB 42.59, 40.8, -30.21

 

CMYK 4 / 31 / 0 / 48

HEX #805C85

RGB 128 92 133

HSL 292.68, 0.18%, 0.44%

LAB 44.14, 22.27, -17.1

 

CMYK 59 / 91 / 0 / 20

HEX #5413CD

RGB 84 19 205

HSL 260.97, 0.83%, 0.44%

LAB 31.25, 65.99, -80.92

 

CMYK 35 / 91 / 0 / 20

HEX #8613CD

RGB 134 19 205

HSL 277.1, 0.83%, 0.44%

LAB 37.74, 71.04, -70

 

CMYK 10 / 91 / 0 / 20

HEX #B813CD

RGB 184 19 205

HSL 293.23, 0.83%, 0.44%

LAB 45.72, 78.2, -56.66

 

CMYK 0 / 91 / 14 / 20

HEX #CD13B1

RGB 205 19 177

HSL 309.03, 0.83%, 0.44%

LAB 47.78, 77.74, -36.83

 

CMYK 0 / 91 / 38 / 20

HEX #CD1380

RGB 205 19 128

HSL 324.84, 0.83%, 0.44%

LAB 45.64, 72.1, -10.68

 

CMYK 10 / 91 / 0 / 49

HEX #750C82

RGB 117 12 130

HSL 293.39, 0.83%, 0.28%

LAB 28.53, 55.34, -39.88

 

CMYK 10 / 90 / 0 / 34

HEX #9710A8

RGB 151 16 168

HSL 293.29, 0.83%, 0.36%

LAB 37.44, 67.13, -48.52

 

CMYK 10 / 91 / 0 / 20

HEX #B913CD

RGB 185 19 205

HSL 293.55, 0.83%, 0.44%

LAB 45.89, 78.36, -56.38

 

CMYK 9 / 87 / 0 / 8

HEX #D41FEA

RGB 212 31 234

HSL 293.5, 0.83%, 0.52%

LAB 52.86, 85.51, -61.48

 

CMYK 8 / 71 / 0 / 7

HEX #DC45EE

RGB 220 69 238

HSL 293.61, 0.83%, 0.6%

LAB 57.7, 77.93, -55.89

 

CMYK 10 / 91 / 0 / 20

HEX #B813CC

RGB 184 19 204

HSL 293.51, 0.83%, 0.44%

LAB 45.66, 78.04, -56.19

 

CMYK 0 / 83 / 91 / 20

HEX #CD2313

RGB 205 35 19

HSL 5.16, 0.83%, 0.44%

LAB 44.56, 63.11, 51.66

 

CMYK 91 / 0 / 47 / 20

HEX #13CD6D

RGB 19 205 109

HSL 149.03, 0.83%, 0.44%

LAB 72.83, -63.12, 36.11

 

CMYK 10 / 91 / 0 / 20

HEX #B813CC

RGB 184 19 204

HSL 293.51, 0.83%, 0.44%

LAB 45.66, 78.04, -56.19

 

CMYK 0 / 10 / 91 / 20

HEX #CDB813

RGB 205 184 19

HSL 53.23, 0.83%, 0.44%

LAB 74.39, -7.45, 73.81

 

CMYK 91 / 0 / 10 / 20

HEX #13CDB8

RGB 19 205 184

HSL 173.23, 0.83%, 0.44%

LAB 74.36, -46.22, -1.39

 

CMYK 10 / 91 / 0 / 20

HEX #B813CC

RGB 184 19 204

HSL 293.51, 0.83%, 0.44%

LAB 45.66, 78.04, -56.19

 

CMYK 0 / 83 / 91 / 20

HEX #CD2313

RGB 205 35 19

HSL 5.16, 0.83%, 0.44%

LAB 44.56, 63.11, 51.66

 

CMYK 80 / 0 / 91 / 20

HEX #29CD13

RGB 41 205 19

HSL 112.9, 0.83%, 0.44%

LAB 72.35, -69.86, 68.77

 

CMYK 91 / 7 / 0 / 20

HEX #13BECD

RGB 19 190 205

HSL 184.84, 0.83%, 0.44%

LAB 70.44, -33.27, -18.66

 

CMYK 10 / 91 / 0 / 20

HEX #B813CC

RGB 184 19 204

HSL 293.51, 0.83%, 0.44%

LAB 45.66, 78.04, -56.19

 

CMYK 0 / 56 / 91 / 20

HEX #CD5A13

RGB 205 90 19

HSL 22.9, 0.83%, 0.44%

LAB 52.22, 42.37, 57.1

 

CMYK 80 / 0 / 91 / 20

HEX #29CD13

RGB 41 205 19

HSL 112.9, 0.83%, 0.44%

LAB 72.35, -69.86, 68.77

 

CMYK 91 / 35 / 0 / 20

HEX #1386CD

RGB 19 134 205

HSL 202.9, 0.83%, 0.44%

LAB 53.6, -3.52, -44.77

 

Description

Color code: HEX #B813CC | qconv.com Color code: HEX #B813CC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 19 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 19 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 91 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 91% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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