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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B80050 it is the complementary color #47FFAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B80050. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B80050 shade: #BD004B, #CE125E, #DF2471, #F03684 and #FF4897

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B80050. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B80050 shade: #B80050, #A7003D, #96002A, #850017 and #740004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B80050 shade: #B80050, #B8001E and #B80000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B80050 shade: #B80050, #B80081, #B800B3, #8B00B8 and #5900B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B80050 shade matches the following richer shades: #B80050

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B80050 shade: #B80050, #A90F52, #9A1E54, #8B2D56 and #7C3B58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B80050 shade: #B800B5, #B80084, #B80053, #B80022 and #B80F00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B80050 shade: #65002C, #8E003E, #B80050, #E10062 and #FF0B75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B80050 shade: #B80050, #B88A00 and #009CB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B80050 shade: #B80050, #53B800 and #0053B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B80050 shade: #B80050, #B88A00, #00B865 and #002EB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B80050 shade: #B80050, #AEB800, #00B865 and #0900B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 57 / 28

HEX #B80050

RGB 184 0 80

HSL 333.91, 1%, 0.36%

LAB 39.19, 65.41, 9.51

 

Complementary color

CMYK 72 / 0 / 31 / 0

HEX #47FFAF

RGB 71 255 175

HSL 153.91, 1%, 0.64%

LAB 89.84, -63.36, 25.36

 

CMYK 0 / 100 / 60 / 26

HEX #BD004B

RGB 189 0 75

HSL 336.19, 1%, 0.37%

LAB 40.13, 66.26, 14.17

 

CMYK 0 / 91 / 54 / 19

HEX #CE125E

RGB 206 18 94

HSL 335.74, 0.84%, 0.44%

LAB 44.75, 69.61, 9.11

 

CMYK 0 / 84 / 49 / 13

HEX #DF2471

RGB 223 36 113

HSL 335.29, 0.75%, 0.51%

LAB 49.67, 72.03, 4.83

 

CMYK 0 / 78 / 45 / 6

HEX #F03684

RGB 240 54 132

HSL 334.84, 0.86%, 0.58%

LAB 54.9, 73.49, 1.33

 

CMYK 0 / 72 / 41 / 0

HEX #FF4897

RGB 255 72 151

HSL 334.1, 1%, 0.64%

LAB 60.01, 73.7, -2.09

 

CMYK 0 / 100 / 57 / 28

HEX #B80050

RGB 184 0 80

HSL 333.91, 1%, 0.36%

LAB 39.19, 65.41, 9.51

 

CMYK 0 / 100 / 63 / 35

HEX #A7003D

RGB 167 0 61

HSL 338.08, 1%, 0.33%

LAB 35.11, 60.19, 15.64

 

CMYK 0 / 100 / 72 / 41

HEX #96002A

RGB 150 0 42

HSL 343.2, 1%, 0.29%

LAB 31, 55, 22.08

 

CMYK 0 / 100 / 83 / 48

HEX #850017

RGB 133 0 23

HSL 349.62, 1%, 0.26%

LAB 26.87, 49.88, 28.6

 

CMYK 0 / 100 / 97 / 55

HEX #740004

RGB 116 0 4

HSL 357.93, 1%, 0.23%

LAB 22.73, 44.86, 32.72

 

CMYK 0 / 100 / 57 / 28

HEX #B80050

RGB 184 0 80

HSL 333.91, 1%, 0.36%

LAB 39.19, 65.41, 9.51

 

CMYK 0 / 100 / 84 / 28

HEX #B8001E

RGB 184 0 30

HSL 350.22, 1%, 0.36%

LAB 38.35, 63.15, 39.57

 

CMYK 0 / 100 / 100 / 28

HEX #B80000

RGB 184 0 0

HSL 0, 1%, 0.36%

LAB 38.18, 62.69, 52.6

 

CMYK 0 / 100 / 57 / 28

HEX #B80050

RGB 184 0 80

HSL 333.91, 1%, 0.36%

LAB 39.19, 65.41, 9.51

 

CMYK 0 / 100 / 30 / 28

HEX #B80081

RGB 184 0 129

HSL 317.93, 1%, 0.36%

LAB 40.86, 69.77, -18.96

 

CMYK 0 / 100 / 3 / 28

HEX #B800B3

RGB 184 0 179

HSL 301.63, 1%, 0.36%

LAB 43.43, 76.16, -45.15

 

CMYK 24 / 100 / 0 / 28

HEX #8B00B8

RGB 139 0 184

HSL 285.33, 1%, 0.36%

LAB 35.89, 70.23, -60.67

 

CMYK 52 / 100 / 0 / 28

HEX #5900B8

RGB 89 0 184

HSL 269.02, 1%, 0.36%

LAB 28.34, 64.98, -73.35

 

CMYK 0 / 100 / 57 / 28

HEX #B80050

RGB 184 0 80

HSL 333.91, 1%, 0.36%

LAB 39.19, 65.41, 9.51

 

CMYK 0 / 100 / 57 / 28

HEX #B80050

RGB 184 0 80

HSL 333.91, 1%, 0.36%

LAB 39.19, 65.41, 9.51

 

CMYK 0 / 91 / 51 / 34

HEX #A90F52

RGB 169 15 82

HSL 333.9, 0.84%, 0.36%

LAB 36.72, 60.2, 4.28

 

CMYK 0 / 81 / 45 / 40

HEX #9A1E54

RGB 154 30 84

HSL 333.87, 0.67%, 0.36%

LAB 34.88, 53.22, -0.05

 

CMYK 0 / 68 / 38 / 45

HEX #8B2D56

RGB 139 45 86

HSL 333.83, 0.51%, 0.36%

LAB 34.06, 43.58, -2.88

 

CMYK 0 / 52 / 29 / 51

HEX #7C3B58

RGB 124 59 88

HSL 333.23, 0.36%, 0.36%

LAB 34.23, 31.79, -4.19

 

CMYK 0 / 100 / 2 / 28

HEX #B800B5

RGB 184 0 181

HSL 300.98, 1%, 0.36%

LAB 43.55, 76.45, -46.14

 

CMYK 0 / 100 / 28 / 28

HEX #B80084

RGB 184 0 132

HSL 316.96, 1%, 0.36%

LAB 40.99, 70.1, -20.61

 

CMYK 0 / 100 / 55 / 28

HEX #B80053

RGB 184 0 83

HSL 332.93, 1%, 0.36%

LAB 39.27, 65.62, 7.69

 

CMYK 0 / 100 / 82 / 28

HEX #B80022

RGB 184 0 34

HSL 348.91, 1%, 0.36%

LAB 38.39, 63.25, 37.34

 

CMYK 0 / 92 / 100 / 28

HEX #B80F00

RGB 184 15 0

HSL 4.89, 1%, 0.36%

LAB 38.78, 60.96, 52.82

 

CMYK 0 / 100 / 56 / 60

HEX #65002C

RGB 101 0 44

HSL 333.86, 1%, 0.2%

LAB 19.84, 42.62, 3.86

 

CMYK 0 / 100 / 56 / 44

HEX #8E003E

RGB 142 0 62

HSL 333.8, 1%, 0.28%

LAB 29.66, 54.2, 6.63

 

CMYK 0 / 100 / 57 / 28

HEX #B80050

RGB 184 0 80

HSL 333.91, 1%, 0.36%

LAB 39.19, 65.41, 9.51

 

CMYK 0 / 100 / 56 / 12

HEX #E10062

RGB 225 0 98

HSL 333.87, 1%, 0.44%

LAB 48.12, 75.95, 11.91

 

CMYK 0 / 96 / 54 / 0

HEX #FF0B75

RGB 255 11 117

HSL 333.93, 1%, 0.52%

LAB 54.85, 83.07, 10.63

 

CMYK 0 / 100 / 57 / 28

HEX #B80050

RGB 184 0 80

HSL 333.91, 1%, 0.36%

LAB 39.19, 65.41, 9.51

 

CMYK 0 / 25 / 100 / 28

HEX #B88A00

RGB 184 138 0

HSL 45, 1%, 0.36%

LAB 60.22, 7.52, 65.18

 

CMYK 100 / 15 / 0 / 28

HEX #009CB8

RGB 0 156 184

HSL 189.13, 1%, 0.36%

LAB 59.19, -24.06, -24.16

 

CMYK 0 / 100 / 57 / 28

HEX #B80050

RGB 184 0 80

HSL 333.91, 1%, 0.36%

LAB 39.19, 65.41, 9.51

 

CMYK 55 / 0 / 100 / 28

HEX #53B800

RGB 83 184 0

HSL 92.93, 1%, 0.36%

LAB 66.61, -55.22, 66.84

 

CMYK 100 / 55 / 0 / 28

HEX #0053B8

RGB 0 83 184

HSL 212.93, 1%, 0.36%

LAB 37.2, 19.73, -58.98

 

CMYK 0 / 100 / 57 / 28

HEX #B80050

RGB 184 0 80

HSL 333.91, 1%, 0.36%

LAB 39.19, 65.41, 9.51

 

CMYK 0 / 25 / 100 / 28

HEX #B88A00

RGB 184 138 0

HSL 45, 1%, 0.36%

LAB 60.22, 7.52, 65.18

 

CMYK 100 / 0 / 45 / 28

HEX #00B865

RGB 0 184 101

HSL 152.93, 1%, 0.36%

LAB 65.92, -58.26, 31.31

 

CMYK 100 / 75 / 0 / 28

HEX #002EB8

RGB 0 46 184

HSL 225, 1%, 0.36%

LAB 27.88, 43.93, -74.28

 

CMYK 0 / 100 / 57 / 28

HEX #B80050

RGB 184 0 80

HSL 333.91, 1%, 0.36%

LAB 39.19, 65.41, 9.51

 

CMYK 5 / 0 / 100 / 28

HEX #AEB800

RGB 174 184 0

HSL 63.26, 1%, 0.36%

LAB 71.74, -21.21, 73

 

CMYK 100 / 0 / 45 / 28

HEX #00B865

RGB 0 184 101

HSL 152.93, 1%, 0.36%

LAB 65.92, -58.26, 31.31

 

CMYK 95 / 100 / 0 / 28

HEX #0900B8

RGB 9 0 184

HSL 242.93, 1%, 0.36%

LAB 22.01, 62.05, -84.06

 

Description

Color code: HEX #B80050 | qconv.com Color code: HEX #B80050 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, none green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 0 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 57 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 57% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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