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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7EC48 it is the complementary color #4813B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7EC48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7EC48 shade: #BCEC43, #CDFE56, #DEFF69, #EFFF7C and #FFFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7EC48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7EC48 shade: #B7EC48, #A6DA35, #95C822, #84B60F and #73A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7EC48 shade: #B6EC46, #E3EC46, #ECC846, #EC9B46 and #EC6F46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7EC48 shade: #B6EC46, #8AEC46, #5DEC46, #46EC5C and #46EC89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7EC48 shade matches the following richer shades: #B6EC46 and #BCFC36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7EC48 shade: #B6EC46, #B0DB57, #ABCB67, #A5BA78 and #9FAA88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7EC48 shade: #ECC846, #E3EC46, #B7EC46, #8BEC46 and #5FEC46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7EC48 shade: #90CA15, #A8E821, #B6EC46, #C5F06C and #D4F391

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7EC48 shade: #B7EC48, #46EC9C and #DE46EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7EC48 shade: #B7EC48, #46B7EC and #EC46B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7EC48 shade: #B7EC48, #46EC9C, #7B46EC and #EC4696

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7EC48 shade: #B7EC48, #46ECCD, #7B46EC and #EC4665

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 69 / 7

HEX #B7EC48

RGB 183 236 72

HSL 79.39, 0.81%, 0.6%

LAB 87.25, -39.58, 70.18

 

Complementary color

CMYK 61 / 90 / 0 / 28

HEX #4813B7

RGB 72 19 183

HSL 259.39, 0.81%, 0.4%

LAB 27.47, 59.59, -74.26

 

CMYK 20 / 0 / 72 / 7

HEX #BCEC43

RGB 188 236 67

HSL 77.04, 0.82%, 0.59%

LAB 87.53, -37.96, 72.29

 

CMYK 19 / 0 / 66 / 0

HEX #CDFE56

RGB 205 254 86

HSL 77.5, 0.99%, 0.67%

LAB 93.68, -38.44, 72.04

 

CMYK 13 / 0 / 59 / 0

HEX #DEFF69

RGB 222 255 105

HSL 73.2, 1%, 0.71%

LAB 95.19, -31.13, 66.43

 

CMYK 6 / 0 / 51 / 0

HEX #EFFF7C

RGB 239 255 124

HSL 67.33, 1%, 0.74%

LAB 96.54, -23.08, 60.05

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 22 / 0 / 69 / 7

HEX #B7EC48

RGB 183 236 72

HSL 79.39, 0.81%, 0.6%

LAB 87.25, -39.58, 70.18

 

CMYK 24 / 0 / 76 / 15

HEX #A6DA35

RGB 166 218 53

HSL 78.91, 0.69%, 0.53%

LAB 81.02, -39.05, 70.13

 

CMYK 26 / 0 / 83 / 22

HEX #95C822

RGB 149 200 34

HSL 78.43, 0.71%, 0.46%

LAB 74.71, -38.36, 69.32

 

CMYK 27 / 0 / 92 / 29

HEX #84B60F

RGB 132 182 15

HSL 77.96, 0.85%, 0.39%

LAB 68.31, -37.47, 67.3

 

CMYK 30 / 0 / 100 / 36

HEX #73A400

RGB 115 164 0

HSL 77.93, 1%, 0.32%

LAB 61.82, -36.34, 63.74

 

CMYK 23 / 0 / 70 / 7

HEX #B6EC46

RGB 182 236 70

HSL 79.52, 0.81%, 0.6%

LAB 87.18, -40.07, 70.79

 

CMYK 4 / 0 / 70 / 7

HEX #E3EC46

RGB 227 236 70

HSL 63.25, 0.81%, 0.6%

LAB 90.21, -22.37, 74.8

 

CMYK 0 / 15 / 70 / 7

HEX #ECC846

RGB 236 200 70

HSL 46.99, 0.81%, 0.6%

LAB 81.61, -0.7, 66.57

 

CMYK 0 / 34 / 70 / 7

HEX #EC9B46

RGB 236 155 70

HSL 30.72, 0.81%, 0.6%

LAB 70.68, 22.96, 55.32

 

CMYK 0 / 53 / 70 / 7

HEX #EC6F46

RGB 236 111 70

HSL 14.82, 0.81%, 0.6%

LAB 61.35, 45.57, 45.17

 

CMYK 23 / 0 / 70 / 7

HEX #B6EC46

RGB 182 236 70

HSL 79.52, 0.81%, 0.6%

LAB 87.18, -40.07, 70.79

 

CMYK 42 / 0 / 70 / 7

HEX #8AEC46

RGB 138 236 70

HSL 95.42, 0.81%, 0.6%

LAB 84.91, -55.4, 67.77

 

CMYK 61 / 0 / 70 / 7

HEX #5DEC46

RGB 93 236 70

HSL 111.69, 0.81%, 0.6%

LAB 83.32, -67.62, 65.63

 

CMYK 70 / 0 / 61 / 7

HEX #46EC5C

RGB 70 236 92

HSL 127.95, 0.81%, 0.6%

LAB 82.95, -70, 56.37

 

CMYK 70 / 0 / 42 / 7

HEX #46EC89

RGB 70 236 137

HSL 144.22, 0.81%, 0.6%

LAB 83.49, -63.65, 36

 

CMYK 23 / 0 / 70 / 7

HEX #B6EC46

RGB 182 236 70

HSL 79.52, 0.81%, 0.6%

LAB 87.18, -40.07, 70.79

 

CMYK 25 / 0 / 79 / 1

HEX #BCFC36

RGB 188 252 54

HSL 79.39, 0.97%, 0.6%

LAB 91.94, -45.57, 80.39

 

CMYK 23 / 0 / 70 / 7

HEX #B6EC46

RGB 182 236 70

HSL 79.52, 0.81%, 0.6%

LAB 87.18, -40.07, 70.79

 

CMYK 20 / 0 / 60 / 14

HEX #B0DB57

RGB 176 219 87

HSL 79.55, 0.65%, 0.6%

LAB 82.15, -33.5, 58.78

 

CMYK 16 / 0 / 49 / 20

HEX #ABCB67

RGB 171 203 103

HSL 79.2, 0.49%, 0.6%

LAB 77.49, -26.42, 46.01

 

CMYK 11 / 0 / 35 / 27

HEX #A5BA78

RGB 165 186 120

HSL 79.09, 0.32%, 0.6%

LAB 72.54, -18.34, 31.13

 

CMYK 6 / 0 / 20 / 33

HEX #9FAA88

RGB 159 170 136

HSL 79.41, 0.17%, 0.6%

LAB 67.95, -10, 16.26

 

CMYK 0 / 15 / 70 / 7

HEX #ECC846

RGB 236 200 70

HSL 46.99, 0.81%, 0.6%

LAB 81.61, -0.7, 66.57

 

CMYK 4 / 0 / 70 / 7

HEX #E3EC46

RGB 227 236 70

HSL 63.25, 0.81%, 0.6%

LAB 90.21, -22.37, 74.8

 

CMYK 22 / 0 / 70 / 7

HEX #B7EC46

RGB 183 236 70

HSL 79.16, 0.81%, 0.6%

LAB 87.24, -39.69, 70.87

 

CMYK 41 / 0 / 70 / 7

HEX #8BEC46

RGB 139 236 70

HSL 95.06, 0.81%, 0.6%

LAB 84.96, -55.08, 67.83

 

CMYK 60 / 0 / 70 / 7

HEX #5FEC46

RGB 95 236 70

HSL 110.96, 0.81%, 0.6%

LAB 83.37, -67.17, 65.7

 

CMYK 29 / 0 / 90 / 21

HEX #90CA15

RGB 144 202 21

HSL 79.23, 0.81%, 0.44%

LAB 74.97, -41.54, 72.07

 

CMYK 28 / 0 / 86 / 9

HEX #A8E821

RGB 168 232 33

HSL 79.3, 0.81%, 0.52%

LAB 85.07, -45.15, 78.85

 

CMYK 23 / 0 / 70 / 7

HEX #B6EC46

RGB 182 236 70

HSL 79.52, 0.81%, 0.6%

LAB 87.18, -40.07, 70.79

 

CMYK 18 / 0 / 55 / 6

HEX #C5F06C

RGB 197 240 108

HSL 79.55, 0.81%, 0.68%

LAB 89.52, -33.45, 58.3

 

CMYK 13 / 0 / 40 / 5

HEX #D4F391

RGB 212 243 145

HSL 78.98, 0.8%, 0.76%

LAB 91.75, -25.48, 43.9

 

CMYK 22 / 0 / 69 / 7

HEX #B7EC48

RGB 183 236 72

HSL 79.39, 0.81%, 0.6%

LAB 87.25, -39.58, 70.18

 

CMYK 70 / 0 / 34 / 7

HEX #46EC9C

RGB 70 236 156

HSL 151.08, 0.81%, 0.6%

LAB 83.81, -60.18, 26.82

 

CMYK 6 / 70 / 0 / 7

HEX #DE46EC

RGB 222 70 236

HSL 294.94, 0.81%, 0.6%

LAB 58, 77.67, -54.27

 

CMYK 22 / 0 / 69 / 7

HEX #B7EC48

RGB 183 236 72

HSL 79.39, 0.81%, 0.6%

LAB 87.25, -39.58, 70.18

 

CMYK 70 / 22 / 0 / 7

HEX #46B7EC

RGB 70 183 236

HSL 199.16, 0.81%, 0.6%

LAB 70.33, -15.12, -35.66

 

CMYK 0 / 70 / 22 / 7

HEX #EC46B7

RGB 236 70 183

HSL 319.16, 0.81%, 0.6%

LAB 57.69, 73.03, -24.49

 

CMYK 22 / 0 / 69 / 7

HEX #B7EC48

RGB 183 236 72

HSL 79.39, 0.81%, 0.6%

LAB 87.25, -39.58, 70.18

 

CMYK 70 / 0 / 34 / 7

HEX #46EC9C

RGB 70 236 156

HSL 151.08, 0.81%, 0.6%

LAB 83.81, -60.18, 26.82

 

CMYK 48 / 70 / 0 / 7

HEX #7B46EC

RGB 123 70 236

HSL 259.16, 0.81%, 0.6%

LAB 45.15, 58.91, -75.67

 

CMYK 0 / 70 / 36 / 7

HEX #EC4696

RGB 236 70 150

HSL 331.08, 0.81%, 0.6%

LAB 56.5, 69.2, -7.05

 

CMYK 22 / 0 / 69 / 7

HEX #B7EC48

RGB 183 236 72

HSL 79.39, 0.81%, 0.6%

LAB 87.25, -39.58, 70.18

 

CMYK 70 / 0 / 13 / 7

HEX #46ECCD

RGB 70 236 205

HSL 168.8, 0.81%, 0.6%

LAB 84.84, -49.23, 2.79

 

CMYK 48 / 70 / 0 / 7

HEX #7B46EC

RGB 123 70 236

HSL 259.16, 0.81%, 0.6%

LAB 45.15, 58.91, -75.67

 

CMYK 0 / 70 / 57 / 7

HEX #EC4665

RGB 236 70 101

HSL 348.8, 0.81%, 0.6%

LAB 55.23, 64.94, 20.17

 

Description

Color code: HEX #B7EC48 | qconv.com Color code: HEX #B7EC48 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 236 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 236 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 69 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 69% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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