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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7D3DB it is the complementary color #482C24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7D3DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7D3DB shade: #BCD3D6, #CDE5E9, #DEF7FC and #EFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7D3DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7D3DB shade: #B7D3DB, #A6C1C8, #95AFB5, #849DA2 and #738B8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7D3DB shade: #B7D3DB, #B7C9DB, #B7C0DB, #B8B7DB and #C2B7DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7D3DB shade: #B7D3DB, #B7C9DB, #B7C0DB and #B7B7DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7D3DB shade matches the following richer shades: #B7D3DB, #AFD8E3, #A6DCEC, #9DE1F5 and #95E6FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7D3DB shade: #B7D3DB, #C0CED2, #C9C9C9, #D1C4C1 and #DAC0B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7D3DB shade: #B7DBCF, #B7DBD9, #B7D3DB, #B7CADB and #B7C0DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7D3DB shade: #80B1BF, #9CC2CD, #B7D3DB, #D3E4E8 and #EEF4F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7D3DB shade: #B7D3DB, #C6B7DB and #DBD4B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7D3DB shade: #B7D3DB, #DBB7D3 and #D3DBB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7D3DB shade: #B7D3DB, #C6B7DB, #DBBFB7 and #CCDBB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7D3DB shade: #B7D3DB, #D1B7DB, #DBBFB7 and #C1DBB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 4 / 0 / 14

HEX #B7D3DB

RGB 183 211 219

HSL 193.33, 0.33%, 0.79%

LAB 82.79, -7.64, -7.09

 

Complementary color

CMYK 0 / 39 / 50 / 72

HEX #482C24

RGB 72 44 36

HSL 13.33, 0.33%, 0.21%

LAB 21.23, 11.85, 10.54

 

CMYK 12 / 1 / 0 / 16

HEX #BCD3D6

RGB 188 211 214

HSL 186.92, 0.24%, 0.79%

LAB 82.99, -7.07, -4.1

 

CMYK 12 / 2 / 0 / 9

HEX #CDE5E9

RGB 205 229 233

HSL 188.57, 0.39%, 0.86%

LAB 89.35, -7.1, -4.64

 

CMYK 12 / 2 / 0 / 1

HEX #DEF7FC

RGB 222 247 252

HSL 190, 0.83%, 0.93%

LAB 95.61, -7.14, -5.17

 

CMYK 6 / 0 / 0 / 0

HEX #EFFFFF

RGB 239 255 255

HSL 180, 1%, 0.97%

LAB 98.86, -5.2, -1.81

 

CMYK 16 / 4 / 0 / 14

HEX #B7D3DB

RGB 183 211 219

HSL 193.33, 0.33%, 0.79%

LAB 82.79, -7.64, -7.09

 

CMYK 17 / 4 / 0 / 22

HEX #A6C1C8

RGB 166 193 200

HSL 192.35, 0.24%, 0.72%

LAB 76.32, -7.62, -6.58

 

CMYK 18 / 3 / 0 / 29

HEX #95AFB5

RGB 149 175 181

HSL 191.25, 0.18%, 0.65%

LAB 69.74, -7.6, -6.07

 

CMYK 19 / 3 / 0 / 36

HEX #849DA2

RGB 132 157 162

HSL 190, 0.14%, 0.58%

LAB 63.03, -7.6, -5.53

 

CMYK 20 / 3 / 0 / 44

HEX #738B8F

RGB 115 139 143

HSL 188.57, 0.11%, 0.51%

LAB 56.18, -7.61, -4.99

 

CMYK 16 / 4 / 0 / 14

HEX #B7D3DB

RGB 183 211 219

HSL 193.33, 0.33%, 0.79%

LAB 82.79, -7.64, -7.09

 

CMYK 16 / 8 / 0 / 14

HEX #B7C9DB

RGB 183 201 219

HSL 210, 0.33%, 0.79%

LAB 80.15, -2.39, -11.01

 

CMYK 16 / 12 / 0 / 14

HEX #B7C0DB

RGB 183 192 219

HSL 225, 0.33%, 0.79%

LAB 77.8, 2.41, -14.53

 

CMYK 16 / 16 / 0 / 14

HEX #B8B7DB

RGB 184 183 219

HSL 241.67, 0.33%, 0.79%

LAB 75.56, 7.59, -17.9

 

CMYK 11 / 16 / 0 / 14

HEX #C2B7DB

RGB 194 183 219

HSL 258.33, 0.33%, 0.79%

LAB 76.35, 10.82, -16.64

 

CMYK 16 / 4 / 0 / 14

HEX #B7D3DB

RGB 183 211 219

HSL 193.33, 0.33%, 0.79%

LAB 82.79, -7.64, -7.09

 

CMYK 16 / 8 / 0 / 14

HEX #B7C9DB

RGB 183 201 219

HSL 210, 0.33%, 0.79%

LAB 80.15, -2.39, -11.01

 

CMYK 16 / 12 / 0 / 14

HEX #B7C0DB

RGB 183 192 219

HSL 225, 0.33%, 0.79%

LAB 77.8, 2.41, -14.53

 

CMYK 16 / 16 / 0 / 14

HEX #B7B7DB

RGB 183 183 219

HSL 240, 0.33%, 0.79%

LAB 75.48, 7.28, -18.03

 

CMYK 16 / 4 / 0 / 14

HEX #B7D3DB

RGB 183 211 219

HSL 193.33, 0.33%, 0.79%

LAB 82.79, -7.64, -7.09

 

CMYK 23 / 5 / 0 / 11

HEX #AFD8E3

RGB 175 216 227

HSL 192.69, 0.48%, 0.79%

LAB 83.85, -10.96, -9.83

 

CMYK 30 / 7 / 0 / 7

HEX #A6DCEC

RGB 166 220 236

HSL 193.71, 0.65%, 0.79%

LAB 84.66, -13.58, -13.44

 

CMYK 36 / 8 / 0 / 4

HEX #9DE1F5

RGB 157 225 245

HSL 193.64, 0.81%, 0.79%

LAB 85.81, -16.43, -16.52

 

CMYK 41 / 9 / 0 / 1

HEX #95E6FD

RGB 149 230 253

HSL 193.27, 0.96%, 0.79%

LAB 87.03, -18.99, -18.92

 

CMYK 16 / 4 / 0 / 14

HEX #B7D3DB

RGB 183 211 219

HSL 193.33, 0.33%, 0.79%

LAB 82.79, -7.64, -7.09

 

CMYK 9 / 2 / 0 / 18

HEX #C0CED2

RGB 192 206 210

HSL 193.33, 0.17%, 0.79%

LAB 81.84, -3.95, -3.62

 

CMYK 0 / 0 / 0 / 21

HEX #C9C9C9

RGB 201 201 201

HSL 0, 0%, 0.79%

LAB 80.97, 0, -0.01

 

CMYK 0 / 6 / 8 / 18

HEX #D1C4C1

RGB 209 196 193

HSL 11.25, 0.15%, 0.79%

LAB 80.12, 4.03, 3.13

 

CMYK 0 / 12 / 16 / 15

HEX #DAC0B8

RGB 218 192 184

HSL 14.12, 0.31%, 0.79%

LAB 79.65, 7.91, 7.4

 

CMYK 16 / 0 / 5 / 14

HEX #B7DBCF

RGB 183 219 207

HSL 160, 0.33%, 0.79%

LAB 84.6, -14.17, 1.95

 

CMYK 16 / 0 / 1 / 14

HEX #B7DBD9

RGB 183 219 217

HSL 176.67, 0.33%, 0.79%

LAB 84.86, -12.16, -2.97

 

CMYK 16 / 4 / 0 / 14

HEX #B7D3DB

RGB 183 211 219

HSL 193.33, 0.33%, 0.79%

LAB 82.79, -7.64, -7.09

 

CMYK 16 / 8 / 0 / 14

HEX #B7CADB

RGB 183 202 219

HSL 208.33, 0.33%, 0.79%

LAB 80.42, -2.92, -10.62

 

CMYK 16 / 12 / 0 / 14

HEX #B7C0DB

RGB 183 192 219

HSL 225, 0.33%, 0.79%

LAB 77.8, 2.41, -14.53

 

CMYK 33 / 7 / 0 / 25

HEX #80B1BF

RGB 128 177 191

HSL 193.33, 0.33%, 0.63%

LAB 69.32, -12.74, -12.34

 

CMYK 24 / 5 / 0 / 20

HEX #9CC2CD

RGB 156 194 205

HSL 193.47, 0.33%, 0.71%

LAB 76.11, -10.15, -9.69

 

CMYK 16 / 4 / 0 / 14

HEX #B7D3DB

RGB 183 211 219

HSL 193.33, 0.33%, 0.79%

LAB 82.79, -7.64, -7.09

 

CMYK 9 / 2 / 0 / 9

HEX #D3E4E8

RGB 211 228 232

HSL 191.43, 0.31%, 0.87%

LAB 89.47, -4.86, -3.89

 

CMYK 3 / 1 / 0 / 4

HEX #EEF4F6

RGB 238 244 246

HSL 195, 0.31%, 0.95%

LAB 95.8, -1.61, -1.66

 

CMYK 16 / 4 / 0 / 14

HEX #B7D3DB

RGB 183 211 219

HSL 193.33, 0.33%, 0.79%

LAB 82.79, -7.64, -7.09

 

CMYK 10 / 16 / 0 / 14

HEX #C6B7DB

RGB 198 183 219

HSL 265, 0.33%, 0.79%

LAB 76.67, 12.12, -16.11

 

CMYK 0 / 3 / 16 / 14

HEX #DBD4B7

RGB 219 212 183

HSL 48.33, 0.33%, 0.79%

LAB 84.77, -2.37, 15.22

 

CMYK 16 / 4 / 0 / 14

HEX #B7D3DB

RGB 183 211 219

HSL 193.33, 0.33%, 0.79%

LAB 82.79, -7.64, -7.09

 

CMYK 0 / 16 / 4 / 14

HEX #DBB7D3

RGB 219 183 211

HSL 313.33, 0.33%, 0.79%

LAB 78.25, 17.64, -9.24

 

CMYK 4 / 0 / 16 / 14

HEX #D3DBB7

RGB 211 219 183

HSL 73.33, 0.33%, 0.79%

LAB 85.97, -8.85, 16.81

 

CMYK 16 / 4 / 0 / 14

HEX #B7D3DB

RGB 183 211 219

HSL 193.33, 0.33%, 0.79%

LAB 82.79, -7.64, -7.09

 

CMYK 10 / 16 / 0 / 14

HEX #C6B7DB

RGB 198 183 219

HSL 265, 0.33%, 0.79%

LAB 76.67, 12.12, -16.11

 

CMYK 0 / 13 / 16 / 14

HEX #DBBFB7

RGB 219 191 183

HSL 13.33, 0.33%, 0.79%

LAB 79.47, 8.65, 7.68

 

CMYK 7 / 0 / 16 / 14

HEX #CCDBB7

RGB 204 219 183

HSL 85, 0.33%, 0.79%

LAB 85.46, -11.35, 16.02

 

CMYK 16 / 4 / 0 / 14

HEX #B7D3DB

RGB 183 211 219

HSL 193.33, 0.33%, 0.79%

LAB 82.79, -7.64, -7.09

 

CMYK 5 / 16 / 0 / 14

HEX #D1B7DB

RGB 209 183 219

HSL 283.33, 0.33%, 0.79%

LAB 77.6, 15.75, -14.62

 

CMYK 0 / 13 / 16 / 14

HEX #DBBFB7

RGB 219 191 183

HSL 13.33, 0.33%, 0.79%

LAB 79.47, 8.65, 7.68

 

CMYK 12 / 0 / 16 / 14

HEX #C1DBB7

RGB 193 219 183

HSL 103.33, 0.33%, 0.79%

LAB 84.7, -15.2, 14.84

 

Description

Color code: HEX #B7D3DB | qconv.com Color code: HEX #B7D3DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 211 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 211 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 4 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 4% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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