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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7BEE4 it is the complementary color #48411B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7BEE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7BEE4 shade: #BCBEDF, #CDD0F2, #DEE2FF, #EFF4FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7BEE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7BEE4 shade: #B7BEE4, #A6ACD1, #959ABE, #8488AB and #737698

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7BEE4 shade: #B9C0E4, #BEB9E4, #C9B9E4, #D5B9E4 and #E1B9E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7BEE4 shade: #B9C0E4 and #B9B9E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7BEE4 shade matches the following richer shades: #B9C0E4, #B1BAEC, #A9B5F4 and #A1AFFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7BEE4 shade: #B9C0E4, #C1C5DD, #C8CAD5, #D0D0CD and #D8D5C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7BEE4 shade: #B9D7E4, #B9CCE4, #B9C0E4, #BDB9E4 and #C9B9E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7BEE4 shade: #7D89CE, #9BA5D9, #B9C0E4, #D7DBF0 and #F5F6FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7BEE4 shade: #B7BEE4, #E4B9E3 and #D1E4B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7BEE4 shade: #B7BEE4, #E4B9C0 and #C0E4B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7BEE4 shade: #B7BEE4, #E4B9E3, #E4DDB9 and #B9E4BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7BEE4 shade: #B7BEE4, #E4B9D6, #E4DDB9 and #B9E4C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 17 / 0 / 11

HEX #B7BEE4

RGB 183 190 228

HSL 230.67, 0.45%, 0.81%

LAB 77.58, 5.45, -19.73

 

Complementary color

CMYK 0 / 10 / 63 / 72

HEX #48411B

RGB 72 65 27

HSL 50.67, 0.45%, 0.19%

LAB 27.4, -2.76, 23.91

 

CMYK 16 / 15 / 0 / 13

HEX #BCBEDF

RGB 188 190 223

HSL 236.57, 0.35%, 0.81%

LAB 77.78, 5.93, -16.68

 

CMYK 15 / 14 / 0 / 5

HEX #CDD0F2

RGB 205 208 242

HSL 235.14, 0.59%, 0.88%

LAB 84.23, 5.69, -17.02

 

CMYK 13 / 11 / 0 / 0

HEX #DEE2FF

RGB 222 226 255

HSL 232.73, 1%, 0.94%

LAB 90.39, 4.23, -14.5

 

CMYK 6 / 4 / 0 / 0

HEX #EFF4FF

RGB 239 244 255

HSL 221.25, 1%, 0.97%

LAB 96.11, 0.37, -5.86

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 20 / 17 / 0 / 11

HEX #B7BEE4

RGB 183 190 228

HSL 230.67, 0.45%, 0.81%

LAB 77.58, 5.45, -19.73

 

CMYK 21 / 18 / 0 / 18

HEX #A6ACD1

RGB 166 172 209

HSL 231.63, 0.32%, 0.74%

LAB 71.02, 5.72, -19.45

 

CMYK 22 / 19 / 0 / 25

HEX #959ABE

RGB 149 154 190

HSL 232.68, 0.24%, 0.66%

LAB 64.34, 6, -19.18

 

CMYK 23 / 20 / 0 / 33

HEX #8488AB

RGB 132 136 171

HSL 233.85, 0.19%, 0.59%

LAB 57.52, 6.32, -18.94

 

CMYK 24 / 22 / 0 / 40

HEX #737698

RGB 115 118 152

HSL 235.14, 0.15%, 0.52%

LAB 50.53, 6.68, -18.72

 

CMYK 19 / 16 / 0 / 11

HEX #B9C0E4

RGB 185 192 228

HSL 230.23, 0.44%, 0.81%

LAB 78.24, 4.99, -18.71

 

CMYK 17 / 19 / 0 / 11

HEX #BEB9E4

RGB 190 185 228

HSL 246.98, 0.44%, 0.81%

LAB 76.83, 10.35, -20.81

 

CMYK 12 / 19 / 0 / 11

HEX #C9B9E4

RGB 201 185 228

HSL 262.33, 0.44%, 0.81%

LAB 77.71, 13.85, -19.4

 

CMYK 7 / 19 / 0 / 11

HEX #D5B9E4

RGB 213 185 228

HSL 279.07, 0.44%, 0.81%

LAB 78.72, 17.74, -17.77

 

CMYK 1 / 19 / 0 / 11

HEX #E1B9E4

RGB 225 185 228

HSL 295.81, 0.44%, 0.81%

LAB 79.79, 21.69, -16.05

 

CMYK 19 / 16 / 0 / 11

HEX #B9C0E4

RGB 185 192 228

HSL 230.23, 0.44%, 0.81%

LAB 78.24, 4.99, -18.71

 

CMYK 19 / 19 / 0 / 11

HEX #B9B9E4

RGB 185 185 228

HSL 240, 0.44%, 0.81%

LAB 76.44, 8.79, -21.43

 

CMYK 19 / 16 / 0 / 11

HEX #B9C0E4

RGB 185 192 228

HSL 230.23, 0.44%, 0.81%

LAB 78.24, 4.99, -18.71

 

CMYK 25 / 21 / 0 / 7

HEX #B1BAEC

RGB 177 186 236

HSL 230.85, 0.61%, 0.81%

LAB 76.39, 7.63, -25.89

 

CMYK 31 / 26 / 0 / 4

HEX #A9B5F4

RGB 169 181 244

HSL 230.4, 0.77%, 0.81%

LAB 74.83, 9.98, -32.65

 

CMYK 36 / 31 / 0 / 1

HEX #A1AFFC

RGB 161 175 252

HSL 230.77, 0.94%, 0.81%

LAB 73.07, 13.15, -39.75

 

CMYK 19 / 16 / 0 / 11

HEX #B9C0E4

RGB 185 192 228

HSL 230.23, 0.44%, 0.81%

LAB 78.24, 4.99, -18.71

 

CMYK 13 / 11 / 0 / 13

HEX #C1C5DD

RGB 193 197 221

HSL 231.43, 0.29%, 0.81%

LAB 79.89, 3.35, -12.4

 

CMYK 6 / 5 / 0 / 16

HEX #C8CAD5

RGB 200 202 213

HSL 230.77, 0.13%, 0.81%

LAB 81.47, 1.4, -5.71

 

CMYK 0 / 0 / 1 / 18

HEX #D0D0CD

RGB 208 208 205

HSL 60, 0.03%, 0.81%

LAB 83.41, -0.54, 1.48

 

CMYK 0 / 1 / 9 / 15

HEX #D8D5C5

RGB 216 213 197

HSL 50.53, 0.2%, 0.81%

LAB 85.11, -1.73, 8.26

 

CMYK 19 / 6 / 0 / 11

HEX #B9D7E4

RGB 185 215 228

HSL 198.14, 0.44%, 0.81%

LAB 84.23, -7.19, -9.72

 

CMYK 19 / 11 / 0 / 11

HEX #B9CCE4

RGB 185 204 228

HSL 213.49, 0.44%, 0.81%

LAB 81.35, -1.42, -14.03

 

CMYK 19 / 16 / 0 / 11

HEX #B9C0E4

RGB 185 192 228

HSL 230.23, 0.44%, 0.81%

LAB 78.24, 4.99, -18.71

 

CMYK 17 / 19 / 0 / 11

HEX #BDB9E4

RGB 189 185 228

HSL 245.58, 0.44%, 0.81%

LAB 76.75, 10.04, -20.94

 

CMYK 12 / 19 / 0 / 11

HEX #C9B9E4

RGB 201 185 228

HSL 262.33, 0.44%, 0.81%

LAB 77.71, 13.85, -19.4

 

CMYK 39 / 33 / 0 / 19

HEX #7D89CE

RGB 125 137 206

HSL 231.11, 0.45%, 0.65%

LAB 58.7, 12.84, -37.01

 

CMYK 29 / 24 / 0 / 15

HEX #9BA5D9

RGB 155 165 217

HSL 230.32, 0.45%, 0.73%

LAB 68.67, 8.16, -27.51

 

CMYK 19 / 16 / 0 / 11

HEX #B9C0E4

RGB 185 192 228

HSL 230.23, 0.44%, 0.81%

LAB 78.24, 4.99, -18.71

 

CMYK 10 / 9 / 0 / 6

HEX #D7DBF0

RGB 215 219 240

HSL 230.4, 0.45%, 0.89%

LAB 87.68, 2.66, -10.71

 

CMYK 2 / 2 / 0 / 2

HEX #F5F6FB

RGB 245 246 251

HSL 230, 0.43%, 0.97%

LAB 96.94, 0.57, -2.52

 

CMYK 20 / 17 / 0 / 11

HEX #B7BEE4

RGB 183 190 228

HSL 230.67, 0.45%, 0.81%

LAB 77.58, 5.45, -19.73

 

CMYK 0 / 19 / 0 / 11

HEX #E4B9E3

RGB 228 185 227

HSL 301.4, 0.44%, 0.81%

LAB 80.03, 22.5, -15.12

 

CMYK 8 / 0 / 19 / 11

HEX #D1E4B9

RGB 209 228 185

HSL 86.51, 0.44%, 0.81%

LAB 88.23, -13.79, 18.9

 

CMYK 20 / 17 / 0 / 11

HEX #B7BEE4

RGB 183 190 228

HSL 230.67, 0.45%, 0.81%

LAB 77.58, 5.45, -19.73

 

CMYK 0 / 19 / 16 / 11

HEX #E4B9C0

RGB 228 185 192

HSL 350.23, 0.44%, 0.81%

LAB 79.04, 16.53, 2.31

 

CMYK 16 / 0 / 19 / 11

HEX #C0E4B9

RGB 192 228 185

HSL 110.23, 0.44%, 0.81%

LAB 87.09, -19.69, 17.15

 

CMYK 20 / 17 / 0 / 11

HEX #B7BEE4

RGB 183 190 228

HSL 230.67, 0.45%, 0.81%

LAB 77.58, 5.45, -19.73

 

CMYK 0 / 19 / 0 / 11

HEX #E4B9E3

RGB 228 185 227

HSL 301.4, 0.44%, 0.81%

LAB 80.03, 22.5, -15.12

 

CMYK 0 / 3 / 19 / 11

HEX #E4DDB9

RGB 228 221 185

HSL 50.23, 0.44%, 0.81%

LAB 87.83, -3.42, 18.56

 

CMYK 19 / 0 / 18 / 11

HEX #B9E4BA

RGB 185 228 186

HSL 121.4, 0.44%, 0.81%

LAB 86.68, -21.87, 15.97

 

CMYK 20 / 17 / 0 / 11

HEX #B7BEE4

RGB 183 190 228

HSL 230.67, 0.45%, 0.81%

LAB 77.58, 5.45, -19.73

 

CMYK 0 / 19 / 6 / 11

HEX #E4B9D6

RGB 228 185 214

HSL 319.53, 0.44%, 0.81%

LAB 79.64, 20.18, -8.69

 

CMYK 0 / 3 / 19 / 11

HEX #E4DDB9

RGB 228 221 185

HSL 50.23, 0.44%, 0.81%

LAB 87.83, -3.42, 18.56

 

CMYK 19 / 0 / 13 / 11

HEX #B9E4C7

RGB 185 228 199

HSL 139.53, 0.44%, 0.81%

LAB 86.96, -19.55, 9.57

 

Description

Color code: HEX #B7BEE4 | qconv.com Color code: HEX #B7BEE4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 190 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 190 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 17 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 17% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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