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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7B90F it is the complementary color #4846F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7B90F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7B90F shade: #BCB90A, #CDCB1D, #DEDD30, #EFEF43 and #FFFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7B90F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7B90F shade: #B7B90F, #A6A700, #959500, #848300 and #737100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7B90F shade: #B6B80F, #B88C0F, #B85F0F, #B8310F and #B80F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7B90F shade: #B6B80F, #88B80F, #5BB80F, #2DB80F and #0FB81E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7B90F shade matches the following richer shades: #B6B80F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7B90F shade: #B6B80F, #A6A81F, #97982F, #87883F and #77784F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7B90F shade: #B85E0F, #B88B0F, #B8B80F, #8BB80F and #5EB80F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7B90F shade: #6A6C09, #90920C, #B6B80F, #DCDE12 and #ECEE2C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7B90F shade: #B7B90F, #0FB831 and #740FB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7B90F shade: #B7B90F, #0FB8B8 and #B80FB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7B90F shade: #B7B90F, #0FB831, #0F0FB8 and #B80F96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7B90F shade: #B7B90F, #0FB863, #0F0FB8 and #B80F63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 92 / 27

HEX #B7B90F

RGB 183 185 15

HSL 60.71, 0.85%, 0.39%

LAB 72.76, -17.62, 72.34

 

Complementary color

CMYK 70 / 71 / 0 / 6

HEX #4846F0

RGB 72 70 240

HSL 240.71, 0.85%, 0.61%

LAB 41.29, 53.34, -84.41

 

CMYK 0 / 2 / 95 / 26

HEX #BCB90A

RGB 188 185 10

HSL 58.99, 0.9%, 0.39%

LAB 73.16, -15.52, 73.45

 

CMYK 0 / 1 / 86 / 20

HEX #CDCB1D

RGB 205 203 29

HSL 59.32, 0.75%, 0.46%

LAB 79.49, -16.89, 76.04

 

CMYK 0 / 0 / 78 / 13

HEX #DEDD30

RGB 222 221 48

HSL 59.66, 0.73%, 0.53%

LAB 85.73, -18.06, 77.33

 

CMYK 0 / 0 / 72 / 6

HEX #EFEF43

RGB 239 239 67

HSL 60, 0.84%, 0.6%

LAB 91.9, -19.06, 77.74

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 1 / 0 / 92 / 27

HEX #B7B90F

RGB 183 185 15

HSL 60.71, 0.85%, 0.39%

LAB 72.76, -17.62, 72.34

 

CMYK 1 / 0 / 100 / 35

HEX #A6A700

RGB 166 167 0

HSL 60.36, 1%, 0.33%

LAB 66.32, -16.14, 68.72

 

CMYK 0 / 0 / 100 / 42

HEX #959500

RGB 149 149 0

HSL 60, 1%, 0.29%

LAB 59.78, -14.44, 63.29

 

CMYK 0 / 1 / 100 / 48

HEX #848300

RGB 132 131 0

HSL 59.55, 1%, 0.26%

LAB 53.1, -12.68, 57.74

HEX #848300

CMYK 0 / 2 / 100 / 55

HEX #737100

RGB 115 113 0

HSL 58.96, 1%, 0.23%

LAB 46.25, -10.87, 52.05

HEX #737100

CMYK 1 / 0 / 92 / 28

HEX #B6B80F

RGB 182 184 15

HSL 60.71, 0.85%, 0.39%

LAB 72.4, -17.55, 72.03

 

CMYK 0 / 24 / 92 / 28

HEX #B88C0F

RGB 184 140 15

HSL 44.38, 0.85%, 0.39%

LAB 60.76, 6.62, 63.18

 

CMYK 0 / 48 / 92 / 28

HEX #B85F0F

RGB 184 95 15

HSL 28.4, 0.85%, 0.39%

LAB 49.99, 31.36, 55.14

 

CMYK 0 / 73 / 92 / 28

HEX #B8310F

RGB 184 49 15

HSL 12.07, 0.85%, 0.39%

LAB 41.88, 52.56, 49.36

 

CMYK 0 / 92 / 92 / 28

HEX #B80F0F

RGB 184 15 15

HSL 0, 0.85%, 0.39%

LAB 38.84, 61.13, 47.3

 

CMYK 1 / 0 / 92 / 28

HEX #B6B80F

RGB 182 184 15

HSL 60.71, 0.85%, 0.39%

LAB 72.4, -17.55, 72.03

 

CMYK 26 / 0 / 92 / 28

HEX #88B80F

RGB 136 184 15

HSL 77.04, 0.85%, 0.39%

LAB 69.15, -36.8, 68.07

 

CMYK 51 / 0 / 92 / 28

HEX #5BB80F

RGB 91 184 15

HSL 93.02, 0.85%, 0.39%

LAB 66.93, -52.61, 65.34

 

CMYK 76 / 0 / 92 / 28

HEX #2DB80F

RGB 45 184 15

HSL 109.35, 0.85%, 0.39%

LAB 65.65, -63.17, 63.76

 

CMYK 92 / 0 / 84 / 28

HEX #0FB81E

RGB 15 184 30

HSL 125.33, 0.85%, 0.39%

LAB 65.34, -65.76, 60.28

 

CMYK 1 / 0 / 92 / 28

HEX #B6B80F

RGB 182 184 15

HSL 60.71, 0.85%, 0.39%

LAB 72.4, -17.55, 72.03

 

CMYK 1 / 0 / 92 / 28

HEX #B6B80F

RGB 182 184 15

HSL 60.71, 0.85%, 0.39%

LAB 72.4, -17.55, 72.03

 

CMYK 1 / 0 / 82 / 34

HEX #A6A81F

RGB 166 168 31

HSL 60.88, 0.69%, 0.39%

LAB 66.68, -16.04, 63.57

 

CMYK 1 / 0 / 69 / 40

HEX #97982F

RGB 151 152 47

HSL 60.57, 0.53%, 0.39%

LAB 60.99, -13.64, 52.47

 

CMYK 1 / 0 / 54 / 47

HEX #87883F

RGB 135 136 63

HSL 60.82, 0.37%, 0.39%

LAB 55.19, -11, 38.54

 

CMYK 1 / 0 / 34 / 53

HEX #77784F

RGB 119 120 79

HSL 61.46, 0.21%, 0.39%

LAB 49.4, -7.34, 22.44

 

CMYK 0 / 49 / 92 / 28

HEX #B85E0F

RGB 184 94 15

HSL 28.05, 0.85%, 0.39%

LAB 49.77, 31.89, 54.99

 

CMYK 0 / 24 / 92 / 28

HEX #B88B0F

RGB 184 139 15

HSL 44.02, 0.85%, 0.39%

LAB 60.51, 7.17, 62.98

 

CMYK 0 / 0 / 92 / 28

HEX #B8B80F

RGB 184 184 15

HSL 60, 0.85%, 0.39%

LAB 72.57, -16.68, 72.23

 

CMYK 24 / 0 / 92 / 28

HEX #8BB80F

RGB 139 184 15

HSL 75.98, 0.85%, 0.39%

LAB 69.33, -35.61, 68.3

 

CMYK 49 / 0 / 92 / 28

HEX #5EB80F

RGB 94 184 15

HSL 91.95, 0.85%, 0.39%

LAB 67.05, -51.7, 65.49

 

CMYK 2 / 0 / 92 / 58

HEX #6A6C09

RGB 106 108 9

HSL 61.21, 0.85%, 0.23%

LAB 43.96, -12.18, 47.89

 

CMYK 1 / 0 / 92 / 43

HEX #90920C

RGB 144 146 12

HSL 60.9, 0.85%, 0.31%

LAB 58.52, -14.93, 60.3

 

CMYK 1 / 0 / 92 / 28

HEX #B6B80F

RGB 182 184 15

HSL 60.71, 0.85%, 0.39%

LAB 72.4, -17.55, 72.03

 

CMYK 1 / 0 / 92 / 13

HEX #DCDE12

RGB 220 222 18

HSL 60.59, 0.85%, 0.47%

LAB 85.76, -20.08, 83.25

 

CMYK 1 / 0 / 82 / 7

HEX #ECEE2C

RGB 236 238 44

HSL 60.62, 0.85%, 0.55%

LAB 91.31, -20.62, 83.58

 

CMYK 1 / 0 / 92 / 27

HEX #B7B90F

RGB 183 185 15

HSL 60.71, 0.85%, 0.39%

LAB 72.76, -17.62, 72.34

 

CMYK 92 / 0 / 73 / 28

HEX #0FB831

RGB 15 184 49

HSL 132.07, 0.85%, 0.39%

LAB 65.44, -64.48, 54.46

 

CMYK 37 / 92 / 0 / 28

HEX #740FB8

RGB 116 15 184

HSL 275.86, 0.85%, 0.39%

LAB 32.95, 65.22, -65.62

 

CMYK 1 / 0 / 92 / 27

HEX #B7B90F

RGB 183 185 15

HSL 60.71, 0.85%, 0.39%

LAB 72.76, -17.62, 72.34

 

CMYK 92 / 0 / 0 / 28

HEX #0FB8B8

RGB 15 184 184

HSL 180, 0.85%, 0.39%

LAB 67.9, -37.13, -10.94

 

CMYK 0 / 92 / 0 / 28

HEX #B80FB8

RGB 184 15 184

HSL 300, 0.85%, 0.39%

LAB 44.22, 75.43, -46.83

 

CMYK 1 / 0 / 92 / 27

HEX #B7B90F

RGB 183 185 15

HSL 60.71, 0.85%, 0.39%

LAB 72.76, -17.62, 72.34

 

CMYK 92 / 0 / 73 / 28

HEX #0FB831

RGB 15 184 49

HSL 132.07, 0.85%, 0.39%

LAB 65.44, -64.48, 54.46

 

CMYK 92 / 92 / 0 / 28

HEX #0F0FB8

RGB 15 15 184

HSL 240, 0.85%, 0.39%

LAB 23.35, 58.44, -81.82

 

CMYK 0 / 92 / 18 / 28

HEX #B80F96

RGB 184 15 150

HSL 312.07, 0.85%, 0.39%

LAB 42.36, 70.69, -29.48

 

CMYK 1 / 0 / 92 / 27

HEX #B7B90F

RGB 183 185 15

HSL 60.71, 0.85%, 0.39%

LAB 72.76, -17.62, 72.34

 

CMYK 92 / 0 / 46 / 28

HEX #0FB863

RGB 15 184 99

HSL 149.82, 0.85%, 0.39%

LAB 65.97, -57.97, 32.42

 

CMYK 92 / 92 / 0 / 28

HEX #0F0FB8

RGB 15 15 184

HSL 240, 0.85%, 0.39%

LAB 23.35, 58.44, -81.82

 

CMYK 0 / 92 / 46 / 28

HEX #B80F63

RGB 184 15 99

HSL 330.18, 0.85%, 0.39%

LAB 40.3, 65.2, -1.01

 

Description

Color code: HEX #B7B90F | qconv.com Color code: HEX #B7B90F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 185 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 185 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 92 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 92% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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