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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7B5E2 it is the complementary color #484A1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7B5E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7B5E2 shade: #BCB5DD, #CDC7F0, #DED9FF, #EFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7B5E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7B5E2 shade: #B7B5E2, #A6A3CF, #9591BC, #847FA9 and #736D96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7B5E2 shade: #B7B5E2, #C3B5E2, #CFB5E2, #DBB5E2 and #E2B5DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7B5E2 shade: #B7B5E2 and #B5B5E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7B5E2 shade matches the following richer shades: #B7B5E2, #B0ADEA, #A8A5F2 and #A19CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7B5E2 shade: #B7B5E2, #BFBDDA, #C6C6D1, #CECEC9 and #D5D6C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7B5E2 shade: #B5CCE2, #B5C0E2, #B7B5E2, #C3B5E2 and #CEB5E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7B5E2 shade: #7D7ACB, #9A97D6, #B7B5E2, #D4D3ED and #F1F0F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7B5E2 shade: #B7B5E2, #E2B5D7 and #C6E2B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7B5E2 shade: #B7B5E2, #E2B7B5 and #B5E2B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7B5E2 shade: #B7B5E2, #E2B5D7, #E0E2B5 and #B5E2C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7B5E2 shade: #B7B5E2, #E2B5CA, #E0E2B5 and #B5E2CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 20 / 0 / 11

HEX #B7B5E2

RGB 183 181 226

HSL 242.67, 0.44%, 0.8%

LAB 75.21, 9.91, -22.24

 

Complementary color

CMYK 3 / 0 / 61 / 71

HEX #484A1D

RGB 72 74 29

HSL 62.67, 0.44%, 0.2%

LAB 30.31, -8.09, 26.14

 

CMYK 15 / 18 / 0 / 13

HEX #BCB5DD

RGB 188 181 221

HSL 250.5, 0.37%, 0.79%

LAB 75.43, 10.39, -19.16

 

CMYK 15 / 17 / 0 / 6

HEX #CDC7F0

RGB 205 199 240

HSL 248.78, 0.58%, 0.86%

LAB 81.9, 10.07, -19.46

 

CMYK 13 / 15 / 0 / 0

HEX #DED9FF

RGB 222 217 255

HSL 247.89, 1%, 0.93%

LAB 88.15, 8.95, -17.86

 

CMYK 6 / 8 / 0 / 0

HEX #EFEBFF

RGB 239 235 255

HSL 252, 1%, 0.96%

LAB 93.88, 4.98, -9.16

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 19 / 20 / 0 / 11

HEX #B7B5E2

RGB 183 181 226

HSL 242.67, 0.44%, 0.8%

LAB 75.21, 9.91, -22.24

 

CMYK 20 / 21 / 0 / 19

HEX #A6A3CF

RGB 166 163 207

HSL 244.09, 0.31%, 0.73%

LAB 68.61, 10.26, -22.01

 

CMYK 21 / 23 / 0 / 26

HEX #9591BC

RGB 149 145 188

HSL 245.58, 0.24%, 0.65%

LAB 61.89, 10.65, -21.8

 

CMYK 22 / 25 / 0 / 34

HEX #847FA9

RGB 132 127 169

HSL 247.14, 0.2%, 0.58%

LAB 55.02, 11.08, -21.61

 

CMYK 23 / 27 / 0 / 41

HEX #736D96

RGB 115 109 150

HSL 248.78, 0.16%, 0.51%

LAB 47.99, 11.56, -21.45

 

CMYK 19 / 20 / 0 / 11

HEX #B7B5E2

RGB 183 181 226

HSL 242.67, 0.44%, 0.8%

LAB 75.21, 9.91, -22.24

 

CMYK 14 / 20 / 0 / 11

HEX #C3B5E2

RGB 195 181 226

HSL 258.67, 0.44%, 0.8%

LAB 76.16, 13.69, -20.71

 

CMYK 8 / 20 / 0 / 11

HEX #CFB5E2

RGB 207 181 226

HSL 274.67, 0.44%, 0.8%

LAB 77.16, 17.56, -19.09

 

CMYK 3 / 20 / 0 / 11

HEX #DBB5E2

RGB 219 181 226

HSL 290.67, 0.44%, 0.8%

LAB 78.23, 21.49, -17.38

 

CMYK 0 / 20 / 3 / 11

HEX #E2B5DC

RGB 226 181 220

HSL 308, 0.44%, 0.8%

LAB 78.69, 22.71, -13.38

 

CMYK 19 / 20 / 0 / 11

HEX #B7B5E2

RGB 183 181 226

HSL 242.67, 0.44%, 0.8%

LAB 75.21, 9.91, -22.24

 

CMYK 20 / 20 / 0 / 11

HEX #B5B5E2

RGB 181 181 226

HSL 240, 0.44%, 0.8%

LAB 75.05, 9.29, -22.49

 

CMYK 19 / 20 / 0 / 11

HEX #B7B5E2

RGB 183 181 226

HSL 242.67, 0.44%, 0.8%

LAB 75.21, 9.91, -22.24

 

CMYK 25 / 26 / 0 / 8

HEX #B0ADEA

RGB 176 173 234

HSL 242.95, 0.59%, 0.8%

LAB 72.93, 14.02, -30.12

 

CMYK 31 / 32 / 0 / 5

HEX #A8A5F2

RGB 168 165 242

HSL 242.34, 0.75%, 0.8%

LAB 70.63, 18.12, -38.09

 

CMYK 36 / 38 / 0 / 2

HEX #A19CFB

RGB 161 156 251

HSL 243.16, 0.92%, 0.8%

LAB 68.26, 23.62, -46.74

 

CMYK 19 / 20 / 0 / 11

HEX #B7B5E2

RGB 183 181 226

HSL 242.67, 0.44%, 0.8%

LAB 75.21, 9.91, -22.24

 

CMYK 12 / 13 / 0 / 15

HEX #BFBDDA

RGB 191 189 218

HSL 244.14, 0.28%, 0.8%

LAB 77.6, 6.38, -14.23

 

CMYK 5 / 5 / 0 / 18

HEX #C6C6D1

RGB 198 198 209

HSL 240, 0.11%, 0.8%

LAB 80.18, 2.07, -5.49

 

CMYK 0 / 0 / 2 / 19

HEX #CECEC9

RGB 206 206 201

HSL 60, 0.05%, 0.8%

LAB 82.64, -0.9, 2.47

 

CMYK 0 / 0 / 10 / 16

HEX #D5D6C1

RGB 213 214 193

HSL 62.86, 0.2%, 0.8%

LAB 85.04, -3.97, 10.25

 

CMYK 20 / 10 / 0 / 11

HEX #B5CCE2

RGB 181 204 226

HSL 209.33, 0.44%, 0.8%

LAB 81.02, -3.1, -13.48

 

CMYK 20 / 15 / 0 / 11

HEX #B5C0E2

RGB 181 192 226

HSL 225.33, 0.44%, 0.8%

LAB 77.88, 3.31, -18.2

 

CMYK 19 / 20 / 0 / 11

HEX #B7B5E2

RGB 183 181 226

HSL 242.67, 0.44%, 0.8%

LAB 75.21, 9.91, -22.24

 

CMYK 14 / 20 / 0 / 11

HEX #C3B5E2

RGB 195 181 226

HSL 258.67, 0.44%, 0.8%

LAB 76.16, 13.69, -20.71

 

CMYK 9 / 20 / 0 / 11

HEX #CEB5E2

RGB 206 181 226

HSL 273.33, 0.44%, 0.8%

LAB 77.08, 17.23, -19.23

 

CMYK 38 / 40 / 0 / 20

HEX #7D7ACB

RGB 125 122 203

HSL 242.22, 0.44%, 0.64%

LAB 54.65, 20.87, -41.69

 

CMYK 28 / 29 / 0 / 16

HEX #9A97D6

RGB 154 151 214

HSL 242.86, 0.43%, 0.72%

LAB 64.85, 15.04, -31.75

 

CMYK 19 / 20 / 0 / 11

HEX #B7B5E2

RGB 183 181 226

HSL 242.67, 0.44%, 0.8%

LAB 75.21, 9.91, -22.24

 

CMYK 11 / 11 / 0 / 7

HEX #D4D3ED

RGB 212 211 237

HSL 242.31, 0.42%, 0.88%

LAB 85.35, 5.3, -12.63

 

CMYK 3 / 4 / 0 / 2

HEX #F1F0F9

RGB 241 240 249

HSL 246.67, 0.43%, 0.96%

LAB 95.1, 1.95, -4.22

 

CMYK 19 / 20 / 0 / 11

HEX #B7B5E2

RGB 183 181 226

HSL 242.67, 0.44%, 0.8%

LAB 75.21, 9.91, -22.24

 

CMYK 0 / 20 / 5 / 11

HEX #E2B5D7

RGB 226 181 215

HSL 314.67, 0.44%, 0.8%

LAB 78.53, 21.81, -10.9

 

CMYK 12 / 0 / 20 / 11

HEX #C6E2B5

RGB 198 226 181

HSL 97.33, 0.44%, 0.8%

LAB 86.87, -17.29, 18.97

 

CMYK 19 / 20 / 0 / 11

HEX #B7B5E2

RGB 183 181 226

HSL 242.67, 0.44%, 0.8%

LAB 75.21, 9.91, -22.24

 

CMYK 0 / 19 / 20 / 11

HEX #E2B7B5

RGB 226 183 181

HSL 2.67, 0.44%, 0.8%

LAB 78.09, 15.17, 6.88

 

CMYK 20 / 0 / 19 / 11

HEX #B5E2B7

RGB 181 226 183

HSL 122.67, 0.44%, 0.8%

LAB 85.82, -22.75, 16.31

 

CMYK 19 / 20 / 0 / 11

HEX #B7B5E2

RGB 183 181 226

HSL 242.67, 0.44%, 0.8%

LAB 75.21, 9.91, -22.24

 

CMYK 0 / 20 / 5 / 11

HEX #E2B5D7

RGB 226 181 215

HSL 314.67, 0.44%, 0.8%

LAB 78.53, 21.81, -10.9

 

CMYK 1 / 0 / 20 / 11

HEX #E0E2B5

RGB 224 226 181

HSL 62.67, 0.44%, 0.8%

LAB 88.72, -8, 21.83

 

CMYK 20 / 0 / 15 / 11

HEX #B5E2C0

RGB 181 226 192

HSL 134.67, 0.44%, 0.8%

LAB 86.02, -21.15, 11.87

 

CMYK 19 / 20 / 0 / 11

HEX #B7B5E2

RGB 183 181 226

HSL 242.67, 0.44%, 0.8%

LAB 75.21, 9.91, -22.24

 

CMYK 0 / 20 / 11 / 11

HEX #E2B5CA

RGB 226 181 202

HSL 332, 0.44%, 0.8%

LAB 78.16, 19.58, -4.42

 

CMYK 1 / 0 / 20 / 11

HEX #E0E2B5

RGB 224 226 181

HSL 62.67, 0.44%, 0.8%

LAB 88.72, -8, 21.83

 

CMYK 20 / 0 / 9 / 11

HEX #B5E2CD

RGB 181 226 205

HSL 152, 0.44%, 0.8%

LAB 86.32, -18.71, 5.47

 

Description

Color code: HEX #B7B5E2 | qconv.com Color code: HEX #B7B5E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 181 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 181 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 20 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 20% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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