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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7ABBD it is the complementary color #485442. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7ABBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7ABBD shade: #BCABB8, #CDBDCB, #DECFDE, #EFE1F1 and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7ABBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7ABBD shade: #B7ABBD, #A699AA, #958797, #847584 and #736371

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7ABBD shade: #B8ACBE, #BDACBE, #BEACBA, #BEACB5 and #BEACB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7ABBD shade: #B8ACBE, #B3ACBE, #AEACBE and #ACACBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7ABBD shade matches the following richer shades: #B8ACBE, #BCA0CA, #C094D6, #C488E2 and #C87CEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7ABBD shade: #B8ACBE, #B4B8B2, #B0C4A6, #ACD09A and #A8DC8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7ABBD shade: #AFACBE, #B3ACBE, #B8ACBE, #BDACBE and #BEACBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7ABBD shade: #907E9A, #A495AC, #B8ACBE, #CCC3D0 and #E0DAE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7ABBD shade: #B7ABBD, #BEACAF and #ACBEB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7ABBD shade: #B7ABBD, #BEB8AC and #ACBEB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7ABBD shade: #B7ABBD, #BEACAF, #B2BEAC and #ACBEBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7ABBD shade: #B7ABBD, #BEAFAC, #B2BEAC and #ACBBBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 10 / 0 / 26

HEX #B7ABBD

RGB 183 171 189

HSL 280, 0.12%, 0.71%

LAB 71.46, 7.66, -7.64

 

Complementary color

CMYK 14 / 0 / 21 / 67

HEX #485442

RGB 72 84 66

HSL 100, 0.12%, 0.29%

LAB 34.21, -8.61, 8.98

 

CMYK 0 / 9 / 2 / 26

HEX #BCABB8

RGB 188 171 184

HSL 314.12, 0.11%, 0.7%

LAB 71.74, 8.45, -4.43

 

CMYK 0 / 8 / 1 / 20

HEX #CDBDCB

RGB 205 189 203

HSL 307.5, 0.14%, 0.77%

LAB 78.28, 8.14, -4.99

 

CMYK 0 / 7 / 0 / 13

HEX #DECFDE

RGB 222 207 222

HSL 300, 0.19%, 0.84%

LAB 84.7, 7.85, -5.54

 

CMYK 1 / 7 / 0 / 5

HEX #EFE1F1

RGB 239 225 241

HSL 292.5, 0.36%, 0.91%

LAB 91.03, 7.57, -6.07

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 3 / 10 / 0 / 26

HEX #B7ABBD

RGB 183 171 189

HSL 280, 0.12%, 0.71%

LAB 71.46, 7.66, -7.64

 

CMYK 2 / 10 / 0 / 33

HEX #A699AA

RGB 166 153 170

HSL 285.88, 0.09%, 0.63%

LAB 64.8, 7.97, -7.13

 

CMYK 1 / 11 / 0 / 41

HEX #958797

RGB 149 135 151

HSL 292.5, 0.07%, 0.56%

LAB 57.99, 8.31, -6.61

 

CMYK 0 / 11 / 0 / 48

HEX #847584

RGB 132 117 132

HSL 300, 0.06%, 0.49%

LAB 51.03, 8.68, -6.07

 

CMYK 0 / 14 / 2 / 55

HEX #736371

RGB 115 99 113

HSL 307.5, 0.07%, 0.42%

LAB 43.89, 9.11, -5.51

 

CMYK 3 / 9 / 0 / 25

HEX #B8ACBE

RGB 184 172 190

HSL 280, 0.12%, 0.71%

LAB 71.83, 7.65, -7.64

 

CMYK 1 / 9 / 0 / 25

HEX #BDACBE

RGB 189 172 190

HSL 296.67, 0.12%, 0.71%

LAB 72.26, 9.38, -6.96

 

CMYK 0 / 9 / 2 / 25

HEX #BEACBA

RGB 190 172 186

HSL 313.33, 0.12%, 0.71%

LAB 72.23, 8.98, -4.8

 

CMYK 0 / 9 / 5 / 25

HEX #BEACB5

RGB 190 172 181

HSL 330, 0.12%, 0.71%

LAB 72.09, 8.06, -2.25

 

CMYK 0 / 9 / 7 / 25

HEX #BEACB1

RGB 190 172 177

HSL 343.33, 0.12%, 0.71%

LAB 71.98, 7.35, -0.21

 

CMYK 3 / 9 / 0 / 25

HEX #B8ACBE

RGB 184 172 190

HSL 280, 0.12%, 0.71%

LAB 71.83, 7.65, -7.64

 

CMYK 6 / 9 / 0 / 25

HEX #B3ACBE

RGB 179 172 190

HSL 263.33, 0.12%, 0.71%

LAB 71.42, 5.93, -8.29

 

CMYK 8 / 9 / 0 / 25

HEX #AEACBE

RGB 174 172 190

HSL 246.67, 0.12%, 0.71%

LAB 71.02, 4.23, -8.93

 

CMYK 9 / 9 / 0 / 25

HEX #ACACBE

RGB 172 172 190

HSL 240, 0.12%, 0.71%

LAB 70.87, 3.55, -9.18

 

CMYK 3 / 9 / 0 / 25

HEX #B8ACBE

RGB 184 172 190

HSL 280, 0.12%, 0.71%

LAB 71.83, 7.65, -7.64

 

CMYK 7 / 21 / 0 / 21

HEX #BCA0CA

RGB 188 160 202

HSL 280, 0.28%, 0.71%

LAB 69.54, 18, -17.66

 

CMYK 10 / 31 / 0 / 16

HEX #C094D6

RGB 192 148 214

HSL 280, 0.45%, 0.71%

LAB 67.46, 28.42, -27.45

 

CMYK 13 / 40 / 0 / 11

HEX #C488E2

RGB 196 136 226

HSL 280, 0.61%, 0.71%

LAB 65.62, 38.74, -36.91

 

CMYK 16 / 48 / 0 / 7

HEX #C87CEE

RGB 200 124 238

HSL 280, 0.77%, 0.71%

LAB 64.05, 48.81, -45.98

 

CMYK 3 / 9 / 0 / 25

HEX #B8ACBE

RGB 184 172 190

HSL 280, 0.12%, 0.71%

LAB 71.83, 7.65, -7.64

 

CMYK 2 / 0 / 3 / 28

HEX #B4B8B2

RGB 180 184 178

HSL 100, 0.04%, 0.71%

LAB 74.32, -2.51, 2.55

 

CMYK 10 / 0 / 15 / 23

HEX #B0C4A6

RGB 176 196 166

HSL 100, 0.2%, 0.71%

LAB 76.96, -12.36, 12.79

 

CMYK 17 / 0 / 26 / 18

HEX #ACD09A

RGB 172 208 154

HSL 100, 0.36%, 0.71%

LAB 79.74, -21.8, 22.99

 

CMYK 24 / 0 / 35 / 14

HEX #A8DC8E

RGB 168 220 142

HSL 100, 0.53%, 0.71%

LAB 82.63, -30.79, 33.05

 

CMYK 8 / 9 / 0 / 25

HEX #AFACBE

RGB 175 172 190

HSL 250, 0.12%, 0.71%

LAB 71.1, 4.57, -8.8

 

CMYK 6 / 9 / 0 / 25

HEX #B3ACBE

RGB 179 172 190

HSL 263.33, 0.12%, 0.71%

LAB 71.42, 5.93, -8.29

 

CMYK 3 / 9 / 0 / 25

HEX #B8ACBE

RGB 184 172 190

HSL 280, 0.12%, 0.71%

LAB 71.83, 7.65, -7.64

 

CMYK 1 / 9 / 0 / 25

HEX #BDACBE

RGB 189 172 190

HSL 296.67, 0.12%, 0.71%

LAB 72.26, 9.38, -6.96

 

CMYK 0 / 9 / 2 / 25

HEX #BEACBA

RGB 190 172 186

HSL 313.33, 0.12%, 0.71%

LAB 72.23, 8.98, -4.8

 

CMYK 6 / 18 / 0 / 40

HEX #907E9A

RGB 144 126 154

HSL 278.57, 0.12%, 0.55%

LAB 55.26, 12.32, -12.48

 

CMYK 5 / 13 / 0 / 33

HEX #A495AC

RGB 164 149 172

HSL 279.13, 0.12%, 0.63%

LAB 63.64, 9.91, -10

 

CMYK 3 / 9 / 0 / 25

HEX #B8ACBE

RGB 184 172 190

HSL 280, 0.12%, 0.71%

LAB 71.83, 7.65, -7.64

 

CMYK 2 / 6 / 0 / 18

HEX #CCC3D0

RGB 204 195 208

HSL 281.54, 0.12%, 0.79%

LAB 79.85, 5.51, -5.37

 

CMYK 1 / 4 / 0 / 11

HEX #E0DAE2

RGB 224 218 226

HSL 285, 0.12%, 0.87%

LAB 87.72, 3.48, -3.2

 

CMYK 3 / 10 / 0 / 26

HEX #B7ABBD

RGB 183 171 189

HSL 280, 0.12%, 0.71%

LAB 71.46, 7.66, -7.64

 

CMYK 0 / 9 / 8 / 25

HEX #BEACAF

RGB 190 172 175

HSL 350, 0.12%, 0.71%

LAB 71.92, 7, 0.81

 

CMYK 9 / 0 / 7 / 25

HEX #ACBEB1

RGB 172 190 177

HSL 136.67, 0.12%, 0.71%

LAB 75.31, -8.66, 4.45

 

CMYK 3 / 10 / 0 / 26

HEX #B7ABBD

RGB 183 171 189

HSL 280, 0.12%, 0.71%

LAB 71.46, 7.66, -7.64

 

CMYK 0 / 3 / 9 / 25

HEX #BEB8AC

RGB 190 184 172

HSL 40, 0.12%, 0.71%

LAB 74.96, 0.01, 6.84

 

CMYK 9 / 0 / 3 / 25

HEX #ACBEB8

RGB 172 190 184

HSL 160, 0.12%, 0.71%

LAB 75.49, -7.32, 0.91

 

CMYK 3 / 10 / 0 / 26

HEX #B7ABBD

RGB 183 171 189

HSL 280, 0.12%, 0.71%

LAB 71.46, 7.66, -7.64

 

CMYK 0 / 9 / 8 / 25

HEX #BEACAF

RGB 190 172 175

HSL 350, 0.12%, 0.71%

LAB 71.92, 7, 0.81

 

CMYK 6 / 0 / 9 / 25

HEX #B2BEAC

RGB 178 190 172

HSL 100, 0.12%, 0.71%

LAB 75.62, -7.48, 7.67

 

CMYK 9 / 0 / 1 / 25

HEX #ACBEBC

RGB 172 190 188

HSL 173.33, 0.12%, 0.71%

LAB 75.59, -6.54, -1.1

 

CMYK 3 / 10 / 0 / 26

HEX #B7ABBD

RGB 183 171 189

HSL 280, 0.12%, 0.71%

LAB 71.46, 7.66, -7.64

 

CMYK 0 / 8 / 9 / 25

HEX #BEAFAC

RGB 190 175 172

HSL 10, 0.12%, 0.71%

LAB 72.62, 4.85, 3.47

 

CMYK 6 / 0 / 9 / 25

HEX #B2BEAC

RGB 178 190 172

HSL 100, 0.12%, 0.71%

LAB 75.62, -7.48, 7.67

 

CMYK 9 / 2 / 0 / 25

HEX #ACBBBE

RGB 172 187 190

HSL 190, 0.12%, 0.71%

LAB 74.84, -4.55, -3.29

 

Description

Color code: HEX #B7ABBD | qconv.com Color code: HEX #B7ABBD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 171 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 171 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 10 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 10% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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