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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7A7A9 it is the complementary color #485856. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7A7A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7A7A9 shade: #BCA7A4, #CDB9B7, #DECBCA, #EFDDDD and #FFEFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7A7A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7A7A9 shade: #B7A7A9, #A69596, #958383, #847170 and #735F5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7A7A9 shade: #B8A8AA and #B8A8A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7A7A9 shade: #B8A8AA, #B8A8AE, #B8A8B3, #B8A8B7 and #B5A8B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7A7A9 shade matches the following richer shades: #B8A8AA, #C59BA0, #D18E97, #DE828D and #EB7584

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7A7A9 shade: #B8A8AA, #ABB5B4, #9EC2BD, #91CEC7 and #85DBD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7A7A9 shade: #B8A8B3, #B8A8AE, #B8A8AA, #B8AAA8 and #B8AEA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7A7A9 shade: #937B7E, #A59194, #B8A8AA, #CABFC0 and #DDD5D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7A7A9 shade: #B7A7A9, #B7B8A8 and #A8B0B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7A7A9 shade: #B7A7A9, #AAB8A8 and #A8AAB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7A7A9 shade: #B7A7A9, #B7B8A8, #A8B8B6 and #A9A8B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7A7A9 shade: #B7A7A9, #B2B8A8, #A8B8B6 and #AEA8B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 8 / 28

HEX #B7A7A9

RGB 183 167 169

HSL 352.5, 0.1%, 0.69%

LAB 69.87, 6.13, 1.06

 

Complementary color

CMYK 18 / 0 / 2 / 65

HEX #485856

RGB 72 88 86

HSL 172.5, 0.1%, 0.31%

LAB 36.04, -6.64, -0.91

 

CMYK 0 / 11 / 13 / 26

HEX #BCA7A4

RGB 188 167 164

HSL 7.5, 0.15%, 0.69%

LAB 70.18, 7.11, 4.33

 

CMYK 0 / 10 / 11 / 20

HEX #CDB9B7

RGB 205 185 183

HSL 5.45, 0.18%, 0.76%

LAB 76.74, 6.77, 3.59

 

CMYK 0 / 9 / 9 / 13

HEX #DECBCA

RGB 222 203 202

HSL 3, 0.23%, 0.83%

LAB 83.18, 6.45, 2.89

 

CMYK 0 / 8 / 8 / 6

HEX #EFDDDD

RGB 239 221 221

HSL 0, 0.36%, 0.9%

LAB 89.53, 6.16, 2.22

 

CMYK 0 / 6 / 6 / 0

HEX #FFEFF0

RGB 255 239 240

HSL 356.25, 1%, 0.97%

LAB 95.7, 5.56, 1.45

 

CMYK 0 / 9 / 8 / 28

HEX #B7A7A9

RGB 183 167 169

HSL 352.5, 0.1%, 0.69%

LAB 69.87, 6.13, 1.06

 

CMYK 0 / 10 / 10 / 35

HEX #A69596

RGB 166 149 150

HSL 356.47, 0.09%, 0.62%

LAB 63.18, 6.46, 1.76

 

CMYK 0 / 12 / 12 / 42

HEX #958383

RGB 149 131 131

HSL 0, 0.08%, 0.55%

LAB 56.35, 6.83, 2.5

 

CMYK 0 / 14 / 15 / 48

HEX #847170

RGB 132 113 112

HSL 3, 0.08%, 0.48%

LAB 49.36, 7.25, 3.3

 

CMYK 0 / 17 / 19 / 55

HEX #735F5D

RGB 115 95 93

HSL 5.45, 0.11%, 0.41%

LAB 42.18, 7.73, 4.16

 

CMYK 0 / 9 / 8 / 28

HEX #B8A8AA

RGB 184 168 170

HSL 352.5, 0.1%, 0.69%

LAB 70.24, 6.13, 1.06

 

CMYK 0 / 9 / 9 / 28

HEX #B8A8A8

RGB 184 168 168

HSL 0, 0.1%, 0.69%

LAB 70.19, 5.78, 2.09

 

CMYK 0 / 9 / 8 / 28

HEX #B8A8AA

RGB 184 168 170

HSL 352.5, 0.1%, 0.69%

LAB 70.24, 6.13, 1.06

 

CMYK 0 / 9 / 5 / 28

HEX #B8A8AE

RGB 184 168 174

HSL 337.5, 0.1%, 0.69%

LAB 70.35, 6.84, -1

 

CMYK 0 / 9 / 3 / 28

HEX #B8A8B3

RGB 184 168 179

HSL 318.75, 0.1%, 0.69%

LAB 70.49, 7.75, -3.56

 

CMYK 0 / 9 / 1 / 28

HEX #B8A8B7

RGB 184 168 183

HSL 303.75, 0.1%, 0.69%

LAB 70.6, 8.5, -5.6

 

CMYK 2 / 9 / 0 / 28

HEX #B5A8B8

RGB 181 168 184

HSL 288.75, 0.1%, 0.69%

LAB 70.38, 7.64, -6.51

 

CMYK 0 / 9 / 8 / 28

HEX #B8A8AA

RGB 184 168 170

HSL 352.5, 0.1%, 0.69%

LAB 70.24, 6.13, 1.06

 

CMYK 0 / 21 / 19 / 23

HEX #C59BA0

RGB 197 155 160

HSL 352.86, 0.27%, 0.69%

LAB 67.91, 16.39, 3.37

 

CMYK 0 / 32 / 28 / 18

HEX #D18E97

RGB 209 142 151

HSL 351.94, 0.42%, 0.69%

LAB 65.85, 26.66, 5.61

 

CMYK 0 / 41 / 36 / 13

HEX #DE828D

RGB 222 130 141

HSL 352.83, 0.58%, 0.69%

LAB 64.5, 36.61, 9.54

 

CMYK 0 / 50 / 44 / 8

HEX #EB7584

RGB 235 117 132

HSL 352.37, 0.75%, 0.69%

LAB 63.38, 46.91, 13.34

 

CMYK 0 / 9 / 8 / 28

HEX #B8A8AA

RGB 184 168 170

HSL 352.5, 0.1%, 0.69%

LAB 70.24, 6.13, 1.06

 

CMYK 6 / 0 / 1 / 29

HEX #ABB5B4

RGB 171 181 180

HSL 174, 0.06%, 0.69%

LAB 72.89, -3.66, -0.7

 

CMYK 19 / 0 / 3 / 24

HEX #9EC2BD

RGB 158 194 189

HSL 171.67, 0.23%, 0.69%

LAB 75.78, -13.02, -1.49

 

CMYK 30 / 0 / 3 / 19

HEX #91CEC7

RGB 145 206 199

HSL 173.11, 0.38%, 0.69%

LAB 78.63, -20.92, -2.79

 

CMYK 39 / 0 / 5 / 14

HEX #85DBD0

RGB 133 219 208

HSL 172.33, 0.54%, 0.69%

LAB 81.95, -28.52, -2.79

 

CMYK 0 / 9 / 3 / 28

HEX #B8A8B3

RGB 184 168 179

HSL 318.75, 0.1%, 0.69%

LAB 70.49, 7.75, -3.56

 

CMYK 0 / 9 / 5 / 28

HEX #B8A8AE

RGB 184 168 174

HSL 337.5, 0.1%, 0.69%

LAB 70.35, 6.84, -1

 

CMYK 0 / 9 / 8 / 28

HEX #B8A8AA

RGB 184 168 170

HSL 352.5, 0.1%, 0.69%

LAB 70.24, 6.13, 1.06

 

CMYK 0 / 8 / 9 / 28

HEX #B8AAA8

RGB 184 170 168

HSL 7.5, 0.1%, 0.69%

LAB 70.71, 4.68, 2.84

 

CMYK 0 / 5 / 9 / 28

HEX #B8AEA8

RGB 184 174 168

HSL 22.5, 0.1%, 0.69%

LAB 71.75, 2.51, 4.35

 

CMYK 0 / 16 / 14 / 42

HEX #937B7E

RGB 147 123 126

HSL 352.5, 0.1%, 0.53%

LAB 53.89, 9.77, 1.82

 

CMYK 0 / 12 / 10 / 35

HEX #A59194

RGB 165 145 148

HSL 351, 0.1%, 0.61%

LAB 61.99, 7.97, 1.15

 

CMYK 0 / 9 / 8 / 28

HEX #B8A8AA

RGB 184 168 170

HSL 352.5, 0.1%, 0.69%

LAB 70.24, 6.13, 1.06

 

CMYK 0 / 5 / 5 / 21

HEX #CABFC0

RGB 202 191 192

HSL 354.55, 0.09%, 0.77%

LAB 78.24, 4.04, 0.87

 

CMYK 0 / 4 / 3 / 13

HEX #DDD5D6

RGB 221 213 214

HSL 352.5, 0.11%, 0.85%

LAB 85.91, 2.92, 0.47

 

CMYK 0 / 9 / 8 / 28

HEX #B7A7A9

RGB 183 167 169

HSL 352.5, 0.1%, 0.69%

LAB 69.87, 6.13, 1.06

 

CMYK 1 / 0 / 9 / 28

HEX #B7B8A8

RGB 183 184 168

HSL 63.75, 0.1%, 0.69%

LAB 74.3, -3.22, 8

 

CMYK 9 / 4 / 0 / 28

HEX #A8B0B8

RGB 168 176 184

HSL 210, 0.1%, 0.69%

LAB 71.44, -1.2, -5.05

 

CMYK 0 / 9 / 8 / 28

HEX #B7A7A9

RGB 183 167 169

HSL 352.5, 0.1%, 0.69%

LAB 69.87, 6.13, 1.06

 

CMYK 8 / 0 / 9 / 28

HEX #AAB8A8

RGB 170 184 168

HSL 112.5, 0.1%, 0.69%

LAB 73.32, -7.87, 6.47

 

CMYK 9 / 8 / 0 / 28

HEX #A8AAB8

RGB 168 170 184

HSL 232.5, 0.1%, 0.69%

LAB 69.85, 2.06, -7.42

 

CMYK 0 / 9 / 8 / 28

HEX #B7A7A9

RGB 183 167 169

HSL 352.5, 0.1%, 0.69%

LAB 69.87, 6.13, 1.06

 

CMYK 1 / 0 / 9 / 28

HEX #B7B8A8

RGB 183 184 168

HSL 63.75, 0.1%, 0.69%

LAB 74.3, -3.22, 8

 

CMYK 9 / 0 / 1 / 28

HEX #A8B8B6

RGB 168 184 182

HSL 172.5, 0.1%, 0.69%

LAB 73.53, -5.9, -0.88

 

CMYK 8 / 9 / 0 / 28

HEX #A9A8B8

RGB 169 168 184

HSL 243.75, 0.1%, 0.69%

LAB 69.4, 3.5, -8.08

 

CMYK 0 / 9 / 8 / 28

HEX #B7A7A9

RGB 183 167 169

HSL 352.5, 0.1%, 0.69%

LAB 69.87, 6.13, 1.06

 

CMYK 3 / 0 / 9 / 28

HEX #B2B8A8

RGB 178 184 168

HSL 82.5, 0.1%, 0.69%

LAB 73.92, -5.02, 7.4

 

CMYK 9 / 0 / 1 / 28

HEX #A8B8B6

RGB 168 184 182

HSL 172.5, 0.1%, 0.69%

LAB 73.53, -5.9, -0.88

 

CMYK 5 / 9 / 0 / 28

HEX #AEA8B8

RGB 174 168 184

HSL 262.5, 0.1%, 0.69%

LAB 69.8, 5.21, -7.44

 

Description

Color code: HEX #B7A7A9 | qconv.com Color code: HEX #B7A7A9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 167 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 167 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 8 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 8% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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