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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B79E95 it is the complementary color #48616A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B79E95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B79E95 shade: #BC9E90, #CDB0A3, #DEC2B6, #EFD4C9 and #FFE6DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B79E95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B79E95 shade: #B79E95, #A68C82, #957A6F, #84685C and #735649

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B79E95 shade: #B79E95 and #B79595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B79E95 shade: #B79E95, #B7A795, #B7B095, #B4B795 and #ABB795

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B79E95 shade matches the following richer shades: #B79E95, #C59786, #D49078, #E28969 and #F0835B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B79E95 shade: #B79E95, #A8A5A3, #9AABB2, #8BB2C0 and #7DB9CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B79E95 shade: #B7959E, #B79595, #B79D95, #B7A695 and #B7AF95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B79E95 shade: #947165, #A6877C, #B79E95, #C7B4AD and #D8CBC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B79E95 shade: #B79E95, #A7B795 and #959AB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B79E95 shade: #B79E95, #95B79D and #9D95B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B79E95 shade: #B79E95, #A7B795, #95AEB7 and #A495B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B79E95 shade: #B79E95, #9DB795, #95AEB7 and #AE95B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 19 / 28

HEX #B79E95

RGB 183 158 149

HSL 15.88, 0.19%, 0.65%

LAB 67.04, 7.72, 8.09

 

Complementary color

CMYK 32 / 8 / 0 / 58

HEX #48616A

RGB 72 97 106

HSL 195.88, 0.19%, 0.35%

LAB 39.53, -6.9, -8.13

 

CMYK 0 / 16 / 23 / 26

HEX #BC9E90

RGB 188 158 144

HSL 19.09, 0.25%, 0.65%

LAB 67.4, 8.88, 11.43

 

CMYK 0 / 14 / 20 / 20

HEX #CDB0A3

RGB 205 176 163

HSL 18.57, 0.3%, 0.72%

LAB 73.98, 8.42, 10.52

 

CMYK 0 / 13 / 18 / 13

HEX #DEC2B6

RGB 222 194 182

HSL 18, 0.38%, 0.79%

LAB 80.45, 8, 9.67

 

CMYK 0 / 11 / 16 / 6

HEX #EFD4C9

RGB 239 212 201

HSL 17.37, 0.54%, 0.86%

LAB 86.83, 7.63, 8.86

 

CMYK 0 / 10 / 14 / 0

HEX #FFE6DC

RGB 255 230 220

HSL 17.14, 1%, 0.93%

LAB 93.02, 6.94, 7.96

HEX #FFE6DC

CMYK 0 / 14 / 19 / 28

HEX #B79E95

RGB 183 158 149

HSL 15.88, 0.19%, 0.65%

LAB 67.04, 7.72, 8.09

 

CMYK 0 / 16 / 22 / 35

HEX #A68C82

RGB 166 140 130

HSL 16.67, 0.17%, 0.58%

LAB 60.32, 8.18, 8.98

 

CMYK 0 / 18 / 26 / 42

HEX #957A6F

RGB 149 122 111

HSL 17.37, 0.15%, 0.51%

LAB 53.45, 8.7, 9.95

 

CMYK 0 / 21 / 30 / 48

HEX #84685C

RGB 132 104 92

HSL 18, 0.18%, 0.44%

LAB 46.42, 9.31, 11.02

 

CMYK 0 / 25 / 37 / 55

HEX #735649

RGB 115 86 73

HSL 18.57, 0.22%, 0.37%

LAB 39.21, 10.04, 12.22

 

CMYK 0 / 14 / 19 / 28

HEX #B79E95

RGB 183 158 149

HSL 15.88, 0.19%, 0.65%

LAB 67.04, 7.72, 8.09

 

CMYK 0 / 19 / 19 / 28

HEX #B79595

RGB 183 149 149

HSL 0, 0.19%, 0.65%

LAB 64.75, 12.7, 4.79

 

CMYK 0 / 14 / 19 / 28

HEX #B79E95

RGB 183 158 149

HSL 15.88, 0.19%, 0.65%

LAB 67.04, 7.72, 8.09

 

CMYK 0 / 9 / 19 / 28

HEX #B7A795

RGB 183 167 149

HSL 31.76, 0.19%, 0.65%

LAB 69.38, 2.8, 11.41

 

CMYK 0 / 4 / 19 / 28

HEX #B7B095

RGB 183 176 149

HSL 47.65, 0.19%, 0.65%

LAB 71.75, -2.05, 14.74

 

CMYK 2 / 0 / 19 / 28

HEX #B4B795

RGB 180 183 149

HSL 65.29, 0.19%, 0.65%

LAB 73.38, -6.9, 16.97

 

CMYK 7 / 0 / 19 / 28

HEX #ABB795

RGB 171 183 149

HSL 81.18, 0.19%, 0.65%

LAB 72.69, -10.26, 15.91

 

CMYK 0 / 14 / 19 / 28

HEX #B79E95

RGB 183 158 149

HSL 15.88, 0.19%, 0.65%

LAB 67.04, 7.72, 8.09

 

CMYK 0 / 23 / 32 / 23

HEX #C59786

RGB 197 151 134

HSL 16.19, 0.35%, 0.65%

LAB 66.31, 14.84, 15.6

 

CMYK 0 / 32 / 43 / 17

HEX #D49078

RGB 212 144 120

HSL 15.65, 0.52%, 0.65%

LAB 65.98, 22.93, 23.2

 

CMYK 0 / 39 / 54 / 11

HEX #E28969

RGB 226 137 105

HSL 15.87, 0.68%, 0.65%

LAB 65.81, 30.79, 31.54

 

CMYK 0 / 45 / 62 / 6

HEX #F0835B

RGB 240 131 91

HSL 16.11, 0.83%, 0.65%

LAB 66.15, 38.31, 39.9

 

CMYK 0 / 14 / 19 / 28

HEX #B79E95

RGB 183 158 149

HSL 15.88, 0.19%, 0.65%

LAB 67.04, 7.72, 8.09

 

CMYK 0 / 2 / 3 / 34

HEX #A8A5A3

RGB 168 165 163

HSL 24, 0.03%, 0.65%

LAB 67.93, 0.71, 1.41

 

CMYK 13 / 4 / 0 / 30

HEX #9AABB2

RGB 154 171 178

HSL 197.5, 0.13%, 0.65%

LAB 68.9, -4.45, -5.61

 

CMYK 28 / 7 / 0 / 25

HEX #8BB2C0

RGB 139 178 192

HSL 195.85, 0.3%, 0.65%

LAB 70.27, -9.82, -11.41

 

CMYK 40 / 11 / 0 / 19

HEX #7DB9CF

RGB 125 185 207

HSL 196.1, 0.46%, 0.65%

LAB 71.94, -13.72, -17.21

 

CMYK 0 / 19 / 14 / 28

HEX #B7959E

RGB 183 149 158

HSL 344.12, 0.19%, 0.65%

LAB 64.99, 14.17, 0.07

 

CMYK 0 / 19 / 19 / 28

HEX #B79595

RGB 183 149 149

HSL 0, 0.19%, 0.65%

LAB 64.75, 12.7, 4.79

 

CMYK 0 / 14 / 19 / 28

HEX #B79D95

RGB 183 157 149

HSL 14.12, 0.19%, 0.65%

LAB 66.79, 8.27, 7.72

 

CMYK 0 / 9 / 19 / 28

HEX #B7A695

RGB 183 166 149

HSL 30, 0.19%, 0.65%

LAB 69.12, 3.35, 11.04

 

CMYK 0 / 4 / 19 / 28

HEX #B7AF95

RGB 183 175 149

HSL 45.88, 0.19%, 0.65%

LAB 71.49, -1.51, 14.37

 

CMYK 0 / 24 / 32 / 42

HEX #947165

RGB 148 113 101

HSL 15.32, 0.19%, 0.49%

LAB 50.74, 12.02, 11.98

 

CMYK 0 / 19 / 25 / 35

HEX #A6877C

RGB 166 135 124

HSL 15.71, 0.19%, 0.57%

LAB 58.87, 10.08, 10.36

 

CMYK 0 / 14 / 19 / 28

HEX #B79E95

RGB 183 158 149

HSL 15.88, 0.19%, 0.65%

LAB 67.04, 7.72, 8.09

 

CMYK 0 / 10 / 13 / 22

HEX #C7B4AD

RGB 199 180 173

HSL 16.15, 0.19%, 0.73%

LAB 74.7, 5.61, 6.02

 

CMYK 0 / 6 / 8 / 15

HEX #D8CBC6

RGB 216 203 198

HSL 16.67, 0.19%, 0.81%

LAB 82.59, 3.66, 4.1

 

CMYK 0 / 14 / 19 / 28

HEX #B79E95

RGB 183 158 149

HSL 15.88, 0.19%, 0.65%

LAB 67.04, 7.72, 8.09

 

CMYK 9 / 0 / 19 / 28

HEX #A7B795

RGB 167 183 149

HSL 88.24, 0.19%, 0.65%

LAB 72.4, -11.73, 15.46

 

CMYK 19 / 16 / 0 / 28

HEX #959AB7

RGB 149 154 183

HSL 231.18, 0.19%, 0.65%

LAB 64.1, 4.39, -15.63

 

CMYK 0 / 14 / 19 / 28

HEX #B79E95

RGB 183 158 149

HSL 15.88, 0.19%, 0.65%

LAB 67.04, 7.72, 8.09

 

CMYK 19 / 0 / 14 / 28

HEX #95B79D

RGB 149 183 157

HSL 134.12, 0.19%, 0.65%

LAB 71.34, -16.7, 9.45

 

CMYK 14 / 19 / 0 / 28

HEX #9D95B7

RGB 157 149 183

HSL 254.12, 0.19%, 0.65%

LAB 63.41, 9.84, -16.6

 

CMYK 0 / 14 / 19 / 28

HEX #B79E95

RGB 183 158 149

HSL 15.88, 0.19%, 0.65%

LAB 67.04, 7.72, 8.09

 

CMYK 9 / 0 / 19 / 28

HEX #A7B795

RGB 167 183 149

HSL 88.24, 0.19%, 0.65%

LAB 72.4, -11.73, 15.46

 

CMYK 19 / 5 / 0 / 28

HEX #95AEB7

RGB 149 174 183

HSL 195.88, 0.19%, 0.65%

LAB 69.53, -6.63, -7.49

 

CMYK 10 / 19 / 0 / 28

HEX #A495B7

RGB 164 149 183

HSL 266.47, 0.19%, 0.65%

LAB 64, 12.18, -15.65

 

CMYK 0 / 14 / 19 / 28

HEX #B79E95

RGB 183 158 149

HSL 15.88, 0.19%, 0.65%

LAB 67.04, 7.72, 8.09

 

CMYK 14 / 0 / 19 / 28

HEX #9DB795

RGB 157 183 149

HSL 105.88, 0.19%, 0.65%

LAB 71.69, -15.35, 14.37

 

CMYK 19 / 5 / 0 / 28

HEX #95AEB7

RGB 149 174 183

HSL 195.88, 0.19%, 0.65%

LAB 69.53, -6.63, -7.49

 

CMYK 5 / 19 / 0 / 28

HEX #AE95B7

RGB 174 149 183

HSL 284.12, 0.19%, 0.65%

LAB 64.89, 15.58, -14.22

 

Description

Color code: HEX #B79E95 | qconv.com Color code: HEX #B79E95 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 158 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 158 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 19 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 19% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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