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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B79629 it is the complementary color #4869D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B79629. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B79629 shade: #BC9624, #CDA837, #DEBA4A, #EFCC5D and #FFDE70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B79629. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B79629 shade: #B79629, #A68416, #957203, #846000 and #734E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B79629 shade: #B7962A, #B7702A, #B74A2A and #B72A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B79629 shade: #B7962A, #B2B72A, #8BB72A, #65B72A and #3FB72A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B79629 shade matches the following richer shades: #B7962A, #C9A017 and #DBA905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B79629 shade: #B7962A, #A58C3C, #93834E, #807960 and #6E6F72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B79629 shade: #B74B2A, #B7702A, #B7962A, #B2B72A and #8CB72A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B79629 shade: #745F1A, #957A22, #B7962A, #D2AE38 and #D9BC59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B79629 shade: #B79629, #2EB72A and #5D2AB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B79629 shade: #B79629, #2AB796 and #962AB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B79629 shade: #B79629, #2EB72A, #2A4BB7 and #B22AB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B79629 shade: #B79629, #2AB74F, #2A4BB7 and #B72A91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 78 / 28

HEX #B79629

RGB 183 150 41

HSL 46.06, 0.63%, 0.44%

LAB 63.38, 1.42, 58.07

 

Complementary color

CMYK 66 / 51 / 0 / 16

HEX #4869D6

RGB 72 105 214

HSL 226.06, 0.63%, 0.56%

LAB 47.41, 23.38, -59.69

 

CMYK 0 / 20 / 81 / 26

HEX #BC9624

RGB 188 150 36

HSL 45, 0.68%, 0.44%

LAB 63.86, 3.47, 60.41

 

CMYK 0 / 18 / 73 / 20

HEX #CDA837

RGB 205 168 55

HSL 45.2, 0.6%, 0.51%

LAB 70.36, 2.05, 60.26

 

CMYK 0 / 16 / 67 / 13

HEX #DEBA4A

RGB 222 186 74

HSL 45.41, 0.69%, 0.58%

LAB 76.76, 0.85, 59.55

 

CMYK 0 / 15 / 61 / 6

HEX #EFCC5D

RGB 239 204 93

HSL 45.62, 0.82%, 0.65%

LAB 83.09, -0.18, 58.55

 

CMYK 0 / 13 / 56 / 0

HEX #FFDE70

RGB 255 222 112

HSL 46.15, 1%, 0.72%

LAB 89.24, -1.47, 57.31

 

CMYK 0 / 18 / 78 / 28

HEX #B79629

RGB 183 150 41

HSL 46.06, 0.63%, 0.44%

LAB 63.38, 1.42, 58.07

 

CMYK 0 / 20 / 87 / 35

HEX #A68416

RGB 166 132 22

HSL 45.83, 0.77%, 0.37%

LAB 56.75, 2.99, 57.59

 

CMYK 0 / 23 / 98 / 42

HEX #957203

RGB 149 114 3

HSL 45.62, 0.96%, 0.3%

LAB 50.01, 4.85, 55.7

 

CMYK 0 / 27 / 100 / 48

HEX #846000

RGB 132 96 0

HSL 43.64, 1%, 0.26%

LAB 43.17, 7.11, 50.7

 

CMYK 0 / 32 / 100 / 55

HEX #734E00

RGB 115 78 0

HSL 40.7, 1%, 0.23%

LAB 36.16, 9.57, 44.95

 

CMYK 0 / 18 / 77 / 28

HEX #B7962A

RGB 183 150 42

HSL 45.96, 0.63%, 0.44%

LAB 63.38, 1.46, 57.71

 

CMYK 0 / 39 / 77 / 28

HEX #B7702A

RGB 183 112 42

HSL 29.79, 0.63%, 0.44%

LAB 53.84, 22.46, 48.57

 

CMYK 0 / 60 / 77 / 28

HEX #B74A2A

RGB 183 74 42

HSL 13.62, 0.63%, 0.44%

LAB 45.81, 42.38, 40.48

 

CMYK 0 / 77 / 77 / 28

HEX #B72A2A

RGB 183 42 42

HSL 0, 0.63%, 0.44%

LAB 41.04, 55.32, 35.43

 

CMYK 0 / 18 / 77 / 28

HEX #B7962A

RGB 183 150 42

HSL 45.96, 0.63%, 0.44%

LAB 63.38, 1.46, 57.71

 

CMYK 3 / 0 / 77 / 28

HEX #B2B72A

RGB 178 183 42

HSL 62.13, 0.63%, 0.44%

LAB 71.89, -18.05, 65.38

 

CMYK 24 / 0 / 77 / 28

HEX #8BB72A

RGB 139 183 42

HSL 78.72, 0.63%, 0.44%

LAB 69.13, -34.25, 61.82

 

CMYK 45 / 0 / 77 / 28

HEX #65B72A

RGB 101 183 42

HSL 94.89, 0.63%, 0.44%

LAB 67.13, -48.01, 59.22

 

CMYK 66 / 0 / 77 / 28

HEX #3FB72A

RGB 63 183 42

HSL 111.06, 0.63%, 0.44%

LAB 65.82, -58.27, 57.51

 

CMYK 0 / 18 / 77 / 28

HEX #B7962A

RGB 183 150 42

HSL 45.96, 0.63%, 0.44%

LAB 63.38, 1.46, 57.71

 

CMYK 0 / 20 / 89 / 21

HEX #C9A017

RGB 201 160 23

HSL 46.18, 0.79%, 0.44%

LAB 67.74, 3.52, 67.72

 

CMYK 0 / 23 / 98 / 14

HEX #DBA905

RGB 219 169 5

HSL 45.98, 0.96%, 0.44%

LAB 71.86, 6.41, 74.37

 

CMYK 0 / 18 / 77 / 28

HEX #B7962A

RGB 183 150 42

HSL 45.96, 0.63%, 0.44%

LAB 63.38, 1.46, 57.71

 

CMYK 0 / 15 / 64 / 35

HEX #A58C3C

RGB 165 140 60

HSL 45.71, 0.47%, 0.44%

LAB 59.05, -0.12, 45.12

 

CMYK 0 / 11 / 47 / 42

HEX #93834E

RGB 147 131 78

HSL 46.09, 0.31%, 0.44%

LAB 55.06, -1.52, 30.77

 

CMYK 0 / 5 / 25 / 50

HEX #807960

RGB 128 121 96

HSL 46.88, 0.14%, 0.44%

LAB 50.81, -1.65, 14.7

 

CMYK 4 / 3 / 0 / 55

HEX #6E6F72

RGB 110 111 114

HSL 225, 0.02%, 0.44%

LAB 46.84, 0.24, -1.8

 

CMYK 0 / 59 / 77 / 28

HEX #B74B2A

RGB 183 75 42

HSL 14.04, 0.63%, 0.44%

LAB 46, 41.9, 40.67

 

CMYK 0 / 39 / 77 / 28

HEX #B7702A

RGB 183 112 42

HSL 29.79, 0.63%, 0.44%

LAB 53.84, 22.46, 48.57

 

CMYK 0 / 18 / 77 / 28

HEX #B7962A

RGB 183 150 42

HSL 45.96, 0.63%, 0.44%

LAB 63.38, 1.46, 57.71

 

CMYK 3 / 0 / 77 / 28

HEX #B2B72A

RGB 178 183 42

HSL 62.13, 0.63%, 0.44%

LAB 71.89, -18.05, 65.38

 

CMYK 23 / 0 / 77 / 28

HEX #8CB72A

RGB 140 183 42

HSL 78.3, 0.63%, 0.44%

LAB 69.19, -33.85, 61.9

 

CMYK 0 / 18 / 78 / 55

HEX #745F1A

RGB 116 95 26

HSL 46, 0.63%, 0.28%

LAB 41.17, 0.73, 40.37

 

CMYK 0 / 18 / 77 / 42

HEX #957A22

RGB 149 122 34

HSL 45.91, 0.63%, 0.36%

LAB 52.31, 1.16, 49.04

 

CMYK 0 / 18 / 77 / 28

HEX #B7962A

RGB 183 150 42

HSL 45.96, 0.63%, 0.44%

LAB 63.38, 1.46, 57.71

 

CMYK 0 / 17 / 73 / 18

HEX #D2AE38

RGB 210 174 56

HSL 45.97, 0.63%, 0.52%

LAB 72.4, 1.09, 62.04

 

CMYK 0 / 13 / 59 / 15

HEX #D9BC59

RGB 217 188 89

HSL 46.41, 0.63%, 0.6%

LAB 76.94, -1.34, 52.92

 

CMYK 0 / 18 / 78 / 28

HEX #B79629

RGB 183 150 41

HSL 46.06, 0.63%, 0.44%

LAB 63.38, 1.42, 58.07

 

CMYK 75 / 0 / 77 / 28

HEX #2EB72A

RGB 46 183 42

HSL 118.3, 0.63%, 0.44%

LAB 65.45, -61.42, 57.02

 

CMYK 49 / 77 / 0 / 28

HEX #5D2AB7

RGB 93 42 183

HSL 261.7, 0.63%, 0.44%

LAB 32.71, 53.43, -65.55

 

CMYK 0 / 18 / 78 / 28

HEX #B79629

RGB 183 150 41

HSL 46.06, 0.63%, 0.44%

LAB 63.38, 1.42, 58.07

 

CMYK 77 / 0 / 18 / 28

HEX #2AB796

RGB 42 183 150

HSL 165.96, 0.63%, 0.44%

LAB 66.95, -44.18, 6.43

 

CMYK 18 / 77 / 0 / 28

HEX #962AB7

RGB 150 42 183

HSL 285.96, 0.63%, 0.44%

LAB 40.51, 63.21, -52.51

 

CMYK 0 / 18 / 78 / 28

HEX #B79629

RGB 183 150 41

HSL 46.06, 0.63%, 0.44%

LAB 63.38, 1.42, 58.07

 

CMYK 75 / 0 / 77 / 28

HEX #2EB72A

RGB 46 183 42

HSL 118.3, 0.63%, 0.44%

LAB 65.45, -61.42, 57.02

 

CMYK 77 / 59 / 0 / 28

HEX #2A4BB7

RGB 42 75 183

HSL 225.96, 0.63%, 0.44%

LAB 35.87, 27.36, -60.51

 

CMYK 3 / 77 / 0 / 28

HEX #B22AB7

RGB 178 42 183

HSL 297.87, 0.63%, 0.44%

LAB 45, 68.72, -45.06

 

CMYK 0 / 18 / 78 / 28

HEX #B79629

RGB 183 150 41

HSL 46.06, 0.63%, 0.44%

LAB 63.38, 1.42, 58.07

 

CMYK 77 / 0 / 57 / 28

HEX #2AB74F

RGB 42 183 79

HSL 135.74, 0.63%, 0.44%

LAB 65.69, -58.23, 42.06

 

CMYK 77 / 59 / 0 / 28

HEX #2A4BB7

RGB 42 75 183

HSL 225.96, 0.63%, 0.44%

LAB 35.87, 27.36, -60.51

 

CMYK 0 / 77 / 21 / 28

HEX #B72A91

RGB 183 42 145

HSL 316.17, 0.63%, 0.44%

LAB 43.9, 64.16, -24.07

 

Description

Color code: HEX #B79629 | qconv.com Color code: HEX #B79629 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 150 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 150 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 78 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 78% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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