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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B794C6 it is the complementary color #486B39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B794C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B794C6 shade: #BC94C1, #CDA6D4, #DEB8E7, #EFCAFA and #FFDCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B794C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B794C6 shade: #B794C6, #A682B3, #9570A0, #845E8D and #734C7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B794C6 shade: #B795C6, #C495C6, #C695BA, #C695AD and #C695A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B794C6 shade: #B795C6, #AA95C6, #9D95C6 and #9595C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B794C6 shade matches the following richer shades: #B795C6, #BC88D3, #C27BE0, #C76DED and #CC60FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B794C6 shade: #B795C6, #B2A2B9, #ADAFAB, #A7BD9E and #A2CA91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B794C6 shade: #9D95C6, #AA95C6, #B795C6, #C495C6 and #C695BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B794C6 shade: #935FA9, #A57AB7, #B795C6, #C9B0D4 and #DBCBE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B794C6 shade: #B794C6, #C6959A and #95C6A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B794C6 shade: #B794C6, #C6B795 and #95C6B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B794C6 shade: #B794C6, #C6959A, #A4C695 and #95C6C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B794C6 shade: #B794C6, #C69F95, #A4C695 and #95BCC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 25 / 0 / 22

HEX #B794C6

RGB 183 148 198

HSL 282, 0.3%, 0.68%

LAB 66, 22.21, -20.86

 

Complementary color

CMYK 33 / 0 / 47 / 58

HEX #486B39

RGB 72 107 57

HSL 102, 0.3%, 0.32%

LAB 41.51, -22.84, 24.05

 

CMYK 3 / 23 / 0 / 24

HEX #BC94C1

RGB 188 148 193

HSL 293.33, 0.27%, 0.67%

LAB 66.31, 22.88, -17.56

 

CMYK 3 / 22 / 0 / 17

HEX #CDA6D4

RGB 205 166 212

HSL 290.87, 0.35%, 0.74%

LAB 72.9, 22.32, -17.94

 

CMYK 4 / 20 / 0 / 9

HEX #DEB8E7

RGB 222 184 231

HSL 288.51, 0.49%, 0.81%

LAB 79.37, 21.81, -18.32

 

CMYK 4 / 19 / 0 / 2

HEX #EFCAFA

RGB 239 202 250

HSL 286.25, 0.83%, 0.89%

LAB 85.75, 21.33, -18.69

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 8 / 25 / 0 / 22

HEX #B794C6

RGB 183 148 198

HSL 282, 0.3%, 0.68%

LAB 66, 22.21, -20.86

 

CMYK 7 / 27 / 0 / 30

HEX #A682B3

RGB 166 130 179

HSL 284.08, 0.24%, 0.61%

LAB 59.28, 22.81, -20.55

 

CMYK 7 / 30 / 0 / 37

HEX #9570A0

RGB 149 112 160

HSL 286.25, 0.2%, 0.53%

LAB 52.42, 23.46, -20.24

 

CMYK 6 / 33 / 0 / 45

HEX #845E8D

RGB 132 94 141

HSL 288.51, 0.2%, 0.46%

LAB 45.41, 24.17, -19.93

 

CMYK 6 / 38 / 0 / 52

HEX #734C7A

RGB 115 76 122

HSL 290.87, 0.23%, 0.39%

LAB 38.23, 24.96, -19.6

 

CMYK 8 / 25 / 0 / 22

HEX #B795C6

RGB 183 149 198

HSL 281.63, 0.3%, 0.68%

LAB 66.24, 21.66, -20.49

 

CMYK 1 / 25 / 0 / 22

HEX #C495C6

RGB 196 149 198

HSL 297.55, 0.3%, 0.68%

LAB 67.51, 25.98, -18.45

 

CMYK 0 / 25 / 6 / 22

HEX #C695BA

RGB 198 149 186

HSL 314.69, 0.3%, 0.68%

LAB 67.31, 24.44, -12.03

 

CMYK 0 / 25 / 13 / 22

HEX #C695AD

RGB 198 149 173

HSL 330.61, 0.3%, 0.68%

LAB 66.91, 22.17, -5.35

 

CMYK 0 / 25 / 19 / 22

HEX #C695A0

RGB 198 149 160

HSL 346.53, 0.3%, 0.68%

LAB 66.55, 20.06, 1.41

 

CMYK 8 / 25 / 0 / 22

HEX #B795C6

RGB 183 149 198

HSL 281.63, 0.3%, 0.68%

LAB 66.24, 21.66, -20.49

 

CMYK 14 / 25 / 0 / 22

HEX #AA95C6

RGB 170 149 198

HSL 265.71, 0.3%, 0.68%

LAB 65.06, 17.4, -22.41

 

CMYK 21 / 25 / 0 / 22

HEX #9D95C6

RGB 157 149 198

HSL 249.8, 0.3%, 0.68%

LAB 63.95, 13.24, -24.2

 

CMYK 25 / 25 / 0 / 22

HEX #9595C6

RGB 149 149 198

HSL 240, 0.3%, 0.68%

LAB 63.31, 10.75, -25.23

 

CMYK 8 / 25 / 0 / 22

HEX #B795C6

RGB 183 149 198

HSL 281.63, 0.3%, 0.68%

LAB 66.24, 21.66, -20.49

 

CMYK 11 / 36 / 0 / 17

HEX #BC88D3

RGB 188 136 211

HSL 281.6, 0.46%, 0.68%

LAB 64.16, 33.18, -30.9

 

CMYK 13 / 45 / 0 / 12

HEX #C27BE0

RGB 194 123 224

HSL 282.18, 0.62%, 0.68%

LAB 62.52, 44.74, -40.66

 

CMYK 16 / 54 / 0 / 7

HEX #C76DED

RGB 199 109 237

HSL 282.19, 0.78%, 0.68%

LAB 60.95, 56, -50.33

 

CMYK 19 / 62 / 0 / 2

HEX #CC60FB

RGB 204 96 251

HSL 281.81, 0.95%, 0.68%

LAB 60.04, 66.21, -59.5

 

CMYK 8 / 25 / 0 / 22

HEX #B795C6

RGB 183 149 198

HSL 281.63, 0.3%, 0.68%

LAB 66.24, 21.66, -20.49

 

CMYK 4 / 12 / 0 / 27

HEX #B2A2B9

RGB 178 162 185

HSL 281.74, 0.14%, 0.68%

LAB 68.61, 10.1, -9.72

 

CMYK 1 / 0 / 2 / 31

HEX #ADAFAB

RGB 173 175 171

HSL 90, 0.02%, 0.68%

LAB 71.2, -1.45, 1.79

 

CMYK 12 / 0 / 16 / 26

HEX #A7BD9E

RGB 167 189 158

HSL 102.58, 0.19%, 0.68%

LAB 74.24, -13.32, 13.17

 

CMYK 20 / 0 / 28 / 21

HEX #A2CA91

RGB 162 202 145

HSL 102.11, 0.35%, 0.68%

LAB 77.26, -23.79, 24.25

 

CMYK 21 / 25 / 0 / 22

HEX #9D95C6

RGB 157 149 198

HSL 249.8, 0.3%, 0.68%

LAB 63.95, 13.24, -24.2

 

CMYK 14 / 25 / 0 / 22

HEX #AA95C6

RGB 170 149 198

HSL 265.71, 0.3%, 0.68%

LAB 65.06, 17.4, -22.41

 

CMYK 8 / 25 / 0 / 22

HEX #B795C6

RGB 183 149 198

HSL 281.63, 0.3%, 0.68%

LAB 66.24, 21.66, -20.49

 

CMYK 1 / 25 / 0 / 22

HEX #C495C6

RGB 196 149 198

HSL 297.55, 0.3%, 0.68%

LAB 67.51, 25.98, -18.45

 

CMYK 0 / 25 / 6 / 22

HEX #C695BA

RGB 198 149 186

HSL 314.69, 0.3%, 0.68%

LAB 67.31, 24.44, -12.03

 

CMYK 13 / 44 / 0 / 34

HEX #935FA9

RGB 147 95 169

HSL 282.16, 0.3%, 0.52%

LAB 48.58, 34.52, -31.47

 

CMYK 10 / 33 / 0 / 28

HEX #A57AB7

RGB 165 122 183

HSL 282.3, 0.3%, 0.6%

LAB 57.4, 27.87, -25.72

 

CMYK 8 / 25 / 0 / 22

HEX #B795C6

RGB 183 149 198

HSL 281.63, 0.3%, 0.68%

LAB 66.24, 21.66, -20.49

 

CMYK 5 / 17 / 0 / 17

HEX #C9B0D4

RGB 201 176 212

HSL 281.67, 0.3%, 0.76%

LAB 74.96, 15.53, -14.85

 

CMYK 4 / 11 / 0 / 11

HEX #DBCBE3

RGB 219 203 227

HSL 280, 0.3%, 0.84%

LAB 83.61, 9.88, -9.85

 

CMYK 8 / 25 / 0 / 22

HEX #B794C6

RGB 183 148 198

HSL 282, 0.3%, 0.68%

LAB 66, 22.21, -20.86

 

CMYK 0 / 25 / 22 / 22

HEX #C6959A

RGB 198 149 154

HSL 353.88, 0.3%, 0.68%

LAB 66.39, 19.14, 4.55

 

CMYK 25 / 0 / 17 / 22

HEX #95C6A4

RGB 149 198 164

HSL 138.37, 0.3%, 0.68%

LAB 75.74, -22.95, 11.89

 

CMYK 8 / 25 / 0 / 22

HEX #B794C6

RGB 183 148 198

HSL 282, 0.3%, 0.68%

LAB 66, 22.21, -20.86

 

CMYK 0 / 8 / 25 / 22

HEX #C6B795

RGB 198 183 149

HSL 41.63, 0.3%, 0.68%

LAB 74.85, -0.05, 19.25

 

CMYK 25 / 0 / 8 / 22

HEX #95C6B7

RGB 149 198 183

HSL 161.63, 0.3%, 0.68%

LAB 76.19, -19.16, 2.3

 

CMYK 8 / 25 / 0 / 22

HEX #B794C6

RGB 183 148 198

HSL 282, 0.3%, 0.68%

LAB 66, 22.21, -20.86

 

CMYK 0 / 25 / 22 / 22

HEX #C6959A

RGB 198 149 154

HSL 353.88, 0.3%, 0.68%

LAB 66.39, 19.14, 4.55

 

CMYK 17 / 0 / 25 / 22

HEX #A4C695

RGB 164 198 149

HSL 101.63, 0.3%, 0.68%

LAB 76.35, -20.47, 20.9

 

CMYK 25 / 0 / 3 / 22

HEX #95C6C1

RGB 149 198 193

HSL 173.88, 0.3%, 0.68%

LAB 76.45, -17.02, -2.72

 

CMYK 8 / 25 / 0 / 22

HEX #B794C6

RGB 183 148 198

HSL 282, 0.3%, 0.68%

LAB 66, 22.21, -20.86

 

CMYK 0 / 20 / 25 / 22

HEX #C69F95

RGB 198 159 149

HSL 12.24, 0.3%, 0.68%

LAB 68.73, 12.91, 10.68

 

CMYK 17 / 0 / 25 / 22

HEX #A4C695

RGB 164 198 149

HSL 101.63, 0.3%, 0.68%

LAB 76.35, -20.47, 20.9

 

CMYK 25 / 5 / 0 / 22

HEX #95BCC6

RGB 149 188 198

HSL 192.24, 0.3%, 0.68%

LAB 73.83, -10.71, -9.32

 

Description

Color code: HEX #B794C6 | qconv.com Color code: HEX #B794C6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 148 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 148 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 25 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 25% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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