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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B78F9E it is the complementary color #487061. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B78F9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B78F9E shade: #BC8F99, #CDA1AC, #DEB3BF, #EFC5D2 and #FFD7E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B78F9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B78F9E shade: #B78F9E, #A67D8B, #956B78, #845965 and #734752

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B78F9E shade: #B78F9E, #B78F93 and #B78F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B78F9E shade: #B78F9E, #B78FA9, #B78FB4, #B08FB7 and #A58FB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B78F9E shade matches the following richer shades: #B78F9E, #C6809A, #D57197, #E46293 and #F3548F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B78F9E shade: #B78F9E, #A99EA2, #9AADA6, #8BBCA9 and #7CCAAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B78F9E shade: #B78FB4, #B78FA9, #B78F9E, #B78F94 and #B7958F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B78F9E shade: #955F73, #A77688, #B78F9E, #C7A8B4 and #D8C1CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B78F9E shade: #B78F9E, #B7B08F and #8FAFB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B78F9E shade: #B78F9E, #9EB78F and #8F9EB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B78F9E shade: #B78F9E, #B7B08F, #8FB7A8 and #8F96B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B78F9E shade: #B78F9E, #B3B78F, #8FB7A8 and #948FB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 14 / 28

HEX #B78F9E

RGB 183 143 158

HSL 337.5, 0.22%, 0.64%

LAB 63.49, 17.52, -2.12

 

Complementary color

CMYK 36 / 0 / 13 / 56

HEX #487061

RGB 72 112 97

HSL 157.5, 0.22%, 0.36%

LAB 43.99, -17.71, 3.9

 

CMYK 0 / 24 / 19 / 26

HEX #BC8F99

RGB 188 143 153

HSL 346.67, 0.25%, 0.65%

LAB 63.87, 18.56, 1.32

 

CMYK 0 / 21 / 16 / 20

HEX #CDA1AC

RGB 205 161 172

HSL 345, 0.31%, 0.72%

LAB 70.49, 17.96, 0.54

 

CMYK 0 / 19 / 14 / 13

HEX #DEB3BF

RGB 222 179 191

HSL 343.26, 0.39%, 0.79%

LAB 77, 17.43, -0.19

 

CMYK 0 / 18 / 12 / 6

HEX #EFC5D2

RGB 239 197 210

HSL 341.43, 0.57%, 0.85%

LAB 83.41, 16.93, -0.87

 

CMYK 0 / 16 / 10 / 0

HEX #FFD7E5

RGB 255 215 229

HSL 339, 1%, 0.92%

LAB 89.64, 16.14, -1.67

 

CMYK 0 / 22 / 14 / 28

HEX #B78F9E

RGB 183 143 158

HSL 337.5, 0.22%, 0.64%

LAB 63.49, 17.52, -2.12

 

CMYK 0 / 25 / 16 / 35

HEX #A67D8B

RGB 166 125 139

HSL 339.51, 0.19%, 0.57%

LAB 56.72, 18.12, -1.38

 

CMYK 0 / 28 / 19 / 42

HEX #956B78

RGB 149 107 120

HSL 341.43, 0.17%, 0.5%

LAB 49.81, 18.81, -0.57

 

CMYK 0 / 33 / 23 / 48

HEX #845965

RGB 132 89 101

HSL 343.26, 0.19%, 0.43%

LAB 42.75, 19.58, 0.33

 

CMYK 0 / 38 / 29 / 55

HEX #734752

RGB 115 71 82

HSL 345, 0.24%, 0.36%

LAB 35.52, 20.46, 1.38

 

CMYK 0 / 22 / 14 / 28

HEX #B78F9E

RGB 183 143 158

HSL 337.5, 0.22%, 0.64%

LAB 63.49, 17.52, -2.12

 

CMYK 0 / 22 / 20 / 28

HEX #B78F93

RGB 183 143 147

HSL 354, 0.22%, 0.64%

LAB 63.19, 15.72, 3.68

 

CMYK 0 / 22 / 22 / 28

HEX #B78F8F

RGB 183 143 143

HSL 0, 0.22%, 0.64%

LAB 63.09, 15.1, 5.79

 

CMYK 0 / 22 / 14 / 28

HEX #B78F9E

RGB 183 143 158

HSL 337.5, 0.22%, 0.64%

LAB 63.49, 17.52, -2.12

 

CMYK 0 / 22 / 8 / 28

HEX #B78FA9

RGB 183 143 169

HSL 321, 0.22%, 0.64%

LAB 63.82, 19.43, -7.86

 

CMYK 0 / 22 / 2 / 28

HEX #B78FB4

RGB 183 143 180

HSL 304.5, 0.22%, 0.64%

LAB 64.17, 21.46, -13.54

 

CMYK 4 / 22 / 0 / 28

HEX #B08FB7

RGB 176 143 183

HSL 289.5, 0.22%, 0.64%

LAB 63.59, 19.64, -16.18

 

CMYK 10 / 22 / 0 / 28

HEX #A58FB7

RGB 165 143 183

HSL 273, 0.22%, 0.64%

LAB 62.56, 15.92, -17.82

 

CMYK 0 / 22 / 14 / 28

HEX #B78F9E

RGB 183 143 158

HSL 337.5, 0.22%, 0.64%

LAB 63.49, 17.52, -2.12

 

CMYK 0 / 35 / 22 / 22

HEX #C6809A

RGB 198 128 154

HSL 337.71, 0.38%, 0.64%

LAB 61.46, 30.67, -2.63

 

CMYK 0 / 47 / 29 / 16

HEX #D57197

RGB 213 113 151

HSL 337.2, 0.54%, 0.64%

LAB 60.06, 43.48, -2.75

 

CMYK 0 / 57 / 36 / 11

HEX #E46293

RGB 228 98 147

HSL 337.38, 0.71%, 0.64%

LAB 59.28, 55.21, -1.33

 

CMYK 0 / 65 / 41 / 5

HEX #F3548F

RGB 243 84 143

HSL 337.74, 0.87%, 0.64%

LAB 59.32, 65.29, 1.34

 

CMYK 0 / 22 / 14 / 28

HEX #B78F9E

RGB 183 143 158

HSL 337.5, 0.22%, 0.64%

LAB 63.49, 17.52, -2.12

 

CMYK 0 / 7 / 4 / 34

HEX #A99EA2

RGB 169 158 162

HSL 338.18, 0.06%, 0.64%

LAB 66.13, 4.73, -0.65

 

CMYK 11 / 0 / 4 / 32

HEX #9AADA6

RGB 154 173 166

HSL 157.89, 0.1%, 0.64%

LAB 69.12, -7.99, 1.34

 

CMYK 26 / 0 / 10 / 26

HEX #8BBCA9

RGB 139 188 169

HSL 156.73, 0.27%, 0.64%

LAB 72.44, -20.15, 4.39

 

CMYK 39 / 0 / 14 / 21

HEX #7CCAAD

RGB 124 202 173

HSL 157.69, 0.42%, 0.64%

LAB 75.79, -30.64, 6.95

 

CMYK 0 / 22 / 2 / 28

HEX #B78FB4

RGB 183 143 180

HSL 304.5, 0.22%, 0.64%

LAB 64.17, 21.46, -13.54

 

CMYK 0 / 22 / 8 / 28

HEX #B78FA9

RGB 183 143 169

HSL 321, 0.22%, 0.64%

LAB 63.82, 19.43, -7.86

 

CMYK 0 / 22 / 14 / 28

HEX #B78F9E

RGB 183 143 158

HSL 337.5, 0.22%, 0.64%

LAB 63.49, 17.52, -2.12

 

CMYK 0 / 22 / 19 / 28

HEX #B78F94

RGB 183 143 148

HSL 352.5, 0.22%, 0.64%

LAB 63.22, 15.88, 3.15

 

CMYK 0 / 19 / 22 / 28

HEX #B7958F

RGB 183 149 143

HSL 9, 0.22%, 0.64%

LAB 64.6, 11.76, 7.96

 

CMYK 0 / 36 / 23 / 42

HEX #955F73

RGB 149 95 115

HSL 337.78, 0.22%, 0.48%

LAB 46.73, 24.93, -2.1

 

CMYK 0 / 29 / 19 / 35

HEX #A77688

RGB 167 118 136

HSL 337.96, 0.22%, 0.56%

LAB 55.02, 21.99, -2.12

 

CMYK 0 / 22 / 14 / 28

HEX #B78F9E

RGB 183 143 158

HSL 337.5, 0.22%, 0.64%

LAB 63.49, 17.52, -2.12

 

CMYK 0 / 16 / 10 / 22

HEX #C7A8B4

RGB 199 168 180

HSL 336.77, 0.22%, 0.72%

LAB 71.85, 13.29, -1.95

 

CMYK 0 / 11 / 6 / 15

HEX #D8C1CA

RGB 216 193 202

HSL 336.52, 0.23%, 0.8%

LAB 80.18, 9.64, -1.55

 

CMYK 0 / 22 / 14 / 28

HEX #B78F9E

RGB 183 143 158

HSL 337.5, 0.22%, 0.64%

LAB 63.49, 17.52, -2.12

 

CMYK 0 / 4 / 22 / 28

HEX #B7B08F

RGB 183 176 143

HSL 49.5, 0.22%, 0.64%

LAB 71.62, -2.96, 17.83

 

CMYK 22 / 4 / 0 / 28

HEX #8FAFB7

RGB 143 175 183

HSL 192, 0.22%, 0.64%

LAB 69.41, -9.07, -7.7

 

CMYK 0 / 22 / 14 / 28

HEX #B78F9E

RGB 183 143 158

HSL 337.5, 0.22%, 0.64%

LAB 63.49, 17.52, -2.12

 

CMYK 14 / 0 / 22 / 28

HEX #9EB78F

RGB 158 183 143

HSL 97.5, 0.22%, 0.64%

LAB 71.64, -16, 17.56

 

CMYK 22 / 14 / 0 / 28

HEX #8F9EB7

RGB 143 158 183

HSL 217.5, 0.22%, 0.64%

LAB 64.73, 0.21, -14.71

 

CMYK 0 / 22 / 14 / 28

HEX #B78F9E

RGB 183 143 158

HSL 337.5, 0.22%, 0.64%

LAB 63.49, 17.52, -2.12

 

CMYK 0 / 4 / 22 / 28

HEX #B7B08F

RGB 183 176 143

HSL 49.5, 0.22%, 0.64%

LAB 71.62, -2.96, 17.83

 

CMYK 22 / 0 / 8 / 28

HEX #8FB7A8

RGB 143 183 168

HSL 157.5, 0.22%, 0.64%

LAB 71.24, -16.52, 3.23

 

CMYK 22 / 18 / 0 / 28

HEX #8F96B7

RGB 143 150 183

HSL 229.5, 0.22%, 0.64%

LAB 62.57, 4.71, -17.99

 

CMYK 0 / 22 / 14 / 28

HEX #B78F9E

RGB 183 143 158

HSL 337.5, 0.22%, 0.64%

LAB 63.49, 17.52, -2.12

 

CMYK 2 / 0 / 22 / 28

HEX #B3B78F

RGB 179 183 143

HSL 66, 0.22%, 0.64%

LAB 73.18, -8.19, 19.92

 

CMYK 22 / 0 / 8 / 28

HEX #8FB7A8

RGB 143 183 168

HSL 157.5, 0.22%, 0.64%

LAB 71.24, -16.52, 3.23

 

CMYK 19 / 22 / 0 / 28

HEX #948FB7

RGB 148 143 183

HSL 247.5, 0.22%, 0.64%

LAB 61.1, 10.3, -20.19

 

Description

Color code: HEX #B78F9E | qconv.com Color code: HEX #B78F9E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 143 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 143 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 14 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 14% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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