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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B78C61 it is the complementary color #48739E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B78C61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B78C61 shade: #BC8C5C, #CD9E6F, #DEB082, #EFC295 and #FFD4A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B78C61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B78C61 shade: #B78C61, #A67A4E, #95683B, #845628 and #734415

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B78C61 shade: #B78C62, #B77562 and #B76262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B78C61 shade: #B78C62, #B7A362, #B3B762, #9CB762 and #86B762

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B78C61 shade matches the following richer shades: #B78C62, #C98C4F, #DC8C3D and #EE8C2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B78C61 shade: #B78C62, #A48C74, #928C87, #7F8C99 and #6C8CAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B78C61 shade: #B76265, #B77662, #B78C62, #B7A362 and #B4B762

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B78C61 shade: #88633E, #A4784B, #B78C62, #C4A17E and #D1B69A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B78C61 shade: #B78C61, #7BB762 and #6A62B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B78C61 shade: #B78C61, #62B78C and #8C62B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B78C61 shade: #B78C61, #7BB762, #628CB7 and #9D62B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B78C61 shade: #B78C61, #62B762, #628CB7 and #B762B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 47 / 28

HEX #B78C61

RGB 183 140 97

HSL 30, 0.37%, 0.55%

LAB 61.38, 10.86, 29.21

 

Complementary color

CMYK 54 / 27 / 0 / 38

HEX #48739E

RGB 72 115 158

HSL 210, 0.37%, 0.45%

LAB 47.12, -2, -27.75

 

CMYK 0 / 26 / 51 / 26

HEX #BC8C5C

RGB 188 140 92

HSL 30, 0.42%, 0.55%

LAB 61.84, 12.48, 32.63

 

CMYK 0 / 23 / 46 / 20

HEX #CD9E6F

RGB 205 158 111

HSL 30, 0.48%, 0.62%

LAB 68.45, 11.55, 31.22

 

CMYK 0 / 21 / 41 / 13

HEX #DEB082

RGB 222 176 130

HSL 30, 0.58%, 0.69%

LAB 74.95, 10.75, 29.92

 

CMYK 0 / 19 / 38 / 6

HEX #EFC295

RGB 239 194 149

HSL 30, 0.74%, 0.76%

LAB 81.35, 10.06, 28.7

 

CMYK 0 / 17 / 34 / 0

HEX #FFD4A8

RGB 255 212 168

HSL 30.34, 1%, 0.83%

LAB 87.57, 9.06, 27.42

 

CMYK 0 / 23 / 47 / 28

HEX #B78C61

RGB 183 140 97

HSL 30, 0.37%, 0.55%

LAB 61.38, 10.86, 29.21

 

CMYK 0 / 27 / 53 / 35

HEX #A67A4E

RGB 166 122 78

HSL 30, 0.36%, 0.48%

LAB 54.63, 11.84, 30.66

 

CMYK 0 / 30 / 60 / 42

HEX #95683B

RGB 149 104 59

HSL 30, 0.43%, 0.41%

LAB 47.76, 13.02, 32.22

 

CMYK 0 / 35 / 70 / 48

HEX #845628

RGB 132 86 40

HSL 30, 0.53%, 0.34%

LAB 40.76, 14.45, 33.84

 

CMYK 0 / 41 / 82 / 55

HEX #734415

RGB 115 68 21

HSL 30, 0.69%, 0.27%

LAB 33.63, 16.24, 35.27

 

CMYK 0 / 23 / 46 / 28

HEX #B78C62

RGB 183 140 98

HSL 29.65, 0.37%, 0.55%

LAB 61.4, 10.97, 28.68

 

CMYK 0 / 36 / 46 / 28

HEX #B77562

RGB 183 117 98

HSL 13.41, 0.37%, 0.55%

LAB 55.76, 23.77, 21.25

 

CMYK 0 / 46 / 46 / 28

HEX #B76262

RGB 183 98 98

HSL 0, 0.37%, 0.55%

LAB 51.48, 34.14, 15.45

 

CMYK 0 / 23 / 46 / 28

HEX #B78C62

RGB 183 140 98

HSL 29.65, 0.37%, 0.55%

LAB 61.4, 10.97, 28.68

 

CMYK 0 / 11 / 46 / 28

HEX #B7A362

RGB 183 163 98

HSL 45.88, 0.37%, 0.55%

LAB 67.38, -1.61, 36.31

 

CMYK 2 / 0 / 46 / 28

HEX #B3B762

RGB 179 183 98

HSL 62.82, 0.37%, 0.55%

LAB 72.45, -13.79, 42.48

 

CMYK 15 / 0 / 46 / 28

HEX #9CB762

RGB 156 183 98

HSL 79.06, 0.37%, 0.55%

LAB 70.74, -23.02, 40.01

 

CMYK 27 / 0 / 46 / 28

HEX #86B762

RGB 134 183 98

HSL 94.59, 0.37%, 0.55%

LAB 69.34, -31.35, 37.96

 

CMYK 0 / 23 / 46 / 28

HEX #B78C62

RGB 183 140 98

HSL 29.65, 0.37%, 0.55%

LAB 61.4, 10.97, 28.68

 

CMYK 0 / 30 / 61 / 21

HEX #C98C4F

RGB 201 140 79

HSL 30, 0.53%, 0.55%

LAB 63.13, 16.9, 41.38

 

CMYK 0 / 36 / 72 / 14

HEX #DC8C3D

RGB 220 140 61

HSL 29.81, 0.69%, 0.55%

LAB 65.21, 23.84, 53.08

 

CMYK 0 / 41 / 82 / 7

HEX #EE8C2A

RGB 238 140 42

HSL 30, 0.85%, 0.55%

LAB 67.35, 30.58, 63.68

 

CMYK 0 / 23 / 46 / 28

HEX #B78C62

RGB 183 140 98

HSL 29.65, 0.37%, 0.55%

LAB 61.4, 10.97, 28.68

 

CMYK 0 / 15 / 29 / 36

HEX #A48C74

RGB 164 140 116

HSL 30, 0.21%, 0.55%

LAB 59.81, 5.3, 16.18

 

CMYK 0 / 4 / 8 / 43

HEX #928C87

RGB 146 140 135

HSL 27.27, 0.05%, 0.55%

LAB 58.62, 1.3, 3.45

 

CMYK 17 / 8 / 0 / 40

HEX #7F8C99

RGB 127 140 153

HSL 210, 0.11%, 0.55%

LAB 57.62, -1.85, -8.5

 

CMYK 37 / 19 / 0 / 33

HEX #6C8CAC

RGB 108 140 172

HSL 210, 0.28%, 0.55%

LAB 57, -3.04, -20.45

 

CMYK 0 / 46 / 45 / 28

HEX #B76265

RGB 183 98 101

HSL 357.88, 0.37%, 0.55%

LAB 51.54, 34.45, 13.76

 

CMYK 0 / 36 / 46 / 28

HEX #B77662

RGB 183 118 98

HSL 14.12, 0.37%, 0.55%

LAB 55.99, 23.21, 21.57

 

CMYK 0 / 23 / 46 / 28

HEX #B78C62

RGB 183 140 98

HSL 29.65, 0.37%, 0.55%

LAB 61.4, 10.97, 28.68

 

CMYK 0 / 11 / 46 / 28

HEX #B7A362

RGB 183 163 98

HSL 45.88, 0.37%, 0.55%

LAB 67.38, -1.61, 36.31

 

CMYK 2 / 0 / 46 / 28

HEX #B4B762

RGB 180 183 98

HSL 62.12, 0.37%, 0.55%

LAB 72.53, -13.38, 42.6

 

CMYK 0 / 27 / 54 / 47

HEX #88633E

RGB 136 99 62

HSL 30, 0.37%, 0.39%

LAB 44.95, 10.37, 26.76

 

CMYK 0 / 27 / 54 / 36

HEX #A4784B

RGB 164 120 75

HSL 30.34, 0.37%, 0.47%

LAB 53.85, 11.83, 31.28

 

CMYK 0 / 23 / 46 / 28

HEX #B78C62

RGB 183 140 98

HSL 29.65, 0.37%, 0.55%

LAB 61.4, 10.97, 28.68

 

CMYK 0 / 18 / 36 / 23

HEX #C4A17E

RGB 196 161 126

HSL 30, 0.37%, 0.63%

LAB 68.56, 7.95, 23.08

 

CMYK 0 / 13 / 26 / 18

HEX #D1B69A

RGB 209 182 154

HSL 30.55, 0.37%, 0.71%

LAB 75.67, 5.42, 17.83

 

CMYK 0 / 23 / 47 / 28

HEX #B78C61

RGB 183 140 97

HSL 30, 0.37%, 0.55%

LAB 61.38, 10.86, 29.21

 

CMYK 33 / 0 / 46 / 28

HEX #7BB762

RGB 123 183 98

HSL 102.35, 0.37%, 0.55%

LAB 68.72, -35.26, 37.05

 

CMYK 42 / 46 / 0 / 28

HEX #6A62B7

RGB 106 98 183

HSL 245.65, 0.37%, 0.55%

LAB 45.93, 24.68, -44.1

 

CMYK 0 / 23 / 47 / 28

HEX #B78C61

RGB 183 140 97

HSL 30, 0.37%, 0.55%

LAB 61.38, 10.86, 29.21

 

CMYK 46 / 0 / 23 / 28

HEX #62B78C

RGB 98 183 140

HSL 149.65, 0.37%, 0.55%

LAB 68.28, -35.81, 14.02

 

CMYK 23 / 46 / 0 / 28

HEX #8C62B7

RGB 140 98 183

HSL 269.65, 0.37%, 0.55%

LAB 49.17, 33.95, -38.76

 

CMYK 0 / 23 / 47 / 28

HEX #B78C61

RGB 183 140 97

HSL 30, 0.37%, 0.55%

LAB 61.38, 10.86, 29.21

 

CMYK 33 / 0 / 46 / 28

HEX #7BB762

RGB 123 183 98

HSL 102.35, 0.37%, 0.55%

LAB 68.72, -35.26, 37.05

 

CMYK 46 / 23 / 0 / 28

HEX #628CB7

RGB 98 140 183

HSL 210.35, 0.37%, 0.55%

LAB 56.85, -2.61, -27

 

CMYK 14 / 46 / 0 / 28

HEX #9D62B7

RGB 157 98 183

HSL 281.65, 0.37%, 0.55%

LAB 51.06, 38.89, -35.65

 

CMYK 0 / 23 / 47 / 28

HEX #B78C61

RGB 183 140 97

HSL 30, 0.37%, 0.55%

LAB 61.38, 10.86, 29.21

 

CMYK 46 / 0 / 46 / 28

HEX #62B762

RGB 98 183 98

HSL 120, 0.37%, 0.55%

LAB 67.54, -43.27, 35.31

 

CMYK 46 / 23 / 0 / 28

HEX #628CB7

RGB 98 140 183

HSL 210.35, 0.37%, 0.55%

LAB 56.85, -2.61, -27

 

CMYK 0 / 46 / 0 / 28

HEX #B762B7

RGB 183 98 183

HSL 300, 0.37%, 0.55%

LAB 54.26, 46.58, -30.42

 

Description

Color code: HEX #B78C61 | qconv.com Color code: HEX #B78C61 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 140 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 140 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 47 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 47% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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