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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B77EFACE it is the complementary color #488105CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B77EFACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B77EFACE shade: #BC7EF5CE, #CD90FFCE, #DEA2FFCE, #EFB4FFCE and #FFC6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B77EFACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B77EFACE shade: #B77EFACE, #A66CE7CE, #955AD4CE, #8448C1CE and #7336AECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B77EFACE shade: #B87FFA, #D97FFA, #FA7FFA, #FA7FD9 and #FA7FB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B77EFACE shade: #B87FFA, #967FFA and #7F7FFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B77EFACE shade matches the following richer shades: #B87FFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B77EFACE shade: #B87FFA, #B98AF0, #B994E5, #BA9FDA and #BBAACF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B77EFACE shade: #7F89FA, #967FFA, #B77FFA, #D77FFA and #F87FFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B77EFACE shade: #8B2FF7, #A257F9, #B87FFA, #CEA7FC and #E4CFFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B77EFACE shade: #B77EFA, #FA7FAA and #7FFA85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B77EFACE shade: #B77EFA, #FAB77F and #7FFAB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B77EFACE shade: #B77EFA, #FA7FAA, #C3FA7F and #7FFACF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B77EFACE shade: #B77EFA, #FA7F85, #C3FA7F and #7FFAF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 40 / 0 / 2

HEX #B77EFACE

RGBA 183 126 250 0.81

HSLA 267.58, 0.93%, 0.74%, 0.81

LABA 63.25, 45.9, -53.97, 0.81

 

Complementary color

CMYK 36 / 0 / 78 / 40

HEX #488105CE

RGBA 72 129 5 0.81

HSLA 87.58, 0.93%, 0.26%, 0.81

LABA 48.37, -37.17, 51.35, 0.81

 

CMYK 19 / 39 / 0 / 3

HEX #BC7EF5CE

RGBA 188 126 245 0.81

HSLA 271.26, 0.86%, 0.73%, 0.81

LABA 63.51, 46.05, -50.78, 0.81

 

CMYK 16 / 35 / 0 / 0

HEX #CD90FFCE

RGBA 205 144 255 0.81

HSLA 272.97, 1%, 0.78%, 0.81

LABA 69.57, 43.21, -46.58, 0.81

 

CMYK 10 / 30 / 0 / 0

HEX #DEA2FFCE

RGBA 222 162 255 0.81

HSLA 278.71, 1%, 0.82%, 0.81

LABA 75.2, 38.43, -37.67, 0.81

 

CMYK 5 / 24 / 0 / 0

HEX #EFB4FFCE

RGBA 239 180 255 0.81

HSLA 287.2, 1%, 0.85%, 0.81

LABA 80.86, 33.98, -28.8, 0.81

 

CMYK 0 / 18 / 0 / 0

HEX #FFC6FFCE

RGBA 255 198 255 0.81

HSLA 300, 1%, 0.89%, 0.81

LABA 86.44, 29.52, -20.16, 0.81

 

CMYK 22 / 40 / 0 / 2

HEX #B77EFACE

RGBA 183 126 250 0.81

HSLA 267.58, 0.93%, 0.74%, 0.81

LABA 63.25, 45.9, -53.97, 0.81

 

CMYK 23 / 43 / 0 / 8

HEX #A66CE7CE

RGBA 166 108 231 0.81

HSLA 268.29, 0.72%, 0.66%, 0.81

LABA 56.69, 46.82, -54, 0.81

 

CMYK 24 / 47 / 0 / 14

HEX #955AD4CE

RGBA 149 90 212 0.81

HSLA 269.02, 0.59%, 0.59%, 0.81

LABA 50.04, 47.76, -53.99, 0.81

 

CMYK 26 / 51 / 0 / 20

HEX #8448C1CE

RGBA 132 72 193 0.81

HSLA 269.75, 0.49%, 0.52%, 0.81

LABA 43.35, 48.66, -53.92, 0.81

 

CMYK 27 / 56 / 0 / 26

HEX #7336AECE

RGBA 115 54 174 0.81

HSLA 270.5, 0.53%, 0.45%, 0.81

LABA 36.63, 49.4, -53.69, 0.81

 

CMYK 26 / 49 / 0 / 2

HEX #B87FFA

RGB 184 127 250

HSL 267.8, 0.92%, 0.74%

LAB 63.57, 45.62, -53.47

 

CMYK 13 / 49 / 0 / 2

HEX #D97FFA

RGB 217 127 250

HSL 283.9, 0.92%, 0.74%

LAB 67.15, 54.32, -47.57

 

CMYK 0 / 49 / 0 / 2

HEX #FA7FFA

RGB 250 127 250

HSL 300, 0.92%, 0.74%

LAB 71.15, 63.22, -41.01

 

CMYK 0 / 49 / 13 / 2

HEX #FA7FD9

RGB 250 127 217

HSL 316.1, 0.92%, 0.74%

LAB 69.83, 57.84, -24.89

 

CMYK 0 / 49 / 26 / 2

HEX #FA7FB8

RGB 250 127 184

HSL 332.2, 0.92%, 0.74%

LAB 68.72, 53.14, -8.16

 

CMYK 26 / 49 / 0 / 2

HEX #B87FFA

RGB 184 127 250

HSL 267.8, 0.92%, 0.74%

LAB 63.57, 45.62, -53.47

 

CMYK 40 / 49 / 0 / 2

HEX #967FFA

RGB 150 127 250

HSL 251.22, 0.92%, 0.74%

LAB 60.4, 37.17, -58.71

 

CMYK 49 / 49 / 0 / 2

HEX #7F7FFA

RGB 127 127 250

HSL 240, 0.92%, 0.74%

LAB 58.6, 32, -61.69

 

CMYK 26 / 49 / 0 / 2

HEX #B87FFA

RGB 184 127 250

HSL 267.8, 0.92%, 0.74%

LAB 63.57, 45.62, -53.47

 

CMYK 26 / 49 / 0 / 2

HEX #B87FFA

RGB 184 127 250

HSL 267.8, 0.92%, 0.74%

LAB 63.57, 45.62, -53.47

 

CMYK 23 / 43 / 0 / 6

HEX #B98AF0

RGB 185 138 240

HSL 267.65, 0.77%, 0.74%

LAB 65.58, 37.56, -44.78

 

CMYK 19 / 35 / 0 / 10

HEX #B994E5

RGB 185 148 229

HSL 267.41, 0.61%, 0.74%

LAB 67.39, 29.51, -35.89

 

CMYK 15 / 27 / 0 / 15

HEX #BA9FDA

RGB 186 159 218

HSL 267.46, 0.44%, 0.74%

LAB 69.68, 21.26, -26.29

 

CMYK 10 / 18 / 0 / 19

HEX #BBAACF

RGB 187 170 207

HSL 267.57, 0.28%, 0.74%

LAB 72.11, 13.16, -16.54

 

CMYK 49 / 45 / 0 / 2

HEX #7F89FA

RGB 127 137 250

HSL 235.12, 0.92%, 0.74%

LAB 61.05, 26.11, -57.77

 

CMYK 40 / 49 / 0 / 2

HEX #967FFA

RGB 150 127 250

HSL 251.22, 0.92%, 0.74%

LAB 60.4, 37.17, -58.71

 

CMYK 27 / 49 / 0 / 2

HEX #B77FFA

RGB 183 127 250

HSL 267.32, 0.92%, 0.74%

LAB 63.47, 45.36, -53.64

 

CMYK 14 / 49 / 0 / 2

HEX #D77FFA

RGB 215 127 250

HSL 282.93, 0.92%, 0.74%

LAB 66.92, 53.78, -47.95

 

CMYK 1 / 49 / 0 / 2

HEX #F87FFA

RGB 248 127 250

HSL 299.02, 0.92%, 0.74%

LAB 70.9, 62.68, -41.43

 

CMYK 44 / 81 / 0 / 3

HEX #8B2FF7

RGB 139 47 247

HSL 267.6, 0.93%, 0.58%

LAB 44.57, 73.39, -82.74

 

CMYK 35 / 65 / 0 / 2

HEX #A257F9

RGB 162 87 249

HSL 267.78, 0.93%, 0.66%

LAB 53.32, 60.99, -69.48

 

CMYK 26 / 49 / 0 / 2

HEX #B87FFA

RGB 184 127 250

HSL 267.8, 0.92%, 0.74%

LAB 63.57, 45.62, -53.47

 

CMYK 18 / 34 / 0 / 1

HEX #CEA7FC

RGB 206 167 252

HSL 267.53, 0.93%, 0.82%

LAB 74.69, 30.35, -36.95

 

CMYK 10 / 18 / 0 / 1

HEX #E4CFFD

RGB 228 207 253

HSL 267.39, 0.92%, 0.9%

LAB 86.11, 15.73, -19.83

 

CMYK 27 / 50 / 0 / 2

HEX #B77EFA

RGB 183 126 250

HSL 267.58, 0.93%, 0.74%

LAB 63.25, 45.9, -53.97

 

CMYK 0 / 49 / 32 / 2

HEX #FA7FAA

RGB 250 127 170

HSL 339.02, 0.92%, 0.74%

LAB 68.32, 51.36, -0.88

 

CMYK 49 / 0 / 47 / 2

HEX #7FFA85

RGB 127 250 133

HSL 122.93, 0.92%, 0.74%

LAB 89.19, -57.56, 45.55

 

CMYK 27 / 50 / 0 / 2

HEX #B77EFA

RGB 183 126 250

HSL 267.58, 0.93%, 0.74%

LAB 63.25, 45.9, -53.97

 

CMYK 0 / 27 / 49 / 2

HEX #FAB77F

RGB 250 183 127

HSL 27.32, 0.92%, 0.74%

LAB 79.46, 17.92, 37.91

 

CMYK 49 / 0 / 27 / 2

HEX #7FFAB7

RGB 127 250 183

HSL 147.32, 0.92%, 0.74%

LAB 90, -49.31, 21.74

 

CMYK 27 / 50 / 0 / 2

HEX #B77EFA

RGB 183 126 250

HSL 267.58, 0.93%, 0.74%

LAB 63.25, 45.9, -53.97

 

CMYK 0 / 49 / 32 / 2

HEX #FA7FAA

RGB 250 127 170

HSL 339.02, 0.92%, 0.74%

LAB 68.32, 51.36, -0.88

 

CMYK 22 / 0 / 49 / 2

HEX #C3FA7F

RGB 195 250 127

HSL 86.83, 0.92%, 0.74%

LAB 92.36, -36.89, 52.99

 

CMYK 49 / 0 / 17 / 2

HEX #7FFACF

RGB 127 250 207

HSL 159.02, 0.92%, 0.74%

LAB 90.5, -44.42, 10.1

 

CMYK 27 / 50 / 0 / 2

HEX #B77EFA

RGB 183 126 250

HSL 267.58, 0.93%, 0.74%

LAB 63.25, 45.9, -53.97

 

CMYK 0 / 49 / 47 / 2

HEX #FA7F85

RGB 250 127 133

HSL 357.07, 0.92%, 0.74%

LAB 67.42, 47.37, 18.7

 

CMYK 22 / 0 / 49 / 2

HEX #C3FA7F

RGB 195 250 127

HSL 86.83, 0.92%, 0.74%

LAB 92.36, -36.89, 52.99

 

CMYK 49 / 0 / 2 / 2

HEX #7FFAF4

RGB 127 250 244

HSL 177.07, 0.92%, 0.74%

LAB 91.42, -35.86, -7.76

 

Description

Color code: HEX #B77EFACE | qconv.com Color code: HEX #B77EFACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 126 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 126 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 40 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 40% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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