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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B77ED7 it is the complementary color #488128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B77ED7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B77ED7 shade: #BC7ED2, #CD90E5, #DEA2F8, #EFB4FF and #FFC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B77ED7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B77ED7 shade: #B77ED7, #A66CC4, #955AB1, #84489E and #73368B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B77ED7 shade: #B77ED7, #CF7ED7, #D77EC7, #D77EAF and #D77E97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B77ED7 shade: #B77ED7, #9F7ED7, #877ED7 and #7E7ED7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B77ED7 shade matches the following richer shades: #B77ED7, #BB71E5 and #BF63F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B77ED7 shade: #B77ED7, #B48CCA, #B099BC, #ACA7AF and #A8B5A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B77ED7 shade: #877ED7, #9F7ED7, #B77ED7, #CF7ED7 and #D77EC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B77ED7 shade: #943FC4, #A65FCE, #B77ED7, #C99EE1 and #DABDEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B77ED7 shade: #B77ED7, #D77E8D and #7ED793

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B77ED7 shade: #B77ED7, #D7B77E and #7ED7B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B77ED7 shade: #B77ED7, #D77E8D, #9FD77E and #7ED7C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B77ED7 shade: #B77ED7, #D78A7E, #9FD77E and #7ECCD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 41 / 0 / 16

HEX #B77ED7

RGB 183 126 215

HSL 278.43, 0.53%, 0.67%

LAB 61.56, 38.03, -37.22

 

Complementary color

CMYK 44 / 0 / 69 / 49

HEX #488128

RGB 72 129 40

HSL 98.43, 0.53%, 0.33%

LAB 48.55, -35.27, 40.85

 

CMYK 10 / 40 / 0 / 18

HEX #BC7ED2

RGB 188 126 210

HSL 284.29, 0.48%, 0.66%

LAB 61.88, 38.47, -33.87

 

CMYK 10 / 37 / 0 / 10

HEX #CD90E5

RGB 205 144 229

HSL 283.06, 0.62%, 0.73%

LAB 68.45, 37.72, -34.1

 

CMYK 10 / 35 / 0 / 3

HEX #DEA2F8

RGB 222 162 248

HSL 281.86, 0.86%, 0.8%

LAB 74.92, 37, -34.31

 

CMYK 6 / 29 / 0 / 0

HEX #EFB4FF

RGB 239 180 255

HSL 287.2, 1%, 0.85%

LAB 80.86, 33.98, -28.8

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 15 / 41 / 0 / 16

HEX #B77ED7

RGB 183 126 215

HSL 278.43, 0.53%, 0.67%

LAB 61.56, 38.03, -37.22

 

CMYK 15 / 45 / 0 / 23

HEX #A66CC4

RGB 166 108 196

HSL 279.55, 0.43%, 0.6%

LAB 54.88, 38.83, -37.06

 

CMYK 16 / 49 / 0 / 31

HEX #955AB1

RGB 149 90 177

HSL 280.69, 0.36%, 0.52%

LAB 48.1, 39.66, -36.88

 

CMYK 16 / 54 / 0 / 38

HEX #84489E

RGB 132 72 158

HSL 281.86, 0.37%, 0.45%

LAB 41.23, 40.47, -36.64

 

CMYK 17 / 61 / 0 / 45

HEX #73368B

RGB 115 54 139

HSL 283.06, 0.44%, 0.38%

LAB 34.29, 41.19, -36.27

 

CMYK 15 / 41 / 0 / 16

HEX #B77ED7

RGB 183 126 215

HSL 278.43, 0.53%, 0.67%

LAB 61.56, 38.03, -37.22

 

CMYK 4 / 41 / 0 / 16

HEX #CF7ED7

RGB 207 126 215

HSL 294.61, 0.53%, 0.67%

LAB 64.24, 45.17, -32.85

 

CMYK 0 / 41 / 7 / 16

HEX #D77EC7

RGB 215 126 199

HSL 310.79, 0.53%, 0.67%

LAB 64.56, 44.75, -23.31

 

CMYK 0 / 41 / 19 / 16

HEX #D77EAF

RGB 215 126 175

HSL 326.97, 0.53%, 0.67%

LAB 63.72, 40.86, -11.02

 

CMYK 0 / 41 / 30 / 16

HEX #D77E97

RGB 215 126 151

HSL 343.15, 0.53%, 0.67%

LAB 63.01, 37.43, 1.6

 

CMYK 15 / 41 / 0 / 16

HEX #B77ED7

RGB 183 126 215

HSL 278.43, 0.53%, 0.67%

LAB 61.56, 38.03, -37.22

 

CMYK 26 / 41 / 0 / 16

HEX #9F7ED7

RGB 159 126 215

HSL 262.25, 0.53%, 0.67%

LAB 59.16, 31.06, -41.16

 

CMYK 37 / 41 / 0 / 16

HEX #877ED7

RGB 135 126 215

HSL 246.07, 0.53%, 0.67%

LAB 57.05, 24.47, -44.62

 

CMYK 41 / 41 / 0 / 16

HEX #7E7ED7

RGB 126 126 215

HSL 240, 0.53%, 0.67%

LAB 56.35, 22.14, -45.77

 

CMYK 15 / 41 / 0 / 16

HEX #B77ED7

RGB 183 126 215

HSL 278.43, 0.53%, 0.67%

LAB 61.56, 38.03, -37.22

 

CMYK 18 / 51 / 0 / 10

HEX #BB71E5

RGB 187 113 229

HSL 278.28, 0.69%, 0.67%

LAB 59.92, 49.15, -47.6

 

CMYK 21 / 59 / 0 / 5

HEX #BF63F3

RGB 191 99 243

HSL 278.33, 0.86%, 0.67%

LAB 58.48, 60.18, -57.66

 

CMYK 15 / 41 / 0 / 16

HEX #B77ED7

RGB 183 126 215

HSL 278.43, 0.53%, 0.67%

LAB 61.56, 38.03, -37.22

 

CMYK 11 / 31 / 0 / 21

HEX #B48CCA

RGB 180 140 202

HSL 278.71, 0.37%, 0.67%

LAB 63.94, 26.55, -26.28

 

CMYK 6 / 19 / 0 / 26

HEX #B099BC

RGB 176 153 188

HSL 279.43, 0.21%, 0.67%

LAB 66.25, 15.03, -14.96

 

CMYK 2 / 5 / 0 / 31

HEX #ACA7AF

RGB 172 167 175

HSL 277.5, 0.05%, 0.67%

LAB 69.11, 3.3, -3.48

 

CMYK 7 / 0 / 11 / 29

HEX #A8B5A1

RGB 168 181 161

HSL 99, 0.12%, 0.67%

LAB 72.19, -8.26, 8.65

 

CMYK 37 / 41 / 0 / 16

HEX #877ED7

RGB 135 126 215

HSL 246.07, 0.53%, 0.67%

LAB 57.05, 24.47, -44.62

 

CMYK 26 / 41 / 0 / 16

HEX #9F7ED7

RGB 159 126 215

HSL 262.25, 0.53%, 0.67%

LAB 59.16, 31.06, -41.16

 

CMYK 15 / 41 / 0 / 16

HEX #B77ED7

RGB 183 126 215

HSL 278.43, 0.53%, 0.67%

LAB 61.56, 38.03, -37.22

 

CMYK 4 / 41 / 0 / 16

HEX #CF7ED7

RGB 207 126 215

HSL 294.61, 0.53%, 0.67%

LAB 64.24, 45.17, -32.85

 

CMYK 0 / 41 / 7 / 16

HEX #D77EC9

RGB 215 126 201

HSL 309.44, 0.53%, 0.67%

LAB 64.63, 45.09, -24.32

 

CMYK 24 / 68 / 0 / 23

HEX #943FC4

RGB 148 63 196

HSL 278.35, 0.53%, 0.51%

LAB 44, 57.22, -54.51

 

CMYK 19 / 54 / 0 / 19

HEX #A65FCE

RGB 166 95 206

HSL 278.38, 0.53%, 0.59%

LAB 52.67, 48.02, -46.26

 

CMYK 15 / 41 / 0 / 16

HEX #B77ED7

RGB 183 126 215

HSL 278.43, 0.53%, 0.67%

LAB 61.56, 38.03, -37.22

 

CMYK 11 / 30 / 0 / 12

HEX #C99EE1

RGB 201 158 225

HSL 278.51, 0.53%, 0.75%

LAB 71.08, 28.02, -27.87

 

CMYK 7 / 20 / 0 / 8

HEX #DABDEB

RGB 218 189 235

HSL 277.83, 0.53%, 0.83%

LAB 80.35, 18.59, -19.03

 

CMYK 15 / 41 / 0 / 16

HEX #B77ED7

RGB 183 126 215

HSL 278.43, 0.53%, 0.67%

LAB 61.56, 38.03, -37.22

 

CMYK 0 / 41 / 34 / 16

HEX #D77E8D

RGB 215 126 141

HSL 349.89, 0.53%, 0.67%

LAB 62.75, 36.15, 6.93

 

CMYK 41 / 0 / 32 / 16

HEX #7ED793

RGB 126 215 147

HSL 134.16, 0.53%, 0.67%

LAB 79.12, -41.12, 25.41

 

CMYK 15 / 41 / 0 / 16

HEX #B77ED7

RGB 183 126 215

HSL 278.43, 0.53%, 0.67%

LAB 61.56, 38.03, -37.22

 

CMYK 0 / 15 / 41 / 16

HEX #D7B77E

RGB 215 183 126

HSL 38.43, 0.53%, 0.67%

LAB 75.96, 3.79, 33.23

 

CMYK 41 / 0 / 15 / 16

HEX #7ED7B7

RGB 126 215 183

HSL 158.43, 0.53%, 0.67%

LAB 79.87, -34.07, 7.47

 

CMYK 15 / 41 / 0 / 16

HEX #B77ED7

RGB 183 126 215

HSL 278.43, 0.53%, 0.67%

LAB 61.56, 38.03, -37.22

 

CMYK 0 / 41 / 34 / 16

HEX #D77E8D

RGB 215 126 141

HSL 349.89, 0.53%, 0.67%

LAB 62.75, 36.15, 6.93

 

CMYK 26 / 0 / 41 / 16

HEX #9FD77E

RGB 159 215 126

HSL 97.75, 0.53%, 0.67%

LAB 80.45, -33.79, 38.2

 

CMYK 41 / 0 / 7 / 16

HEX #7ED7C9

RGB 126 215 201

HSL 170.56, 0.53%, 0.67%

LAB 80.32, -30.02, -1.48

 

CMYK 15 / 41 / 0 / 16

HEX #B77ED7

RGB 183 126 215

HSL 278.43, 0.53%, 0.67%

LAB 61.56, 38.03, -37.22

 

CMYK 0 / 36 / 41 / 16

HEX #D78A7E

RGB 215 138 126

HSL 8.09, 0.53%, 0.67%

LAB 65.07, 28, 18.67

 

CMYK 26 / 0 / 41 / 16

HEX #9FD77E

RGB 159 215 126

HSL 97.75, 0.53%, 0.67%

LAB 80.45, -33.79, 38.2

 

CMYK 41 / 5 / 0 / 16

HEX #7ECCD7

RGB 126 204 215

HSL 187.42, 0.53%, 0.67%

LAB 77.6, -21.2, -13.03

 

Description

Color code: HEX #B77ED7 | qconv.com Color code: HEX #B77ED7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 126 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 126 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 41 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 41% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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