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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B77B98 it is the complementary color #488467. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B77B98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B77B98 shade: #BC7B93, #CD8DA6, #DE9FB9, #EFB1CC and #FFC3DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B77B98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B77B98 shade: #B77B98, #A66985, #955772, #84455F and #73334C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B77B98 shade: #B77B98, #B77B88 and #B77B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B77B98 shade: #B77B98, #B77BA8, #B57BB7, #A57BB7 and #957BB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B77B98 shade matches the following richer shades: #B77B98, #C76B97, #D85A97, #E84A96 and #F93996

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B77B98 shade: #B77B98, #A68C99, #969C99, #85AD9A and #75BD9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B77B98 shade: #B67BB7, #B77BA8, #B77B98, #B77B88 and #B77E7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B77B98 shade: #904F6F, #A86183, #B77B98, #C596AD and #D4B1C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B77B98 shade: #B77B98, #B7A67B and #7BB0B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B77B98 shade: #B77B98, #98B77B and #7B98B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B77B98 shade: #B77B98, #B7A67B, #7BB79A and #7B8CB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B77B98 shade: #B77B98, #B6B77B, #7BB79A and #7C7BB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 17 / 28

HEX #B77B98

RGB 183 123 152

HSL 331, 0.29%, 0.6%

LAB 58.51, 27.68, -6.04

 

Complementary color

CMYK 45 / 0 / 22 / 48

HEX #488467

RGB 72 132 103

HSL 151, 0.29%, 0.4%

LAB 50.52, -26.69, 9.67

 

CMYK 0 / 35 / 22 / 26

HEX #BC7B93

RGB 188 123 147

HSL 337.85, 0.33%, 0.61%

LAB 58.94, 28.71, -2.45

 

CMYK 0 / 31 / 19 / 20

HEX #CD8DA6

RGB 205 141 166

HSL 336.56, 0.39%, 0.68%

LAB 65.58, 27.95, -3.3

 

CMYK 0 / 28 / 17 / 13

HEX #DE9FB9

RGB 222 159 185

HSL 335.24, 0.49%, 0.75%

LAB 72.11, 27.24, -4.06

 

CMYK 0 / 26 / 15 / 6

HEX #EFB1CC

RGB 239 177 204

HSL 333.87, 0.66%, 0.82%

LAB 78.55, 26.59, -4.78

 

CMYK 0 / 24 / 13 / 0

HEX #FFC3DF

RGB 255 195 223

HSL 332, 1%, 0.88%

LAB 84.8, 25.64, -5.6

 

CMYK 0 / 33 / 17 / 28

HEX #B77B98

RGB 183 123 152

HSL 331, 0.29%, 0.6%

LAB 58.51, 27.68, -6.04

 

CMYK 0 / 37 / 20 / 35

HEX #A66985

RGB 166 105 133

HSL 332.46, 0.26%, 0.53%

LAB 51.73, 28.48, -5.23

 

CMYK 0 / 42 / 23 / 42

HEX #955772

RGB 149 87 114

HSL 333.87, 0.26%, 0.46%

LAB 44.83, 29.33, -4.29

 

CMYK 0 / 48 / 28 / 48

HEX #84455F

RGB 132 69 95

HSL 335.24, 0.31%, 0.39%

LAB 37.82, 30.23, -3.18

 

CMYK 0 / 56 / 34 / 55

HEX #73334C

RGB 115 51 76

HSL 336.56, 0.39%, 0.33%

LAB 30.72, 31.13, -1.77

 

CMYK 0 / 33 / 17 / 28

HEX #B77B98

RGB 183 123 152

HSL 331, 0.29%, 0.6%

LAB 58.51, 27.68, -6.04

 

CMYK 0 / 33 / 26 / 28

HEX #B77B88

RGB 183 123 136

HSL 347, 0.29%, 0.6%

LAB 58.05, 25.21, 2.52

 

CMYK 0 / 33 / 33 / 28

HEX #B77B7B

RGB 183 123 123

HSL 0, 0.29%, 0.6%

LAB 57.72, 23.4, 9.56

 

CMYK 0 / 33 / 17 / 28

HEX #B77B98

RGB 183 123 152

HSL 331, 0.29%, 0.6%

LAB 58.51, 27.68, -6.04

 

CMYK 0 / 33 / 8 / 28

HEX #B77BA8

RGB 183 123 168

HSL 315, 0.29%, 0.6%

LAB 59.03, 30.41, -14.46

 

CMYK 1 / 33 / 0 / 28

HEX #B57BB7

RGB 181 123 183

HSL 298, 0.29%, 0.6%

LAB 59.35, 32.52, -22.58

 

CMYK 10 / 33 / 0 / 28

HEX #A57BB7

RGB 165 123 183

HSL 282, 0.29%, 0.6%

LAB 57.64, 27.3, -25.35

 

CMYK 19 / 33 / 0 / 28

HEX #957BB7

RGB 149 123 183

HSL 266, 0.29%, 0.6%

LAB 56.06, 22.18, -27.92

 

CMYK 0 / 33 / 17 / 28

HEX #B77B98

RGB 183 123 152

HSL 331, 0.29%, 0.6%

LAB 58.51, 27.68, -6.04

 

CMYK 0 / 46 / 24 / 22

HEX #C76B97

RGB 199 107 151

HSL 331.3, 0.45%, 0.6%

LAB 56.97, 41.79, -7.53

 

CMYK 0 / 58 / 30 / 15

HEX #D85A97

RGB 216 90 151

HSL 330.95, 0.62%, 0.6%

LAB 56.23, 55.57, -8.37

 

CMYK 0 / 68 / 35 / 9

HEX #E84A96

RGB 232 74 150

HSL 331.14, 0.77%, 0.6%

LAB 56.34, 66.68, -7.35

 

CMYK 0 / 77 / 40 / 2

HEX #F93996

RGB 249 57 150

HSL 330.94, 0.94%, 0.6%

LAB 57.34, 76.56, -5.56

 

CMYK 0 / 33 / 17 / 28

HEX #B77B98

RGB 183 123 152

HSL 331, 0.29%, 0.6%

LAB 58.51, 27.68, -6.04

 

CMYK 0 / 16 / 8 / 35

HEX #A68C99

RGB 166 140 153

HSL 330, 0.13%, 0.6%

LAB 60.93, 12.06, -3.24

 

CMYK 4 / 0 / 2 / 39

HEX #969C99

RGB 150 156 153

HSL 150, 0.03%, 0.6%

LAB 63.8, -2.73, 0.81

 

CMYK 23 / 0 / 11 / 32

HEX #85AD9A

RGB 133 173 154

HSL 151.5, 0.2%, 0.6%

LAB 67.43, -17.5, 5.36

 

CMYK 38 / 0 / 19 / 26

HEX #75BD9A

RGB 117 189 154

HSL 150.83, 0.35%, 0.6%

LAB 71.22, -30.43, 10.66

 

CMYK 1 / 33 / 0 / 28

HEX #B67BB7

RGB 182 123 183

HSL 299, 0.29%, 0.6%

LAB 59.46, 32.85, -22.4

 

CMYK 0 / 33 / 8 / 28

HEX #B77BA8

RGB 183 123 168

HSL 315, 0.29%, 0.6%

LAB 59.03, 30.41, -14.46

 

CMYK 0 / 33 / 17 / 28

HEX #B77B98

RGB 183 123 152

HSL 331, 0.29%, 0.6%

LAB 58.51, 27.68, -6.04

 

CMYK 0 / 33 / 26 / 28

HEX #B77B88

RGB 183 123 136

HSL 347, 0.29%, 0.6%

LAB 58.05, 25.21, 2.52

 

CMYK 0 / 31 / 33 / 28

HEX #B77E7B

RGB 183 126 123

HSL 3, 0.29%, 0.6%

LAB 58.43, 21.72, 10.57

 

CMYK 0 / 45 / 23 / 44

HEX #904F6F

RGB 144 79 111

HSL 330.46, 0.29%, 0.44%

LAB 42.26, 31.51, -6.35

 

CMYK 0 / 42 / 22 / 34

HEX #A86183

RGB 168 97 131

HSL 331.27, 0.29%, 0.52%

LAB 50.11, 33.33, -6.41

 

CMYK 0 / 33 / 17 / 28

HEX #B77B98

RGB 183 123 152

HSL 331, 0.29%, 0.6%

LAB 58.51, 27.68, -6.04

 

CMYK 0 / 24 / 12 / 23

HEX #C596AD

RGB 197 150 173

HSL 330.64, 0.29%, 0.68%

LAB 67.05, 21.26, -5.15

 

CMYK 0 / 17 / 8 / 17

HEX #D4B1C2

RGB 212 177 194

HSL 330.86, 0.29%, 0.76%

LAB 75.66, 15.45, -3.89

 

CMYK 0 / 33 / 17 / 28

HEX #B77B98

RGB 183 123 152

HSL 331, 0.29%, 0.6%

LAB 58.51, 27.68, -6.04

 

CMYK 0 / 9 / 33 / 28

HEX #B7A67B

RGB 183 166 123

HSL 43, 0.29%, 0.6%

LAB 68.58, -0.36, 24.54

 

CMYK 33 / 4 / 0 / 28

HEX #7BB0B7

RGB 123 176 183

HSL 187, 0.29%, 0.6%

LAB 68.52, -15.6, -9.16

 

CMYK 0 / 33 / 17 / 28

HEX #B77B98

RGB 183 123 152

HSL 331, 0.29%, 0.6%

LAB 58.51, 27.68, -6.04

 

CMYK 17 / 0 / 33 / 28

HEX #98B77B

RGB 152 183 123

HSL 91, 0.29%, 0.6%

LAB 70.85, -21.32, 27.15

 

CMYK 33 / 17 / 0 / 28

HEX #7B98B7

RGB 123 152 183

HSL 211, 0.29%, 0.6%

LAB 61.73, -2.57, -19.39

 

CMYK 0 / 33 / 17 / 28

HEX #B77B98

RGB 183 123 152

HSL 331, 0.29%, 0.6%

LAB 58.51, 27.68, -6.04

 

CMYK 0 / 9 / 33 / 28

HEX #B7A67B

RGB 183 166 123

HSL 43, 0.29%, 0.6%

LAB 68.58, -0.36, 24.54

 

CMYK 33 / 0 / 16 / 28

HEX #7BB79A

RGB 123 183 154

HSL 151, 0.29%, 0.6%

LAB 69.76, -25.73, 8.62

 

CMYK 33 / 23 / 0 / 28

HEX #7B8CB7

RGB 123 140 183

HSL 223, 0.29%, 0.6%

LAB 58.4, 4.27, -24.48

 

CMYK 0 / 33 / 17 / 28

HEX #B77B98

RGB 183 123 152

HSL 331, 0.29%, 0.6%

LAB 58.51, 27.68, -6.04

 

CMYK 1 / 0 / 33 / 28

HEX #B6B77B

RGB 182 183 123

HSL 61, 0.29%, 0.6%

LAB 73.05, -9.77, 30.46

 

CMYK 33 / 0 / 16 / 28

HEX #7BB79A

RGB 123 183 154

HSL 151, 0.29%, 0.6%

LAB 69.76, -25.73, 8.62

 

CMYK 32 / 33 / 0 / 28

HEX #7C7BB7

RGB 124 123 183

HSL 241, 0.29%, 0.6%

LAB 53.89, 14.53, -31.46

 

Description

Color code: HEX #B77B98 | qconv.com Color code: HEX #B77B98 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 123 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 123 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 17 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 17% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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