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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B76ADC it is the complementary color #489523. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B76ADC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B76ADC shade: #BC6AD7, #CD7CEA, #DE8EFD, #EFA0FF and #FFB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B76ADC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B76ADC shade: #B76ADC, #A658C9, #9546B6, #8434A3 and #732290

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B76ADC shade: #B76ADC, #D66ADC, #DC6AC4, #DC6AA5 and #DC6A86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B76ADC shade: #B76ADC, #986ADC, #7A6ADC and #6A6ADC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B76ADC shade matches the following richer shades: #B76ADC, #BC5BEB and #C24DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B76ADC shade: #B76ADC, #B279CD, #AD88BE, #A897B0 and #A2A6A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B76ADC shade: #796ADC, #986ADC, #B66ADC, #D56ADC and #DC6AC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B76ADC shade: #942EC6, #A749D4, #B76ADC, #C78CE4 and #D7ADEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B76ADC shade: #B76ADC, #DC6A79 and #6ADC89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B76ADC shade: #B76ADC, #DCB66A and #6ADCB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B76ADC shade: #B76ADC, #DC6A79, #90DC6A and #6ADCCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B76ADC shade: #B76ADC, #DC7D6A, #90DC6A and #6AC9DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 52 / 0 / 14

HEX #B76ADC

RGB 183 106 220

HSL 280.53, 0.62%, 0.64%

LAB 57.6, 49.8, -46.26

 

Complementary color

CMYK 52 / 0 / 77 / 42

HEX #489523

RGB 72 149 35

HSL 100.53, 0.62%, 0.36%

LAB 55.07, -44.01, 49.48

 

CMYK 13 / 51 / 0 / 16

HEX #BC6AD7

RGB 188 106 215

HSL 285.14, 0.58%, 0.63%

LAB 57.95, 50.12, -42.85

 

CMYK 12 / 47 / 0 / 8

HEX #CD7CEA

RGB 205 124 234

HSL 284.18, 0.72%, 0.7%

LAB 64.43, 49.36, -43.13

 

CMYK 12 / 44 / 0 / 1

HEX #DE8EFD

RGB 222 142 253

HSL 283.24, 0.97%, 0.77%

LAB 70.85, 48.6, -43.36

 

CMYK 6 / 37 / 0 / 0

HEX #EFA0FF

RGB 239 160 255

HSL 289.89, 1%, 0.81%

LAB 76.5, 44.52, -35.5

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 17 / 52 / 0 / 14

HEX #B76ADC

RGB 183 106 220

HSL 280.53, 0.62%, 0.64%

LAB 57.6, 49.8, -46.26

 

CMYK 17 / 56 / 0 / 21

HEX #A658C9

RGB 166 88 201

HSL 281.42, 0.51%, 0.57%

LAB 51.04, 50.55, -45.99

 

CMYK 18 / 62 / 0 / 29

HEX #9546B6

RGB 149 70 182

HSL 282.32, 0.44%, 0.49%

LAB 44.44, 51.17, -45.61

 

CMYK 19 / 68 / 0 / 36

HEX #8434A3

RGB 132 52 163

HSL 283.24, 0.52%, 0.42%

LAB 37.85, 51.53, -45.02

 

CMYK 20 / 76 / 0 / 44

HEX #732290

RGB 115 34 144

HSL 284.18, 0.62%, 0.35%

LAB 31.35, 51.35, -44.05

 

CMYK 17 / 52 / 0 / 14

HEX #B76ADC

RGB 183 106 220

HSL 280.53, 0.62%, 0.64%

LAB 57.6, 49.8, -46.26

 

CMYK 3 / 52 / 0 / 14

HEX #D66ADC

RGB 214 106 220

HSL 296.84, 0.62%, 0.64%

LAB 61.46, 58.14, -39.92

 

CMYK 0 / 52 / 11 / 14

HEX #DC6AC4

RGB 220 106 196

HSL 312.63, 0.62%, 0.64%

LAB 61.23, 55.75, -26.68

 

CMYK 0 / 52 / 25 / 14

HEX #DC6AA5

RGB 220 106 165

HSL 328.95, 0.62%, 0.64%

LAB 60.11, 51.16, -10.65

 

CMYK 0 / 52 / 39 / 14

HEX #DC6A86

RGB 220 106 134

HSL 345.26, 0.62%, 0.64%

LAB 59.2, 47.32, 5.96

 

CMYK 17 / 52 / 0 / 14

HEX #B76ADC

RGB 183 106 220

HSL 280.53, 0.62%, 0.64%

LAB 57.6, 49.8, -46.26

 

CMYK 31 / 52 / 0 / 14

HEX #986ADC

RGB 152 106 220

HSL 264.21, 0.62%, 0.64%

LAB 54.19, 41.72, -51.89

 

CMYK 45 / 52 / 0 / 14

HEX #7A6ADC

RGB 122 106 220

HSL 248.42, 0.62%, 0.64%

LAB 51.4, 34.48, -56.51

 

CMYK 52 / 52 / 0 / 14

HEX #6A6ADC

RGB 106 106 220

HSL 240, 0.62%, 0.64%

LAB 50.14, 31, -58.59

 

CMYK 17 / 52 / 0 / 14

HEX #B76ADC

RGB 183 106 220

HSL 280.53, 0.62%, 0.64%

LAB 57.6, 49.8, -46.26

 

CMYK 20 / 61 / 0 / 8

HEX #BC5BEB

RGB 188 91 235

HSL 280.42, 0.78%, 0.64%

LAB 56.26, 61.59, -56.77

 

CMYK 22 / 69 / 0 / 2

HEX #C24DFA

RGB 194 77 250

HSL 280.58, 0.95%, 0.64%

LAB 55.77, 71.98, -65.88

 

CMYK 17 / 52 / 0 / 14

HEX #B76ADC

RGB 183 106 220

HSL 280.53, 0.62%, 0.64%

LAB 57.6, 49.8, -46.26

 

CMYK 13 / 41 / 0 / 20

HEX #B279CD

RGB 178 121 205

HSL 280.71, 0.46%, 0.64%

LAB 59.48, 37.15, -34.89

 

CMYK 9 / 28 / 0 / 25

HEX #AD88BE

RGB 173 136 190

HSL 281.11, 0.29%, 0.64%

LAB 61.84, 24.02, -22.81

 

CMYK 5 / 14 / 0 / 31

HEX #A897B0

RGB 168 151 176

HSL 280.8, 0.14%, 0.64%

LAB 64.64, 10.98, -10.72

 

CMYK 2 / 0 / 3 / 35

HEX #A2A6A1

RGB 162 166 161

HSL 108, 0.03%, 0.64%

LAB 67.67, -2.37, 2.08

 

CMYK 45 / 52 / 0 / 14

HEX #796ADC

RGB 121 106 220

HSL 247.89, 0.62%, 0.64%

LAB 51.31, 34.25, -56.65

 

CMYK 31 / 52 / 0 / 14

HEX #986ADC

RGB 152 106 220

HSL 264.21, 0.62%, 0.64%

LAB 54.19, 41.72, -51.89

 

CMYK 17 / 52 / 0 / 14

HEX #B66ADC

RGB 182 106 220

HSL 280, 0.62%, 0.64%

LAB 57.48, 49.54, -46.45

 

CMYK 3 / 52 / 0 / 14

HEX #D56ADC

RGB 213 106 220

HSL 296.32, 0.62%, 0.64%

LAB 61.33, 57.87, -40.13

 

CMYK 0 / 52 / 10 / 14

HEX #DC6AC5

RGB 220 106 197

HSL 312.11, 0.62%, 0.64%

LAB 61.27, 55.91, -27.18

 

CMYK 25 / 77 / 0 / 22

HEX #942EC6

RGB 148 46 198

HSL 280.26, 0.62%, 0.48%

LAB 41.73, 64.45, -59.33

 

CMYK 21 / 66 / 0 / 17

HEX #A749D4

RGB 167 73 212

HSL 280.58, 0.62%, 0.56%

LAB 49.17, 60.28, -55.27

 

CMYK 17 / 52 / 0 / 14

HEX #B76ADC

RGB 183 106 220

HSL 280.53, 0.62%, 0.64%

LAB 57.6, 49.8, -46.26

 

CMYK 13 / 39 / 0 / 11

HEX #C78CE4

RGB 199 140 228

HSL 280.23, 0.62%, 0.72%

LAB 66.9, 37.88, -36

 

CMYK 9 / 27 / 0 / 7

HEX #D7ADEC

RGB 215 173 236

HSL 280, 0.62%, 0.8%

LAB 76.31, 26.48, -25.74

 

CMYK 17 / 52 / 0 / 14

HEX #B76ADC

RGB 183 106 220

HSL 280.53, 0.62%, 0.64%

LAB 57.6, 49.8, -46.26

 

CMYK 0 / 52 / 45 / 14

HEX #DC6A79

RGB 220 106 121

HSL 352.11, 0.62%, 0.64%

LAB 58.89, 45.95, 13.06

 

CMYK 52 / 0 / 38 / 14

HEX #6ADC89

RGB 106 220 137

HSL 136.32, 0.62%, 0.64%

LAB 79.65, -50.33, 31.13

 

CMYK 17 / 52 / 0 / 14

HEX #B76ADC

RGB 183 106 220

HSL 280.53, 0.62%, 0.64%

LAB 57.6, 49.8, -46.26

 

CMYK 0 / 17 / 52 / 14

HEX #DCB66A

RGB 220 182 106

HSL 40, 0.62%, 0.64%

LAB 75.89, 4.41, 43.51

 

CMYK 52 / 0 / 17 / 14

HEX #6ADCB6

RGB 106 220 182

HSL 160, 0.62%, 0.64%

LAB 80.53, -41.45, 8.84

 

CMYK 17 / 52 / 0 / 14

HEX #B76ADC

RGB 183 106 220

HSL 280.53, 0.62%, 0.64%

LAB 57.6, 49.8, -46.26

 

CMYK 0 / 52 / 45 / 14

HEX #DC6A79

RGB 220 106 121

HSL 352.11, 0.62%, 0.64%

LAB 58.89, 45.95, 13.06

 

CMYK 35 / 0 / 52 / 14

HEX #90DC6A

RGB 144 220 106

HSL 100, 0.62%, 0.64%

LAB 80.83, -43.61, 48.23

 

CMYK 52 / 0 / 7 / 14

HEX #6ADCCD

RGB 106 220 205

HSL 172.11, 0.62%, 0.64%

LAB 81.1, -36.04, -2.55

 

CMYK 17 / 52 / 0 / 14

HEX #B76ADC

RGB 183 106 220

HSL 280.53, 0.62%, 0.64%

LAB 57.6, 49.8, -46.26

 

CMYK 0 / 43 / 52 / 14

HEX #DC7D6A

RGB 220 125 106

HSL 10, 0.62%, 0.64%

LAB 62.44, 34.85, 26.45

 

CMYK 35 / 0 / 52 / 14

HEX #90DC6A

RGB 144 220 106

HSL 100, 0.62%, 0.64%

LAB 80.83, -43.61, 48.23

 

CMYK 52 / 9 / 0 / 14

HEX #6AC9DC

RGB 106 201 220

HSL 190, 0.62%, 0.64%

LAB 76.07, -22.95, -18.09

 

Description

Color code: HEX #B76ADC | qconv.com Color code: HEX #B76ADC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 106 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 106 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 52 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 52% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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