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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7534D it is the complementary color #48ACB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7534D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7534D shade: #BC5348, #CD655B, #DE776E, #EF8981 and #FF9B94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7534D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7534D shade: #B7534D, #A6413A, #952F27, #841D14 and #730B01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7534D shade: #B7544E and #B74E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7534D shade: #B7544E, #B7704E, #B78C4E, #B7A84E and #A8B74E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7534D shade matches the following richer shades: #B7544E, #CB4239, #DF3025 and #F31E11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7534D shade: #B7544E, #A26562, #8E7776, #7A898A and #669B9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7534D shade: #B74E80, #B74E64, #B7534E, #B76F4E and #B78B4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7534D shade: #7E3833, #9B453F, #B7544E, #C2706B and #CE8C88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7534D shade: #B7534D, #9CB74E and #4E72B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7534D shade: #B7534D, #4EB753 and #534EB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7534D shade: #B7534D, #9CB74E, #4EB1B7 and #684EB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7534D shade: #B7534D, #7DB74E, #4EB1B7 and #874EB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 58 / 28

HEX #B7534D

RGB 183 83 77

HSL 3.4, 0.42%, 0.51%

LAB 47.99, 40.02, 23.22

 

Complementary color

CMYK 60 / 3 / 0 / 30

HEX #48ACB2

RGB 72 172 178

HSL 183.4, 0.42%, 0.49%

LAB 65.04, -26.99, -11.81

 

CMYK 0 / 56 / 62 / 26

HEX #BC5348

RGB 188 83 72

HSL 5.69, 0.46%, 0.51%

LAB 48.69, 41.52, 27.21

 

CMYK 0 / 51 / 56 / 20

HEX #CD655B

RGB 205 101 91

HSL 5.26, 0.53%, 0.58%

LAB 55.12, 40.28, 24.96

 

CMYK 0 / 46 / 50 / 13

HEX #DE776E

RGB 222 119 110

HSL 4.82, 0.63%, 0.65%

LAB 61.52, 39.08, 23.03

 

CMYK 0 / 43 / 46 / 6

HEX #EF8981

RGB 239 137 129

HSL 4.36, 0.77%, 0.72%

LAB 67.89, 37.96, 21.34

 

CMYK 0 / 39 / 42 / 0

HEX #FF9B94

RGB 255 155 148

HSL 3.93, 1%, 0.79%

LAB 74.09, 36.53, 19.66

 

CMYK 0 / 55 / 58 / 28

HEX #B7534D

RGB 183 83 77

HSL 3.4, 0.42%, 0.51%

LAB 47.99, 40.02, 23.22

 

CMYK 0 / 61 / 65 / 35

HEX #A6413A

RGB 166 65 58

HSL 3.89, 0.48%, 0.44%

LAB 41.52, 41.2, 25.75

 

CMYK 0 / 68 / 74 / 42

HEX #952F27

RGB 149 47 39

HSL 4.36, 0.59%, 0.37%

LAB 35.14, 42.21, 28.81

 

CMYK 0 / 78 / 85 / 48

HEX #841D14

RGB 132 29 20

HSL 4.82, 0.74%, 0.3%

LAB 28.99, 42.75, 32.37

 

CMYK 0 / 90 / 99 / 55

HEX #730B01

RGB 115 11 1

HSL 5.26, 0.98%, 0.23%

LAB 23.29, 42.15, 34.44

 

CMYK 0 / 54 / 57 / 28

HEX #B7544E

RGB 183 84 78

HSL 3.43, 0.42%, 0.51%

LAB 48.21, 39.6, 22.9

 

CMYK 0 / 57 / 57 / 28

HEX #B74E4E

RGB 183 78 78

HSL 0, 0.42%, 0.51%

LAB 47.06, 42.57, 21.4

 

CMYK 0 / 54 / 57 / 28

HEX #B7544E

RGB 183 84 78

HSL 3.43, 0.42%, 0.51%

LAB 48.21, 39.6, 22.9

 

CMYK 0 / 39 / 57 / 28

HEX #B7704E

RGB 183 112 78

HSL 19.43, 0.42%, 0.51%

LAB 54.24, 24.67, 30.62

 

CMYK 0 / 23 / 57 / 28

HEX #B78C4E

RGB 183 140 78

HSL 35.43, 0.42%, 0.51%

LAB 61.11, 9.12, 39.01

 

CMYK 0 / 8 / 57 / 28

HEX #B7A84E

RGB 183 168 78

HSL 51.43, 0.42%, 0.51%

LAB 68.48, -6.06, 47.62

 

CMYK 8 / 0 / 57 / 28

HEX #A8B74E

RGB 168 183 78

HSL 68.57, 0.42%, 0.51%

LAB 71.38, -20.12, 50.58

 

CMYK 0 / 54 / 57 / 28

HEX #B7544E

RGB 183 84 78

HSL 3.43, 0.42%, 0.51%

LAB 48.21, 39.6, 22.9

 

CMYK 0 / 67 / 72 / 20

HEX #CB4239

RGB 203 66 57

HSL 3.7, 0.58%, 0.51%

LAB 48.12, 53.58, 35.77

 

CMYK 0 / 78 / 83 / 13

HEX #DF3025

RGB 223 48 37

HSL 3.55, 0.74%, 0.51%

LAB 49.42, 65.22, 48.99

 

CMYK 0 / 88 / 93 / 5

HEX #F31E11

RGB 243 30 17

HSL 3.45, 0.9%, 0.51%

LAB 51.86, 74.29, 60.8

 

CMYK 0 / 54 / 57 / 28

HEX #B7544E

RGB 183 84 78

HSL 3.43, 0.42%, 0.51%

LAB 48.21, 39.6, 22.9

 

CMYK 0 / 38 / 40 / 36

HEX #A26562

RGB 162 101 98

HSL 2.81, 0.26%, 0.51%

LAB 49.34, 24.24, 12.05

 

CMYK 0 / 16 / 17 / 44

HEX #8E7776

RGB 142 119 118

HSL 2.5, 0.1%, 0.51%

LAB 52.12, 8.75, 3.87

 

CMYK 12 / 1 / 0 / 46

HEX #7A898A

RGB 122 137 138

HSL 183.75, 0.06%, 0.51%

LAB 55.95, -5.2, -2.39

 

CMYK 35 / 2 / 0 / 38

HEX #669B9E

RGB 102 155 158

HSL 183.21, 0.22%, 0.51%

LAB 60.55, -16.7, -7.16

 

CMYK 0 / 57 / 30 / 28

HEX #B74E80

RGB 183 78 128

HSL 331.43, 0.42%, 0.51%

LAB 48.35, 47.81, -7.01

 

CMYK 0 / 57 / 45 / 28

HEX #B74E64

RGB 183 78 100

HSL 347.43, 0.42%, 0.51%

LAB 47.54, 44.55, 8.77

 

CMYK 0 / 55 / 57 / 28

HEX #B7534E

RGB 183 83 78

HSL 2.86, 0.42%, 0.51%

LAB 48.01, 40.1, 22.65

 

CMYK 0 / 39 / 57 / 28

HEX #B76F4E

RGB 183 111 78

HSL 18.86, 0.42%, 0.51%

LAB 54.01, 25.23, 30.33

 

CMYK 0 / 24 / 57 / 28

HEX #B78B4E

RGB 183 139 78

HSL 34.86, 0.42%, 0.51%

LAB 60.85, 9.68, 38.71

 

CMYK 0 / 56 / 60 / 51

HEX #7E3833

RGB 126 56 51

HSL 4, 0.42%, 0.35%

LAB 32.93, 29.91, 17.75

 

CMYK 0 / 55 / 59 / 39

HEX #9B453F

RGB 155 69 63

HSL 3.91, 0.42%, 0.43%

LAB 40.55, 35.43, 21.11

 

CMYK 0 / 54 / 57 / 28

HEX #B7544E

RGB 183 84 78

HSL 3.43, 0.42%, 0.51%

LAB 48.21, 39.6, 22.9

 

CMYK 0 / 42 / 45 / 24

HEX #C2706B

RGB 194 112 107

HSL 3.45, 0.42%, 0.59%

LAB 56.21, 31.81, 16.91

 

CMYK 0 / 32 / 34 / 19

HEX #CE8C88

RGB 206 140 136

HSL 3.43, 0.42%, 0.67%

LAB 64.69, 24.62, 12.36

 

CMYK 0 / 55 / 58 / 28

HEX #B7534D

RGB 183 83 77

HSL 3.4, 0.42%, 0.51%

LAB 47.99, 40.02, 23.22

 

CMYK 15 / 0 / 57 / 28

HEX #9CB74E

RGB 156 183 78

HSL 75.43, 0.42%, 0.51%

LAB 70.51, -25, 49.37

 

CMYK 57 / 38 / 0 / 28

HEX #4E72B7

RGB 78 114 183

HSL 219.43, 0.42%, 0.51%

LAB 48.35, 8.18, -40.37

 

CMYK 0 / 55 / 58 / 28

HEX #B7534D

RGB 183 83 77

HSL 3.4, 0.42%, 0.51%

LAB 47.99, 40.02, 23.22

 

CMYK 57 / 0 / 55 / 28

HEX #4EB753

RGB 78 183 83

HSL 122.86, 0.42%, 0.51%

LAB 66.6, -50.76, 41.44

 

CMYK 55 / 57 / 0 / 28

HEX #534EB7

RGB 83 78 183

HSL 242.86, 0.42%, 0.51%

LAB 39.08, 31.81, -55.19

 

CMYK 0 / 55 / 58 / 28

HEX #B7534D

RGB 183 83 77

HSL 3.4, 0.42%, 0.51%

LAB 47.99, 40.02, 23.22

 

CMYK 15 / 0 / 57 / 28

HEX #9CB74E

RGB 156 183 78

HSL 75.43, 0.42%, 0.51%

LAB 70.51, -25, 49.37

 

CMYK 57 / 3 / 0 / 28

HEX #4EB1B7

RGB 78 177 183

HSL 183.43, 0.42%, 0.51%

LAB 66.89, -26.93, -11.8

 

CMYK 43 / 57 / 0 / 28

HEX #684EB7

RGB 104 78 183

HSL 254.86, 0.42%, 0.51%

LAB 40.91, 36.29, -52.14

 

CMYK 0 / 55 / 58 / 28

HEX #B7534D

RGB 183 83 77

HSL 3.4, 0.42%, 0.51%

LAB 47.99, 40.02, 23.22

 

CMYK 32 / 0 / 57 / 28

HEX #7DB74E

RGB 125 183 78

HSL 93.14, 0.42%, 0.51%

LAB 68.59, -36.88, 46.66

 

CMYK 57 / 3 / 0 / 28

HEX #4EB1B7

RGB 78 177 183

HSL 183.43, 0.42%, 0.51%

LAB 66.89, -26.93, -11.8

 

CMYK 26 / 57 / 0 / 28

HEX #874EB7

RGB 135 78 183

HSL 272.57, 0.42%, 0.51%

LAB 44.26, 43.79, -46.59

 

Description

Color code: HEX #B7534D | qconv.com Color code: HEX #B7534D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 83 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 83 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 58 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 58% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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