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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B75283 it is the complementary color #48AD7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B75283. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B75283 shade: #BC527E, #CD6491, #DE76A4, #EF88B7 and #FF9ACA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B75283. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B75283 shade: #B75283, #A64070, #952E5D, #841C4A and #730A37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B75283 shade: #B75283, #B75268 and #B75252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B75283 shade: #B75283, #B7529E, #B452B7, #9952B7 and #7E52B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B75283 shade matches the following richer shades: #B75283, #CB3F83, #DE2B82 and #F21781

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B75283 shade: #B75283, #A36684, #8F7A84, #7B8E85 and #68A285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B75283 shade: #B352B7, #B7529F, #B75285, #B7526A and #B75652

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B75283 shade: #81365A, #9E426F, #B75283, #C37098 and #CF8DAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B75283 shade: #B75283, #B79952 and #52ADB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B75283 shade: #B75283, #85B752 and #5285B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B75283 shade: #B75283, #B79952, #52B785 and #5271B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B75283 shade: #B75283, #B7B752, #52B785 and #5252B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 28 / 28

HEX #B75283

RGB 183 82 131

HSL 330.89, 0.41%, 0.52%

LAB 49.18, 46.28, -7.58

 

Complementary color

CMYK 58 / 0 / 28 / 32

HEX #48AD7C

RGB 72 173 124

HSL 150.89, 0.41%, 0.48%

LAB 63.93, -41.06, 16.56

 

CMYK 0 / 56 / 33 / 26

HEX #BC527E

RGB 188 82 126

HSL 335.09, 0.44%, 0.53%

LAB 49.78, 47.27, -3.61

 

CMYK 0 / 51 / 29 / 20

HEX #CD6491

RGB 205 100 145

HSL 334.29, 0.51%, 0.6%

LAB 56.23, 46.54, -5.05

 

CMYK 0 / 47 / 26 / 13

HEX #DE76A4

RGB 222 118 164

HSL 333.46, 0.61%, 0.67%

LAB 62.65, 45.74, -6.26

 

CMYK 0 / 43 / 23 / 6

HEX #EF88B7

RGB 239 136 183

HSL 332.62, 0.76%, 0.74%

LAB 69.02, 44.93, -7.3

 

CMYK 0 / 40 / 21 / 0

HEX #FF9ACA

RGB 255 154 202

HSL 331.49, 1%, 0.8%

LAB 75.22, 43.79, -8.42

 

CMYK 0 / 55 / 28 / 28

HEX #B75283

RGB 183 82 131

HSL 330.89, 0.41%, 0.52%

LAB 49.18, 46.28, -7.58

 

CMYK 0 / 61 / 33 / 35

HEX #A64070

RGB 166 64 112

HSL 331.76, 0.44%, 0.45%

LAB 42.68, 46.85, -5.99

 

CMYK 0 / 69 / 38 / 42

HEX #952E5D

RGB 149 46 93

HSL 332.62, 0.53%, 0.38%

LAB 36.24, 47.09, -3.94

 

CMYK 0 / 79 / 44 / 48

HEX #841C4A

RGB 132 28 74

HSL 333.46, 0.65%, 0.31%

LAB 29.99, 46.67, -1.18

 

CMYK 0 / 91 / 52 / 55

HEX #730A37

RGB 115 10 55

HSL 334.29, 0.84%, 0.25%

LAB 24.12, 44.98, 2.7

 

CMYK 0 / 55 / 28 / 28

HEX #B75283

RGB 183 82 131

HSL 330.89, 0.41%, 0.52%

LAB 49.18, 46.28, -7.58

 

CMYK 0 / 55 / 43 / 28

HEX #B75268

RGB 183 82 104

HSL 346.93, 0.41%, 0.52%

LAB 48.39, 43.02, 7.54

 

CMYK 0 / 55 / 55 / 28

HEX #B75252

RGB 183 82 82

HSL 0, 0.41%, 0.52%

LAB 47.89, 40.93, 20.11

 

CMYK 0 / 55 / 28 / 28

HEX #B75283

RGB 183 82 131

HSL 330.89, 0.41%, 0.52%

LAB 49.18, 46.28, -7.58

 

CMYK 0 / 55 / 14 / 28

HEX #B7529E

RGB 183 82 158

HSL 314.85, 0.41%, 0.52%

LAB 50.18, 50.25, -22.14

 

CMYK 2 / 55 / 0 / 28

HEX #B452B7

RGB 180 82 183

HSL 298.22, 0.41%, 0.52%

LAB 50.87, 53.66, -35.75

 

CMYK 16 / 55 / 0 / 28

HEX #9952B7

RGB 153 82 183

HSL 282.18, 0.41%, 0.52%

LAB 47.27, 46.37, -41.67

 

CMYK 31 / 55 / 0 / 28

HEX #7E52B7

RGB 126 82 183

HSL 266.14, 0.41%, 0.52%

LAB 44.07, 39.29, -46.95

 

CMYK 0 / 55 / 28 / 28

HEX #B75283

RGB 183 82 131

HSL 330.89, 0.41%, 0.52%

LAB 49.18, 46.28, -7.58

 

CMYK 0 / 69 / 35 / 20

HEX #CB3F83

RGB 203 63 131

HSL 330.86, 0.57%, 0.52%

LAB 49.36, 60.59, -6.96

 

CMYK 0 / 81 / 41 / 13

HEX #DE2B82

RGB 222 43 130

HSL 330.84, 0.73%, 0.52%

LAB 50.53, 71.66, -4.25

 

CMYK 0 / 90 / 47 / 5

HEX #F21781

RGB 242 23 129

HSL 330.96, 0.89%, 0.52%

LAB 53.03, 79.89, 0.46

 

CMYK 0 / 55 / 28 / 28

HEX #B75283

RGB 183 82 131

HSL 330.89, 0.41%, 0.52%

LAB 49.18, 46.28, -7.58

 

CMYK 0 / 37 / 19 / 36

HEX #A36684

RGB 163 102 132

HSL 330.49, 0.25%, 0.52%

LAB 50.63, 28.9, -6.3

 

CMYK 0 / 15 / 8 / 44

HEX #8F7A84

RGB 143 122 132

HSL 331.43, 0.09%, 0.52%

LAB 53.41, 9.9, -2.44

 

CMYK 13 / 0 / 6 / 44

HEX #7B8E85

RGB 123 142 133

HSL 151.58, 0.08%, 0.52%

LAB 57.32, -8.68, 2.49

 

CMYK 36 / 0 / 18 / 36

HEX #68A285

RGB 104 162 133

HSL 150, 0.24%, 0.52%

LAB 62.06, -25.52, 9.15

 

CMYK 2 / 55 / 0 / 28

HEX #B352B7

RGB 179 82 183

HSL 297.62, 0.41%, 0.52%

LAB 50.73, 53.39, -35.97

 

CMYK 0 / 55 / 13 / 28

HEX #B7529F

RGB 183 82 159

HSL 314.26, 0.41%, 0.52%

LAB 50.22, 50.41, -22.66

 

CMYK 0 / 55 / 27 / 28

HEX #B75285

RGB 183 82 133

HSL 329.7, 0.41%, 0.52%

LAB 49.25, 46.55, -8.68

 

CMYK 0 / 55 / 42 / 28

HEX #B7526A

RGB 183 82 106

HSL 345.74, 0.41%, 0.52%

LAB 48.44, 43.23, 6.41

 

CMYK 0 / 53 / 55 / 28

HEX #B75652

RGB 183 86 82

HSL 2.38, 0.41%, 0.52%

LAB 48.68, 38.91, 21.14

 

CMYK 0 / 58 / 30 / 49

HEX #81365A

RGB 129 54 90

HSL 331.2, 0.41%, 0.36%

LAB 34.07, 36.51, -5.62

 

CMYK 0 / 58 / 30 / 38

HEX #9E426F

RGB 158 66 111

HSL 330.65, 0.41%, 0.44%

LAB 41.71, 43.18, -6.95

 

CMYK 0 / 55 / 28 / 28

HEX #B75283

RGB 183 82 131

HSL 330.89, 0.41%, 0.52%

LAB 49.18, 46.28, -7.58

 

CMYK 0 / 43 / 22 / 24

HEX #C37098

RGB 195 112 152

HSL 331.08, 0.41%, 0.6%

LAB 57.52, 37.93, -7.35

 

CMYK 0 / 32 / 16 / 19

HEX #CF8DAD

RGB 207 141 173

HSL 330.91, 0.41%, 0.68%

LAB 66.01, 29.76, -6.58

 

CMYK 0 / 55 / 28 / 28

HEX #B75283

RGB 183 82 131

HSL 330.89, 0.41%, 0.52%

LAB 49.18, 46.28, -7.58

 

CMYK 0 / 16 / 55 / 28

HEX #B79952

RGB 183 153 82

HSL 42.18, 0.41%, 0.52%

LAB 64.53, 2.32, 41.05

 

CMYK 55 / 5 / 0 / 28

HEX #52ADB7

RGB 82 173 183

HSL 185.94, 0.41%, 0.52%

LAB 65.83, -24.14, -13.38

 

CMYK 0 / 55 / 28 / 28

HEX #B75283

RGB 183 82 131

HSL 330.89, 0.41%, 0.52%

LAB 49.18, 46.28, -7.58

 

CMYK 27 / 0 / 55 / 28

HEX #85B752

RGB 133 183 82

HSL 89.7, 0.41%, 0.52%

LAB 69.09, -33.54, 45.47

 

CMYK 55 / 27 / 0 / 28

HEX #5285B7

RGB 82 133 183

HSL 209.7, 0.41%, 0.52%

LAB 54.01, -2.35, -31.47

 

CMYK 0 / 55 / 28 / 28

HEX #B75283

RGB 183 82 131

HSL 330.89, 0.41%, 0.52%

LAB 49.18, 46.28, -7.58

 

CMYK 0 / 16 / 55 / 28

HEX #B79952

RGB 183 153 82

HSL 42.18, 0.41%, 0.52%

LAB 64.53, 2.32, 41.05

 

CMYK 55 / 0 / 27 / 28

HEX #52B785

RGB 82 183 133

HSL 150.3, 0.41%, 0.52%

LAB 67.54, -41.25, 16.7

 

CMYK 55 / 38 / 0 / 28

HEX #5271B7

RGB 82 113 183

HSL 221.58, 0.41%, 0.52%

LAB 48.29, 9.66, -40.46

 

CMYK 0 / 55 / 28 / 28

HEX #B75283

RGB 183 82 131

HSL 330.89, 0.41%, 0.52%

LAB 49.18, 46.28, -7.58

 

CMYK 0 / 0 / 55 / 28

HEX #B7B752

RGB 183 183 82

HSL 60, 0.41%, 0.52%

LAB 72.59, -13.56, 50.43

 

CMYK 55 / 0 / 27 / 28

HEX #52B785

RGB 82 183 133

HSL 150.3, 0.41%, 0.52%

LAB 67.54, -41.25, 16.7

 

CMYK 55 / 55 / 0 / 28

HEX #5252B7

RGB 82 82 183

HSL 240, 0.41%, 0.52%

LAB 39.99, 29.11, -53.72

 

Description

Color code: HEX #B75283 | qconv.com Color code: HEX #B75283 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 82 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 82 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 28 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 28% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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