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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B75060 it is the complementary color #48AF9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B75060. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B75060 shade: #BC505B, #CD626E, #DE7481, #EF8694 and #FF98A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B75060. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B75060 shade: #B75060, #A63E4D, #952C3A, #841A27 and #730814

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B75060 shade: #B85161 and #B85151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B75060 shade: #B85161, #B8517D, #B85199, #B851B4 and #A051B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B75060 shade matches the following richer shades: #B85161, #CC3D54, #E02A46 and #F31638

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B75060 shade: #B85161, #A4656F, #90797C, #7D8D8A and #69A098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B75060 shade: #B85199, #B8517E, #B85162, #B85B51 and #B87751

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B75060 shade: #823541, #9F4150, #B85161, #C46E7C and #D08C96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B75060 shade: #B75060, #B5B851 and #518BB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B75060 shade: #B75060, #62B851 and #5162B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B75060 shade: #B75060, #B5B851, #51B8A7 and #5551B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B75060 shade: #B75060, #96B851, #51B8A7 and #7351B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 48 / 28

HEX #B75060

RGB 183 80 96

HSL 350.68, 0.42%, 0.52%

LAB 47.81, 43.18, 11.57

 

Complementary color

CMYK 59 / 0 / 9 / 31

HEX #48AF9F

RGB 72 175 159

HSL 170.68, 0.42%, 0.48%

LAB 65.39, -33.65, -0.72

 

CMYK 0 / 57 / 52 / 26

HEX #BC505B

RGB 188 80 91

HSL 353.89, 0.45%, 0.53%

LAB 48.49, 44.49, 15.65

 

CMYK 0 / 52 / 46 / 20

HEX #CD626E

RGB 205 98 110

HSL 353.27, 0.52%, 0.59%

LAB 54.91, 43.5, 13.61

 

CMYK 0 / 48 / 42 / 13

HEX #DE7481

RGB 222 116 129

HSL 352.64, 0.62%, 0.66%

LAB 61.31, 42.49, 11.89

 

CMYK 0 / 44 / 38 / 6

HEX #EF8694

RGB 239 134 148

HSL 352, 0.77%, 0.73%

LAB 67.68, 41.5, 10.4

 

CMYK 0 / 40 / 35 / 0

HEX #FF98A7

RGB 255 152 167

HSL 351.26, 1%, 0.8%

LAB 73.87, 40.2, 8.9

 

CMYK 0 / 56 / 48 / 28

HEX #B75060

RGB 183 80 96

HSL 350.68, 0.42%, 0.52%

LAB 47.81, 43.18, 11.57

 

CMYK 0 / 63 / 54 / 35

HEX #A63E4D

RGB 166 62 77

HSL 351.35, 0.46%, 0.45%

LAB 41.36, 44.04, 13.87

 

CMYK 0 / 70 / 61 / 42

HEX #952C3A

RGB 149 44 58

HSL 352, 0.54%, 0.38%

LAB 35, 44.62, 16.78

 

CMYK 0 / 80 / 70 / 48

HEX #841A27

RGB 132 26 39

HSL 352.64, 0.67%, 0.31%

LAB 28.88, 44.56, 20.56

 

CMYK 0 / 93 / 83 / 55

HEX #730814

RGB 115 8 20

HSL 353.27, 0.87%, 0.24%

LAB 23.23, 43.26, 25.42

 

CMYK 0 / 56 / 47 / 28

HEX #B85161

RGB 184 81 97

HSL 350.68, 0.42%, 0.52%

LAB 48.18, 43.14, 11.5

 

CMYK 0 / 56 / 56 / 28

HEX #B85151

RGB 184 81 81

HSL 0, 0.42%, 0.52%

LAB 47.84, 41.71, 20.66

 

CMYK 0 / 56 / 47 / 28

HEX #B85161

RGB 184 81 97

HSL 350.68, 0.42%, 0.52%

LAB 48.18, 43.14, 11.5

 

CMYK 0 / 56 / 32 / 28

HEX #B8517D

RGB 184 81 125

HSL 334.37, 0.42%, 0.52%

LAB 48.95, 46.31, -4.29

 

CMYK 0 / 56 / 17 / 28

HEX #B85199

RGB 184 81 153

HSL 318.06, 0.42%, 0.52%

LAB 49.95, 50.24, -19.52

 

CMYK 0 / 56 / 2 / 28

HEX #B851B4

RGB 184 81 180

HSL 302.33, 0.42%, 0.52%

LAB 51.12, 54.68, -33.57

 

CMYK 13 / 56 / 0 / 28

HEX #A051B8

RGB 160 81 184

HSL 286.02, 0.42%, 0.52%

LAB 48.03, 48.96, -40.99

 

CMYK 0 / 56 / 47 / 28

HEX #B85161

RGB 184 81 97

HSL 350.68, 0.42%, 0.52%

LAB 48.18, 43.14, 11.5

 

CMYK 0 / 70 / 59 / 20

HEX #CC3D54

RGB 204 61 84

HSL 350.35, 0.58%, 0.52%

LAB 48.03, 57.39, 19.71

 

CMYK 0 / 81 / 69 / 12

HEX #E02A46

RGB 224 42 70

HSL 350.77, 0.75%, 0.52%

LAB 49.43, 68.24, 30.69

 

CMYK 0 / 91 / 77 / 5

HEX #F31638

RGB 243 22 56

HSL 350.77, 0.9%, 0.52%

LAB 51.74, 76.24, 42.49

 

CMYK 0 / 56 / 47 / 28

HEX #B85161

RGB 184 81 97

HSL 350.68, 0.42%, 0.52%

LAB 48.18, 43.14, 11.5

 

CMYK 0 / 38 / 32 / 36

HEX #A4656F

RGB 164 101 111

HSL 350.48, 0.26%, 0.52%

LAB 49.91, 26.7, 5.16

 

CMYK 0 / 16 / 14 / 44

HEX #90797C

RGB 144 121 124

HSL 352.17, 0.09%, 0.52%

LAB 53.01, 9.41, 1.67

 

CMYK 11 / 0 / 2 / 45

HEX #7D8D8A

RGB 125 141 138

HSL 168.75, 0.07%, 0.52%

LAB 57.31, -6.38, -0.37

 

CMYK 34 / 0 / 5 / 37

HEX #69A098

RGB 105 160 152

HSL 171.27, 0.22%, 0.52%

LAB 62.01, -19.93, -1.6

 

CMYK 0 / 56 / 17 / 28

HEX #B85199

RGB 184 81 153

HSL 318.06, 0.42%, 0.52%

LAB 49.95, 50.24, -19.52

 

CMYK 0 / 56 / 32 / 28

HEX #B8517E

RGB 184 81 126

HSL 333.79, 0.42%, 0.52%

LAB 48.98, 46.44, -4.85

 

CMYK 0 / 56 / 47 / 28

HEX #B85162

RGB 184 81 98

HSL 350.1, 0.42%, 0.52%

LAB 48.21, 43.24, 10.93

 

CMYK 0 / 51 / 56 / 28

HEX #B85B51

RGB 184 91 81

HSL 5.83, 0.42%, 0.52%

LAB 49.82, 36.63, 23.26

 

CMYK 0 / 35 / 56 / 28

HEX #B87751

RGB 184 119 81

HSL 22.14, 0.42%, 0.52%

LAB 56.07, 21.47, 31.26

 

CMYK 0 / 59 / 50 / 49

HEX #823541

RGB 130 53 65

HSL 350.65, 0.42%, 0.36%

LAB 33.29, 34.35, 9.39

 

CMYK 0 / 59 / 50 / 38

HEX #9F4150

RGB 159 65 80

HSL 350.43, 0.42%, 0.44%

LAB 40.78, 40.42, 11.03

 

CMYK 0 / 56 / 47 / 28

HEX #B85161

RGB 184 81 97

HSL 350.68, 0.42%, 0.52%

LAB 48.18, 43.14, 11.5

 

CMYK 0 / 44 / 37 / 23

HEX #C46E7C

RGB 196 110 124

HSL 350.23, 0.42%, 0.6%

LAB 56.43, 35.56, 7.37

 

CMYK 0 / 33 / 28 / 18

HEX #D08C96

RGB 208 140 150

HSL 351.18, 0.42%, 0.68%

LAB 65.25, 27.24, 5.3

 

CMYK 0 / 56 / 48 / 28

HEX #B75060

RGB 183 80 96

HSL 350.68, 0.42%, 0.52%

LAB 47.81, 43.18, 11.57

 

CMYK 2 / 0 / 56 / 28

HEX #B5B851

RGB 181 184 81

HSL 61.75, 0.42%, 0.52%

LAB 72.69, -14.99, 50.96

 

CMYK 56 / 24 / 0 / 28

HEX #518BB8

RGB 81 139 184

HSL 206.21, 0.42%, 0.52%

LAB 55.76, -5.72, -29.33

 

CMYK 0 / 56 / 48 / 28

HEX #B75060

RGB 183 80 96

HSL 350.68, 0.42%, 0.52%

LAB 47.81, 43.18, 11.57

 

CMYK 47 / 0 / 56 / 28

HEX #62B851

RGB 98 184 81

HSL 110.1, 0.42%, 0.52%

LAB 67.63, -45.93, 43.8

 

CMYK 56 / 47 / 0 / 28

HEX #5162B8

RGB 81 98 184

HSL 230.1, 0.42%, 0.52%

LAB 44.15, 19.14, -47.62

 

CMYK 0 / 56 / 48 / 28

HEX #B75060

RGB 183 80 96

HSL 350.68, 0.42%, 0.52%

LAB 47.81, 43.18, 11.57

 

CMYK 2 / 0 / 56 / 28

HEX #B5B851

RGB 181 184 81

HSL 61.75, 0.42%, 0.52%

LAB 72.69, -14.99, 50.96

 

CMYK 56 / 0 / 9 / 28

HEX #51B8A7

RGB 81 184 167

HSL 170.1, 0.42%, 0.52%

LAB 68.62, -34.01, -0.38

 

CMYK 54 / 56 / 0 / 28

HEX #5551B8

RGB 85 81 184

HSL 242.33, 0.42%, 0.52%

LAB 40.04, 30.67, -54.22

 

CMYK 0 / 56 / 48 / 28

HEX #B75060

RGB 183 80 96

HSL 350.68, 0.42%, 0.52%

LAB 47.81, 43.18, 11.57

 

CMYK 18 / 0 / 56 / 28

HEX #96B851

RGB 150 184 81

HSL 79.81, 0.42%, 0.52%

LAB 70.43, -27.6, 47.77

 

CMYK 56 / 0 / 9 / 28

HEX #51B8A7

RGB 81 184 167

HSL 170.1, 0.42%, 0.52%

LAB 68.62, -34.01, -0.38

 

CMYK 38 / 56 / 0 / 28

HEX #7351B8

RGB 115 81 184

HSL 259.81, 0.42%, 0.52%

LAB 42.75, 37.39, -49.72

 

Description

Color code: HEX #B75060 | qconv.com Color code: HEX #B75060 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 80 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 80 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 48 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 48% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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