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Color name
HEX #B74F2C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B74F2C it is the complementary color #48B0D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B74F2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B74F2C shade: #BC4F27, #CD613A, #DE734D, #EF8560 and #FF9773

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B74F2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B74F2C shade: #B74F2C, #A63D19, #952B06, #841900 and #730700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B74F2C shade: #B9502D and #B92D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B74F2C shade: #B9502D, #B9762D, #B99C2D, #B0B92D and #8AB92D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B74F2C shade matches the following richer shades: #B9502D, #CB471A and #DE3E08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B74F2C shade: #B9502D, #A6593F, #946252, #816C64 and #6E7577

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B74F2C shade: #B92D54, #B92D2F, #B9502D, #B9752D and #B99A2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B74F2C shade: #76331D, #984225, #B9502D, #D0633E and #D87E60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B74F2C shade: #B74F2C, #7AB92D and #2D42B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B74F2C shade: #B74F2C, #2DB950 and #502DB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B74F2C shade: #B74F2C, #7AB92D, #2D96B9 and #6C2DB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B74F2C shade: #B74F2C, #50B92D, #2D96B9 and #962DB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 76 / 28

HEX #B74F2C

RGB 183 79 44

HSL 15.11, 0.61%, 0.45%

LAB 46.77, 40.04, 40.43

 

Complementary color

CMYK 66 / 17 / 0 / 17

HEX #48B0D3

RGB 72 176 211

HSL 195.11, 0.61%, 0.55%

LAB 67.38, -19.11, -26.54

 

CMYK 0 / 58 / 79 / 26

HEX #BC4F27

RGB 188 79 39

HSL 16.11, 0.66%, 0.45%

LAB 47.53, 41.74, 44

 

CMYK 0 / 53 / 72 / 20

HEX #CD613A

RGB 205 97 58

HSL 15.92, 0.6%, 0.52%

LAB 53.85, 40.17, 41.77

 

CMYK 0 / 48 / 65 / 13

HEX #DE734D

RGB 222 115 77

HSL 15.72, 0.69%, 0.59%

LAB 60.18, 38.65, 39.61

 

CMYK 0 / 44 / 60 / 6

HEX #EF8560

RGB 239 133 96

HSL 15.52, 0.82%, 0.66%

LAB 66.5, 37.24, 37.63

 

CMYK 0 / 41 / 55 / 0

HEX #FF9773

RGB 255 151 115

HSL 15.43, 1%, 0.73%

LAB 72.65, 35.56, 35.64

 

CMYK 0 / 57 / 76 / 28

HEX #B74F2C

RGB 183 79 44

HSL 15.11, 0.61%, 0.45%

LAB 46.77, 40.04, 40.43

 

CMYK 0 / 63 / 85 / 35

HEX #A63D19

RGB 166 61 25

HSL 15.32, 0.74%, 0.37%

LAB 40.43, 41.58, 42.69

 

CMYK 0 / 71 / 96 / 42

HEX #952B06

RGB 149 43 6

HSL 15.52, 0.92%, 0.3%

LAB 34.25, 42.92, 44.19

 

CMYK 0 / 81 / 100 / 48

HEX #841900

RGB 132 25 0

HSL 11.36, 1%, 0.26%

LAB 28.38, 43.66, 40.91

 

CMYK 0 / 94 / 100 / 55

HEX #730700

RGB 115 7 0

HSL 3.65, 1%, 0.23%

LAB 22.99, 42.98, 34.54

 

CMYK 0 / 57 / 76 / 27

HEX #B9502D

RGB 185 80 45

HSL 15, 0.61%, 0.45%

LAB 47.29, 40.35, 40.56

 

CMYK 0 / 76 / 76 / 27

HEX #B92D2D

RGB 185 45 45

HSL 0, 0.61%, 0.45%

LAB 41.81, 55.07, 34.65

 

CMYK 0 / 57 / 76 / 27

HEX #B9502D

RGB 185 80 45

HSL 15, 0.61%, 0.45%

LAB 47.29, 40.35, 40.56

 

CMYK 0 / 36 / 76 / 27

HEX #B9762D

RGB 185 118 45

HSL 31.29, 0.61%, 0.45%

LAB 55.54, 20.14, 49.02

 

CMYK 0 / 16 / 76 / 27

HEX #B99C2D

RGB 185 156 45

HSL 47.57, 0.61%, 0.45%

LAB 65.18, -0.76, 58.38

 

CMYK 5 / 0 / 76 / 27

HEX #B0B92D

RGB 176 185 45

HSL 63.86, 0.61%, 0.45%

LAB 72.31, -19.79, 64.76

 

CMYK 25 / 0 / 76 / 27

HEX #8AB92D

RGB 138 185 45

HSL 80.14, 0.61%, 0.45%

LAB 69.68, -35.4, 61.35

 

CMYK 0 / 57 / 76 / 27

HEX #B9502D

RGB 185 80 45

HSL 15, 0.61%, 0.45%

LAB 47.29, 40.35, 40.56

 

CMYK 0 / 65 / 87 / 20

HEX #CB471A

RGB 203 71 26

HSL 15.25, 0.77%, 0.45%

LAB 48.61, 50.48, 51.76

 

CMYK 0 / 72 / 96 / 13

HEX #DE3E08

RGB 222 62 8

HSL 15.14, 0.93%, 0.45%

LAB 50.68, 60.03, 60.37

 

CMYK 0 / 57 / 76 / 27

HEX #B9502D

RGB 185 80 45

HSL 15, 0.61%, 0.45%

LAB 47.29, 40.35, 40.56

 

CMYK 0 / 46 / 62 / 35

HEX #A6593F

RGB 166 89 63

HSL 15.15, 0.45%, 0.45%

LAB 46.46, 29.14, 28.92

 

CMYK 0 / 34 / 45 / 42

HEX #946252

RGB 148 98 82

HSL 14.55, 0.29%, 0.45%

LAB 46.5, 18.29, 17.38

 

CMYK 0 / 16 / 22 / 49

HEX #816C64

RGB 129 108 100

HSL 16.55, 0.13%, 0.45%

LAB 47.38, 6.94, 7.56

 

CMYK 8 / 2 / 0 / 53

HEX #6E7577

RGB 110 117 119

HSL 193.33, 0.04%, 0.45%

LAB 48.72, -2.2, -2.02

 

CMYK 0 / 76 / 55 / 27

HEX #B92D54

RGB 185 45 84

HSL 343.29, 0.61%, 0.45%

LAB 42.51, 57.33, 11.63

 

CMYK 0 / 76 / 75 / 27

HEX #B92D2F

RGB 185 45 47

HSL 359.14, 0.61%, 0.45%

LAB 41.84, 55.15, 33.51

 

CMYK 0 / 57 / 76 / 27

HEX #B9502D

RGB 185 80 45

HSL 15, 0.61%, 0.45%

LAB 47.29, 40.35, 40.56

 

CMYK 0 / 37 / 76 / 27

HEX #B9752D

RGB 185 117 45

HSL 30.86, 0.61%, 0.45%

LAB 55.3, 20.7, 48.78

 

CMYK 0 / 17 / 76 / 27

HEX #B99A2D

RGB 185 154 45

HSL 46.71, 0.61%, 0.45%

LAB 64.66, 0.31, 57.88

 

CMYK 0 / 57 / 75 / 54

HEX #76331D

RGB 118 51 29

HSL 14.83, 0.61%, 0.29%

LAB 30.18, 27.82, 27.63

 

CMYK 0 / 57 / 76 / 40

HEX #984225

RGB 152 66 37

HSL 15.13, 0.61%, 0.37%

LAB 39.08, 34.17, 34.47

 

CMYK 0 / 57 / 76 / 27

HEX #B9502D

RGB 185 80 45

HSL 15, 0.61%, 0.45%

LAB 47.29, 40.35, 40.56

 

CMYK 0 / 52 / 70 / 18

HEX #D0633E

RGB 208 99 62

HSL 15.21, 0.61%, 0.53%

LAB 54.74, 40.52, 40.78

 

CMYK 0 / 42 / 56 / 15

HEX #D87E60

RGB 216 126 96

HSL 15, 0.61%, 0.61%

LAB 61.97, 31.92, 31.29

 

CMYK 0 / 57 / 76 / 28

HEX #B74F2C

RGB 183 79 44

HSL 15.11, 0.61%, 0.45%

LAB 46.77, 40.04, 40.43

 

CMYK 34 / 0 / 76 / 27

HEX #7AB92D

RGB 122 185 45

HSL 87, 0.61%, 0.45%

LAB 68.77, -41.44, 60.17

 

CMYK 76 / 64 / 0 / 27

HEX #2D42B9

RGB 45 66 185

HSL 231, 0.61%, 0.45%

LAB 33.89, 34.28, -64.93

 

CMYK 0 / 57 / 76 / 28

HEX #B74F2C

RGB 183 79 44

HSL 15.11, 0.61%, 0.45%

LAB 46.77, 40.04, 40.43

 

CMYK 76 / 0 / 57 / 27

HEX #2DB950

RGB 45 185 80

HSL 135, 0.61%, 0.45%

LAB 66.39, -58.35, 42.43

 

CMYK 57 / 76 / 0 / 27

HEX #502DB9

RGB 80 45 185

HSL 255, 0.61%, 0.45%

LAB 32, 50.74, -67.94

 

CMYK 0 / 57 / 76 / 28

HEX #B74F2C

RGB 183 79 44

HSL 15.11, 0.61%, 0.45%

LAB 46.77, 40.04, 40.43

 

CMYK 34 / 0 / 76 / 27

HEX #7AB92D

RGB 122 185 45

HSL 87, 0.61%, 0.45%

LAB 68.77, -41.44, 60.17

 

CMYK 76 / 19 / 0 / 27

HEX #2D96B9

RGB 45 150 185

HSL 195, 0.61%, 0.45%

LAB 57.92, -17.56, -26.65

 

CMYK 42 / 76 / 0 / 27

HEX #6C2DB9

RGB 108 45 185

HSL 267, 0.61%, 0.45%

LAB 35.14, 54.96, -62.68

 

CMYK 0 / 57 / 76 / 28

HEX #B74F2C

RGB 183 79 44

HSL 15.11, 0.61%, 0.45%

LAB 46.77, 40.04, 40.43

 

CMYK 57 / 0 / 76 / 27

HEX #50B92D

RGB 80 185 45

HSL 105, 0.61%, 0.45%

LAB 66.97, -54.73, 57.8

 

CMYK 76 / 19 / 0 / 27

HEX #2D96B9

RGB 45 150 185

HSL 195, 0.61%, 0.45%

LAB 57.92, -17.56, -26.65

 

CMYK 19 / 76 / 0 / 27

HEX #962DB9

RGB 150 45 185

HSL 285, 0.61%, 0.45%

LAB 41, 62.58, -52.89

 

Description

Color code: HEX #B74F2C | qconv.com Color code: HEX #B74F2C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 79 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 79 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 76 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 76% 28% C M Y K

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Provide designers and agencies with accurate color values.

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