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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B74612 it is the complementary color #48B9ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B74612. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B74612 shade: #BC460D, #CD5820, #DE6A33, #EF7C46 and #FF8E59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B74612. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B74612 shade: #B74612, #A63400, #952200, #841000 and #730000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B74612 shade: #B54512, #B51912 and #B51212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B74612 shade: #B54512, #B57112, #B59D12, #A1B512 and #75B512

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B74612 shade matches the following richer shades: #B54512 and #C53F02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B74612 shade: #B54512, #A54B22, #955132, #855742 and #755D52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B74612 shade: #B51238, #B51712, #B54312, #B56E12 and #B59A12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B74612 shade: #6A290A, #8F370E, #B54512, #DB5416 and #EA6A2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B74612 shade: #B74612, #63B512 and #1222B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B74612 shade: #B74612, #12B543 and #4312B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B74612 shade: #B74612, #63B512, #1284B5 and #6312B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B74612 shade: #B74612, #33B512, #1284B5 and #9412B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 90 / 28

HEX #B74612

RGB 183 70 18

HSL 18.91, 0.82%, 0.39%

LAB 44.93, 43.57, 50.42

 

Complementary color

CMYK 70 / 22 / 0 / 7

HEX #48B9ED

RGB 72 185 237

HSL 198.91, 0.82%, 0.61%

LAB 71, -15.58, -35.16

 

CMYK 0 / 63 / 93 / 26

HEX #BC460D

RGB 188 70 13

HSL 19.54, 0.87%, 0.39%

LAB 45.77, 45.33, 53.01

 

CMYK 0 / 57 / 84 / 20

HEX #CD5820

RGB 205 88 32

HSL 19.42, 0.73%, 0.46%

LAB 51.91, 43.62, 52.22

 

CMYK 0 / 52 / 77 / 13

HEX #DE6A33

RGB 222 106 51

HSL 19.3, 0.72%, 0.54%

LAB 58.11, 41.91, 50.53

 

CMYK 0 / 48 / 71 / 6

HEX #EF7C46

RGB 239 124 70

HSL 19.17, 0.84%, 0.61%

LAB 64.33, 40.28, 48.6

 

CMYK 0 / 44 / 65 / 0

HEX #FF8E59

RGB 255 142 89

HSL 19.16, 1%, 0.67%

LAB 70.4, 38.37, 46.49

 

CMYK 0 / 62 / 90 / 28

HEX #B74612

RGB 183 70 18

HSL 18.91, 0.82%, 0.39%

LAB 44.93, 43.57, 50.42

 

CMYK 0 / 69 / 100 / 35

HEX #A63400

RGB 166 52 0

HSL 18.8, 1%, 0.33%

LAB 38.83, 45.1, 50.72

 

CMYK 0 / 77 / 100 / 42

HEX #952200

RGB 149 34 0

HSL 13.69, 1%, 0.29%

LAB 32.99, 46.22, 45.86

 

CMYK 0 / 88 / 100 / 48

HEX #841000

RGB 132 16 0

HSL 7.27, 1%, 0.26%

LAB 27.51, 46.13, 40.17

 

CMYK 0 / 100 / 100 / 55

HEX #730000

RGB 115 0 0

HSL 0, 1%, 0.23%

LAB 22.46, 44.5, 33.99

 

CMYK 0 / 62 / 90 / 29

HEX #B54512

RGB 181 69 18

HSL 18.77, 0.82%, 0.39%

LAB 44.41, 43.29, 49.88

 

CMYK 0 / 86 / 90 / 29

HEX #B51912

RGB 181 25 18

HSL 2.58, 0.82%, 0.39%

LAB 38.83, 58.61, 45.73

 

CMYK 0 / 90 / 90 / 29

HEX #B51212

RGB 181 18 18

HSL 0, 0.82%, 0.39%

LAB 38.38, 59.92, 45.4

 

CMYK 0 / 62 / 90 / 29

HEX #B54512

RGB 181 69 18

HSL 18.77, 0.82%, 0.39%

LAB 44.41, 43.29, 49.88

 

CMYK 0 / 38 / 90 / 29

HEX #B57112

RGB 181 113 18

HSL 34.97, 0.82%, 0.39%

LAB 53.68, 20.3, 56.95

 

CMYK 0 / 13 / 90 / 29

HEX #B59D12

RGB 181 157 18

HSL 51.17, 0.82%, 0.39%

LAB 64.95, -3.92, 65.7

 

CMYK 11 / 0 / 90 / 29

HEX #A1B512

RGB 161 181 18

HSL 67.36, 0.82%, 0.39%

LAB 69.94, -25.05, 68.94

 

CMYK 35 / 0 / 90 / 29

HEX #75B512

RGB 117 181 18

HSL 83.56, 0.82%, 0.39%

LAB 67.18, -42.65, 65.55

 

CMYK 0 / 62 / 90 / 29

HEX #B54512

RGB 181 69 18

HSL 18.77, 0.82%, 0.39%

LAB 44.41, 43.29, 49.88

 

CMYK 0 / 68 / 99 / 23

HEX #C53F02

RGB 197 63 2

HSL 18.77, 0.98%, 0.39%

LAB 46.22, 51.39, 57.01

 

CMYK 0 / 62 / 90 / 29

HEX #B54512

RGB 181 69 18

HSL 18.77, 0.82%, 0.39%

LAB 44.41, 43.29, 49.88

 

CMYK 0 / 55 / 79 / 35

HEX #A54B22

RGB 165 75 34

HSL 18.78, 0.66%, 0.39%

LAB 42.98, 34.59, 40.72

 

CMYK 0 / 46 / 66 / 42

HEX #955132

RGB 149 81 50

HSL 18.79, 0.5%, 0.39%

LAB 42.01, 25.54, 30.39

 

CMYK 0 / 35 / 50 / 48

HEX #855742

RGB 133 87 66

HSL 18.81, 0.34%, 0.39%

LAB 41.53, 16.5, 19.96

 

CMYK 0 / 21 / 30 / 54

HEX #755D52

RGB 117 93 82

HSL 18.86, 0.18%, 0.39%

LAB 41.56, 7.99, 10.02

 

CMYK 0 / 90 / 69 / 29

HEX #B51238

RGB 181 18 56

HSL 346.01, 0.82%, 0.39%

LAB 38.8, 61.13, 24.21

 

CMYK 0 / 87 / 90 / 29

HEX #B51712

RGB 181 23 18

HSL 1.84, 0.82%, 0.39%

LAB 38.69, 59.02, 45.63

 

CMYK 0 / 63 / 90 / 29

HEX #B54312

RGB 181 67 18

HSL 18.04, 0.82%, 0.39%

LAB 44.06, 44.2, 49.62

 

CMYK 0 / 39 / 90 / 29

HEX #B56E12

RGB 181 110 18

HSL 33.87, 0.82%, 0.39%

LAB 52.97, 21.96, 56.4

 

CMYK 0 / 15 / 90 / 29

HEX #B59A12

RGB 181 154 18

HSL 50.06, 0.82%, 0.39%

LAB 64.14, -2.31, 65.07

 

CMYK 0 / 61 / 91 / 58

HEX #6A290A

RGB 106 41 10

HSL 19.38, 0.83%, 0.23%

LAB 25.78, 27.4, 32.56

 

CMYK 0 / 62 / 90 / 44

HEX #8F370E

RGB 143 55 14

HSL 19.07, 0.82%, 0.31%

LAB 35.21, 35.38, 41.41

 

CMYK 0 / 62 / 90 / 29

HEX #B54512

RGB 181 69 18

HSL 18.77, 0.82%, 0.39%

LAB 44.41, 43.29, 49.88

 

CMYK 0 / 62 / 90 / 14

HEX #DB5416

RGB 219 84 22

HSL 18.88, 0.82%, 0.47%

LAB 53.45, 50.4, 58.1

 

CMYK 0 / 55 / 80 / 8

HEX #EA6A2F

RGB 234 106 47

HSL 18.93, 0.82%, 0.55%

LAB 59.89, 46.31, 54.71

 

CMYK 0 / 62 / 90 / 28

HEX #B74612

RGB 183 70 18

HSL 18.91, 0.82%, 0.39%

LAB 44.93, 43.57, 50.42

 

CMYK 45 / 0 / 90 / 29

HEX #63B512

RGB 99 181 18

HSL 90.18, 0.82%, 0.39%

LAB 66.32, -48.88, 64.49

 

CMYK 90 / 81 / 0 / 29

HEX #1222B5

RGB 18 34 181

HSL 234.11, 0.82%, 0.39%

LAB 25.59, 49.99, -76.29

 

CMYK 0 / 62 / 90 / 28

HEX #B74612

RGB 183 70 18

HSL 18.91, 0.82%, 0.39%

LAB 44.93, 43.57, 50.42

 

CMYK 90 / 0 / 63 / 29

HEX #12B543

RGB 18 181 67

HSL 138.04, 0.82%, 0.39%

LAB 64.63, -61.55, 46.28

 

CMYK 63 / 90 / 0 / 29

HEX #4312B5

RGB 67 18 181

HSL 258.04, 0.82%, 0.39%

LAB 26.63, 58.97, -74.48

 

CMYK 0 / 62 / 90 / 28

HEX #B74612

RGB 183 70 18

HSL 18.91, 0.82%, 0.39%

LAB 44.93, 43.57, 50.42

 

CMYK 45 / 0 / 90 / 29

HEX #63B512

RGB 99 181 18

HSL 90.18, 0.82%, 0.39%

LAB 66.32, -48.88, 64.49

 

CMYK 90 / 27 / 0 / 29

HEX #1284B5

RGB 18 132 181

HSL 198.04, 0.82%, 0.39%

LAB 51.8, -11.41, -33.91

 

CMYK 45 / 90 / 0 / 29

HEX #6312B5

RGB 99 18 181

HSL 269.82, 0.82%, 0.39%

LAB 30.45, 61.95, -68.04

 

CMYK 0 / 62 / 90 / 28

HEX #B74612

RGB 183 70 18

HSL 18.91, 0.82%, 0.39%

LAB 44.93, 43.57, 50.42

 

CMYK 72 / 0 / 90 / 29

HEX #33B512

RGB 51 181 18

HSL 107.85, 0.82%, 0.39%

LAB 64.8, -61.15, 62.59

 

CMYK 90 / 27 / 0 / 29

HEX #1284B5

RGB 18 132 181

HSL 198.04, 0.82%, 0.39%

LAB 51.8, -11.41, -33.91

 

CMYK 18 / 90 / 0 / 29

HEX #9412B5

RGB 148 18 181

HSL 287.85, 0.82%, 0.39%

LAB 37.96, 68.58, -55.46

 

Description

Color code: HEX #B74612 | qconv.com Color code: HEX #B74612 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 70 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 70 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 90 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 90% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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