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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B72982 it is the complementary color #48D67D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B72982. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B72982 shade: #BC297D, #CD3B90, #DE4DA3, #EF5FB6 and #FF71C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B72982. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B72982 shade: #B72982, #A6176F, #95055C, #840049 and #730036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B72982 shade: #B72A82, #B72A5C, #B72A36 and #B72A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B72982 shade: #B72A82, #B72AA8, #9F2AB7, #792AB7 and #532AB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B72982 shade matches the following richer shades: #B72A82, #C91787 and #DB058B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B72982 shade: #B72A82, #A53C7E, #934E79, #806074 and #6E7270

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B72982 shade: #9F2AB7, #B72AA9, #B72A83, #B72A5D and #B72A38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B72982 shade: #741A52, #95226A, #B72A82, #D23898 and #D959AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B72982 shade: #B72982, #B77A2A and #2AB7B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B72982 shade: #B72982, #83B72A and #2A83B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B72982 shade: #B72982, #B77A2A, #2AB75D and #2A67B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B72982 shade: #B72982, #B7A42A, #2AB75D and #2A3CB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 29 / 28

HEX #B72982

RGB 183 41 130

HSL 322.39, 0.63%, 0.44%

LAB 43.16, 62.56, -16.06

 

Complementary color

CMYK 66 / 0 / 42 / 16

HEX #48D67D

RGB 72 214 125

HSL 142.39, 0.63%, 0.56%

LAB 76.65, -57.34, 33.12

 

CMYK 0 / 78 / 34 / 26

HEX #BC297D

RGB 188 41 125

HSL 325.71, 0.64%, 0.45%

LAB 43.88, 63.23, -11.8

 

CMYK 0 / 71 / 30 / 20

HEX #CD3B90

RGB 205 59 144

HSL 325.07, 0.59%, 0.52%

LAB 49.64, 64.08, -14.32

 

CMYK 0 / 65 / 27 / 13

HEX #DE4DA3

RGB 222 77 163

HSL 324.41, 0.69%, 0.59%

LAB 55.57, 64.31, -16.31

 

CMYK 0 / 60 / 24 / 6

HEX #EF5FB6

RGB 239 95 182

HSL 323.75, 0.82%, 0.65%

LAB 61.58, 64.15, -17.92

 

CMYK 0 / 56 / 21 / 0

HEX #FF71C9

RGB 255 113 201

HSL 322.82, 1%, 0.72%

LAB 67.49, 63.46, -19.48

 

CMYK 0 / 78 / 29 / 28

HEX #B72982

RGB 183 41 130

HSL 322.39, 0.63%, 0.44%

LAB 43.16, 62.56, -16.06

 

CMYK 0 / 86 / 33 / 35

HEX #A6176F

RGB 166 23 111

HSL 323.08, 0.76%, 0.37%

LAB 37.6, 60.8, -13

 

CMYK 0 / 97 / 38 / 42

HEX #95055C

RGB 149 5 92

HSL 323.75, 0.94%, 0.3%

LAB 32.42, 57.74, -9.02

 

CMYK 0 / 100 / 45 / 48

HEX #840049

RGB 132 0 73

HSL 326.82, 1%, 0.26%

LAB 27.81, 52.73, -3.73

 

CMYK 0 / 100 / 53 / 55

HEX #730036

RGB 115 0 54

HSL 331.83, 1%, 0.23%

LAB 23.38, 46.96, 2.32

 

CMYK 0 / 77 / 29 / 28

HEX #B72A82

RGB 183 42 130

HSL 322.55, 0.63%, 0.44%

LAB 43.26, 62.27, -15.9

 

CMYK 0 / 77 / 50 / 28

HEX #B72A5C

RGB 183 42 92

HSL 338.72, 0.63%, 0.44%

LAB 41.99, 58.36, 5.83

 

CMYK 0 / 77 / 70 / 28

HEX #B72A36

RGB 183 42 54

HSL 354.89, 0.63%, 0.44%

LAB 41.2, 55.83, 28.48

 

CMYK 0 / 77 / 77 / 28

HEX #B72A2A

RGB 183 42 42

HSL 0, 0.63%, 0.44%

LAB 41.04, 55.32, 35.43

 

CMYK 0 / 77 / 29 / 28

HEX #B72A82

RGB 183 42 130

HSL 322.55, 0.63%, 0.44%

LAB 43.26, 62.27, -15.9

 

CMYK 0 / 77 / 8 / 28

HEX #B72AA8

RGB 183 42 168

HSL 306.38, 0.63%, 0.44%

LAB 45.01, 67.41, -36.12

 

CMYK 13 / 77 / 0 / 28

HEX #9F2AB7

RGB 159 42 183

HSL 289.79, 0.63%, 0.44%

LAB 41.92, 64.95, -50.17

 

CMYK 34 / 77 / 0 / 28

HEX #792AB7

RGB 121 42 183

HSL 273.62, 0.63%, 0.44%

LAB 36.25, 57.92, -59.6

 

CMYK 55 / 77 / 0 / 28

HEX #532AB7

RGB 83 42 183

HSL 257.45, 0.63%, 0.44%

LAB 31.61, 52.02, -67.39

 

CMYK 0 / 77 / 29 / 28

HEX #B72A82

RGB 183 42 130

HSL 322.55, 0.63%, 0.44%

LAB 43.26, 62.27, -15.9

 

CMYK 0 / 89 / 33 / 21

HEX #C91787

RGB 201 23 135

HSL 322.25, 0.79%, 0.44%

LAB 45.33, 71.35, -15.5

 

CMYK 0 / 98 / 37 / 14

HEX #DB058B

RGB 219 5 139

HSL 322.43, 0.96%, 0.44%

LAB 48.3, 77.52, -13.1

 

CMYK 0 / 77 / 29 / 28

HEX #B72A82

RGB 183 42 130

HSL 322.55, 0.63%, 0.44%

LAB 43.26, 62.27, -15.9

 

CMYK 0 / 64 / 24 / 35

HEX #A53C7E

RGB 165 60 126

HSL 322.29, 0.47%, 0.44%

LAB 42.36, 50.21, -15.1

 

CMYK 0 / 47 / 18 / 42

HEX #934E79

RGB 147 78 121

HSL 322.61, 0.31%, 0.44%

LAB 42.81, 34.74, -11.61

 

CMYK 0 / 25 / 9 / 50

HEX #806074

RGB 128 96 116

HSL 322.5, 0.14%, 0.44%

LAB 44.54, 16.48, -6.21

 

CMYK 4 / 0 / 2 / 55

HEX #6E7270

RGB 110 114 112

HSL 150, 0.02%, 0.44%

LAB 47.65, -1.93, 0.57

 

CMYK 13 / 77 / 0 / 28

HEX #9F2AB7

RGB 159 42 183

HSL 289.79, 0.63%, 0.44%

LAB 41.92, 64.95, -50.17

 

CMYK 0 / 77 / 8 / 28

HEX #B72AA9

RGB 183 42 169

HSL 305.96, 0.63%, 0.44%

LAB 45.06, 67.56, -36.63

 

CMYK 0 / 77 / 28 / 28

HEX #B72A83

RGB 183 42 131

HSL 322.13, 0.63%, 0.44%

LAB 43.3, 62.39, -16.45

 

CMYK 0 / 77 / 49 / 28

HEX #B72A5D

RGB 183 42 93

HSL 338.3, 0.63%, 0.44%

LAB 42.02, 58.44, 5.24

 

CMYK 0 / 77 / 69 / 28

HEX #B72A38

RGB 183 42 56

HSL 354.04, 0.63%, 0.44%

LAB 41.23, 55.93, 27.3

 

CMYK 0 / 78 / 29 / 55

HEX #741A52

RGB 116 26 82

HSL 322.67, 0.63%, 0.28%

LAB 26.91, 43.75, -11.43

 

CMYK 0 / 77 / 29 / 42

HEX #95226A

RGB 149 34 106

HSL 322.43, 0.63%, 0.36%

LAB 35.15, 53.09, -13.87

 

CMYK 0 / 77 / 29 / 28

HEX #B72A82

RGB 183 42 130

HSL 322.55, 0.63%, 0.44%

LAB 43.26, 62.27, -15.9

 

CMYK 0 / 73 / 28 / 18

HEX #D23898

RGB 210 56 152

HSL 322.6, 0.63%, 0.52%

LAB 50.45, 67.33, -17.79

 

CMYK 0 / 59 / 22 / 15

HEX #D959AA

RGB 217 89 170

HSL 322.03, 0.63%, 0.6%

LAB 56.88, 58.82, -18.46

 

CMYK 0 / 78 / 29 / 28

HEX #B72982

RGB 183 41 130

HSL 322.39, 0.63%, 0.44%

LAB 43.16, 62.56, -16.06

 

CMYK 0 / 33 / 77 / 28

HEX #B77A2A

RGB 183 122 42

HSL 34.04, 0.63%, 0.44%

LAB 56.24, 16.92, 50.92

 

CMYK 77 / 0 / 3 / 28

HEX #2AB7B2

RGB 42 183 178

HSL 177.87, 0.63%, 0.44%

LAB 67.71, -36.54, -7.9

 

CMYK 0 / 78 / 29 / 28

HEX #B72982

RGB 183 41 130

HSL 322.39, 0.63%, 0.44%

LAB 43.16, 62.56, -16.06

 

CMYK 28 / 0 / 77 / 28

HEX #83B72A

RGB 131 183 42

HSL 82.13, 0.63%, 0.44%

LAB 68.65, -37.36, 61.2

 

CMYK 77 / 28 / 0 / 28

HEX #2A83B7

RGB 42 131 183

HSL 202.13, 0.63%, 0.44%

LAB 52, -8.01, -34.72

 

CMYK 0 / 78 / 29 / 28

HEX #B72982

RGB 183 41 130

HSL 322.39, 0.63%, 0.44%

LAB 43.16, 62.56, -16.06

 

CMYK 0 / 33 / 77 / 28

HEX #B77A2A

RGB 183 122 42

HSL 34.04, 0.63%, 0.44%

LAB 56.24, 16.92, 50.92

 

CMYK 77 / 0 / 49 / 28

HEX #2AB75D

RGB 42 183 93

HSL 141.7, 0.63%, 0.44%

LAB 65.86, -56.15, 35.4

 

CMYK 77 / 44 / 0 / 28

HEX #2A67B7

RGB 42 103 183

HSL 214.04, 0.63%, 0.44%

LAB 43.67, 9.05, -47.92

 

CMYK 0 / 78 / 29 / 28

HEX #B72982

RGB 183 41 130

HSL 322.39, 0.63%, 0.44%

LAB 43.16, 62.56, -16.06

 

CMYK 0 / 10 / 77 / 28

HEX #B7A42A

RGB 183 164 42

HSL 51.91, 0.63%, 0.44%

LAB 67.12, -6.05, 61.17

 

CMYK 77 / 0 / 49 / 28

HEX #2AB75D

RGB 42 183 93

HSL 141.7, 0.63%, 0.44%

LAB 65.86, -56.15, 35.4

 

CMYK 77 / 67 / 0 / 28

HEX #2A3CB7

RGB 42 60 183

HSL 232.34, 0.63%, 0.44%

LAB 32.13, 37.07, -66.64

 

Description

Color code: HEX #B72982 | qconv.com Color code: HEX #B72982 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 41 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 41 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 29 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 29% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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