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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B71CB7 it is the complementary color #48E348. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B71CB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B71CB7 shade: #BC1CB2, #CD2EC5, #DE40D8, #EF52EB and #FF64FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B71CB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B71CB7 shade: #B71CB7, #A60AA4, #950091, #84007E and #73006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B71CB7 shade: #B51CB5, #B51C8C, #B51C63, #B51C39 and #B51C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B71CB7 shade: #B51CB5, #8C1CB5, #631CB5, #391CB5 and #1C1CB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B71CB7 shade matches the following richer shades: #B51CB5 and #C60BC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B71CB7 shade: #B51CB5, #A42DA4, #933E93, #824F82 and #716071

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B71CB7 shade: #631CB5, #8C1CB5, #B51CB5, #B51C8C and #B51C63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B71CB7 shade: #6D116D, #911791, #B51CB5, #D922D9 and #E242E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B71CB7 shade: #B71CB7, #B53B1C and #1CB578

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B71CB7 shade: #B71CB7, #B5B51C and #1CB5B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B71CB7 shade: #B71CB7, #B53B1C, #1CB51C and #1C96B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B71CB7 shade: #B71CB7, #B5691C, #1CB51C and #1C69B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 0 / 28

HEX #B71CB7

RGB 183 28 183

HSL 300, 0.73%, 0.41%

LAB 44.68, 73.06, -45.51

 

Complementary color

CMYK 68 / 0 / 68 / 11

HEX #48E348

RGB 72 227 72

HSL 120, 0.73%, 0.59%

LAB 80.06, -68.72, 61.32

 

CMYK 0 / 85 / 5 / 26

HEX #BC1CB2

RGB 188 28 178

HSL 303.75, 0.74%, 0.42%

LAB 45.27, 73.24, -41.58

 

CMYK 0 / 78 / 4 / 20

HEX #CD2EC5

RGB 205 46 197

HSL 303.02, 0.63%, 0.49%

LAB 50.65, 75.27, -43.96

 

CMYK 0 / 71 / 3 / 13

HEX #DE40D8

RGB 222 64 216

HSL 302.28, 0.71%, 0.56%

LAB 56.24, 76.43, -45.8

 

CMYK 0 / 66 / 2 / 6

HEX #EF52EB

RGB 239 82 235

HSL 301.53, 0.83%, 0.63%

LAB 61.98, 76.98, -47.24

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FE

RGB 255 100 254

HSL 300.39, 1%, 0.7%

LAB 67.67, 76.87, -48.61

 

CMYK 0 / 85 / 0 / 28

HEX #B71CB7

RGB 183 28 183

HSL 300, 0.73%, 0.41%

LAB 44.68, 73.06, -45.51

 

CMYK 0 / 94 / 1 / 35

HEX #A60AA4

RGB 166 10 164

HSL 300.77, 0.89%, 0.35%

LAB 39.59, 69.86, -42.53

 

CMYK 0 / 100 / 3 / 42

HEX #950091

RGB 149 0 145

HSL 301.61, 1%, 0.29%

LAB 34.87, 65.21, -38.7

 

CMYK 0 / 100 / 5 / 48

HEX #84007E

RGB 132 0 126

HSL 302.73, 1%, 0.26%

LAB 30.43, 59.34, -34.16

 

CMYK 0 / 100 / 7 / 55

HEX #73006B

RGB 115 0 107

HSL 304.17, 1%, 0.23%

LAB 25.88, 53.33, -29.47

 

CMYK 0 / 85 / 0 / 29

HEX #B51CB5

RGB 181 28 181

HSL 300, 0.73%, 0.41%

LAB 44.22, 72.38, -45.09

 

CMYK 0 / 85 / 23 / 29

HEX #B51C8C

RGB 181 28 140

HSL 316.08, 0.73%, 0.41%

LAB 42.07, 66.61, -23.88

 

CMYK 0 / 85 / 45 / 29

HEX #B51C63

RGB 181 28 99

HSL 332.16, 0.73%, 0.41%

LAB 40.5, 62.17, -0.79

 

CMYK 0 / 85 / 69 / 29

HEX #B51C39

RGB 181 28 57

HSL 348.63, 0.73%, 0.41%

LAB 39.5, 59.23, 24.45

 

CMYK 0 / 85 / 85 / 29

HEX #B51C1C

RGB 181 28 28

HSL 0, 0.73%, 0.41%

LAB 39.14, 58.15, 41.14

 

CMYK 0 / 85 / 0 / 29

HEX #B51CB5

RGB 181 28 181

HSL 300, 0.73%, 0.41%

LAB 44.22, 72.38, -45.09

 

CMYK 23 / 85 / 0 / 29

HEX #8C1CB5

RGB 140 28 181

HSL 283.92, 0.73%, 0.41%

LAB 37.38, 65.19, -56.47

 

CMYK 45 / 85 / 0 / 29

HEX #631CB5

RGB 99 28 181

HSL 267.84, 0.73%, 0.41%

LAB 31.39, 59.16, -66.49

 

CMYK 69 / 85 / 0 / 29

HEX #391CB5

RGB 57 28 181

HSL 251.37, 0.73%, 0.41%

LAB 26.84, 54.83, -74.16

 

CMYK 85 / 85 / 0 / 29

HEX #1C1CB5

RGB 28 28 181

HSL 240, 0.73%, 0.41%

LAB 24.99, 53.16, -77.27

 

CMYK 0 / 85 / 0 / 29

HEX #B51CB5

RGB 181 28 181

HSL 300, 0.73%, 0.41%

LAB 44.22, 72.38, -45.09

 

CMYK 0 / 94 / 0 / 22

HEX #C60BC6

RGB 198 11 198

HSL 300, 0.89%, 0.41%

LAB 47.39, 80.29, -49.79

 

CMYK 0 / 85 / 0 / 29

HEX #B51CB5

RGB 181 28 181

HSL 300, 0.73%, 0.41%

LAB 44.22, 72.38, -45.09

 

CMYK 0 / 73 / 0 / 36

HEX #A42DA4

RGB 164 45 164

HSL 300, 0.57%, 0.41%

LAB 41.92, 61.68, -38.83

 

CMYK 0 / 58 / 0 / 42

HEX #933E93

RGB 147 62 147

HSL 300, 0.41%, 0.41%

LAB 40.82, 47.53, -30.51

 

CMYK 0 / 39 / 0 / 49

HEX #824F82

RGB 130 79 130

HSL 300, 0.24%, 0.41%

LAB 41.14, 29.98, -19.87

 

CMYK 0 / 15 / 0 / 56

HEX #716071

RGB 113 96 113

HSL 300, 0.08%, 0.41%

LAB 42.87, 10.16, -7.06

 

CMYK 45 / 85 / 0 / 29

HEX #631CB5

RGB 99 28 181

HSL 267.84, 0.73%, 0.41%

LAB 31.39, 59.16, -66.49

 

CMYK 23 / 85 / 0 / 29

HEX #8C1CB5

RGB 140 28 181

HSL 283.92, 0.73%, 0.41%

LAB 37.38, 65.19, -56.47

 

CMYK 0 / 85 / 0 / 29

HEX #B51CB5

RGB 181 28 181

HSL 300, 0.73%, 0.41%

LAB 44.22, 72.38, -45.09

 

CMYK 0 / 85 / 23 / 29

HEX #B51C8C

RGB 181 28 140

HSL 316.08, 0.73%, 0.41%

LAB 42.07, 66.61, -23.88

 

CMYK 0 / 85 / 45 / 29

HEX #B51C63

RGB 181 28 99

HSL 332.16, 0.73%, 0.41%

LAB 40.5, 62.17, -0.79

 

CMYK 0 / 84 / 0 / 57

HEX #6D116D

RGB 109 17 109

HSL 300, 0.73%, 0.25%

LAB 26.03, 48.97, -30.59

 

CMYK 0 / 84 / 0 / 43

HEX #911791

RGB 145 23 145

HSL 300, 0.73%, 0.33%

LAB 35.35, 60.88, -37.97

 

CMYK 0 / 85 / 0 / 29

HEX #B51CB5

RGB 181 28 181

HSL 300, 0.73%, 0.41%

LAB 44.22, 72.38, -45.09

 

CMYK 0 / 84 / 0 / 15

HEX #D922D9

RGB 217 34 217

HSL 300, 0.73%, 0.49%

LAB 52.85, 83.21, -51.82

 

CMYK 0 / 71 / 0 / 11

HEX #E242E2

RGB 226 66 226

HSL 300, 0.73%, 0.57%

LAB 57.61, 78.2, -49.24

 

CMYK 0 / 85 / 0 / 28

HEX #B71CB7

RGB 183 28 183

HSL 300, 0.73%, 0.41%

LAB 44.68, 73.06, -45.51

 

CMYK 0 / 67 / 85 / 29

HEX #B53B1C

RGB 181 59 28

HSL 12.16, 0.73%, 0.41%

LAB 42.82, 47.93, 44.44

 

CMYK 85 / 0 / 34 / 29

HEX #1CB578

RGB 28 181 120

HSL 156.08, 0.73%, 0.41%

LAB 65.48, -51.86, 20.71

 

CMYK 0 / 85 / 0 / 28

HEX #B71CB7

RGB 183 28 183

HSL 300, 0.73%, 0.41%

LAB 44.68, 73.06, -45.51

 

CMYK 0 / 0 / 85 / 29

HEX #B5B51C

RGB 181 181 28

HSL 60, 0.73%, 0.41%

LAB 71.52, -16.2, 68.91

 

CMYK 85 / 0 / 0 / 29

HEX #1CB5B5

RGB 28 181 181

HSL 180, 0.73%, 0.41%

LAB 67, -35.94, -10.63

 

CMYK 0 / 85 / 0 / 28

HEX #B71CB7

RGB 183 28 183

HSL 300, 0.73%, 0.41%

LAB 44.68, 73.06, -45.51

 

CMYK 0 / 67 / 85 / 29

HEX #B53B1C

RGB 181 59 28

HSL 12.16, 0.73%, 0.41%

LAB 42.82, 47.93, 44.44

 

CMYK 85 / 0 / 85 / 29

HEX #1CB51C

RGB 28 181 28

HSL 120, 0.73%, 0.41%

LAB 64.47, -63.96, 60.04

 

CMYK 85 / 17 / 0 / 29

HEX #1C96B5

RGB 28 150 181

HSL 192.16, 0.73%, 0.41%

LAB 57.46, -20.6, -25.11

 

CMYK 0 / 85 / 0 / 28

HEX #B71CB7

RGB 183 28 183

HSL 300, 0.73%, 0.41%

LAB 44.68, 73.06, -45.51

 

CMYK 0 / 42 / 85 / 29

HEX #B5691C

RGB 181 105 28

HSL 30.2, 0.73%, 0.41%

LAB 51.85, 24.96, 52.32

 

CMYK 85 / 0 / 85 / 29

HEX #1CB51C

RGB 28 181 28

HSL 120, 0.73%, 0.41%

LAB 64.47, -63.96, 60.04

 

CMYK 85 / 42 / 0 / 29

HEX #1C69B5

RGB 28 105 181

HSL 209.8, 0.73%, 0.41%

LAB 43.78, 5.57, -46.6

 

Description

Color code: HEX #B71CB7 | qconv.com Color code: HEX #B71CB7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 28 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 28 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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