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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B71C66 it is the complementary color #48E399. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B71C66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B71C66 shade: #BC1C61, #CD2E74, #DE4087, #EF529A and #FF64AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B71C66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B71C66 shade: #B71C66, #A60A53, #950040, #84002D and #73001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B71C66 shade: #B51C65, #B51C3C and #B51C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B71C66 shade: #B51C65, #B51C8E, #B21CB5, #891CB5 and #601CB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B71C66 shade matches the following richer shades: #B51C65 and #C60B64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B71C66 shade: #B51C65, #A42D66, #933E67, #824F67 and #716068

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B71C66 shade: #B21CB5, #B51C8F, #B51C66, #B51C3D and #B5241C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B71C66 shade: #6D113D, #911751, #B51C65, #D92279 and #E2428E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B71C66 shade: #B71C66, #B58A1C and #1CA3B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B71C66 shade: #B71C66, #66B51C and #1C66B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B71C66 shade: #B71C66, #B58A1C, #1CB56B and #1C47B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B71C66 shade: #B71C66, #B2B51C, #1CB56B and #1F1CB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 44 / 28

HEX #B71C66

RGB 183 28 102

HSL 331.35, 0.73%, 0.41%

LAB 40.99, 62.94, -1.92

 

Complementary color

CMYK 68 / 0 / 33 / 11

HEX #48E399

RGB 72 227 153

HSL 151.35, 0.73%, 0.59%

LAB 81.08, -57.05, 24.67

 

CMYK 0 / 85 / 48 / 26

HEX #BC1C61

RGB 188 28 97

HSL 334.13, 0.74%, 0.42%

LAB 41.82, 63.75, 2.56

 

CMYK 0 / 78 / 43 / 20

HEX #CD2E74

RGB 205 46 116

HSL 333.58, 0.63%, 0.49%

LAB 47.23, 65.25, -0.96

 

CMYK 0 / 71 / 39 / 13

HEX #DE4087

RGB 222 64 135

HSL 333.04, 0.71%, 0.56%

LAB 52.89, 65.93, -3.77

 

CMYK 0 / 66 / 36 / 6

HEX #EF529A

RGB 239 82 154

HSL 332.48, 0.83%, 0.63%

LAB 58.71, 66.06, -6.05

 

CMYK 0 / 61 / 32 / 0

HEX #FF64AD

RGB 255 100 173

HSL 331.74, 1%, 0.7%

LAB 64.48, 65.54, -8.17

 

CMYK 0 / 85 / 44 / 28

HEX #B71C66

RGB 183 28 102

HSL 331.35, 0.73%, 0.41%

LAB 40.99, 62.94, -1.92

 

CMYK 0 / 94 / 50 / 35

HEX #A60A53

RGB 166 10 83

HSL 331.92, 0.89%, 0.35%

LAB 35.89, 60.24, 2.36

 

CMYK 0 / 100 / 57 / 42

HEX #950040

RGB 149 0 64

HSL 334.23, 1%, 0.29%

LAB 31.25, 56.03, 7.75

 

CMYK 0 / 100 / 66 / 48

HEX #84002D

RGB 132 0 45

HSL 339.55, 1%, 0.26%

LAB 27, 50.6, 14.15

 

CMYK 0 / 100 / 77 / 55

HEX #73001A

RGB 115 0 26

HSL 346.43, 1%, 0.23%

LAB 22.72, 45.21, 20.9

 

CMYK 0 / 85 / 44 / 29

HEX #B51C65

RGB 181 28 101

HSL 331.37, 0.73%, 0.41%

LAB 40.56, 62.35, -1.96

 

CMYK 0 / 85 / 67 / 29

HEX #B51C3C

RGB 181 28 60

HSL 347.45, 0.73%, 0.41%

LAB 39.55, 59.38, 22.63

 

CMYK 0 / 85 / 85 / 29

HEX #B51C1C

RGB 181 28 28

HSL 0, 0.73%, 0.41%

LAB 39.14, 58.15, 41.14

 

CMYK 0 / 85 / 44 / 29

HEX #B51C65

RGB 181 28 101

HSL 331.37, 0.73%, 0.41%

LAB 40.56, 62.35, -1.96

 

CMYK 0 / 85 / 22 / 29

HEX #B51C8E

RGB 181 28 142

HSL 315.29, 0.73%, 0.41%

LAB 42.17, 66.86, -24.96

 

CMYK 2 / 85 / 0 / 29

HEX #B21CB5

RGB 178 28 181

HSL 298.82, 0.73%, 0.41%

LAB 43.7, 71.83, -45.95

 

CMYK 24 / 85 / 0 / 29

HEX #891CB5

RGB 137 28 181

HSL 282.75, 0.73%, 0.41%

LAB 36.9, 64.7, -57.26

 

CMYK 47 / 85 / 0 / 29

HEX #601CB5

RGB 96 28 181

HSL 266.67, 0.73%, 0.41%

LAB 31, 58.78, -67.14

 

CMYK 0 / 85 / 44 / 29

HEX #B51C65

RGB 181 28 101

HSL 331.37, 0.73%, 0.41%

LAB 40.56, 62.35, -1.96

 

CMYK 0 / 94 / 49 / 22

HEX #C60B64

RGB 198 11 100

HSL 331.44, 0.89%, 0.41%

LAB 43.01, 69, 2.65

 

CMYK 0 / 85 / 44 / 29

HEX #B51C65

RGB 181 28 101

HSL 331.37, 0.73%, 0.41%

LAB 40.56, 62.35, -1.96

 

CMYK 0 / 73 / 38 / 36

HEX #A42D66

RGB 164 45 102

HSL 331.26, 0.57%, 0.41%

LAB 39.12, 52.94, -5.08

 

CMYK 0 / 58 / 30 / 42

HEX #933E67

RGB 147 62 103

HSL 331.06, 0.41%, 0.41%

LAB 38.95, 40.41, -6.28

 

CMYK 0 / 39 / 21 / 49

HEX #824F67

RGB 130 79 103

HSL 331.76, 0.24%, 0.41%

LAB 40.11, 25.01, -4.81

 

CMYK 0 / 15 / 8 / 56

HEX #716068

RGB 113 96 104

HSL 331.76, 0.08%, 0.41%

LAB 42.58, 8.34, -2

 

CMYK 2 / 85 / 0 / 29

HEX #B21CB5

RGB 178 28 181

HSL 298.82, 0.73%, 0.41%

LAB 43.7, 71.83, -45.95

 

CMYK 0 / 85 / 21 / 29

HEX #B51C8F

RGB 181 28 143

HSL 314.9, 0.73%, 0.41%

LAB 42.21, 66.99, -25.5

 

CMYK 0 / 85 / 44 / 29

HEX #B51C66

RGB 181 28 102

HSL 330.98, 0.73%, 0.41%

LAB 40.6, 62.44, -2.54

 

CMYK 0 / 85 / 66 / 29

HEX #B51C3D

RGB 181 28 61

HSL 347.06, 0.73%, 0.41%

LAB 39.57, 59.43, 22.02

 

CMYK 0 / 80 / 85 / 29

HEX #B5241C

RGB 181 36 28

HSL 3.14, 0.73%, 0.41%

LAB 39.86, 56.09, 41.8

 

CMYK 0 / 84 / 44 / 57

HEX #6D113D

RGB 109 17 61

HSL 331.3, 0.73%, 0.25%

LAB 23.64, 42.17, -2.3

 

CMYK 0 / 84 / 44 / 43

HEX #911751

RGB 145 23 81

HSL 331.48, 0.73%, 0.33%

LAB 32.32, 52.41, -2.07

 

CMYK 0 / 85 / 44 / 29

HEX #B51C65

RGB 181 28 101

HSL 331.37, 0.73%, 0.41%

LAB 40.56, 62.35, -1.96

 

CMYK 0 / 84 / 44 / 15

HEX #D92279

RGB 217 34 121

HSL 331.48, 0.73%, 0.49%

LAB 48.61, 71.66, -1.73

 

CMYK 0 / 71 / 37 / 11

HEX #E2428E

RGB 226 66 142

HSL 331.5, 0.73%, 0.57%

LAB 54.05, 67.05, -6.15

 

CMYK 0 / 85 / 44 / 28

HEX #B71C66

RGB 183 28 102

HSL 331.35, 0.73%, 0.41%

LAB 40.99, 62.94, -1.92

 

CMYK 0 / 24 / 85 / 29

HEX #B58A1C

RGB 181 138 28

HSL 43.14, 0.73%, 0.41%

LAB 59.97, 6.65, 59.24

 

CMYK 85 / 10 / 0 / 29

HEX #1CA3B5

RGB 28 163 181

HSL 187.06, 0.73%, 0.41%

LAB 61.46, -27.28, -18.99

 

CMYK 0 / 85 / 44 / 28

HEX #B71C66

RGB 183 28 102

HSL 331.35, 0.73%, 0.41%

LAB 40.99, 62.94, -1.92

 

CMYK 44 / 0 / 85 / 29

HEX #66B51C

RGB 102 181 28

HSL 90.98, 0.73%, 0.41%

LAB 66.49, -47.56, 62.6

 

CMYK 85 / 44 / 0 / 29

HEX #1C66B5

RGB 28 102 181

HSL 210.98, 0.73%, 0.41%

LAB 42.89, 7.49, -48.02

 

CMYK 0 / 85 / 44 / 28

HEX #B71C66

RGB 183 28 102

HSL 331.35, 0.73%, 0.41%

LAB 40.99, 62.94, -1.92

 

CMYK 0 / 24 / 85 / 29

HEX #B58A1C

RGB 181 138 28

HSL 43.14, 0.73%, 0.41%

LAB 59.97, 6.65, 59.24

 

CMYK 85 / 0 / 41 / 29

HEX #1CB56B

RGB 28 181 107

HSL 150.98, 0.73%, 0.41%

LAB 65.24, -54.51, 27.33

 

CMYK 85 / 61 / 0 / 29

HEX #1C47B5

RGB 28 71 181

HSL 223.14, 0.73%, 0.41%

LAB 34.17, 27.95, -62.14

 

CMYK 0 / 85 / 44 / 28

HEX #B71C66

RGB 183 28 102

HSL 331.35, 0.73%, 0.41%

LAB 40.99, 62.94, -1.92

 

CMYK 2 / 0 / 85 / 29

HEX #B2B51C

RGB 178 181 28

HSL 61.18, 0.73%, 0.41%

LAB 71.28, -17.51, 68.61

 

CMYK 85 / 0 / 41 / 29

HEX #1CB56B

RGB 28 181 107

HSL 150.98, 0.73%, 0.41%

LAB 65.24, -54.51, 27.33

 

CMYK 83 / 85 / 0 / 29

HEX #1F1CB5

RGB 31 28 181

HSL 241.18, 0.73%, 0.41%

LAB 25.13, 53.28, -77.04

 

Description

Color code: HEX #B71C66 | qconv.com Color code: HEX #B71C66 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 28 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 28 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 44 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 44% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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