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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B71789 it is the complementary color #48E876. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B71789. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B71789 shade: #BC1784, #CD2997, #DE3BAA, #EF4DBD and #FF5FD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B71789. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B71789 shade: #B71789, #A60576, #950063, #840050 and #73003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B71789 shade: #B61688, #B6165D, #B61632 and #B61616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B71789 shade: #B61688, #B616B3, #8D16B6, #6316B6 and #3816B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B71789 shade matches the following richer shades: #B61688 and #C6068F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B71789 shade: #B61688, #A52781, #95377A, #844873 and #74586C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B71789 shade: #8E16B6, #B616B3, #B61688, #B6165E and #B61634

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B71789 shade: #6C0D51, #91126C, #B61688, #DA1BA3 and #E638B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B71789 shade: #B71789, #B66316 and #16B6A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B71789 shade: #B71789, #88B616 and #1688B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B71789 shade: #B71789, #B66316, #16B644 and #1669B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B71789 shade: #B71789, #B69316, #16B644 and #1639B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 25 / 28

HEX #B71789

RGB 183 23 137

HSL 317.25, 0.78%, 0.4%

LAB 41.98, 67.65, -22.17

 

Complementary color

CMYK 69 / 0 / 49 / 9

HEX #48E876

RGB 72 232 118

HSL 137.25, 0.78%, 0.6%

LAB 82.05, -64.95, 43.47

 

CMYK 0 / 88 / 30 / 26

HEX #BC1784

RGB 188 23 132

HSL 320.36, 0.78%, 0.41%

LAB 42.72, 68.16, -17.88

 

CMYK 0 / 80 / 26 / 20

HEX #CD2997

RGB 205 41 151

HSL 319.76, 0.67%, 0.48%

LAB 48.01, 70.33, -21.01

 

CMYK 0 / 73 / 23 / 13

HEX #DE3BAA

RGB 222 59 170

HSL 319.14, 0.71%, 0.55%

LAB 53.56, 71.55, -23.48

 

CMYK 0 / 68 / 21 / 6

HEX #EF4DBD

RGB 239 77 189

HSL 318.52, 0.84%, 0.62%

LAB 59.28, 72.12, -25.45

 

CMYK 0 / 63 / 18 / 0

HEX #FF5FD0

RGB 255 95 208

HSL 317.63, 1%, 0.69%

LAB 64.96, 71.98, -27.29

 

CMYK 0 / 87 / 25 / 28

HEX #B71789

RGB 183 23 137

HSL 317.25, 0.78%, 0.4%

LAB 41.98, 67.65, -22.17

 

CMYK 0 / 97 / 29 / 35

HEX #A60576

RGB 166 5 118

HSL 317.89, 0.94%, 0.34%

LAB 36.97, 64.28, -18.38

 

CMYK 0 / 100 / 34 / 42

HEX #950063

RGB 149 0 99

HSL 320.13, 1%, 0.29%

LAB 32.46, 59.19, -13.5

 

CMYK 0 / 100 / 39 / 48

HEX #840050

RGB 132 0 80

HSL 323.64, 1%, 0.26%

LAB 28.07, 53.42, -8.02

 

CMYK 0 / 100 / 47 / 55

HEX #73003D

RGB 115 0 61

HSL 328.17, 1%, 0.23%

LAB 23.61, 47.58, -2.19

 

CMYK 0 / 88 / 25 / 29

HEX #B61688

RGB 182 22 136

HSL 317.25, 0.78%, 0.4%

LAB 41.68, 67.49, -22.03

 

CMYK 0 / 88 / 49 / 29

HEX #B6165D

RGB 182 22 93

HSL 333.38, 0.78%, 0.4%

LAB 40.1, 63.11, 2.45

 

CMYK 0 / 88 / 73 / 29

HEX #B61632

RGB 182 22 50

HSL 349.5, 0.78%, 0.4%

LAB 39.15, 60.42, 28.44

 

CMYK 0 / 88 / 88 / 29

HEX #B61616

RGB 182 22 22

HSL 0, 0.78%, 0.4%

LAB 38.86, 59.56, 44

 

CMYK 0 / 88 / 25 / 29

HEX #B61688

RGB 182 22 136

HSL 317.25, 0.78%, 0.4%

LAB 41.68, 67.49, -22.03

 

CMYK 0 / 88 / 2 / 29

HEX #B616B3

RGB 182 22 179

HSL 301.13, 0.78%, 0.4%

LAB 43.91, 73.34, -44.4

 

CMYK 23 / 88 / 0 / 29

HEX #8D16B6

RGB 141 22 182

HSL 284.63, 0.78%, 0.4%

LAB 37.14, 66.92, -57.43

 

CMYK 46 / 88 / 0 / 29

HEX #6316B6

RGB 99 22 182

HSL 268.88, 0.78%, 0.4%

LAB 30.89, 61.17, -67.91

 

CMYK 69 / 88 / 0 / 29

HEX #3816B6

RGB 56 22 182

HSL 252.75, 0.78%, 0.4%

LAB 26.13, 57.24, -75.93

 

CMYK 0 / 88 / 25 / 29

HEX #B61688

RGB 182 22 136

HSL 317.25, 0.78%, 0.4%

LAB 41.68, 67.49, -22.03

 

CMYK 0 / 97 / 28 / 22

HEX #C6068F

RGB 198 6 143

HSL 317.19, 0.94%, 0.4%

LAB 44.4, 73.56, -21.85

 

CMYK 0 / 88 / 25 / 29

HEX #B61688

RGB 182 22 136

HSL 317.25, 0.78%, 0.4%

LAB 41.68, 67.49, -22.03

 

CMYK 0 / 76 / 22 / 35

HEX #A52781

RGB 165 39 129

HSL 317.14, 0.62%, 0.4%

LAB 39.64, 58.58, -21.13

 

CMYK 0 / 63 / 18 / 42

HEX #95377A

RGB 149 55 122

HSL 317.23, 0.46%, 0.4%

LAB 38.77, 47.13, -18.36

 

CMYK 0 / 45 / 13 / 48

HEX #844873

RGB 132 72 115

HSL 317, 0.29%, 0.4%

LAB 39.2, 31.82, -13.59

 

CMYK 0 / 24 / 7 / 55

HEX #74586C

RGB 116 88 108

HSL 317.14, 0.14%, 0.4%

LAB 40.86, 15.15, -6.97

 

CMYK 22 / 88 / 0 / 29

HEX #8E16B6

RGB 142 22 182

HSL 285, 0.78%, 0.4%

LAB 37.3, 67.08, -57.16

 

CMYK 0 / 88 / 2 / 29

HEX #B616B3

RGB 182 22 179

HSL 301.13, 0.78%, 0.4%

LAB 43.91, 73.34, -44.4

 

CMYK 0 / 88 / 25 / 29

HEX #B61688

RGB 182 22 136

HSL 317.25, 0.78%, 0.4%

LAB 41.68, 67.49, -22.03

 

CMYK 0 / 88 / 48 / 29

HEX #B6165E

RGB 182 22 94

HSL 333, 0.78%, 0.4%

LAB 40.13, 63.19, 1.85

 

CMYK 0 / 88 / 71 / 29

HEX #B61634

RGB 182 22 52

HSL 348.75, 0.78%, 0.4%

LAB 39.18, 60.51, 27.24

 

CMYK 0 / 88 / 25 / 58

HEX #6C0D51

RGB 108 13 81

HSL 317.05, 0.79%, 0.24%

LAB 23.9, 45.42, -15.52

 

CMYK 0 / 88 / 26 / 43

HEX #91126C

RGB 145 18 108

HSL 317.48, 0.78%, 0.32%

LAB 33, 56.59, -18.53

 

CMYK 0 / 88 / 25 / 29

HEX #B61688

RGB 182 22 136

HSL 317.25, 0.78%, 0.4%

LAB 41.68, 67.49, -22.03

 

CMYK 0 / 88 / 25 / 15

HEX #DA1BA3

RGB 218 27 163

HSL 317.28, 0.78%, 0.48%

LAB 49.9, 77.44, -25.06

 

CMYK 0 / 76 / 22 / 10

HEX #E638B4

RGB 230 56 180

HSL 317.24, 0.78%, 0.56%

LAB 55.02, 75.59, -26.95

 

CMYK 0 / 87 / 25 / 28

HEX #B71789

RGB 183 23 137

HSL 317.25, 0.78%, 0.4%

LAB 41.98, 67.65, -22.17

 

CMYK 0 / 46 / 88 / 29

HEX #B66316

RGB 182 99 22

HSL 28.88, 0.78%, 0.4%

LAB 50.6, 28.51, 53.42

 

CMYK 88 / 0 / 10 / 29

HEX #16B6A3

RGB 22 182 163

HSL 172.88, 0.78%, 0.4%

LAB 66.73, -42.01, -1.09

 

CMYK 0 / 87 / 25 / 28

HEX #B71789

RGB 183 23 137

HSL 317.25, 0.78%, 0.4%

LAB 41.98, 67.65, -22.17

 

CMYK 25 / 0 / 88 / 29

HEX #88B616

RGB 136 182 22

HSL 77.25, 0.78%, 0.4%

LAB 68.57, -35.73, 66.4

 

CMYK 88 / 25 / 0 / 29

HEX #1688B6

RGB 22 136 182

HSL 197.25, 0.78%, 0.4%

LAB 53.12, -13.06, -32.42

 

CMYK 0 / 87 / 25 / 28

HEX #B71789

RGB 183 23 137

HSL 317.25, 0.78%, 0.4%

LAB 41.98, 67.65, -22.17

 

CMYK 0 / 46 / 88 / 29

HEX #B66316

RGB 182 99 22

HSL 28.88, 0.78%, 0.4%

LAB 50.6, 28.51, 53.42

 

CMYK 88 / 0 / 63 / 29

HEX #16B644

RGB 22 182 68

HSL 137.25, 0.78%, 0.4%

LAB 65, -61.45, 46.26

 

CMYK 88 / 42 / 0 / 29

HEX #1669B6

RGB 22 105 182

HSL 208.88, 0.78%, 0.4%

LAB 43.73, 5.51, -47.27

 

CMYK 0 / 87 / 25 / 28

HEX #B71789

RGB 183 23 137

HSL 317.25, 0.78%, 0.4%

LAB 41.98, 67.65, -22.17

 

CMYK 0 / 19 / 88 / 29

HEX #B69316

RGB 182 147 22

HSL 46.88, 0.78%, 0.4%

LAB 62.4, 2.02, 62.87

 

CMYK 88 / 0 / 63 / 29

HEX #16B644

RGB 22 182 68

HSL 137.25, 0.78%, 0.4%

LAB 65, -61.45, 46.26

 

CMYK 88 / 69 / 0 / 29

HEX #1639B6

RGB 22 57 182

HSL 226.88, 0.78%, 0.4%

LAB 30.58, 37.13, -68.63

 

Description

Color code: HEX #B71789 | qconv.com Color code: HEX #B71789 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 23 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 23 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 25 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 25% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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