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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B71474 it is the complementary color #48EB8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B71474. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B71474 shade: #BC146F, #CD2682, #DE3895, #EF4AA8 and #FF5CBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B71474. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B71474 shade: #B71474, #A60261, #95004E, #84003B and #730028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B71474 shade: #B81475, #B81449, #B8141D and #B81414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B71474 shade: #B81475, #B814A1, #A314B8, #7714B8 and #4B14B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B71474 shade matches the following richer shades: #B81475 and #C80477

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B71474 shade: #B81475, #A72572, #97356F, #86466C and #765669

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B71474 shade: #A214B8, #B814A2, #B81476, #B8144B and #B8141F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B71474 shade: #6D0C45, #92105D, #B81475, #DD198C and #E9369F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B71474 shade: #B71474, #B87614 and #14B8B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B71474 shade: #B71474, #76B814 and #1476B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B71474 shade: #B71474, #B87614, #14B856 and #1456B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B71474 shade: #B71474, #B8A714, #14B856 and #1425B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 37 / 28

HEX #B71474

RGB 183 20 116

HSL 324.66, 0.8%, 0.4%

LAB 40.94, 65.82, -10.77

 

Complementary color

CMYK 69 / 0 / 41 / 8

HEX #48EB8B

RGB 72 235 139

HSL 144.66, 0.8%, 0.6%

LAB 83.26, -62.64, 34.7

 

CMYK 0 / 89 / 41 / 26

HEX #BC146F

RGB 188 20 111

HSL 327.5, 0.81%, 0.41%

LAB 41.75, 66.48, -6.33

 

CMYK 0 / 81 / 37 / 20

HEX #CD2682

RGB 205 38 130

HSL 326.95, 0.69%, 0.48%

LAB 46.94, 68.74, -9.94

 

CMYK 0 / 75 / 33 / 13

HEX #DE3895

RGB 222 56 149

HSL 326.39, 0.72%, 0.55%

LAB 52.43, 70.01, -12.81

 

CMYK 0 / 69 / 30 / 6

HEX #EF4AA8

RGB 239 74 168

HSL 325.82, 0.84%, 0.61%

LAB 58.11, 70.59, -15.11

 

CMYK 0 / 64 / 27 / 0

HEX #FF5CBB

RGB 255 92 187

HSL 325.03, 1%, 0.68%

LAB 63.76, 70.44, -17.24

 

CMYK 0 / 89 / 37 / 28

HEX #B71474

RGB 183 20 116

HSL 324.66, 0.8%, 0.4%

LAB 40.94, 65.82, -10.77

 

CMYK 0 / 99 / 42 / 35

HEX #A60261

RGB 166 2 97

HSL 325.24, 0.98%, 0.33%

LAB 36.01, 62.45, -6.5

 

CMYK 0 / 100 / 48 / 42

HEX #95004E

RGB 149 0 78

HSL 328.59, 1%, 0.29%

LAB 31.67, 57.13, -0.95

 

CMYK 0 / 100 / 55 / 48

HEX #84003B

RGB 132 0 59

HSL 333.18, 1%, 0.26%

LAB 27.36, 51.54, 5.08

 

CMYK 0 / 100 / 65 / 55

HEX #730028

RGB 115 0 40

HSL 339.13, 1%, 0.23%

LAB 22.99, 45.94, 11.56

 

CMYK 0 / 89 / 36 / 28

HEX #B81475

RGB 184 20 117

HSL 324.51, 0.8%, 0.4%

LAB 41.18, 66.15, -11.02

 

CMYK 0 / 89 / 60 / 28

HEX #B81449

RGB 184 20 73

HSL 340.61, 0.8%, 0.4%

LAB 39.87, 62.51, 14.92

 

CMYK 0 / 89 / 84 / 28

HEX #B8141D

RGB 184 20 29

HSL 356.71, 0.8%, 0.4%

LAB 39.21, 60.62, 40.91

 

CMYK 0 / 89 / 89 / 28

HEX #B81414

RGB 184 20 20

HSL 0, 0.8%, 0.4%

LAB 39.14, 60.43, 45.35

 

CMYK 0 / 89 / 36 / 28

HEX #B81475

RGB 184 20 117

HSL 324.51, 0.8%, 0.4%

LAB 41.18, 66.15, -11.02

 

CMYK 0 / 89 / 13 / 28

HEX #B814A1

RGB 184 20 161

HSL 308.41, 0.8%, 0.4%

LAB 43.16, 71.45, -34.86

 

CMYK 11 / 89 / 0 / 28

HEX #A314B8

RGB 163 20 184

HSL 292.32, 0.8%, 0.4%

LAB 40.81, 71.18, -52.5

 

CMYK 35 / 89 / 0 / 28

HEX #7714B8

RGB 119 20 184

HSL 276.22, 0.8%, 0.4%

LAB 33.74, 64.59, -64.31

 

CMYK 59 / 89 / 0 / 28

HEX #4B14B8

RGB 75 20 184

HSL 260.12, 0.8%, 0.4%

LAB 28, 59.81, -73.97

 

CMYK 0 / 89 / 36 / 28

HEX #B81475

RGB 184 20 117

HSL 324.51, 0.8%, 0.4%

LAB 41.18, 66.15, -11.02

 

CMYK 0 / 98 / 41 / 22

HEX #C80477

RGB 200 4 119

HSL 324.8, 0.96%, 0.4%

LAB 43.8, 71.72, -8

 

CMYK 0 / 89 / 36 / 28

HEX #B81475

RGB 184 20 117

HSL 324.51, 0.8%, 0.4%

LAB 41.18, 66.15, -11.02

 

CMYK 0 / 78 / 32 / 35

HEX #A72572

RGB 167 37 114

HSL 324.46, 0.64%, 0.4%

LAB 39.16, 57.81, -12.5

 

CMYK 0 / 65 / 26 / 41

HEX #97356F

RGB 151 53 111

HSL 324.49, 0.48%, 0.4%

LAB 38.33, 47.01, -12.16

 

CMYK 0 / 48 / 19 / 47

HEX #86466C

RGB 134 70 108

HSL 324.38, 0.31%, 0.4%

LAB 38.78, 32.44, -9.85

 

CMYK 0 / 27 / 11 / 54

HEX #765669

RGB 118 86 105

HSL 324.38, 0.16%, 0.4%

LAB 40.45, 16.56, -5.7

 

CMYK 12 / 89 / 0 / 28

HEX #A214B8

RGB 162 20 184

HSL 291.95, 0.8%, 0.4%

LAB 40.64, 71.01, -52.78

 

CMYK 0 / 89 / 12 / 28

HEX #B814A2

RGB 184 20 162

HSL 308.05, 0.8%, 0.4%

LAB 43.21, 71.58, -35.37

 

CMYK 0 / 89 / 36 / 28

HEX #B81476

RGB 184 20 118

HSL 324.15, 0.8%, 0.4%

LAB 41.21, 66.26, -11.58

 

CMYK 0 / 89 / 59 / 28

HEX #B8144B

RGB 184 20 75

HSL 339.88, 0.8%, 0.4%

LAB 39.91, 62.64, 13.71

 

CMYK 0 / 89 / 83 / 28

HEX #B8141F

RGB 184 20 31

HSL 355.98, 0.8%, 0.4%

LAB 39.22, 60.67, 39.84

 

CMYK 0 / 89 / 37 / 57

HEX #6D0C45

RGB 109 12 69

HSL 324.74, 0.8%, 0.24%

LAB 23.48, 44.38, -8.01

 

CMYK 0 / 89 / 36 / 43

HEX #92105D

RGB 146 16 93

HSL 324.46, 0.8%, 0.32%

LAB 32.42, 55.46, -9.73

 

CMYK 0 / 89 / 36 / 28

HEX #B81475

RGB 184 20 117

HSL 324.51, 0.8%, 0.4%

LAB 41.18, 66.15, -11.02

 

CMYK 0 / 89 / 37 / 13

HEX #DD198C

RGB 221 25 140

HSL 324.8, 0.8%, 0.48%

LAB 49.45, 75.93, -11.93

 

CMYK 0 / 77 / 32 / 9

HEX #E9369F

RGB 233 54 159

HSL 324.8, 0.8%, 0.56%

LAB 54.52, 74.39, -15.38

 

CMYK 0 / 89 / 37 / 28

HEX #B71474

RGB 183 20 116

HSL 324.66, 0.8%, 0.4%

LAB 40.94, 65.82, -10.77

 

CMYK 0 / 36 / 89 / 28

HEX #B87614

RGB 184 118 20

HSL 35.85, 0.8%, 0.4%

LAB 55.28, 18.89, 57.82

 

CMYK 89 / 0 / 0 / 28

HEX #14B8B8

RGB 20 184 184

HSL 180, 0.8%, 0.4%

LAB 67.94, -36.9, -10.89

 

CMYK 0 / 89 / 37 / 28

HEX #B71474

RGB 183 20 116

HSL 324.66, 0.8%, 0.4%

LAB 40.94, 65.82, -10.77

 

CMYK 36 / 0 / 89 / 28

HEX #76B814

RGB 118 184 20

HSL 84.15, 0.8%, 0.4%

LAB 68.16, -43.5, 66.03

 

CMYK 89 / 36 / 0 / 28

HEX #1476B8

RGB 20 118 184

HSL 204.15, 0.8%, 0.4%

LAB 47.71, -1.91, -42.09

 

CMYK 0 / 89 / 37 / 28

HEX #B71474

RGB 183 20 116

HSL 324.66, 0.8%, 0.4%

LAB 40.94, 65.82, -10.77

 

CMYK 0 / 36 / 89 / 28

HEX #B87614

RGB 184 118 20

HSL 35.85, 0.8%, 0.4%

LAB 55.28, 18.89, 57.82

 

CMYK 89 / 0 / 53 / 28

HEX #14B856

RGB 20 184 86

HSL 144.15, 0.8%, 0.4%

LAB 65.83, -59.8, 38.78

 

CMYK 89 / 53 / 0 / 28

HEX #1456B8

RGB 20 86 184

HSL 215.85, 0.8%, 0.4%

LAB 38.31, 18.57, -57.16

 

CMYK 0 / 89 / 37 / 28

HEX #B71474

RGB 183 20 116

HSL 324.66, 0.8%, 0.4%

LAB 40.94, 65.82, -10.77

 

CMYK 0 / 9 / 89 / 28

HEX #B8A714

RGB 184 167 20

HSL 53.78, 0.8%, 0.4%

LAB 67.93, -7.84, 67.78

 

CMYK 89 / 0 / 53 / 28

HEX #14B856

RGB 20 184 86

HSL 144.15, 0.8%, 0.4%

LAB 65.83, -59.8, 38.78

 

CMYK 89 / 80 / 0 / 28

HEX #1425B8

RGB 20 37 184

HSL 233.78, 0.8%, 0.4%

LAB 26.54, 49.5, -76.5

 

Description

Color code: HEX #B71474 | qconv.com Color code: HEX #B71474 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 20 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 20 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 37 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 37% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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