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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B71080 it is the complementary color #48EF7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B71080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B71080 shade: #BC107B, #CD228E, #DE34A1, #EF46B4 and #FF58C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B71080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B71080 shade: #B71080, #A6006D, #95005A, #840047 and #730034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B71080 shade: #B71080, #B71053, #B71026 and #B71010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B71080 shade: #B71080, #B710AD, #9410B7, #6710B7 and #3A10B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B71080 shade matches the following richer shades: #B71080

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B71080 shade: #B71080, #A7207A, #973075, #87406F and #77506A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B71080 shade: #9310B7, #B710AF, #B71082, #B71056 and #B71029

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B71080 shade: #6B094B, #910D65, #B71080, #DD139B and #ED2DAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B71080 shade: #B71080, #B76610 and #10B7A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B71080 shade: #B71080, #82B710 and #1082B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B71080 shade: #B71080, #B76610, #10B745 and #1061B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B71080 shade: #B71080, #B79810, #10B745 and #102FB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 30 / 28

HEX #B71080

RGB 183 16 128

HSL 319.76, 0.84%, 0.39%

LAB 41.21, 67.71, -17.81

 

Complementary color

CMYK 70 / 0 / 47 / 6

HEX #48EF7F

RGB 72 239 127

HSL 139.76, 0.84%, 0.61%

LAB 84.3, -66.03, 41.95

 

CMYK 0 / 91 / 35 / 26

HEX #BC107B

RGB 188 16 123

HSL 322.67, 0.84%, 0.4%

LAB 41.99, 68.26, -13.44

 

CMYK 0 / 83 / 31 / 20

HEX #CD228E

RGB 205 34 142

HSL 322.11, 0.72%, 0.47%

LAB 47.07, 70.93, -17.03

 

CMYK 0 / 77 / 27 / 13

HEX #DE34A1

RGB 222 52 161

HSL 321.53, 0.72%, 0.54%

LAB 52.46, 72.55, -19.86

 

CMYK 0 / 71 / 25 / 6

HEX #EF46B4

RGB 239 70 180

HSL 320.95, 0.84%, 0.61%

LAB 58.06, 73.4, -22.14

 

CMYK 0 / 65 / 22 / 0

HEX #FF58C7

RGB 255 88 199

HSL 320.12, 1%, 0.67%

LAB 63.64, 73.47, -24.23

 

CMYK 0 / 91 / 30 / 28

HEX #B71080

RGB 183 16 128

HSL 319.76, 0.84%, 0.39%

LAB 41.21, 67.71, -17.81

 

CMYK 0 / 100 / 34 / 35

HEX #A6006D

RGB 166 0 109

HSL 320.6, 1%, 0.33%

LAB 36.39, 63.89, -13.59

 

CMYK 0 / 100 / 40 / 42

HEX #95005A

RGB 149 0 90

HSL 323.76, 1%, 0.29%

LAB 32.1, 58.25, -8.2

 

CMYK 0 / 100 / 46 / 48

HEX #840047

RGB 132 0 71

HSL 327.73, 1%, 0.26%

LAB 27.74, 52.55, -2.49

 

CMYK 0 / 100 / 55 / 55

HEX #730034

RGB 115 0 52

HSL 332.87, 1%, 0.23%

LAB 23.31, 46.8, 3.62

 

CMYK 0 / 91 / 30 / 28

HEX #B71080

RGB 183 16 128

HSL 319.76, 0.84%, 0.39%

LAB 41.21, 67.71, -17.81

 

CMYK 0 / 91 / 55 / 28

HEX #B71053

RGB 183 16 83

HSL 335.93, 0.84%, 0.39%

LAB 39.69, 63.56, 8.26

 

CMYK 0 / 91 / 79 / 28

HEX #B71026

RGB 183 16 38

HSL 352.1, 0.84%, 0.39%

LAB 38.86, 61.24, 35.43

 

CMYK 0 / 91 / 91 / 28

HEX #B71010

RGB 183 16 16

HSL 0, 0.84%, 0.39%

LAB 38.68, 60.74, 46.68

 

CMYK 0 / 91 / 30 / 28

HEX #B71080

RGB 183 16 128

HSL 319.76, 0.84%, 0.39%

LAB 41.21, 67.71, -17.81

 

CMYK 0 / 91 / 5 / 28

HEX #B710AD

RGB 183 16 173

HSL 303.59, 0.84%, 0.39%

LAB 43.44, 73.51, -41.58

 

CMYK 19 / 91 / 0 / 28

HEX #9410B7

RGB 148 16 183

HSL 287.43, 0.84%, 0.39%

LAB 38, 69.27, -56.59

 

CMYK 44 / 91 / 0 / 28

HEX #6710B7

RGB 103 16 183

HSL 271.26, 0.84%, 0.39%

LAB 31.05, 63.29, -68.22

 

CMYK 68 / 91 / 0 / 28

HEX #3A10B7

RGB 58 16 183

HSL 255.09, 0.84%, 0.39%

LAB 25.83, 59.44, -77.02

 

CMYK 0 / 91 / 30 / 28

HEX #B71080

RGB 183 16 128

HSL 319.76, 0.84%, 0.39%

LAB 41.21, 67.71, -17.81

 

CMYK 0 / 91 / 30 / 28

HEX #B71080

RGB 183 16 128

HSL 319.76, 0.84%, 0.39%

LAB 41.21, 67.71, -17.81

 

CMYK 0 / 81 / 27 / 35

HEX #A7207A

RGB 167 32 122

HSL 320, 0.68%, 0.39%

LAB 38.99, 60.2, -17.76

 

CMYK 0 / 68 / 23 / 41

HEX #973075

RGB 151 48 117

HSL 319.81, 0.52%, 0.39%

LAB 37.8, 49.97, -16.71

 

CMYK 0 / 53 / 18 / 47

HEX #87406F

RGB 135 64 111

HSL 320.28, 0.36%, 0.39%

LAB 37.78, 36.54, -13.23

 

CMYK 0 / 33 / 11 / 53

HEX #77506A

RGB 119 80 106

HSL 320, 0.2%, 0.39%

LAB 39.07, 20.76, -8.37

 

CMYK 20 / 91 / 0 / 28

HEX #9310B7

RGB 147 16 183

HSL 287.07, 0.84%, 0.39%

LAB 37.83, 69.12, -56.86

 

CMYK 0 / 91 / 4 / 28

HEX #B710AF

RGB 183 16 175

HSL 302.87, 0.84%, 0.39%

LAB 43.56, 73.8, -42.59

 

CMYK 0 / 91 / 29 / 28

HEX #B71082

RGB 183 16 130

HSL 319.04, 0.84%, 0.39%

LAB 41.29, 67.94, -18.92

 

CMYK 0 / 91 / 53 / 28

HEX #B71056

RGB 183 16 86

HSL 334.85, 0.84%, 0.39%

LAB 39.76, 63.78, 6.45

 

CMYK 0 / 91 / 78 / 28

HEX #B71029

RGB 183 16 41

HSL 351.02, 0.84%, 0.39%

LAB 38.89, 61.34, 33.69

 

CMYK 0 / 92 / 30 / 58

HEX #6B094B

RGB 107 9 75

HSL 319.59, 0.84%, 0.23%

LAB 23.1, 45.27, -12.72

 

CMYK 0 / 91 / 30 / 43

HEX #910D65

RGB 145 13 101

HSL 320, 0.84%, 0.31%

LAB 32.36, 56.66, -15.01

 

CMYK 0 / 91 / 30 / 28

HEX #B71080

RGB 183 16 128

HSL 319.76, 0.84%, 0.39%

LAB 41.21, 67.71, -17.81

 

CMYK 0 / 91 / 30 / 13

HEX #DD139B

RGB 221 19 155

HSL 319.6, 0.84%, 0.47%

LAB 49.74, 78.28, -20.49

 

CMYK 0 / 81 / 27 / 7

HEX #ED2DAD

RGB 237 45 173

HSL 320, 0.84%, 0.55%

LAB 54.97, 79.15, -22.84

 

CMYK 0 / 91 / 30 / 28

HEX #B71080

RGB 183 16 128

HSL 319.76, 0.84%, 0.39%

LAB 41.21, 67.71, -17.81

 

CMYK 0 / 44 / 91 / 28

HEX #B76610

RGB 183 102 16

HSL 30.9, 0.84%, 0.39%

LAB 51.39, 27.18, 55.85

 

CMYK 91 / 0 / 8 / 28

HEX #10B7A9

RGB 16 183 169

HSL 174.97, 0.84%, 0.39%

LAB 67.16, -41.06, -3.77

 

CMYK 0 / 91 / 30 / 28

HEX #B71080

RGB 183 16 128

HSL 319.76, 0.84%, 0.39%

LAB 41.21, 67.71, -17.81

 

CMYK 29 / 0 / 91 / 28

HEX #82B710

RGB 130 183 16

HSL 79.04, 0.84%, 0.39%

LAB 68.5, -38.67, 67.25

 

CMYK 91 / 29 / 0 / 28

HEX #1082B7

RGB 16 130 183

HSL 199.04, 0.84%, 0.39%

LAB 51.26, -9.63, -35.91

 

CMYK 0 / 91 / 30 / 28

HEX #B71080

RGB 183 16 128

HSL 319.76, 0.84%, 0.39%

LAB 41.21, 67.71, -17.81

 

CMYK 0 / 44 / 91 / 28

HEX #B76610

RGB 183 102 16

HSL 30.9, 0.84%, 0.39%

LAB 51.39, 27.18, 55.85

 

CMYK 91 / 0 / 62 / 28

HEX #10B745

RGB 16 183 69

HSL 139.04, 0.84%, 0.39%

LAB 65.28, -62.06, 46.13

 

CMYK 91 / 47 / 0 / 28

HEX #1061B7

RGB 16 97 183

HSL 210.9, 0.84%, 0.39%

LAB 41.34, 10.69, -51.69

 

CMYK 0 / 91 / 30 / 28

HEX #B71080

RGB 183 16 128

HSL 319.76, 0.84%, 0.39%

LAB 41.21, 67.71, -17.81

 

CMYK 0 / 17 / 91 / 28

HEX #B79810

RGB 183 152 16

HSL 48.86, 0.84%, 0.39%

LAB 63.8, -0.36, 65.27

 

CMYK 91 / 0 / 62 / 28

HEX #10B745

RGB 16 183 69

HSL 139.04, 0.84%, 0.39%

LAB 65.28, -62.06, 46.13

 

CMYK 91 / 74 / 0 / 28

HEX #102FB7

RGB 16 47 183

HSL 228.86, 0.84%, 0.39%

LAB 28.28, 43.42, -73.03

 

Description

Color code: HEX #B71080 | qconv.com Color code: HEX #B71080 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 16 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 16 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 30 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 30% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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